DOCSLIB.ORG

UNION NEWS No

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
UNION NEWS No Friday, February 10th, 1967 UNION NEWS No. 321 Price 3d. STRAW H E A D S POLL EXEC IN BRIEF —The first part of Exec, met in camera to discuss the pro­ posed student shop on the on the campus. AFTER DISPUTE * * * —Decided that Rag Ball should By the NEWS EDITORS be held on Thursday, 22nd June. Rag Chairman Brian Glover was dissatisfied and T ACK STRAW is to be next session’s President pressed for a Friday. He came top of the polls with a majority of 558 ❖ * * over his nearest rival, Union Treasurer Ian McNay. —Heard a complaint about the After t h e result was ladies’ hair dryer in the Union. announced, Jack Straw said he 1. The Committee considers Ladies complained that their was “both pleased and relieved” that Ian McNay is in no way long hair got “sucked up and that it was all over. “I hope 1 responsible for the publica­ burned.” shall be able to justify the tions in LEWD and on the * * * Houldsworth Society notice —Discussed the possibility of confidence the Union has put board concerning the Presi­ a mural in the bar. in me.” dential elections of the * * ❖ Runner-up Ian McNay com­ Union. mented: “If that’s what they 2. The Committee has decided, —Heard a request to include want, that’s what they’ve got, therefore, that no action be Ghost investigation into the and now I can settle down to taken against Ian McNay proposed Unidentified Flying finding a job. I believe they concerning these infringe­ Objects Society. should either allow publicising ments of the regulations. or make firm legislation and 3. The Committee recommends make sure that everyone knows that disciplinary action be about it.” taken against STAFF CHANGES The result was announced (a) Mr. F. Johnson; SONIA KRUKS fias shortly before 3 p.m., later than (b) The Editor of LEWD replaced DAYE expected, because of a dispute magazine; about the handling of the WILLIAMS as Editor. (c) Mr. J. Popplewell, Presi­ campaign. dent of the Houldsworth The following appoint­ An emergency meeting of Society. ments have also been made: Exec, had to be called on The Committee recognises that GERRY LEVY as Assis­ Wednesday morning to consider this infringement may have some tant Editor a charge of illegal electioneering influence on the result of the REG GRATTON as in the Presidential campaign. election. This decision was Features Editor Counting of the votes was held unanimous, DAVE ROWLANDS as up until the matter had been President Mervyn Saunders settled. said about the dispute: “It was Sports Editor Exec, met in camera at a\\ very unfortunate, but I am SEAN MALONEY as 10 a.m. after complaints had veiy gja(j that the matter has Business Manager been made to the Returning been settled amicably. The job and SANDRA TOBY as Officer, Mr. Blood. of President requires a lot of Business Secretary. They issued the following stamina; I hope Jack has The Union Polling Booth during the election in which Jack Straw, Vice-President statement at noon : enough!”. (below), was elected President for next session. RUSSIAN STUDENTS VISIT LEEDS ACADEMIC SHUTDOWN BACKED BY A.G.M. rn HE ANNUAL GENERAL MEETING gave the lecture boycott the go-ahead yesterday afternoon. entire Exec., that the University should hint its intake of stu­ The voting was 585 for, 35 against, with 24 abstentions. dents with suitable accommoda­ tion was available for them, was Commenting on the success passed unanimously. of the lobby, President Mervyn N.U.S. President Geoff Martin Saunders spoke of the lack of said that he spoke to Mr. “It is time that someone took information of M.P.s “We Crosland on Wednesday night. a firm stand on the issue, and must show contempt for Mr. “He was unwilling to reverse forced the U.G.C. to make Crosland’s decision, and show the decision which had been sufficient money available for the taken by the Cabinet, purpose,” said Phil Holmes. “We that we, the students, can be must not accept compromises decisive and responsible. although he showed himself to be utterly ignorant of the leading to lower standards of “Eight hundred foreign stu­ facts and figures inbolved.” accommodation.” dents of our own University will be affected, and responsible In opposition, it was suggested The Halls of Residence Sub- student action, including the that “Whitehall will merely laugh Committee and the Lodgings boycott, petition, and teach-ins, and the Press and public Sub-Committee have already RESULTS:— with the complete support of the opinion will be against us.” supported this at the joint academic staff, including the This was refuted on the meeting of Senate and Council. STRAW ................ 1,090 Vice-Chancellor, can harm no grounds that the weight of M cNAY ................ 532 academic approval, providing KENT .................... 260 one.” students behave responsibly, Continued on page 12 Miss Svetlana Smirnova, one of the Russian students would lend respectability to the GRUNDY ............ 169 action. who visited Leeds this week. The Secretary of the Afro- Photo by Pete Crossley Asian Society, Miss Stella Njoku, N.U.S. BREAK spoke of the appreciation of the A PARTY of 25 students from all parts of the Soviet overseas students for any action Union visited the Union this week as part of an HE N.UJS. Executive is to that might be taken, and George educational visit to this country, arranged jointly by T send out a note to all Heron, the Overseas Secretary, LE Universities and Colleges who emphasised how difficult and NUS and SPUTNIK, and how silly it would be to try to m akin g thedifficulty in making thedifficulty belong to N.UJS., dissociating make overseas students seem sponsored by the British arrangements. itself from the R.S.A. welcome: PHO m GRAPHE Council. RETICENT The decision was taken after “When not just a few land­ In Leeds, they visited the Most of the students talked a meeting of the Exec, in ladies or students practised WHERE THE ACTION IS University farm, Burton’s freely on such topics as Uni­ London yesterday. Roger racial discrimination, but the clothing factory, a discotheque, British Government would versity life but when questioned Lyons, who attended the seem to make it their policy.” EVERY NIGHT OF THE W EEK and a typical Hyde Park pub. on politics and the Chinese foundation meeting of R.S.A. The Vice-Chancellor and the situation in particular, the last weekend, was the only “Mr. Crosland seems totally Lord Mayor both gave recep­ unaware of the significance of visitors proved reticent. member not in favour of the what he is doing,” concluded tions and the Russian Dept, However, the interest in the letter. and the Union gave parties. Mervyn, “and concerted student pub and discotheque visits was action is the only effective way 16 MERRION CENTRE Miss Svetlana Smirnova, great. “Russian students have Geoffrey Martin, President to bring the point home, and from the Scientific Research their own clubs, where they can of N.UJS., made it clear that we have the promise of many Institute in Moscow, said listen to records and play chess, there is no question of dis­ other Students’ Unions that this that her first impressions of but I think your clubs will be missing R.S.A. members from will be a national boycott.” LEEDS England were very good. different,” said Miss Smirnova. Of the 60 places offered to N.U.S., although he considered (TOP OF MOVING STAIRS) She added that she had British students on the return that the Alliance was sub­ ACCOMMODATION chosen to visit England and exchange, 21 have been gained verting what the N.U.S. was Ladies’ Vice-President Carol she had experienced no by Leeds students. trying to achieve. Ball’s motion, supported by the 2 UNION NEWS — Frida/, 10th February, 1967 UNION NEWS INDEPENDENT CRITICISM WEEKLY NEWSPAPER OF LEEDS UNIVERSITY UNION EAR SIR, independent of the opinions of the NUS Telephone 39071 (Ext 39) D President—and critical when it is useful Student News is not Geoff Martin’s to be critical. I would have thought the newspaper. (Your leader of 27th January opinions and contents of Student News No. 321 Friday, February 10th, 1967 addresses Geoff Martin, NUS President, in the past few months show this. and tells him “ don’t complain in your Geoff Martin is neither Mao Tse Tung newspaper.............” .) nor Beaverbrook, and I am employed as Geoff Martin neither writes nor decides an Editor, neither propagandist nor the contents of Student News. This lackey. comment to which you refer is not Geoff Yours sincerely, Martin complaining but is the opinion of MICHAEL LOCKE Student (slews. Editor of STRIKE Student News is expected to be STUDENT NEWS. HP HE NATIONAL STUDENT STRIKE called for the 22nd of February will undoubtedly be a success. Most students will NOTE TO CANDIDATES need no encouragement to miss their lectures, especially when this STANDING IN action has the tacit support of the university authorities. 1967 ELECTIONS We hope that the strike will be more than just an excuse to have a day off. As the meeting of student leaders at Leeds on Wednesday stated, ‘where non-attendance at lectures takes place, At their meeting held on 16th January, 1967 the it should be devoted to a public campaign on this question.’ Union Committee passed a Bye-Law which re ad s: A strike will be meaningless without some sort of action to 5(b) "Canvassing or publicity outside paragraphs accompany it. What this action will be (or, indeed, whether the 2 and 5(a) shall be forbidden at the discre­ strike is definitely on) has yet to be decided (see news story).
Load more

Recommended publications
  • The History of Rock, a Monthly Magazine That Reaps the Benefits of Their Extraordinary Journalism for the Reader Decades Later, One Year at a Time
    L 1 A MONTHLY TRIP THROUGH MUSIC'S GOLDEN YEARS THIS ISSUE:1969 STARRING... THE ROLLING STONES "It's going to blow your mind!" CROSBY, STILLS & NASH SIMON & GARFUNKEL THE BEATLES LED ZEPPELIN FRANK ZAPPA DAVID BOWIE THE WHO BOB DYLAN eo.ft - ink L, PLUS! LEE PERRY I B H CREE CE BEEFHE RT+NINA SIMONE 1969 No H NgWOMI WI PIK IM Melody Maker S BLAST ..'.7...,=1SUPUNIAN ION JONES ;. , ter_ Bard PUN FIRS1tintFaBil FROM 111111 TY SNOW Welcome to i AWORD MUCH in use this year is "heavy". It might apply to the weight of your take on the blues, as with Fleetwood Mac or Led Zeppelin. It might mean the originality of Jethro Tull or King Crimson. It might equally apply to an individual- to Eric Clapton, for example, The Beatles are the saints of the 1960s, and George Harrison an especially "heavy person". This year, heavy people flock together. Clapton and Steve Winwood join up in Blind Faith. Steve Marriott and Pete Frampton meet in Humble Pie. Crosby, Stills and Nash admit a new member, Neil Young. Supergroups, or more informal supersessions, serve as musical summit meetings for those who are reluctant to have theirwork tied down by the now antiquated notion of the "group". Trouble of one kind or another this year awaits the leading examples of this classic formation. Our cover stars The Rolling Stones this year part company with founder member Brian Jones. The Beatles, too, are changing - how, John Lennon wonders, can the group hope to contain three contributing writers? The Beatles diversification has become problematic.
    [Show full text]
  • The Pentatonic Scale D
    What (is) the Blues? Akram Najjar You can download this Presentation + the List of Clips to be played at karazwlaimoon.com All Clips are found on YouTube 2 / 49 Apologies – Time is the Constraint . If your favorite blues singer is not featured If some clips are not completed The talk should finish at 8:30 --- But I will go on till the last person leaves 3 / 49 Why “Blues” ? Both Sources “Unconvincing” Origin 1: 17th-century English expression “the blue devils” Intense visual hallucinations that can accompany alcohol withdrawal. The blues came to mean a state of agitation or depression. “Blue” was slang for “drunk” by the 1800s. Also “blue laws” still prohibit Sunday alcohol sales in some of the United States Origin 2: derived from mysticism involving “blue indigo” Used by West Africans in mourning ceremonies Mourners’ garments were dyed blue to indicate suffering Associated with indigo plant in southern US slave plantations and with West African slaves who sang of suffering 50s Blues and the Rhythm and Rock n’ Blues Roll Evolution of Early Soul / Pop / 30s Latin / Country Jazz and Pop Boogie Woogie Honky Brass Band Tonk Marches 20s Ragtime Stride Early Spirituals Jazz (Sacred) 20s African Music Blues So What Makes a Song a Blues Song? Four Major Features A. African Musical Practices B. Musical Practices developed by the “Slaves” in Southern USA (under European influence) C. The Blue Scale, Blue Notes and the Pentatonic Scale D. The 12 Bar Song Notice: we did not include the mood as a feature Not every sad song is blue And
    [Show full text]
  • GILDART, KEITH. Images of England Through Popular Music. Class
    336 Book Reviews GILDART,KEITH. Images of England through Popular Music. Class, Youth and Rock ’n’ Roll, 1955–1976. Palgrave MacMillan, Basingstoke [etc.] 2013. ix, 209 pp. £55.00; $85.00. doi:10.1017/S0020859014000273 Keith Gildart’s Images of England places popular music centre-stage in its exploration of class, youth, and social change between the mid-1950s and mid-1970s. Popular music is defined as American rock and roll and rhythm and blues because these soundscapes most profoundly influenced the collective and personal identities of young people. They per- meated the everyday lives of individuals like the ‘‘Lemon Drop Kid’’, a young Lancashire miner from Wigan, whose vivid memories as a performer and consumer of rock and roll preface the book and whose photograph, playing in a band in Bolton in the early 1960s, is on its front cover. Gildart evokes popular music as both a personal escape for the likes of the ‘‘Lemon Drop Kid’’ and a signpost of new social and cultural directions, which in affirming a sense of locality and class identity also contests the ‘‘myth’’ of classless youth and the notion that postwar affluence weakened class-consciousness. Popular and theoretical accounts tend to dominate studies of popular music in the postwar period and Images of England is a welcome addition to a small but growing literature by social historians. It aims to historicize theoretical approaches pioneered by the Birmingham Centre for Contemporary Cultural Studies (CCCS), whose emphases on culture and music as sites of working-class struggle and resistance inform the book’s detailed empirical studies.
    [Show full text]
  • Het Beste Van Leo Derksen Gratis Epub, Ebook
    HET BESTE VAN LEO DERKSEN GRATIS Auteur: Derksen Aantal pagina's: 320 pagina's Verschijningsdatum: none Uitgever: none EAN: 9789045302027 Taal: nl Link: Download hier Johan Derksen E-mailadres herhalen. Nieuwsbrief Stuur mij de Boekwinkeltjes nieuwsbrief. Een ogenblik geduld Ik bestel deze titel nu! Op het bezoeken van onze website, zo ook het plaatsen van een bestelling, zijn onze Algemene voorwaarden van toepassing. Uw vraag. Verstuur mijn vraag. Alle boeken zijn compleet en verkeren in normale antiquarische staat, tenzij anders beschreven. Kleine onvolkomenheden, zoals een ingeplakte ex-libris of een naam op het schutblad, zijn niet altijd vermeld U handelt deze order direct af met De Olde Jan Na uw bestelling ontvangen u en De Olde Jan een bevestiging per e-mail. In de e-mail staan de naam, adres, woonplaats en telefoonnummer van De Olde Jan vermeld De Koper betaalt de verzendkosten, tenzij anders overeen gekomen De Olde Jan kan betaling vooraf vragen Boekwinkeltjes. Als u een geschil hebt met één of meer gebruikers, dient u dit zelf op te lossen. U vrijwaart Boekwinkeltjes. Onthoud mijn gegevens. Besteld, hoe nu verder? Alle rechten voorbehouden. Switch language Algemene voorwaarden Privacy en cookies Contact. Wim Wal gvn te Uithoorn. Het Beste Van Leo Derksen.. Dit boek bevat een selectie van zijn columns die de afgelopen 15 jaar in De Telegraaf zijn verschenen. Bruce Springsteen, Patty Griffin en Them. Uiteraard komen hier ook allerlei kerst hits voorbij! Lekker uitbuiken na het diner en luisteren naar Kerst met Derksen. Album van de week is van The Who. Als rode draad loopt Bryan Lee door het programma.
    [Show full text]
  • The Fastest Fingers on Planet Bass!
    119 KILLER BASS CENTRE, CARVIN, ASHDOWN, SCHECTER, DIAMOND AND PIGTRONIX GEAR ON TEST! Issue 119 July 2015 July 2015 Issue 119 Stuart Hamm | Bill Wyman | Wolfgang Van Halen | Markus Grosskopf, Helloween | Grog Rox, Die So Fluid | Cody Wright | Nigel Harrison, Blondie | Daniel Firth, Cradle Of Filth | Bass Centre Bill Wyman Signature | Carvin Brian Bromberg | Ashdown CTM-100 and CL-410 | Schecter Stealth and Vintage | Diamond Halo chorus pedal Pigtronix FX range Vintage CTM-100 and CL-410 | Schecter Stealth Ashdown Signature | Carvin Brian Bromberg Wyman | Bass Centre Bill Cradle Of Filth Blondie | Daniel Firth, Wright | Nigel Harrison, Die So Fluid | Cody | Grog Rox, Helloween Halen | Markus Grosskopf, Van Wolfgang | Wyman Stuart Hamm | Bill BILL WYMAN WOLFGANG VAN HALEN MARKUS GROSSKOPF HELLOWEEN GROG ROX STUART DIE SO FLUID CODY WRIGHT NIGEL HARRISON BLONDIE HAMM DANIEL FIRTH THE FASTEST CRADLE OF FILTH FINGERS ON PLANET BASS! www.bassguitarmagazine.com UK £4.35 Issue 119 July 2015 19 9771476 521054 > stone immaculate 028 BASS GUITAR MAGAZINE 028-030 Wyman_rev2_NR.indd 28 17/06/2015 13:54 BASSISTS BILL WYMAN Sometime Rolling Stone Bill Wyman returns with a new album and signature bass. Paul Trynka asks the sticky-fingered questions Photography by Judy Totton here’s no place like home. While an upbeat, positive vibe. The optimistic feel denotes his ex-bandmates head for the something of a renaissance for the 78-year-old, who has stadia of North America, Bill three young daughters – one of whom, Matilda, helped Wyman has been busy in his audition the new material along with her friends: “I basement – where he cooked up thought they’d like the newer, more uptempo stuff, but T his aptly-named Back To Basics, it turns out they like blues.
    [Show full text]
  • Georgie Fame
    Georgie Fame Born on 26th June 1943 in the industrial town of Leigh, Lancashire, his interest in music grew from family entertainment “sessions” at home and musical evenings in the church hall across the street, where his father played in an amateur dance band. Although he took piano lessons for a short time at the age of seven, it wasn’t until the advent of rock’n’roll on radio during the mid-fifties that young Georgie began to take the family piano seriously. Fats Domino, Jerry Lee Lewis and Little Richard were among his catalysts. Upon leaving school, shortly after his fifteenth birthday, he followed the family tradition and took a job as an apprentice cotton weaver in one of the many local mills. Leisure time, however, was spent playing piano in various pubs and with a local group, “The Dominoes”. In July 1959, at a summer holiday camp, Georgie was spotted by Rory Blackwell, the resident rock’n’roll bandleader, who offered the young singer/pianist a full time job. Goodbye, weaving shed. Rory and the Blackjacks departed for London, their hometown, when the summer season ended prematurely and Georgie went with them. The promised glamorous work did not materialise and the band broke up, but the determined young man from Leigh eventually took up a solo residency at The Essex Arms pub in London’s Dockland, where the kindly landlord provided a room to sleep in. In October of that year, the Marty Wilde Show was performing at the Lewisham Gaumont and Rory Blackwell arranged for Georgie to audition “live” for impressario Larry Parnes.
    [Show full text]
  • Mick Taylor © Felix Aeppli 07-2020 / 08-2021
    Blues Breaker Mick Taylor © Felix Aeppli 07-2020 / 08-2021 5001 January 17, 1949 (not 1948) Born in Welwyn Garden City, Hertfordshire: Michael Kevin (not James) Taylor. 5001A 1963 Hatfield, Hertfordshire, or London: THE STRANGERS, MEET THE STRANGERS (One-sided 10" acetate, 1963): 1. A Picture Of You (Beveridge, Oakman), 2. The Cruel Sea (Maxfield), 3. It’ll Be Me (Clement), 4. Saturday Night At The Duck Pond (Owen, based on a section from Tchaikovsky's Swan Lake) MT, Alan Shacklock: guitar; Malcolm Collins: vocals (1, 3); John Glass (later Glascock): bass; Brian Glass (later Glascock): drums. 5001B 1964 Hatfield, Hertfordshire, or London: THE JUNIORS, Single (Columbia DB 7339 [UK], Aug. 1964); MADE IN ENGLAND VOL. 2 – BRITISH BEAT SPECIAL 1964 - 69 (LCD 25-2, CD [France], Spring, 2000): 1. There’s A Pretty Girl (Webb), 2. Pocket Size (White) MT, Alan Shacklock: guitar; Malcolm Collins: vocals; John Glass (later Glascock): bass; Brian Glass (later Glascock): drums. 5002 May, 1967 Probably London THE GODS (THOR, HERMES, OLMPUS, MARS), Single (Polydor 56168 [UK], June, 1967): 1. Come On Down To My Boat Baby (Farrell, Goldstein), 2. Garage Man (Hensley) NOTES: Cuts 1, 2: MT’s participation in this session is very much open to speculation and his own interviews on the subject are full of contradictions; most likely MT had taken part in some live shows, but he never was in THE GODS’ actual line-up (Lee Kerslake: guitar; Ken Hensley: organ, vocals; John Glascock: bass, back-up vocals; Brian Glascock, perhaps alternating with Lee Kerslake: drums); – Nor is MT identical with MICK TAYLOR playing guitar and singing on a Single (CBS 201770 [UK], June, 1965), London Town, Hoboin’ (both Taylor - produced by Jimmy Duncan and Peter Eden); or involved in Cockleshells (Taylor), a track recorded by MARIANNE FAITHFULL (NORTH COUNTRY MAID, Decca LK 4778 [UK], Feb.
    [Show full text]
  • Přírůstkový Seznam
    Blues & Blues Rock, Modern Electric Blues, Acoustic Blues ~60' ~ 00' ... 32 110 CD Allison, Bernard In the mix 10. léta 21. stol. 23 397 CD Allison, Luther Pay it forward : Luther Allison and friends Marla Glen, Joanna Connor 80. -90.léta 20. stol 32 711 CD Allman, Devon Ragged & dirty 10. léta 21. stol. Eric Clapton, James Cotton, Lonnie Donegan, Keith Memories of my trip Emerson, Rory Gallagher, Jeff Healey, Mark Knopfler, 50. -90. léta 20. stol., 31 758 CD 2 Barber, Chris (dále viz jazz) : blues, jazz & gospel Van Morrison, John Slaughter, Brownie McGhee, Sonny 10. léta 21. stol. Terry, Muddy Waters 32 356 CD Barnes, Mahalia Ooh Yea! The Betty Davis songbook Joe Bonamassa 10. léta 21. stol. 22 003 CD BBM (G.Baker, J.Bruce, G.Moore) Around the next dream Ginger Baker, Jack Bruce, Gary Moore 90. léta 20. stol. Debbie Davies, Kenny Neal, Bruce Katz, Rod Carey, CD 90. léta 20. stol. 22 033 Benoit / Davies / Neal Homesick for the road Per Hanson, Raful Neal 30 458 CD Benoit, Tab Power of the pontchartrain 10. léta 21. stol. 30 332 CD Bibb, Eric Booker's guitar 10. léta 21. stol. 30 333 CD Bibb, Eric Deeper in the well 10. léta 21. stol. 30 421 CD Bibb, Eric Diamond days 10. léta 21. stol. 28 144 CD Bibb, Eric Friends Taj Mahal, Odetta, Guy Davis 10. léta 21. stol. 23 410 CD Bibb, Eric Painting signs Wilson Pickett, Linda Tillery, Elouise Burrell, Dave Bronze 10. léta 21. stol. 30 459 CD Bibb, Eric Sisters & brothers 10.
    [Show full text]
  • [email protected] Nightshift.Oxfordmusic.Net Free Every Month NIGHTSHIFT Issue 225 April Oxford’S Music Magazine 2014
    [email protected] nightshift.oxfordmusic.net Free every month NIGHTSHIFT Issue 225 April Oxford’s Music Magazine 2014 GLASS ANIMALS OXFORD DUPLICATION CENTRE Fame, fortune and [email protected] Office: 01865 457000 Mobile: 07917 775477 Supporting Oxfordshire Bands with fragility with Oxford’s Affordable Professional CD Duplication FANTASTIC BAND RATES living ornaments ON ALL SERVICES Professional Thermal Printed CDs Also in this issue: Full Colour/Black & White Introducing AGS CONNOLLY Silver or White Discs Design Work Support Digital Printing plus Packaging Options Fulfilment Local festival and music news; releases; Recommended by Matchbox Recordings Ltd, Poplar Jake, Undersmile, Desert Storm, Turan Audio Ltd, Nick Cope, Prospeckt, Paul Jeffries, Alvin live reviews and four pages of Oxford gigs Roy, Pete The Temp, Evolution, Coozes, Blue Moon and many more... NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 NEWS Nightshift: PO Box 312, Kidlington, OX5 1ZU Phone: 01865 372255 email: [email protected] Online: nightshift.oxfordmusic.net THE LINE-UP FOR THIS YEAR’S OXFORD PUNT has been announced. The annual showcase of up and coming local bands takes place on Wednesday 14th May and features 20 acts across five venues in Oxford city centre. The full Punt line-up is: The Purple Turtle: Hot Hooves; Girlpower; Beta Blocker & the Body Clock; Komrad. The Cellar: Trophy Cabinet; The Neon Violets; Flights of Helios; SOPHIE ELLIS-BEXTOR, JOOLS HOLLAND AND 10cc are among Swindlestock. the acts now announced for this year’s Cornbury Festival. They join 80s The Wheatsheaf: The Cooling Pearls; Balloon Ascents; Art Theefe; Huck & hitmakers Simple Minds, soul legend Georgie Fame and Nina Nesbitt, who the Xander Band.
    [Show full text]
  • A Later Version of This Essay Appeared As 'Chris Blackwell and 'My Boy
    (A later version of this essay appeared as ‘Chris Blackwell and ‘My Boy Lollipop’: Ska, Race and British Popular Music’ in Journal of Popular Music Studies, vol 22, no 4, 2010, pp. 436-465.) Chris Blackwell and “My Boy Lollipop”: Ska, Race and British Popular Music Ska evolved in Jamaica around 1960. I shall talk a little more about its development later. In 1964 there were three hits in the British top ten that utilized a ska beat. On March 14 Millie reached number 2 with “My Boy Lollipop.” A week later, the Migil 5’s ska version of “Mockin’ Bird Hill” reached number 10, its highest position. In December, Georgie Fame and the Blue Flames got to number 1 with the jazz track, “Yeh Yeh,” to which they gave a soft ska influence. Discussions of ska, and reggae, have tended to focus on the music’s Jamaican origins and have emphasized its qualities as black music. In this article my interest is in the relationship between ska and British popular music of the early 1960s. How did ska enter white Britons’ musical consciousness such that, by the late 1960s there were numerous ska hits and, by the late 1970s, there was a ska revival with groups such as Madness and the Two Tone groups including the Specials and Selector having chart hits? To this end I shall concentrate on the most popular of the three 1964 ska hits, Millie’s “My Boy Lollipop.” This song was first recorded as a rhythm and blues song in New York by Barbie Gaye about whom little is known other than that she was not black.
    [Show full text]
  • GEORGIE FAME by Eric Myers ______Georgie Fame & the Thrill Seekers the Basement Sydney Morning Herald, November 18, 1980 ______
    THE TIMELESS EXCELLENCE OF GEORGIE FAME by Eric Myers _____________________________________________________________ Georgie Fame & The Thrill Seekers The Basement Sydney Morning Herald, November 18, 1980 _____________________________________________________________ n Sunday night at The Basement, 37-year-old Georgie Fame convincingly demonstrated why he is often considered the best rhythm- O and-blues singer to have come out of England. With superb intonation and jazz-oriented phrasing, Mr Fame's voice resembles a finely honed musical instrument, rather than a conventional vocal sound. He has been singing like this for more than 20 years, yet his style is as timeless and contemporary as ever. Georgie Fame: his style is as timeless and contemporary as ever… PHOTO CREDIT JANE MARCH 1 He was backed by the Thrill Seekers, a group of top Sydney jazz musicians specially assembled for his Australian tour. They included Keith Stirling (trumpet), Col Loughnan (saxophones and flute), Herb Cannon (trombone), Steve Murphy (guitar), Greg Lyon (bass) and Willie Qua (drums). The Australian backing group The Thrill Seekers included guitarist Steve Murphy (above) and electric bassist Greg Lyon (below)… "Backed" is probably a misnomer, for these fine Australian musicians, given generous solo space throughout the evening, were as much part of the performance as Georgie Fame himself. The Thrill Seekers were, in my view, far 2 superior to Mr Fame's English band, The Blue Flames, whom I saw in London in 1978. Georgie Fame's approach to music is full of delightful subtleties and arcane references. He sang an exquisite version of a song which was never actually I'm In The Mood For Love, but a classic James Moody saxophone solo on the tune, to which words have been set.
    [Show full text]
  • La Hora Del Blues
    LA HORA DEL BLUES http://www.lahoradelblues.com/criticas.htm indiferente. Por último el tercer volumen de la serie publicado hasta el momento, nos ofrece una salvaje colección de veintinueve canciones mas a cargo de Sonny Boy Williamson, Jimmy Witherspoon, Howlin Wolf con Hubert Sumlin a la guitarra y, una vez mas, juntamente con Chris Barber Band con Ottilie Patterson, Humphrey Lyttelton & Ronnie Scott. Impresionantes grabaciones históricas editadas por Blues Legacy en colaboración con la compañía americana Music Video Distributors, para ocio y disfrute de todos los fans al blues que quieran recuperar obras de algunos de los maestros del blues de todos los tiempos. IMPRESCINDIBLES. This three album collection, already belong to the collective history of every blues lover. There are three archeological treasures that have now got back from those years that were crucial for the discovery of blues in Europe. Great trombone player, British jazz and blues giant Chris Barber, has unearthed, after many years of forgetfulness, these legendary recordings done in 1958 and 1964, for the joy and happiness of music fans. Chris was also one of those people who made possible many legendary bluesmen visited Great Britain and young people there discovered and fell in love with a musical art that would change the scene and basis of what had been heard till then. The musical influences of those black men and women deeply hit the minds and hearts of teenagers like Alexis Korner, Mick Jagger, Rod Stewart, Eric Clapton, John Mayall, Peter Green, Jeff Beck or Brian Jones among others who helped to do the musical revolution of the following years.
    [Show full text]