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100% Proof The Complete Discography ADDENDUM 3 – 2019 This addendum incorporates the 2 previous addenda, containing all additions and amend- ments to, and corrections of, the published version of 100% Proof: The Complete Tubby Hayes Discography, compiled by and C. Tom Davis, published 12 October 2015 by Names & Numbers, as well as all additions and amendments up to 31 December 2019. It thus includes all the new Decca/Fontana LP/CD releases Grits, Beans and Greens – The Lost Fontana Studio Sessions 1969 as well as The Complete Fontana 1961 –1969. As with any discography, any comments, amendments, further information and corrections are welcomed by the authors who can be contacted via www.simonspillett.com.

Discography Page 3 – Add sessions: 530204 TUBBY HAYES WITH THE TRIO Possibly Flamingo Club, , England 4 February 1953 Hayes (ts); Harry South (p); u/k (b) and (d) a Bud’s Bubble

a unissued Note: This is one of a series of acetates apparently obtained by a fan actively recording and privately pressing records of the birth of British modern first hand, possibly at in , London. Resident at the Flamingo was the group and the club was known for weekend ‘all-nighters’ at this time. Date, artist and name of tune all taken from annotations on the label. This acetate was backed with The Group playing Seven Eleven Part & II/Night & Day/Trottin’/Scott Theme. The discs are aurally crude amateur recordings but represent the earliest re- cordings of Hayes as a leader at age 18. 530211 TUBBY HAYES QUARTET Possibly Flamingo Club, London, England 11 February 1953 Hayes (ts); u/k (p), (b) and (d) a Just One Of Those Things b S’ Wonderful, Parts I and II

a, b unissued Note: See 530204. This acetate was backed with Joe Muddel’s Group playing Royal Roost/ Muddel’s Theme/Out Of Nowhere. A further disc in this series was recorded on 18 February 1953 by The Kenny Graham Group playing Strike Up the Band/Indian Summer. Personnel is unknown save for Gra- ham, but this may have included Hayes. 2

Page 11 – 550310: Add release (a): 8 Acrobat ACMCD4389; release (b): 2 R&B Records R&B12; 8 R&B Records RANDB040 Page 12 – 550426: Releases – delete (a–c) and place 2 Tempo TAP17 against (a, b); add release (a): 8 El Records ACME327BOX; add release (a, b): 8 Acrobat ACQCD7101 Page 14 – 550729: Add release (a): 8 R&B Records RANDB040v 8 Acrobat ACMCD4389; add release (h): 8 Acrobat ACQCD7101 Page 17 – 560218: Add release (c): 8 Acrobat ACMCD4389 Page 18 – 560717: Add release (a, d, e): 8 R&B Records RANDB040; Add release (b, d) 8 Acrobat ACQCD7101 Page 21 – 570103: Releases – redesignate Avid AMSC1045 as a CD; both the Jasmine and Tempo in this line are LPs; add release (a): 8 Acrobat ACQCD7101 Page 22 – 570329: Add release (b, d): 8 Acrobat ACQCD7101 Page 22 – 570808: Releases – redesignate Avid AMSC1014 as a CD; the Tempo in this line is an LP; add release (a): 8 El Records/ACME327BOX; release (d): 8 Acrobat ACQCD7101 Page 23 – 570815: Add release (c): 8 Acrobat ACMCD4389 Page 26 – 580120: Add release (a): 8 El Records ACME327BOX Page 27 – 580216: Add release (a): 8 El Records ACME327BOX; add release (d): 8 Acrobat ACMCD4389 Page 28 – 580307: Add release (d): 8 Acrobat ACQCD7101 Page 32 – 580824: Add release (a): 8 R&B Records RANDB049 Page 33 – 581002: Add release (a–d): 8 Moochin’ About 05 Page 34 – 581100-1: Add release (a–h): 8 Membran 0600495MB; add release (d): 8 Acrobat ACMCD4389v 8 R&B Records/RANDB049 Page 36 – 590325: Add release (a, c, k, m): 8 Gearbox/GB1510 Page 37 – 590514-1: Add release (a): 8 Acrobat ACQCD7101; add release (h, i, n): 8 El Records ACME327BOX; add release (i, m): 8 R&B Records RANDB049 Page 39 – 590601/590602: Add release (d): 8 R&B Records RANDB049 Page 40 – 590613: Add release (d): 8 Acrobat ACMCD4389 Page 40 – 590626/590703: Add release (c): 8 Acrobat ACMCD4389; add release (e): 8 R&B Records RANDB049; add release (f): 8 Acrobat ACQCD7101 Page 41 – 591114: Add release (d): 2 R&B Records R&B12 Page 42 – 591200-1: Add release (c): 8 Acrobat ACQCD7101; add release (e): 8 Acrobat ACMCD4389; add release (f): 8 R&B Records RANDB049 Page 44 – 600000: Personnel who can be added to this Dave Lee session are Eddie Blair (tp); George Chisholm (tb); (ts); (d), with others still unidentified. Add release (h): 2 R&B Records R&B15; 8 R&B Records RANDB042 Page 44 – 600114: Add release (c): 8 R&B Records RANDB049 Page 45 – 600600: Add release (h): 8 R&B Records RANDB049 Page 46 – 600901: Add release (f): 8 R&B Records/RANDB049 Page 47 – 601110: Add (j): Announcements ’60; add release (a): 8 R&B Records RANDB049; add release (a–j): 8 R&B Records/RANDB051; add release (b, i): 8 R&B Records 3

RANDB040; add release (i): 2 R&B Records/R&B12. Remove ‘Unissued’ note. Page 47 – 610000: Date/venue information follows from the Gronland Hayes archive which is unconnected as yet either with a specific gig or sound recording in 1961, listed here to avoid interrupting the chronological order of the discography with a large number of entries for which no further information exists at present, especially as some include com- mercial recordings for TV advertisements/jingles/film soundtracks/radio identifications which may prove difficult to identify more fully: January 19 – Lansdowne Studios, London (unknown leader/recordings) January 27 – CTS Studios, London (unknown leader/recordings) March 21 – TV recording at (unknown leader/show possibly Soft Lights, Sweet Music) April 22 – BBC Aeolian Hall (unknown leader/show) May 16 – CTS Studios, London (unknown leader/show) May 17 – Olympic Studios, Barnes (unknown leader/recordings) June 14 – recording with EMI Studios (as yet untraced – possibly Cross-Trap single?) August 8 – Lansdowne Studios, London (unknown leader/recordings) August 10 – Southern TV, Southampton (possibly Strictly For The Birds) August 14, 15 – recording at Decca (unknown leader/recordings) September 8 – , Lansdowne Studios, London (unknown recordings) October 16, 17 – BBC Wood Green, unknown TV show November 22 – Laurie Johnson, Lansdowne Studios, London (unknown recordings) December 1, 12, 13, 28 – Decca Studios, London (unknown leader/recordings possibly Johnny Keating) Page 49–50 – 610321, 610322, 610323: Replace note “date of 28 March 1961 given in Schwarz for this session is incorrect; the correct date is taken from the Fontana files,” from all 3 entries, as Liz Gronlund’s Hayes archive indicates another recording date of 610328 not listed in the Fontana files for the Tubbs ; instead, substitute note for all 3 entries, “This date is taken from the Fontana files.” and add session of 610328 with u/k personnel and titles as a further session for this album, with the note “Liz Gronlund’s Hayes archive indicates this additional date, not in the Fontana files, for recording the Tubbs album.” Page 49 – 610321: Add releases: (a–c): 2 7743916; 8 Decca Records 7743915; add release (b): 2 R&B Records/R&B15; 8 Acrobat ACMCD4389 Page 50 – 610322: Add releases: (a, b): 2 Decca Records 7743916; 8 Decca Records 7743915 Page 50 – 610323: Add releases: (a–d): 2 Decca Records 7743916; 8 Decca Records 7743915; add release (b): 8 R&B Records RANDB042 Page 51 – 610331: Add releases: (a–c): 2 Decca Records 7743916; 8 Decca Records 7743915; add release (b): 8 El Records ACME327BOX; add release (c): 8 Acrobat ACMCD4389 Page 51 – 610502: Add release (a, b): 8 Fine and Mellow FM612 Page 54 – 610700: Recording dates have now been discovered in Liz Gronlund’s Hayes archive for the work on All Night Long: 19, 20, 23 (all at Denham Studios) and 26–30 June inclusive; 3–7, 10–14, 17–21, and 24–28 July inclusive; 31 July–4 August inclusive. Pine- wood was the venue for all dates from 26 June. As it is not known which tunes were recorded on which of the above dates, retain this as a composite entry for all the All Night Long work and amend the session reference to 610619, the first date in the series. Add release (a–k): 8 Moochin’ About 05, and an ^ Not Now NOTLP192; add release (g): 8 R&B Records RANDB042 4

Page 55 – 610822: Hayes only recorded with Costanzo on the middle of the 3 dates for the album Costanzo Plus Tubbs, so amend recording date to 24 August 1961 and the session reference to 610824; studios now confirmed as CTS Studios, London. Add releases: (a, b): 2 Decca Records 7743916; 8 Decca Records 7743915; add release (a) 8 R&B Records/RANDB042 Page 56 – 610900: Liz Gronlund’s Hayes archive contains the paperwork for this session, and a recording date of 19 July 1961. Amend 610900 to 610719. Add release (a, b, g): 8 El Records/ACME327BOX; add release (c): 8 Acrobat ACMCD4389 Page 56 – 611003: Add release (a–d): 2 Decca Records 7743916; 8 Decca Records 7743915; add release (d): 8 Acrobat ACMCD4389 Page 57 – 611004: Add release (a, b): 2 Decca Records 7743916; 8 Decca Records 7743915 Page 59 – 620000-1: Liz Gronlund’s Hayes archive contains the paperwork for Hayes’s par- ticipation in sessions for the 12 “ Bash”. Against the assumption made in the note to this session, Hayes played on all the numbers on this album. Therefore, add Sabre Dance, In A Persian Market, Hernando’s Hideaway, Capuccina, Harlem Nocturne, Clopin-Clopant to the tracks listed for this entry; add recording dates as above, and re- number this entry 611031, the first date for these sessions. For the note, substitute: “Hayes played on this date and the subsequent 6 days in sessions for the Ted Heath album “Big Band Bash”, on the following dates: 31 October 1961 – Cherokee 1 November 1961 – I Don’t Know Why 2 November 1961 – Sabre Dance, In A Persian Market 3 November 1961 – A Tisket-A Tasket, Hernando’s Hideaway, Out Of Nowhere 4 November 1961 – Capuccina 5 November 1961 – Harlem Nocturne, Clopin-Clopant 6 November 1961 – Hindustan Page 61 – 620517: Add releases: (a–e): 2 Decca Records 7743916; 8 Decca Records 7743915; add release (e): 8 R&B Records RANDB035 Page 62 – 620518: Add releases: (a–f): 2 Decca Records 7743916; 8 Decca Records 7743915; add release (e): 8 El Records ACME327BOX Page 63 – 620623: Add releases: (a–e): 2 Decca Records 7743916; 8 Decca Records 7743915; add release (c): 8 Verve (France) 525197-2; add release (e): CD Acrobat ACMCD4389, 8 R&B Records RANDB035. Add sessions: 620712 TED HEATH AND HIS ORCHESTRA Decca Studios, West Hampstead, London, England 12, 13 and 14 July 1962 u/k orchestra personnel including Ted Heath (cond) and Hayes a You Stepped Out Of A Dream b I Had The Craziest Dream c Sentimental Journey d Moonlight Serenade e Mirage f I Got It Bad, And That Ain’t Good g Tumbling Tumbleweeds h Close Your Eyes i At Last 5 j Egyptian Night k They Didn’t Believe Me l Ebb Tide a–l 2 Decca PFS 4023v London SP44023 8 Vocalion CDLK 4244 620718-19 TUBBY HAYES QUINTET Jazz à Antibes, Antibes, France 18 or 19 July 1962 Broadcast Date u/k Hayes (ts); (tp); (p); Freddy Logan (b); (d) a The Late One 8:56 b But Beautiful 9:25 Note: This session was included in a personal collection of LPs consisting of unreleased live and studio sessions assembled by Hans Bönschen, according to Dr. Michael Frohne. These LPs had the nominal label of Secret, of which this quintet date was on Secret 21. It is not known if they were copied or otherwise distributed. Page 66 – 630200: Add release: (a, b): 8 Decca Records 7743915 Page 67 – 630400: Amend note to replace 640100 with 631200 Page 70 – 630606: Add release (a–d): 8 Acrobat ACMCD4392 Page 71 – 630900: Revise to 630900-1. Amend note to replace 640100 with 631200 Page 74 – Add session: 631229 THE TOMMY STEELE SHOW BBC Light Programme u/k BBC Studios, London, England, Recording Date u/k Broadcast Date 29 December 1963 Steele (v); Hayes (fl, ts); The Orchestra (all remaining personnel u/k) unissued u/k titles Note: This is one of a series of 1963–65 radio broadcasts that Hayes participated in as part of the Johnnie Spence Orchestra. It is not known whether these broadcasts were aired live or consisted of pre-recordings. Hayes was allegedly featured in one instrumental big band feature on each show. Until further details emerge of recording dates, and broadcast dates are confirmed, this composite entry will stand for all the following broadcast dates known for this pro- gramme – all from the BBC Genome database: 5, 12, 19, 26, 27 January 1964; 2, 9, 16, 23 February 1964; 1, 8, 15, 22, 29 March 1964; 3 August 1964; 3, 6, 10, 13, 17, 20, 24, 31 January 1965; 3, 7, 10, 14, 17 February 1965. Page 74 – 640000: Date/venue information follows from the Gronland Hayes archive which is unconnected as yet either with a specific gig or sound recording, listed here to avoid interrupting the chronological order of the discography with a large number of entries for which no further information exists at present. It is hoped that these will stimulate further investigation by others who may wish to unearth yet more Tubby playing in what was his prime: 6

~ radio broadcast and another TV show, both from Boston, November 1964 ~ radio broadcast from the Half Note, New York, December 1964 ~ radio broadcast from The Jazz Gallery, , December 1964 (with Deuchar) Page 76 – 640100: This has now been confirmed as taking place in December 1963. Amend recording date and session reference to 631200 Page 76 – Add session: 640103-1 THE TUBBY HAYES QUINTET BBC Transcription Recordings for Australia Probably BBC Studios, , London 3 January 1964 Broadcast Date u/k Hayes (fl, ts) with probably Jimmy Deuchar (tp, mello); Terry Shannon (p); Freddy Logan (b); Allan Ganley (d) unissued u/k titles Page 76 – 640103: Renumber as 640103-2 Page 76 – 640104: Add release (a): 8 R&B Records RANDB058 Page 77 – 640131-2: Amend session reference/date to 640208/8 February 1964. Add re- lease (a): 2 Gearbox RSGB1513. Add Note: The Gearbox release divides this long track into 2 parts: Modes And (Part One) and Modes And Blues (Part Two), but it is in fact one set-long track. Timings for each of the LP sides are 18:04 and 15:28. Page 79 – 640225: Add release (a): 8 R&B Records RANDB058 Page 80 – 640310: Add a further unissued title Chelsea Bridge (5:12) to this Edelhagen ses- sion featuring Hayes, (ts) and Svend Asmussen (v). Information supplied by Dr. Michael Frohne. No details on whether the entire Edelhagen band as listed played on this track. Page 80 – 640318: Add release (b): 8 R&B Records RANDB058 Page 81 – 640409/10: Add release (a): 8 R&B Records RANDB058 Page 82 – 640420: Add tune (e) Embers (tk 1) to this session. Add releases: (a–d): 2 Decca Records 7743916; (a–e): 8 Decca Records 7743915 Page 82 – 640426: Add releases: (a, b): 2 Decca Records 7743916; 8 Decca Records 7743915; add release (e): 2 R&B Records/R&B9 Page 84 – 640516: Add (l): Announcements; add release (a–l): 8 R&B Records RANDB051; add release (a, e, k): 8 R&B Records RANDB040; add release (a): 8 R&B Records RANDB058; add release (e): 2 R&B Records R&B12. Add Note: On RANDB051, track (k) is incorporated in (l). Remove ‘Unissued’ note. Page 84 – Add new session: 640529 FRIEDRICH GULDA Graz, Austria 29 May 1964 Friedrich Gulda (p, cond); Victor Nailey (tp); (tp); Jimmy Deuchar (tp); Ray Premru (btp); Erich Kleinschuster (tb); Rolf Schneebiegl (frh); Alfie Reece (tu); (as); Heinz Bigler (cl, as); Hayes (fl, ts);Pierre Cavalli (g); (b); (d) unissued u/k titles 7

Note: Friedrich Gulda’s work diary shows a concert on this date in Graz, Austria with the Eurojazz Orchester, personnel noted as above. No ‘Victor Nailey’ has been found, leading to the conclusion that this was probably , transcribed incorrectly or from a rhyming nickname. This would appear to be the first reference in Gulda’s work diary to Hayes. Page 85 – 640620: Add release (c): 8 R&B Records RANDB058. Add note: Incorrectly enti- tled Voodoo Session on RANDB058. Page 89 – 641102: Add release (b): 8 R&B Records RANDB058 Page 89 – Add session: 641200-1 TUBBY HAYES WITH THE SFB TANZORCHESTER “Jazz auf Studio Drei” SFB-Studio, Berlin, December 1964 Broadcast Date u/k Hayes (ts); Jimmy Deuchar (tp); Gordon Beck (p) with the Sender Freies Berlin (SFB) Tanzorchester; others u/k, but possibly including Ake Persson (tb); (tb); (as); Martial Solal (p); Attila Zoller (g) a Introduction 00:36 b Of W1 05:59 c Souriya 04:54 d In The Night 05:01 Note: Dr. Michael Frohne has provided the above information. This is probably the Berlin broadcast with Deuchar listed under 640000. Page 90 – 650000: Date/venue information follows from the Gronland Hayes archive which is unconnected as yet either with a specific gig or sound recording, listed here to avoid interrupting the chronological order of the discography with a large number of entries for which no further information exists at present. It is hoped that these will stimulate further investigation by others who may wish to unearth yet more Tubby playing in what was his prime: ~ radio broadcast with Berlin Radio Big Band, January 1965 ~ NDR Jazz Workshop with F. Gulda Quintet, early 1965 (with Al ‘Tootie’ Heath on drums) Page 90 – 650000-1: Add release (a): 2 R&B Records R&B16; add release (a, i): 8 R&B Records RANDB058 Page 90 – Add session: 650100-3 TUBBY HAYES WITH THE RIAS TANZORCHESTER u/k studio, Berlin, Germany Probably January 1965 Broadcast Date u/k Hayes (ts); Werner Müller (cond); RIAS (Radio in the American Sector) Tanzorchester, other personnel u/k except for Elek Bacsik (g); Bora Rokovic (p); Bob Carter (b); Stuff Combe (d) a Easy Living b Secret Love Note: This session was included in a personal collection of LPs consisting of unreleased live and studio sessions assembled by Hans Bönschen, according to Dr. Michael Frohne. 8

These LPs had the nominal label of Secret, of which this RIAS Tanzorchester date was Secret 27. It is not known if they were copied or otherwise distributed. Secret 27 also includes a number of other selections which may originate from the same session, but which do not appear to include Hayes. This is probably the Berlin broadcast listed under 650000. Page 91 – 650131; Add release (g): 8 R&B Records RANDB058 Page 92 – Add session: 650210-11  Cine Tele Sound (CTS) Studios Ltd., London, England 10–11 February 1965 Hayes (fl, ts); Johnny Scott (fl, a-fl, as); Leon Calvert (t); John Leach (cimbalom); Vic Flick (g); Tristan Fry (perc, tym); Barry (comp, arr); others u/k a Main Title (The Ipcress File) 4:17 b Alone in Three-Quarter Time 2:30 c A Man Alone (1) 3:15 d Meeting with Grantby and Fight 3:28 e Jazz Along Alone 3:13 f A Man Alone (2) 3:20 g The Death of Carswell 3:41 h Alone Blues 6:19 i If You’re Not Clean – I’ll Kill You 2:25 j Goodbye Harry 2:59 k A Man Alone (3) 2:56

a–k 2 CBS (S)BPG 62530v Decca DL(7)9124vMCA VIM-7236v Silva Screen MOVLP356 8 MCA MVCM-22046v Silva Screen FILMCD 605 b 8 R&B Records RANDB058 Note: The dates for this session were included in a ‘moviegraphic’ con- taining information about famous or well-known British film classics and is the only information found about this gig. Aural evidence definitely indicates Hayes’s partici- pation in this film soundtrack, though his exact contributions are unknown. Between each of the listed tracks, dialogue tracks are included on the Silva Screen release, as well as a “secret track” containing the electronic sounds of the ‘brainwashing’ ma- chine; these are not included in the tracks above. Page 93 – 650215: Amend catalogue numbers for the World Record Club releases. These were in 3 forms – T631 (mono LP), ST631 (stereo LP), and TT631 (mono reel-to-reel tape). The stereo release seems relatively rare, and may have followed the mono. There is some evidence that stereo LPs were packaged in mono sleeves, adding to the confusion. Add release (a–h): 8 Harkit HRKCD8561; add release (a): 8 R&B Records RANDB058 9

Page 94 – Add new sessions: 650200-1 JAZZ WORKSHOP HAMBURG Hamburg, Germany Probably February 1965 Broadcast Date u/k Hayes (ts); Friedrich Gulda (p); other personnel unknown u/k unissued titles Note: Friedrich Gulda’s work diary shows a 19 February 1965 gig with an orchestra in Mi- lan, returning to Italy to Verona on 4 March for a solo recital. In between, he refers to a jazz workshop in Hamburg and a TV broadcast “Jazz in Vienna” (Wien Jazz Fernsehsendung), both of which involved Hayes, who is the only other player that he mentions. No dates were given for these, but they are clearly between these two dates. 650300-1 JAZZ IN VIENNA (WIEN JAZZ FERNSEHSENDUNG) Vienna, Austria Probably March 1965 Broadcast Date u/k Hayes (ts); Friedrich Gulda (p); other personnel unknown u/k unissued titles Note: See note to 650200-1. Page 95 – 650322: Add (j): Announcements ’64. Add release (a–j): 8 R&B Records RANDB051; add release (a): 8 R&B Records RANDB040. Remove ‘Unissued’ note Page 98 – 650526: Add release (a–e): Universal (UK) 8 4739865 and 2 4739799. Note: Fame confirms in notes to the CD set “The Whole World’s Shaking: Complete Re- cordings 1963-1966” that the alternate of L’il Darlin’ included on that set is an outtake, recorded before the big band version on and presumably a basic run- through for that version. It features (v), (org), (d) and (ts) only, and does not include Hayes. No information is provided in this set on the date of the outtake, or the “Sound Venture” sessions. Page 99 – 650600: The dates and venue for these sessions have been determined as Tues- day 19 October and Monday 29 November 1965 at Studio One, Kensington House, Lon- don. Which tune was recorded at each session is unknown. This session should therefore be redated and moved to 651019, and a note added: It has been confirmed that the other session for these BBC Transcription recordings was on 29 November 1965, but which of the tracks above were recorded at which session is currently unknown. Therefore a further entry is shown as simply 651129 until further information becomes available. Add release (a–t): 8 SSJ XQAM-1645; add release(s): 8 R&B Records RANDB058. Add Note: The SSJ release would appear to reverse tracks (l) and (n) compared with the Art of Life release. Page 101 – 650700: Embolden Don’t Fall Off The Bridge, a Hayes composition. Page 101 – 650702: Replace (a–q): unissued with (a, b, c, h, m, p): unissued and add release (d, e, i, j, k, l, n, o, q): HGBS Blue Records – HGBSB18005LP Add Note: Dr. Michael Frohne advises that apparently the next morning, some of the titles from the previous evening were done again – probably 100% Proof, Gemini Waltz, and The Band Goes Churchy – with these were included on the LP release, and the concert tracks kept as rough cuts. 10

Page 104 – 650900: Add release (a–e): Universal (UK) 8 4739865; 2 4739799; add release (c, e): 8 Universal UK 0600753726020 Page 105 – Add session: 651008-1 TUBBY HAYES BBC Radio “Jazz Profile” Probably BBC Studios, Maida Vale, London 8 October 1965 Broadcast Date 15 January 1966 Hayes with u/k accompaniment unissued u/k titles Page 105 – 651008: Renumber as 651008-2 Page 105 – Add sessions: 651025? FRIEDRICH GULDA QUARTET Bremen, Germany Possibly 25 October 1965 Broadcast Date u/k Gulda (p, ldr); Hayes (fl, ts); (tp); J.J. Johnson (tb); Sahib Shihab (bs); others u/k a El Camino Real b Swing Spring other unissued u/k titles Note: The information on this October session was contained in the December 1965 edition of Jazz Monthly. No further information exists. Hubbard had a heavy recording sched- ule in October on 8, 14, 15, 20, so that may mean that this was recorded sometime in the month, if it was not taped at an earlier date and broadcast in October. Friedrich Gulda’s work diary lists a tour of Austria and neighbouring Munich between 5–21 Sep- tember 1965, and recordings (generically) with the Eurojazz Orchestra; the following sessions in Stuttgart argue for a date close to the end of October, hence assigning the date of 25 October until further information comes to light. Page 105 – Add session: 651027 EUROPÄISCHER TREFFPUNKT JAZZ Stuttgart, Germany 27 October 1965 Broadcast Date u/k Nunzio Rotundo (tp); Conny Jackel (tp); Frode Thingnaes (tb); (tb); Johnny Dover (fl, bs); Tubby Hayes (fl, ts); Esa Pethmann (fl, ts); Atti Soss (cl, as); Martial Solal (p); Horst Jankowski (p); Rune Gustafsson (g); Niels Henning-Ørsted Pedersen (b); Charly Antolini (d) a u/k track 3:10 b u/k track 5:05 c Everything Happens To Me 7:03 d Lover Man 6:06 e Concertino For 5:00 f Finnish Schnapps 4:47 g Laverne Walk 4:00 h What Is This Thing Called Love 9:33 11 i Ballad for Jessica Rose 8:40 j Don’t Fall Off the Bridge 8:53 k Good Looking 5:30 l But Not for Me 6:25 m Volkslied (Folk Song) 7:30 n Announcements 1:36 Note: This information was provided by Dr. Michael Frohne, who has said that this concert was in two parts. Hayes was featured on his own composition (j) with Jankowski, Pedersen and Antolini only, and on (m) as part of the European Flute Trio with Esa Pethman (fl); Johnny Dover (fl); Horst Jankowski (p); Niels-Henning Ørsted Pedersen (b); Charly Antolini (d). Another source shows 21 October as the date of recording. Although Hayes’s known contributions were only the two items above, he probably played on other tunes or in other combinations of musicians at this concert. Page 106 – 651107-1: Add releases (a): 8 R&B Records RANDB051v R&B Records RANDB040. Remove ‘Unissued’ note Page 107 – 651108: Correct error in (e), Six To One Par, which should be Six To One Bar. Add release (a, c, d, g): 8 R&B Records RANDB040; add release (a–l): 8 R&B Records RANDB051; add release (e): 2 R&B Records R&B24; dd release (h–j): 2 R&B Records R&B38. Remove ‘Unissued’ note Page 108 – 651113: Add recording date of 9 September 1965 and amend session reference to 650909 Page 109 – Add session: 651129 EL CUARTETO DE TUBBY HAYES Studio One, Kensington House, London, England 29 November 1965 Hayes (fl, ts, vbs); Gordon Beck (p); (b); Johnny Butts (d); u/k (ann)

Note: See 651019 for comments – this date was the second and last session for these BBC Transcription recordings (the previous session took place on 651019). Until receipt of further definitive information on which tracks date from which session, all titles are listed under 651019. Page 109 – 660000: Date/venue information follows from the Gronland Hayes archive which is unconnected as yet either with a specific gig or sound recording, listed here to avoid interrupting the chronological order of the discography with a large number of en- tries for which no further information exists at present. It is hoped that these will stimulate further investigation by others who may wish to unearth yet more Tubby playing in what was his prime: ~ TV show and radio broadcast, Amsterdam, January 1966 ~ TV show, Amsterdam (with Pim Jacobs and ) ~ radio broadcasts in Oslo, January 1966 (with 2 small groups and with Thorleif Østereng Big Band). Page 110 – 660300: Add releases (a–e): Universal (UK) 8 4739865; 2 4739799 Page 112 – 660425: Amend note to change 660623 to 660620 Page 113 – 660510: Add releases: (a, d, e): 2 Decca Records 7743916; add releases (a–f): 8 Decca Records 7743915 12

Add note: Despite being listed on the Complete Fontana Tubby Hayes box, catalogue number 7743915, (f) was not included. Instead, the original LP take was substituted in error. Page 113 – 660512: Add releases: (a): 2 Decca Records 7743916; add releases (a–e): 8 Decca Records 7743915 Page 113 – 660513: Add releases: (d, e): 2 Decca Records 7743916; (a–e): 8 Decca Re- cords 7743915. Remove question mark from tk 3 of Sonnymoon for Two – this is definitely take 3. Page 115 – Add session: 660527 FRIEDRICH GULDA’S EUROJAZZ ORCHESTRA AND GUESTS Radio Broadcast, Konzerthaus, Vienna, Austria 27 May 1966 Recording Date u/k Hayes (fl, ts); (tp); Ernie Royal (tp); (tp); (flh); Ray Premru (btp); J. J. Johnson (tb); Erich Kleinschuster (tb); Rudolf Josl (btb); Ralph Isakson (frh); Alfie Reece (tu); Julian ‘Cannonball’ Adderley (as); Herb Geller (fl, as); Hans Salomon (as, ts, bcl); (bs); Pierre Cavalli (g); Friedrich Gulda (p, con, ldr); Josef Zawinul (p); Ron Carter (b); Mel Lewis (d) a Music for 4 Soloists and Band, No. 2: First Movement 10:46 b Music for 4 Soloists and Band, No. 2: Second Movement 10:23 c Music for 4 Soloists and Band, No. 2: Third Movement 4:36 d The Closer 8:20 a–d unissued Note: Details provided by Noal Cohen, the Art Farmer discographer, confirmed by Gulda’s work diary. The guests are Farmer, Johnson, Adderley and Zawinul who are the main soloists on all tracks. Page 116 – 660601: This concert is in Gulda’s work diary as 31 May 1966, confirmed by Paul Gulda. Amend the session reference to 660531 and date to 31 May 1966. This diary also confirms that this concert and the one in Vienna on 660527 were part of a tour with concerts in Warsaw (28 and 29 May), but these have not been included separately until further information is available. Page 116 – 660623: Amend recording date to 20 June 1966 and session reference to 660620 Page 119 – Add sessions: 660819 THE TUBBY HAYES ORCHESTRA BBC Radio “Band Beat” BBC Studios, Maida Vale, London 19 August 1966 Broadcast Date 24 September 1966 Hayes with unidentified big band musicians unissued u/k titles 661004 THE HARRY SOUTH BIG BAND unidentified BBC studios, London, England 4 October 1966 Hayes (fl, ts); (v); Harry South (arr/cond); Brian Matthew (ann); remainder of personnel unidentified, but probably similar to 8 November 1965 session 13 a Sunny b Dawn Yawn c Lovey Dovey

a–c 2 R&B Records R&B38 8 R&B Records RANDB051 Note: This was BBC “” Show transcription session # 102.

Page 122 – 661204: Add release (a, e): 8 Acrobat ACMCD 4396 Page 122 – Add session: 661212 THE HARRY SOUTH BIG BAND unidentified BBC studios, London, England 12 December 1966 Hayes (fl, ts); Georgie Fame (v); Dick (ts); Harry South (arr/cond); Brian Matthew (ann); remainder of personnel unidentified, but probably similar to 8 November 1965 session a Papa’s Got a Brand New Bag b Keep Your Big Mouth Shut c Three Blind Mice

a–c 2 R&B Records R&B38 8 R&B Records RANDB051 Note: This was BBC “Top of the Pops” Show transcription session # 112. It is not known if Hayes was on this session but, as he was included on the Jazz Club session the previ- ous day, it is being included in case he was amongst the personnel. Page 125 – 670202: Add takes 2–4 of Dear Johnny B. to this session as tunes (h)–(j), and take 4 of Dedication To Joy as (k). Add these 4 takes to the CD release below, and reorder all entries for this session so that takes of each tune are together. Take 3 of Dear Johnny B. is a false start. Add release: (a–g): 2 Decca Records 7743916; (a–k): 8 Decca Records 7743915 No paperwork is extant from this session in the Universal records, so it is unknown if the new alternate takes released are from either of the 2 dates known for this album, or from (a) different date(s) entirely. Page 125 – 670318: Add release (a–c): 8 RPM RETROD990 Page 126 – 670402: Add release (a, c, d, f): Acrobat ACMCD 4396 and delete ‘unissued’ note. Page 126 – Add session: 670413 THE TUBBY HAYES QUARTET BBC Radio Light Programme “Music Through Midnight” 13 April 1967 Broadcast Date 25 April 1967 Hayes with 3 others u/k; David Gell (ann) unissued u/k titles Page 127 – 670627: Add recording date of 15 June 1967 for this programme broadcast on 27 June 1967 and amend session reference to 670615. 14

Page 129 – Add session: 670900 JACQUES LOUSSIER Cine Tele Sound (CTS) Studios Ltd., London, England 10–11 February 1965 Hayes (fl, ts); Loussier (comp, arr); others u/k a 1M1 (Main Theme from Dark of ) 3:10 b 1M2 (Drive to Ubi) 3:39 c 2M3 (The Mercenaries) 2:36 e 4M1 (Claire’s First Appearance) 3:44 f 5M1 Pt. 2 (Friendly Natives Having Fun Pt. 2) 2:19 g 6M1/6M1A (The Fight/Port Reprieve) 3:39 h 6M2/7M1 (Curry and the Diamonds Pt. 1) 2:38 i 7M2 (Claire and Curry) 3:46 j 7M2 Wild (The Mission) 1:37 k 8M1/8M2 (The Simbas Attack/The Coach Rolls Back) 4:51 l 8M2 Wild/8M3/9M1 (Tracks Blown/Stakeout/Diamond) 1:13 m 9M2 (Infiltration) 1:22 n 9M3 (Curry and the Diamonds Pt. 2) 0:44 o 10M1 (The Doctor is Found) 3:45 p 10M2/11M1 (Curry’s Plan/Ruffo’s Death) 2:38 q 11M2 (Curry’s Drive with Claire) 1:57 r 11M3B (The Chase) 1:17 s 12M1A/12M1B (Revenge) 3:30 t 12M1C (Curry Kills Henlein) 2:10 u 12M2/12M3 Remake (Curry’s Decision/End Title) 3:23 v 7M2 Remake (Claire and Curry Alternate) 3:50 w Main Theme from Dark of the Sun (album edit) 1:20 x 12M3 Original Version (End Title Alternate) 0:42 y 3M2 (Natives Source) 1:02 z 5M1 Pt. 1 (Friendly Natives Having Fun Pt. 1) 2:13 aa 3M1 (Natives Source) 1:50

a–aa 8 Film Score Monthly FSM Vol. 10 No. 18 a, d–i, k, o, q, r, t 2 MGM SE-4544 STv MGM (Japan) 25MM 9029 8 Chapter III Records CHA 0134v MGM SE-4544 ST a, d, k (?), g–u 8 Play-Time PL9415 Note: The details of this session were included in the Film Score Monthly CD release of 2007. All tracks have been included pending confirming which ones included Hayes. Lous­ sier is quoted in the CD booklet that, “the score for Dark of the Sun was recorded with an orchestra that was composed of 60 or 70 of the finest London musicians. There was an organ, there was a piano ... we must have spent six to eight three-hour sessions ...” Page 129 – 670911: Add (g): Announcements ’65 2. Add releases (a–g): 8 R&B Records RANDB051; (b, e): 8 R&B Records RANDB040. Remove ‘Unissued’ note. Add note: R&B Records RANDB051 also includes an interview with Georgie Fame on this date that does not include Hayes. Page 131 – 680000: Date/venue information follows from the Gronland Hayes archive 15 which is unconnected as yet either with a specific gig or sound recording in 1968, listed here to avoid interrupting the chronological order of the discography with a large number of entries for which no further information exists at present, especially as some include commercial recordings for TV advertisements/jingles/film soundtracks/radio identifica- tions which may prove difficult to identify more fully: January 2 – Recorded Sound Studios, London (unknown leader/jingle) January 6 – BBC , Simon Dee “Dee Time” on BBC1 January 7 – EMI Studios, London, John Cameron (unknown recordings) January 11 – BBC Aeolian Hall, Harry South Big Band (BBC Radio Times Genome lists a Radio 1 show by Pete Murray on Saturday, 27 January) January 13 – BBC Lime Grove, Simon Dee “Dee Time” on BBC1 January 15 – Olympic Studios, Barnes, Dave Lee (possibly unknown library recordings) January 20 and 27 – BBC Lime Grove, Simon Dee “Dee Time” on BBC1 January 31 – Star Sound Studios, London (commercial/jingle session with Alan Branscombe, Phil Bates and ) February 3 – BBC Lime Grove, Simon Dee “Dee Time” on BBC1 February 5 – CTS Studios, Bayswater, London (unknown leader/recordings possibly Vengeance of She?) February 5 – Advision Studios, London, Harry South (commercial/jingle session) February 9 – CTS Studios, London (unknown leader/recordings) February 13 and 16 – CTS Studios, Bayswater, London (unknown leader/recordings possibly Vengeance of She?) February 17 – BBC Lime Grove, Simon Dee “Dee Time” on BBC1 February 19 – Olympic Studios, Barnes (unknown leader/recordings) February 21 – CTS Studios, London (unknown leader/recordings) February 24 – BBC Lime Grove, Simon Dee “Dee Time” on BBC1 March 2 and 9 – BBC Lime Grove, Simon Dee “Dee Time” on BBC1 March 13 – Olympic Studios, Barnes (unknown leader/recordings) March 13 – CTS Studios, Bayswater (unknown leader/recordings) March 16 – BBC Lime Grove, Simon Dee “Dee Time” on BBC1 , guest Joy Marshall March 19 – Riverside Studios, London, BBC TV (unknown show) March 22 – Advision Studios, Harry South (unknown jingle/TV/Ad recordings) March 22 – Advision Studios, (unknown jingle/TV/Ad recordings) March 23 – BBC Lime Grove, Simon Dee “Dee Time” on BBC1 March 25 – BBC TV, Riverside studios (unknown show) March 28 – EMI Studios, London, John Cameron (unidentified album/recordings) March 30 – BBC Lime Grove, Simon Dee TV March 31 – TV show with Ronnie Scott (untraced as yet) April 6 – BBC Lime Grove, Simon Dee “Dee Time” on BBC1 (may not have taken place) April 13, 20 and 27 – BBC Lime Grove, Simon Dee “Dee Time” on BBC1 May 4, 11, 18 and 25 – BBC Lime Grove, Simon Dee “Dee Time” on BBC1 June 1, 8 and 15 – BBC Lime Grove, Simon Dee “Dee Time” on BBC1 July 22 – Olympic Studios (unknown TV/film/jingle recordings) July 23 – As 22 July but TH plays vibes! September 10 – Sam Fonteyne, PYE Studios (possibly KPM Library Music LP) September 27 – Chappells Studios, london (unknown leader/recordings) October 1 and 2 – Wembley, TV show with Lulu October 21 – 24 – Wembley, TV show with Vicky Carr October 25 and 26 – Unknown Xmas TV show, BBC TV Centre October 26 – TV Show, Wembley October 27 – (Xmas) TV Show, BBC TV Centre November 5 , 6, 12, 13, 23, 24 – TV Show, Wembley December 15, 19, 20 and 29 – TV show, Wembley December 31st – Chappells Studios, London – unknown jingle session 16

Page 131 – 680000-1: The recording date for this session has now been found as 12 March and the venue Olympic Studios, Barnes. Amend session reference to 680312. Amend Pucka release number from PUC1068S to PUC1968 Page 131 – 680000-2: The recording date for this session has now been found as 9 July and the venue is definitely Philips Studios, London. Amend session reference to 680709. Add release (a, b): 2 R&B Records R&B12; 8 R&B Records RANDB040 Page 131 – 680000-3: The recording date for this session has now been found as 2 March. Amend session reference to 680302 Page 131 – Add session: 680000-4 KURT EDELHAGEN BIG BAND u/k location, probably Cologne, Germany 1968 Broadcast Date u/k Rick Kiefer (tp); (tp); Hans Wilfert (tp); Horst Fischer (tp); Otto Bredl (tb); (tb); Manfred Gätjens (tb); Nick Hauck (tb); Manfred Lindner (as); Heinz Kretschmar (as); (as); Wilton Gaynair (ts); Carl Drewo (ts); Bubi Aderhold (bs); Bora Rokovic (p); Peter Trunk (b); Dai Bowen (d); Tony Inzalaco (d) with guest soloists Tubby Hayes (ts)/ (tp) and the Karel Krautgartner Sextett (1) a Pepening b Gingerbread Boy c Emancipation Blues d Easy Living e You Took Advantage of Me f Take Off g People h The Gringoi i Just in Time j Drive Carefully (1) k One Note Samba (a) l Under Milkwood m Don’t You Ever Learn Note: The details of this session were advised by Dr. Michael Frohne. In the absence of information about which tracks Hayes played on, all have been included here until definitive information becomes available. Page 132 – Add sessions: 680620 TUBBY HAYES QUARTET Advision Studios, London 20 June 1968 Broadcast Date u/k Hayes (ts); Alan Branscombe (vs); Phil Bates (b); Bill Eyden (d) unissued u/k titles Note: This was a jingle session for Cadbury’s Mini Rolls. 17 680802 HARRY SOUTH BIG BAND BBC Paris Studios, London, BBC Radio “Jazz Club” 2 August 1968 Broadcast Date 14 August 1968 Hayes (ts); Harry South (p, arr, cond); other big band personnel u/k unissued u/k titles Note: This previously unmentioned appearance on “Jazz Club” was confirmed by the Gronlund Hayes archive. It is assumed that the broadcast date from the BBC’s Radio Times database relates to the programme on which Hayes appeared. Page 132 – 681002: While this composite entry is correct, it is clear that Hayes played with David Francis’s groups in subsequent years up until Hayes’s death in 1973. This entry for 1968–1969 dates should thus be split. Add recording dates of 23 August and 6 September 1968 and amend session reference to 680823, the earliest of Hayes’s known recording sessions with Francis. It is unknown how many tunes were recorded at each session and how these were distributed throughout the weeks of ‘Late Night Extra’. Add BBC Paris Studios as venue. Amend note to say, “these began in October 1968 and continued until 16 December 1968 on the following dates according to the Radio Times: 2, 9 and 16 October; 13 and 25 November; 2, 9 and 16 December. Hayes was credited on all these sessions.” Page 134 – 690000: Date/venue information follows from the Gronland Hayes archive which is unconnected as yet either with a specific gig or sound recording in 1969, listed here to avoid interrupting the chronological order of the discography with a large number of entries for which no further information exists at present, especially as some include commercial recordings for TV advertisements/jingles/film soundtracks/radio identifica- tions which may prove difficult to identify more fully: January 2 – TV Show, Wembley January 3 – Wessex Studios, Highbury (unknown jingles session) January 4 and 5 – TV Show, Wembley January 7 – Advision Studios, London – Harry South (jingle) January 9 – BBC Aeolian Hall, Tommy Watt (BBC Radio Times Genome lists a Radio 1 show by Pete Murray on Sunday, 19 January) February 6 – Denham Studios (unknown film session) February 10 – recording session at Olympic Studios, Barnes, London with Dudley Moore (no further details) Feburary 18 and 19 – Wembley, TV Show February 21 and March 4 – Olympic Studios, Barnes (untraced film/TV/ad/jingle recording) March 6, 8 and 9 – Vikki Carr TV Show, Wembley March 13 and 15 – TV Show, Wembley March 17 and 20 – Advision Studios, London (Harry South) March 31 – IBC Studios, London (unknown leader/recordings) March 31 – DeHemmes Studios, London (Harry South) April 1 – Denham Studios, unidentified film or TV session April 8 – BBC TV Recording for “Music Now” (TH with NYJO) Star Cross School, Angel, London (BBC Radio Times Genome lists a BBC 2 TV show “Music Now” on Sunday, 27 April 1969 featuring the NYJO) April 10t– recording session with Harry South at CTS Studios, Bayswater April 14 – KPM Studios, London (unknown leader) April 20 – ABC TV , unknown TV show October 6 – TV show with Louis Stewart in ~Dublin (details unknown) 18

October 8 – 10 – Recording with Philip Martell (details unknown but probably film soundtrack to “Vengeance of She”) A.B.P.C. Studios? November 17 – session at Rediffusion Studios (details unknown) December 22 – recording on screen appearance for film as yet to be traced, George Moreno Studios, Broadhurst Gardens, West Hampstead, London Page 134 – 690000: January 7 – Advision Studios, London – Harry South (jingle); this date from the Gronland Hayes archive is now known to include (vbs, xyl), this detail courtesy of the Tracey discographer Stephen Didymus. Page 134 – 690000-1: Recording dates for the Hymns a’Swingin’ session were 31 October and 1 and 4 November 1968, and the venue was Cecil Sharpe House, London. Amend session reference to 681031. Delete note. Page 134- 690000-2: Recording dates for soundtrack on which Hayes played were 19 and 21 December 1968 and the venue was Olympic Studios, Barnes. Amend session reference to 681219. Page 135 – 690100: Add recording date of 30 January 1969 and amend session reference to 690130 Page 135 – 690101: Copy the composite entry from 681002 to 690101 and amend as follows to insert new session: BBC (1 and 8 January) and Aeolian Hall (24 January); Recording Dates: 1, 8 and 24 January 1969 Amend note to say, “these began on 24 and 31 January 1969 and continued on 7 Feb- ruary; 14, 21 and 28 March; 12 May; and 18 June 1969. Hayes was credited on all these sessions.” It is unknown how many tunes were recorded at each session and how these were dis- tributed throughout the weeks of ‘Late Night Extra’. Page 137 – Add session: 690416 THE STAN TRACEY BIG BAND BBC Radio “Jazz Club”, BBC Studios, Maida Vale, London 16 April 1969 Broadcast Date 16 April 1969 Tracey (p, cond, arr); Hayes with Derek Watkins (tp); (tp); Leon Calvert (tp); Paul Tungay (tp); (tb); (tb); Chris Smith (tb); (as); (ts); (bs); Frank Ricotti (vbs); (b); (d) unissued u/k titles Page 138 – 690527: The recording dates for The Orchestra album have now been confirmed to be 3, 8 and 11 July, with soprano/voice overdubs separately recorded on 17 Novem- ber. Remove all the details from this entry and place them against the 690703 session in the Discography, and replace the existing note with the following: “This is the first of 3 ses- sions (3, 8 and 11 July) for the Fontana album The Orchestra. It is unknown which tunes were recorded at which session, hence listing all the tunes on that album here until further information is available. Hayes conducted on (b), (e)–(g), (k) and (l). A related but separate soprano/voice overdub session was recorded on 17 November 1969.” Add release: (a–l): 2 Decca Records 7743916; 8 Decca Records 7743915 19

Page 138 – 690527: Insert fresh details: 690527 THE TUBBY HAYES QUARTET Philips Studios, Stanhope Place, London 27 May 1969, probably 14:30–17:30 Hayes (ts); Louis Stewart (g); (b); (d) a Where Am I Going – (tk 1) 8:27 b Where Am I Going – (tk 2) 7:37 c Where Am I Going – (tk 3) 8:03

a–c 8 Decca Records 7756877v Decca Records 7743915 Page 138 – 690624: It transpires that the music listed under this date is a composite of the 690527 and 690624 sessions. See 690527 for the corrected details for the first session, which included Louis Stewart; together with the following session on 690624, for which Mike Pyne substituted for Stewart, these two sessions constitute the sessions for the Grits, Beans and Greens album. Substitute the existing 690624 session with the following updated version of this session: 690624 TUBBY HAYES QUARTET Philips Studios, Stanhope Place, London, England 24 June 1969 from 10:30–13:30 Hayes (ts); Mike Pyne (p); Ron Mathewson (b); Spike Wells (d) a Grits, Beans and Greens (tk 1) 5:54 b For Members Only (tk 1) 7:25 c Where Am I Going? (tk 1) (breakdown) 4:18 d For Members Only (tk 2) 6:34 e Where Am I Going? (tk 2) 6:18 f Grits, Beans and Greens (tk 2) (breakdown) 0:57 g Grits, Beans and Greens (tk 3) 6:21 h Rumpus (tk 1) 7:45 i Where Am I Going? (tk 3) 9:41 j Rumpus (tk 2) (breakdown) 0:31 k Rumpus (tk 3) (breakdown) 0:17 l Rumpus (tk 4) 7:22 m Grits, Beans and Greens (tk 4) 6:19 n You Know I Care (tk 1) (breakdown) 1:06 o You Know I Care (tk 2) 7:05

d, h, i, m, o 2 Decca Records SFJL1969v Decca Records 7743916 8 Decca Records 7756964 a–o 8 Decca Records 7756877v Decca Records 7743915 Note: Discographical Addendum 1, issued 31.5.17, incorrectly provided a reference for this session of ‘696524’. There were 5 releases of this previously-unissued session in 2019, consisting of a single LP and single CD selection of ‘master’ takes; a double CD of the entire session, with studio discussion/breakdowns; and as part of a complete LP set of Hayes material on Fontana (‘master’ takes only) and a complete CD set of Hayes material on Fontana (all takes). 20

Pages 140–141 – 690704, 690711: Replace the existing note with, “Session for The Orchestra album for Fontana – see 690703 for details.” Page 141 – 690723: Add release (a): 8 R&B Records RANDB040 Page 145 – Add session: 691128 PUSSYCAT, PUSSYCAT, I LOVE YOU CTS Studios, Bayswater, London, England, Recording Date 28 November 1969 Hayes; (cond, arr, comp [except where indicated]); Henry Shed (v) a Groove Into It 02:24 b Hydro-Therapy 01:51 c Stripper/Battle Of The Bulge Salon/Sauna Bath/Fernando/ True Friends/Flavia 02:11 d Pussycat, Pussycat, I Love You (a.k.a. Millie [record version]) 02:43 e Millie/Dr. Fahrquardt 01:25 f Le Accetiamo/Flashing Lights 03:13 g Fred’s Theme 02:26 h The Guru 03:58 i Tickling Bubbles /What’s New Pussycat? (Hal David/ Burt Bacharach) 01:32 j Sneaky Fred/Sleepy Fred/Young And Active 01:41 k Theme For A Fierce Embrace 01:13 l Duplication/Spoiled Juvenile 00:53 m Pussycat Source 03:02 n Mission: Impossible/Angelica 01:58 o Too Little, Too Late/Grant Granite/The Unwritten Rule 01:24 p Top Down/White Convertible 01:23 q  Fraulein Anna /What’s New Pussycat? (Hal David/Burt Bacharach)/Out Of Gas/War Paint 01:24 r Ornella 01:11 s What’s New Pussycat?/Indian Camp 01:06 t What’s New Pussycat (Hal David/Burt Bacharach) 01:50 u Coffee Break/False Fronts 02:10 v You Think Of Everything/Oh Perfidy 01:49 w Anvil (Il Trovatore) (Verdi) 00:52 x Caccia/Slow Motion Chase 01:31 y Stagecoach Dance 01:38 z Cowboys And Indians Italian Style 02:46 aa Coo Coo Collision 00:47 ab Happily Ever After 00:57 ac Fred’s Theme (Short Version) 01:14 ad Holes 01:06 ae Avanti/Have Chickens Will Travel/Dirt Road a la Italiana 01:05 af Organ Medley 02:12

a–af 8 Film Score Monthly FSM Box 3 21

a, h, i2, g, f1, u1, f2, s1, b, v2, d, y, n2, r, m, z. Bonus Tracks: c, e, i1, j, k, l, n1, o, p, q, s2, t, , v, w, x/aa, ab, s (mistitled Hales, corresponding to ad), ad (credited as Avanti/Have Chickens Will Travel/Dirt Road a la Italiana, corresponding to ad), af, ac 8 Quartet QRSCE027 Note: According to Doug Payne’s online Schifrin discography at http://dougpayne.com/ lsd66_75.htm, accessed 10.5.16, this soundtrack was recorded in L.A. (24 October) and then on 3 days in London (27–29 November), but the Gronlund Hayes archives only show that Tubby was involved on the middle day, 28 November. As it is unknown which titles were recorded on which dates, or which personnel were involved, all are listed in case Hayes is involved. Payne’s notes also say that Quartet QRSCE027 incorrectly attributes Holes as Hales but does not use this track here. The actual track credited as Hales is What’s New Pussycat/Indian Camp. Also, the track credited as Avanti/Have Chickens Will Travel/ Dirt Road a la Italiana is Holes. Avanti/Have Chickens Will Travel/Dirt Road a la Italiana is not heard on Quartet QRSCE027. Also Coffee Break appears here as Coffe Break. Page 146 – 691223: Add release (h, i): Acrobat ACRLP2501 Page 146 – 700100: Recording dates for this session were 9–10 December 1969, 9th at Mathewson’s flat, and 10th at Ronnie Scott’s Club. Amend session reference to 691209, as well as venue. One of the unknown tunes mentioned in the Notes was The Fir Tree, which Ron plays with his brother, Matt, in the film; the second is a traditional song played at a party in Shetland. Delete items (d)–(f) which do not include Hayes. Page 146 – 700119: Correct date to 10 December 1968 and session reference to 681210. Delete Pyne from personnel and insert Louis Stewart (g). Page 148 – 720000: Date/venue information follows from the Gronland Hayes archive which is unconnected as yet either with a specific gig or sound recording in 1972, listed here to avoid interrupting the chronological order of the discography with a large number of entries for which no further information exists at present, especially as some include commercial recordings for TV advertisements/jingles/film soundtracks/radio identifica- tions which may prove difficult to identify more fully: January 28 – Olympic Studios, Barnes (unknown leader/recordings) February 23-24 – PYE Studios, London (Harry South – probably TV recordings) March 10 – Olympic Studios, Barnes (unknown leader/recordings) March 27 – Untraced TV show, (Bill Le Sage, , Clive Morton and Basil Wright) April 24 – Olympic Studios, Barnes (unknown leader/recordings) April 29 – BBC TV Centre (unknown leader/show as yet untraced) May 23 – Olympic Studios, Barnes (unknown leader/recordings TH on soprano and flute) July 14 – Advision Studios, London (two overseas jingles on flute) July 24 – DeLane Lea Studios, Wembley (unknown leader/recordings) July 31 – BBC Maida Vale, Dave Hancock band (programme to be traced) August 3 – Audio International Studios, London (unknown leader/recordings) August 3 – Olympic Studios, Barnes (unknown leader/recordings) August 10 – CTS Studios, London (unknown leader/recordings) August 18 – BBC Aeolian Studios, London (unknown leader/recordings) August 31 – Advision Studios, London (unknown leader/recordings) September 6 – Olympic Studios, Barnes (Tony Kinsey TV recordings?) September 6 – Spot Studios, London (unknown leader/recordings) September 21 – DeLane Lea Studios, Wembley – session for Chris Pyne (x 2) 22

October 2 and 9 – Paris Studios, London (unknown leader/recordings) October 13 – DeLane Lea Studios, Wembley (unknown leader/recordings) October 13 – Advision Studios, London (unknown leader/recordings) October 21 – Advision Studios, London (Harry South) October 28 – BBC TV Centre, London (show as yet untraced) October 30 – Advision Studios, London (Tony Kinsey TH on flute) November 1 – Advision Studios, London (unknown leader/recordings) November 10 – Olympic Studios, Barnes (unknown leader/recordings) Page 148 – Add session: 720000 HARRY SOUTH GROUP Probably London, England Recording Date Probably 1972 South (ldr); Hayes (fl); others u/k a Four Dimensions of Greta other unissued u/k titles

a 8 R&B Records RANDB040 Note: This newly discovered title was part of a film soundtrack – see parallel film list entry. Page 148 – 720200: Recording date was in fact 13 March 1972 and the venue was BBC Tel- evision Centre. Amend session reference to 720313. Amend sentence in note from “it is therefore likely it was recorded the previous month” to “it is therefore likely that Hayes was deputising despite his departure being announced” Page 149 – 720212: Add release (b–e): 8 Savage-Solweig SS-004 Page 149 – Add session: 720214 TUBBY HAYES AND THORLEIF OSTERENG/HELGE HURUM BIG BAND Oslo, 14 February 1972 Hayes (fl, ts); other personnel unidentified a She Insulted Me In Marrakech b Solweig c Song For A Sad Lady d Mainly For The Don

a–d unissued Note: Session listed in Liz Greenlund’s Hayes archives, uncovered after her death in 2015. Page 150 – 720218: Add release (g, i): 8 Savage-Solweig SS-004. Amend date to 721218 and place session in chronological order on p. 155 Page 152 – 720509: Add release (c, e): 8 R&B Records RANDB040. Amend name of (e) to Pedals And Clusters Page 152 – 720522: Add note: an unedited version of the Trevor Watts tape of this session exists, which has more music than the heavily edited Reel Recordings release. 23

152 – Add session: 720530 DUNCAN LAMONT BIG BAND Probably London, England, Recording Date 5 May 1972 BBC Radio “Jazz Club”, Broadcast Date 12 June 1972 Lamont (ts); Hayes (ts, fl); other personnel unidentified unissued u/k titles Page 153 – 720703: Amend recording date to 19 June 1972 and session reference to 720619. Page 153 – 720900: This session has now been dated to 12 September 1972 – amend session reference to 720912. Amend Trevor Watts’s instruments to (as) only and Hayes’s to (fl, ts). Insert 2 titles for this session: Improvised Theme 1; Improvised Theme 2 Page 153 – 720918: Copy the composite entry from 681002 to 720918 and amend as follows to insert new session: BBC Aeolian Hall; Recording Dates: 18 and 20 September 1972; Broadcast Dates: Possibly 22 and 29 September, and 31 October 1972 Amend note to say, “After a hiatus in ‘Late Night Extra’ broadcasts, these began again on 17 August and then appeared 3 more times in the autumn according to the Radio Times Genome database. Unlike the previous versions of the programme, Hayes was not cred- ited on these sessions.” It is unknown how many tunes were recorded at each session and how these were dis- tributed throughout. After 31 October, the next version of the programme was on 19 June 1973, after Hayes’s death. Page 154 – 720925: Add recording date of 29 August 1972 and amend session reference to 720829. Studios were BBC Maida Vale Studios, London, England. Merge contents of session 721029 into this session – the BBC Radio Times Genome database has no ‘Night Ride’ on Sunday, 29 October 1972, but definitely lists the Hayes Quintet for the 25 Sep- tember edition. The only issue is that 8 titles were recorded on 29 August 1972, and only 6 apparently used for the broadcast, so presumably 2 were unused or used in another programme. Page 154 – 721001: Recording date for this BBC Jazz Club has now been identified as 11 September 1972. Amend session reference to 720911-1. Page 154 – 721029: Delete this separate session – see 720925 above. Page 154 – Add session: 721118 SPLINTERS Notre Dame Hall, London, England 18 November 1972 Kenny Wheeler (tp, flh); Trevor Watts (as); Tubby Hayes (ts, fl); Stan Tracey (p); Jeff Clyne (b); (d) a Improvised Theme 1 b Improvised Theme 2

a, b unissued Note: Tape copy provided by Trevor Watts. Page 155 – 721200: Recording date for this film soundtrack has now been identified as 11 September 1972. Amend session reference to 720911-2. 24

Page 155 – Add sessions: 721219-1 TUBBY HAYES AND YLE STUDIO BIG BAND YLE (Yleisradio Oy or Finnish Broadcasting Company) Liisankatu Studios, Helsinki, 19 December 1972 Hayes; other personnel unidentified unissued u/k titles Note: Session listed in Liz Greenlund’s Hayes archives, uncovered after her death in 2015. Live broadcast. YLE have confirmed that they have no tapes of this live performance. 721219-2 TUBBY HAYES GROUP Club Ostrobotnia, Helsinki, Finland 19 December 1972 Broadcast Date u/k Hayes with a Finnish rhythm section (unidentified) unissued u/k titles Note: Session listed in Liz Greenlund’s Hayes archives, uncovered after her death in 2015. YLE have confirmed that all that remains of his gig at the Ostrobotnia are fragments broadcast as part of a radio programme about Hayes. That radio programme does exist in the YLE archives. Page 156 – 730000: Date/venue information follows from the Gronland Hayes archive which is unconnected as yet either with a specific gig or sound recording in 1973, listed here to avoid interrupting the chronological order of the discography with a large number of entries for which no further information exists at present, especially as some include commercial recordings for TV advertisements/jingles/film soundtracks/radio identifica- tions which may prove difficult to identify more fully: January 10–11 – EMI Studios, London (unknown leader/recordings) March 18 – BBC Lime Grove Studios (TV show as yet untraced) April 30 – Olympic Studios, Barnes (unknown leader/recordings) Page 156 – Add sessions: 730104 SPLINTERS Lakers Hotel, Redhill, Recording Date 4 January 1973 Kenny Wheeler (tp, flh); Trevor Watts (as); Tubby Hayes (fl, ts); Stan Tracey (p); Jeff Clyne (b); John Stevens (d) a Improvised Theme 1 b Improvised Theme 2

a, b unissued Note: Tape copy provided by Trevor Watts. 730128 SPLINTERS Ronnie Scott’s, Frith Street, London, England Recording Date 28 January 1973 Kenny Wheeler (tp, flh); Trevor Watts (as); Tubby Hayes (fl, ts); Stan Tracey (p); Ron Mathewson (b); John Stevens (d) 25 a Improvised Theme 1 b Improvised Theme 2

a, b unissued Note: Introduced by . Tape copy provided by Trevor Watts. Page 156 – 730200: Correct date for this session has been found of 3 February 1973. Amend session reference to 730203 Page 156 – 730204: Correct date for this session has been found of 21 January 1973. Amend session reference to 730121 Page 157 – Add session: 730212 MUSIC TO MIDNIGHT Golders Green Hippodrome, London, England BBC Radio, Recording Date 12 February 1973 Broadcast Date 4 March 1973 Hayes (fl, ts); (tp, flh); Dick Abel (g); Gordon Langford (p, celeste); Alan Grahame (vbs, perc); Kenny Baldock (b); (d); David Francis (arr, cond); London Studio Strings; Alan Dell (ann) a u/k title b By Myself c I Thought About You d It’s A Most Unusual Day e Two For The Road f They Can’t Take That Away From Me g Meditation h Black Coffee i Blues In The Night

a–i unissued Note: Session listed in Liz Greenlund’s Hayes archives, uncovered after her death In 2015. Also featured on this programme were Diana Landor, Scott Peters, Eddie Thompson Trio, and Hedley Kay. Tubby received £22.46 in payment (£2.10 of which was an “obligato fee”). Page 157 – 730225: It has now also been confirmed that Hayes was not on this BBC Jazz Club session with Harry South, so this session should be deleted. In any case, the stated date has now been found to be incorrect and the correct date of this non-Hayes session is 23 February 1973. Page 158 – 730308: Add release (a–e): 8 Acrobat Music ACMCD4391 Page 159 – 730400-1: Recording date for this BBC Jazz Club session of the Duncan Lamont Big Band has been found – 9 April 1973; amend session reference to 730409 Page 159 – 730400-2: Recording date for this BBC Jazz Club session of the Dave Hancock Big Band has been found – 23 April 1973; amend session reference to 730423 Page 160 – 730421: Recording date for this BBC Radio 2 programme was 12 March 1973; the venue was the Golders Green Hippodrome; amend session reference to 730312 26

Film List

Page 168 – 610700: Recording dates have now been discovered in Liz Gronlund’s Hayes archive for the work on All Night Long: 19, 20, 23 (all at Denham Studios) and 26–30 June inclusive; 3–7, 10–14, 17–21, and 24–28 July inclusive; 31 July–4 August inclusive. Pine- wood was the venue for all dates from 26 June. Page 169 – 611020: Add One O’Clock Gang TV programme from Theatre Royal, Glasgow, an ITV production by affiliate Scottish Television (STV). This is the recording date – broad- cast date unknown. Page 169 – 611100 and 620205: Recording dates have now been discovered in Liz Gron- lund’s Hayes archive for the work on Tubby Plays Hayes: 27 October; 9, 16, 23 and 29 November, 16 November; and 7, 14, 15, 19, and 28 December, all at Southern TV, South- ampton. It is unknown if this is the complete list of dates or, even, which programmes or parts of programmes were recorded on each date. Broadcast dates are detailed in the note to 611110 that, apart from the 620205 episode, is the composite entry for this TV programme. Amend 611100 to the first of the recording dates,611027 Page 169 – 620112: A recording date has now been discovered in Liz Gronlund’s Hayes archive for Hayes’s work on All That Jazz at Elstree Studios for the ITV affiliate Associated Television (ATV). The 12 January 1962 broadcast was recorded on 28 November 1961 and for this second episode of the series, the line-up included: Joe Brown Tubby Hayes Quartet The Viscounts – You Must Have Been A Beautiful Baby Johnny Dankworth and his Orchestra Ray Ellington Quartet with and his Orchestra The broadcast on 13 April 1962 included: Clinton Ford Bob Miller and the Millermen Tubby Hayes Quintet Susan Maughan with Jack Parnell and his Orchestra These details are taken from http://www.tvpopdiaries.co.uk/1962.html, accessed 27.4.16, which does not include Hayes amongst the personnel on the 23 March 1962 broadcast, as does Meeker. Neither does the IMDB at http://www.imdb.com/title/ tt2741838/fullcredits?ref_=tt_ov_st_sm, accessed 27.4.16. Amend 620112 to a recording date of 611128, retaining 12 January 1962 as the broad- cast date. It is unknown if Hayes recorded all his sequences for his appearances on the programme on 28 November, and there may have been further undiscovered recording dates. Page 176 – 640531: Dr. Michael Frohne has a tape of this broadcast, and lists 2 other titles at the beginning of this session: The Opener (5:40) and Very Very Fast (4:12), which should be added to the beginning of this concert. It is likely that these are the two solo pieces that Gulda played at the beginning of the concert in the film, but this needs to be confirmed Page 178 – 640816: Two of these shows have now been viewed and it is now certain which tunes were presented on the 4 October and 29 November 1964 broadcasts. Hayes was in the orchestra for both of these and is clearly visible throughout. The sessions for these broadcasts presumably contain the remainder of the tunes already listed, with perhaps others unlisted; which sessions contributed to which broadcasts is unknown. As previous- 27

ly, Hayes’s appearance in these other two broadcasts, and the features that he may have had, are unconfirmed. The list for Session 1 contains all numbers broadcast on 4 October 1964. The sole Hayes feature is (d) which appears in the broadcast at 07:53. (j)–(o) constitute an “Academy Award Selection”, a medley prior to the series closing theme, Moon River. The 29 November 1964 broadcast contains 2 Hayes features, starting with Duke’s Place (C Jam Blues), a blowing number for the orchestra, with a solo by Tubby starting at 2:10, then continues with two numbers from the Pink Panther, The Lonely Princess and Some- thing for Sellars, which features a Hayes solo at 08:31; the rest of the programme con- sists of ’Til There Was You; It Had Better Be Tonight; How Soon; How Could You Do A Thing Like That to Me?; Days of Wine and Roses; Music of David Rose (including Holi- day for Strings, The Stripper, Manhattan Square Dance, One Love and American Hoe- down) and ending with the series closing theme Moon River. Rehearsal dates for this programme come from the TechOps website at: http://tech-ops.co.uk/next/best-of- both-worlds-1964/, accessed 27.4.16. An extract from Session 1 (d) appears in the Hayes documentary Tubby Hayes: A Man in a Hurry (see 500000-3). Page 180 – Add film: 650210-11 THE IPCRESS FILE Cine Tele Sound (CTS) Studios Ltd., London, England 10–11 February 1965 Composer: John Barry Hayes (fl?, ts); Johnny Scott (fl, a-fl, as); Leon Calvert (t); John Leach (cimbalom); Vic Flick (g); Tristan Fry (perc, tym), others u/k

Note: See parallel Discographical entry. Page 182 – 650902: Amend session reference to 650527 and add recording date of 27 May 1965; amend group to Tubby Hayes and The Commonwealth Jazz Orchestra; amend venue to BBC TV Centre, Wood Green, London. Page 183 – Add new film: 660600 DZJES ZIEN Probably Dutch TV, Hilversum Dutch TV Programme “Dzjes Zien”, Recording Date June 1966 Broadcast Date 15 July 1966 Hayes (fl, ts); Rita Reys (v); Pim Jacobs (p); Wim Overgaauw (g); Ruud Jacobs (b); Han Bennink (d)

Note: This program was scheduled for 29 June, but apparently rescheduled for 15 July because of a broadcast interview with H.R.H. Bernhard, according to Schilder’s Nieuws- en Advertentieblad, 16 juni 1966. Page 183 – 660807: The BBC Radio Times Genome database and other sources confirm this broadcast date for this instalment of the series of televised non-Maigret Georges Simenon stories, for which episode Hayes provided incidental music. However, in the Gronland Hayes archive, papers have been found which indicate a recording date of 7 March 1967, which is clearly impossible. Possibly it was intended to be 7 March 1966. 28

Page 184 – Add new films: 670900 DARK OF THE SUN Cine Tele Sound (CTS) Studios Ltd., London, England September 1967 Composer: Jacques Loussier Hayes (fl?, ts); Loussier (comp, arr)

Note: See parallel Discographical entry. 680222 DUFFY Shepperton Studios, Shepperton, Surrey, England Recording Date 22, 23, 25 February 1968 Musical Director: Ernie Freeman Hayes; Art Freeman (orchestrator); other personnel unidentified

Note: Session listed in Liz Greenlund’s Hayes archives, uncovered after her death in 2015. 680322 GOOD EVENING WITH JONATHAN KING ATV London, Elstree Studios, Borehamwood, Hertfordshire 22 March 1968 Broadcast Date Probably 23 or 30 March 1968 Hayes (ts); Les Condon (tp); Keith Christie (tb); Alan Branscombe (as); Harry Klein (bs); Gordon Beck (p); George Kish, Jeff Clyne (b); (d); Joy Marshall (v)

Note: Hayes’s participation in this TV programme was confirmed by findings in Liz Green- lund’s archives. According to the website http://missingepisodes.proboards.com/ thread/9087/good-evening-jonathan-king-1967?page=2, accessed 12 May 2016, the last episode of this programme was on 30 March, meaning that whatever was record- ed, assuming it was used, had to be broadcast on 23 or 30 March. 680706 FAREWELL BBC TV, BBC TV Centre 6–7 July 1968 Broadcast Date 7 July 1968 Hayes (ts); (v); (g, v); Athol Guy (b, v); (g, mand, bjo, v) with the Alyn Ainsworth Orchestra

Note: Hayes’s participation in a TV programme with the Seekers on these dates was con- firmed by findings in Liz Greenlund’s archives. It is assumed that this famous BBC pro- gramme, noted in the BBC’s Radio Times Genome database, which marked the initial dissolution of the group, is the specific show that he appeared on, but this has yet to be confirmed. The show is on YouTube, but there are no features for the orchestra. Page 184 – 680918: Add recording date of 8 December 1967 for this TV play. Page 185 – 690000-2: Recording dates for the Italian Job soundtrack on which Hayes played were 19 and 21 December 1968 and the venue was Olympic Studios, Barnes. Amend session reference to 681219. Page 186 – Add new film: 29 691128 PUSSYCAT, PUSSYCAT, I LOVE YOU CTS Studios, Bayswater, London, England Recording Date 28 November 1969 Hayes; Lalo Schifrin (cond, arr, comp [except where indicated]); Henry Shed (v)

Note: Hayes’s participation in the soundtrack of this film was confirmed by findings in Liz Greenlund’s archives. See parallel Discographical entry. Page 186 – 700100: Recording dates for this session were 9–10 December 1969, 9th at Mathewson’s flat, and 10th at Ronnie Scott’s Club. Amend session reference to691209 . Page 186 – Add new film: 720000 FOUR DIMENSIONS OF GRETA (US: THREE DIMENSIONS OF GRETA) Probably London, England, Recording Date Probably 1972 Harry South (ldr); Hayes (fl); others u/k

Note: According to the Internet Movie Database, this was the first 3D British film. The sole information on the music in it is that it featured a tune called Greta written by Harry South and Hal Shaper, sung by Huckleberry Fynn. It is not known if Hayes played on anything else in the soundtrack other than the released track in the parallel discographical entry. Page 186 – 721200: Recording date for this film soundtrack has now been identified as 11 September 1972. Amend session reference to 720911-2. 30

List of Recorded Media Acrobat ACMCD4333: Amend 610900 to 610719 Acrobat ACMCD4381: Amend 610900 to 610719 Add to Acrobat: 8 ACMCD4389 Tubby Hayes–The Long Shadow of the Little Giant 550310 1 2016 550729 1 560218 1 570815 1 580216 1 581100-1 1 590613 1 590626 1 590703 1 591200-1 1 610321 1 610331 1 610719 1 611003 1 620623 1 8 ACMCD 4391 Tubby Hayes/Invitation–Live At The Top Alex 1973 730308 5 2016 8 ACMCD4392 & Co Feat. & Tubby Hayes–Helter Skelter 630606 4 2017 8 AMCD4396 Tubby Hayes–A Little Workout ‘Live� At The Little Theatre 661204 2 2018 670402 4 8 ACQCD7101 Various Artists–The Tempo Anthology: British Modern Jazz 1954-60 550426 1 2016 550729 2 560717 1 570103 2 570329 1 570808 2 580307 1 590514-1 1 590626 1 590703 1 591200-1 1 2 ACRLP2501 Tubby Hayes–What Is This Thing Called Love? Live at the Hopbine 1969 691223 2 2018 Acrobat ACSCD6001: Amend 610900 to 610719 Acrobat ACTRCD9042: Amend 730200 to 730203, 730204 to 730121, 700100 to 691209 Atmosphere Music Library ATMOS CD206: Amend 610900 to 610719 Beat Goes On BGO708: Amend 680000-3 to 680302 Castle CD1023: Amend 721200 to 720911-2 Castle CMEDD114: Amend 721200 to 720911-2 Castle CMOCD016: Amend 721200 to 720911-2 CD Club SLCS5020: Amend 721200 to 720911-2 CBS S53403: Amend 680000-3 to 680302 31

Add: Chapter II Records 8 CHA0134 Ennio Morricone & Jacques Loussier–Guns For San Sebastian & Dark Of The Sun 670900 12 2000 Cinephile CIN CD0013: Amend 721200 to 720911-2 Cinephile CIN CD002: Amend 721200 to 720911-2 Collectors Choice CCM085-2: Amend 620000-1 to 611031 CBS 63293: Amend 680000-3 to 680302 Add to Columbia CBS(UK): 2 (S)BPG 62530 The Ipcress File–The Original Soundtrack Album 650210-11 11 1965 Columbia Collectors Choice CD485127 2: Amend 680000-3 to 680302 Davjon DJ1006 : Amend 690000-1 to 681031 Decca PFS4018: Amend 620000-1 to 611031 Decca LK4604: Amend 630900 t0 630900-1 Decca LK4630/SKL4630: Amend 640100 to 631200 Add to Decca: 2 PFS 4023 Ted Heath–Satin, Saxes & Bouncing Brass 620712 12 1963 2 DL(7)9124 The Ipcress File–The Original Soundtrack Album 650210-11 11 1965 2 7743916 Tubby Hayes: The Fontana Albums 1961-1969 610321 3 2019 610322 2 610323 4 610331 3 610822 2 611003 5 611004 5 620517 5 620518 6 620623 5 640420 4 640426 5 660510 3 660512 1 660513 2 670202-670307 7 690624 5 690703-690708- 690711 12 8 7743915 Tubby Hayes: The Fontana Albums 1961-1969 610321 3 2019 610322 2 610323 4 610331 3 610822 2 611003 5 611004 5 620517 5 620518 6 620623 5 640420 4 640426 5 660510 3 32

660512 1 660513 2 670202-670307 7 690624 5 690703-690708- 690711 12 2 SFJL1969 Tubby Hayes: Grits, Beans And Greens 690624 5 2019 8 7756964 Tubby Hayes: Grits, Beans And Greens 690624 5 2019 8 7756877 Tubby Hayes: Grits, Beans And Greens 690624 18 2019 Dusty Fingers DF-007: Amend 690527 to 690703 Add to El Records: 8 ACME327BOX Various Artists – Keep It Light: A Panorama Of – 550426 1 2017 The Modernists 570808 1 580120 1 580216 1 590514-1 3 610331 1 610900 3 620518 1 Electrola SME91543: Amend 660601 to 660531 Ember JBS707: Amend 610900 to 610719 Ember EMB3337: Amend 610900 to 610719 Ember EMBCD009: Amend 610900 to 610719 Ember EMBCDFBB911: Amend 610900 to 610719 Ember ERL3315: Amend 610900 to 610719 Fantastic Voyage FVDD0025: Amend 610900 to 610719 Fantastic Voyage FVTD050: Amend 610900 to 610719 Add to Film Score Monthly: 8 Vol. 10 No. 18 Dark Of The Sun–Original Motion Picture Soundtrack 670900 27 2007 8 FSM Box 3 Various Artists–The MGM Soundtrack Treasury 691128 32 2008 Add: Fine And Mellow 8 FM612 –Complete 1960-62 Recordings 610502 2 2017 Fontana TFL5190/STFL598: Amend 610822 to 610824 Fontana 6309002: Amend 690527 to 690703 Future Noise EMB3321: Amend 610900 to 610719 Future Noise EMB3337: Amend 610900 to 610719 Add to Gearbox Records: 8 GB1510 : Live in Morecambe 1959–Tippin’ 590325 4 2016 ^ RSGB1513 Tubby Hayes: Modes and Blues–Live at Ronnie Scott’s 8 February 1964 590325 1 2017 Harkit SHK-560-6: Amend 690000-2 to 681219 Add to Harkit: 8 HRKCD8561 Tubby Hayes & –Change Of Setting 650215 8 2016 33

Add: HGBS Blue Records 2 HGBSB18005LP Various Artists–Junges Forum 65–Unreleased Tapes From The MPS-Studio 650702 9 2018 Jasmine JASCD641: Amend 720703 to 720619 Label? IJ101 8: Amend 690000-2 to 681219 Add to London (US): 2 SP44023 Ted Heath–Satin, Saxes & Bouncing Brass 620712 12 1963 London PS355/LL3355: Amend 630900 to 630900-1 Lost and Found Records LF-106: Amend 690527 to 690703 Add to MCA: 2 VIM7236 The Ipcress File–The Original Soundtrack Album 650210-11 11 1979 MCA MCD60074/112488-2: Amend 690000-2 to 681219 Add to Membran: 8 0600495MB Various Artists–Very Saxy: Milestones Of Jazz Legends 58100-1 7 2018 Add to MGM (All Territories): 2 SE-4544ST Dark Of The Sun–Music From The Original Soundtrack 670900 12 1968 Add: Moochin’ About 8 05 Jazz on Film: The New Wave II 581002 4 2016 610700 11 MPS 52016v, MPS/BASF 9821701-9 and 06024 9828945: Amend 660601 to 660531 Add: Not Now LP NOTLP192 Various Artists–Music from the Soundtrack All Night Long 610700 11 2016 Paramount PAS5007 SPFL256: Amend 690000-2 to 681219 Philips Phi SBL7869: Amend 680000-2 to 680709 Add: Play-Time 8 PL9415 Jacques Loussier–Les plus belles musiques de Jacques Loussier 670900 4 1994 Polygram JABB C3: Amend 610822 to 610824 Polygram JABB3: Amend 610822 to 610824 Preiser PR3141 and 90667: Amend 660601 to 660531 PROPERBOX 176: Amend 610822 to 610824 Pucka PUC1968: Amend 680000-1 to 680312 Pucka PUC701: Amend 680000-1 to 680312 Pye NSPL18398: Amend 721200 to 720911-2 Add: Quartet () 8 QRSCE027 Burt Bacharach and Lalo Schifrin–What’s New Pussycat?/ Pussycat, Pussycat I Love You 691128 37 2011 34

Add to R&B Records: 8 RANDB049 Various Artists–Soho Scene ’59-’60: Jazz Goes Mod 580824 1 2018 581100-1 1 590514-1 2 590601/02 1 590626/590703 1 591200-1 1 600114 1 600600 1 601110 1 2 R&B9 Various Artists–Soho Scene ’64: Jazz Goes Mod 640426 1 2016 2 R&B12 Harry South–The Songbook 550310 S 591114 P 601110 T 6 2016 640516 P 680000-2 U R&B15 Various Artists–Soho Scene ’61: Jazz Goes Mod 600000 2 G 2 2016 610321 H 2 R&B16 Various Artists–Soho Scene ’65: Jazz Goes Mod 650000 1 2016 8 RANDB035 Various Artists–Soho Scene ’62: Jazz Goes Mod 620517 G 2 2016 620623 H 8 RANDB040 Harry South–The Songbook 550310 S 550729 P 560717 P 591114 P 601110 P 640516 P 650322 T 24 2017 651107 P 651108 P 670911 P 680002 P 690723 P 720000 P 720509 U 8 RANDB042 Various Artists–Soho Scene ’61: Jazz Goes Mod 600000 610323 S T 4 2017 610700 U 610822 8 RANDB058 Various Artists–Soho Scene ’64 ’65: Jazz Goes Mod 640104 1 2019 640225 1 640318 1 640516 1 640620 1 640409/10 1 641102 1 650000-1 2 650131 1 650210-11 1 650215 1 651019 1 This release comprises a 4CD set, but with an extra bonus 2CD set if purchased directly from the record company. 4 of the 6 CDs include Hayes tunes and are indexed here. Reprise RS6312: Amend 680000-1 to 680312 35

Add: RPM 8 RETROROD990 Georgie Fame–The Two Faces Of Fame: The Complete 1967 Recordings 670318 3 2017 Add to Savage Solweig: 8 SS-004 Tubby Hayes–Split Kick 720212 G 4 2016 720218 H 2 See for Miles SEECD100H/SFM 1968: Amend 680000-1 to 680312 Sequel NEMCD842: Amend 721200 to 720911-2 Sequel NEMCD927: Amend 721200 to 720911-2 Silva Screen FILMCD338: Amend 690000-2 to 681219; add: 8 FILMCD605 The Ipcress File–The Original Soundtrack Album 650210-11 11 2002 Add: SSJ [Sinatra Society Of Japan] 8 XQAM-1645 Tubby Hayes–Interlude For Music 650600 20 2016 Speciality SPTYLP-002: Amend 610900 to 610719 Trunk Records JBH031CD: Amend 690000-1 to 681031 Trunk Records SEC001CD: Amend 690000-1 to 681031 Universal (Japan) UCCM9183: Amend 610822 to 610824 Add to Universal (UK): 2 4739799 Georgie Fame–The Whole World’s Shakin’ 650526 5 2015 650900 G 8 660300 H 8 4739865 Georgie Fame–The Whole World’s Shakin’ 650526 5 2015 650900 G 8 660300 H 8 0600753726020 Georgie Fame–Survival–A Career Anthology 650900 2 2016 Universal 9831977: Amend 610822 to 610824 Universal UCCU 1024: Amend 610822 to 610824 Add: Verve (France) 8 525197-2 Various Artists–Body And Soul: Les plus belles ballades par les grands saxophonistes 620623 1 1995 Vocalion CDLK 4193: Amend 640100 to 631200 Add to Vocalion: 8 CDLK 4244 Ted Heath–The Big Ones/Satin, Saxes & Bouncing Brass 620712 24 2004 Vocalion CDLK 4343: Amend 620000-1 to 611031 Warner Music 5050467-3686-1-3 and Warner Music 5050467-3686-2-0: Amend 630900 to 630900-1; amend 640100 to 631200 World Record Club: Split T(ST)631 into 2 catalogue numbers: T631 (mono) and ST631 (ste- reo) 36

Index of Musicians Abel, Dick: Add 730212 in chronological order Abeleen, Staffan: Amend 720218 to 721218 Adderley, Julian ‘Cannonball’: Add 660527; amend 660601 to 660531 Ainsworth, Alyn (cond): Add to index with session 680706 Antolini, Charly (d): Add to index with sessions 651027-1 and 651027-2 Ash, Vic: Amend 611100 to 611027 Asmussen, Svend (v): Add to index with session 640310 Atterberg, Bjorn: Amend 730200 to 730203

Bailey, Benny: Add 640529 (as ‘Victor Nailey’) Baines, Clarry: Amend 680000-2 to 680709 Baker, Kenny: Amend 721200/721200 to 720911-2/720911-2 Bacsik, Elek (g): Add to index with session 650100-3 Baldock, Kenny: Add 730212 in chronological order Barry, John (comp, arr): Add to index with session 650210-11 Bates, Phil: Amend 680000-2 to 680709 and 680000-3 to 680302; add 680620 in chronological order Beck, Gordon: Amend 651008 to 651008-2, amend 680000-2 to 680709 and 680000-3 to 680302; add 620718-19, 680322 in chronological order; substitute 651019 and 651129 in place of 650600. Bennink, Han (d): Add to index with session 660600 Bigler, Heinz: Add 640529 in chronological order Blair, Eddie: Add 600000 in chronological order Blakeson, Don: Amend 730400-2 to 730423 Bowen, Greg: Amend 680000-2 to 680709; amend 690527 to 690703; amend 730400-2 to 730423 Branscombe. Alan: Amend 680000-2 to 680709; add 680322 and 680620 in chronological order; amend 690527 to 690703; amend 700119 to 681210; amend 720703 to 720619; amend 721029 to 720829 Budd, Roy: Amend 721200/721200 to 720911-2/720911-2 Burns, Bob: Amend 650902 to 650527 Bush, Lennie: Amend 610900 to 610719; amend 690100 to 690130; amend 730400-2 to 730423 Butts, Johnny: Amend 651008 to 651008-2; substitute 651019 and 651129 in place of 650600

Cale, Bruce: Amend 660623 to 660620 Calvert, Leon: Add 650210-11 in chronological order Carter, Bob (b): Add to index with session 650100-3 Carter, Ron: Add 660527; amend 660601 to 660531 Cavalli, Pierre: Add 640529 in chronological order; add 660527; mend 660601 to 660531 Chapman, Roger: Amend 680000-1 to 680312 Chisholm, George: Add 600000 in chronological order Christie, Keith: Amend 680000-2 to 680709; add 680322 in chronological order; amend 690527 to 690703; amend 720703 to 720619 Clare, Kenny: Amend 690100 to 690130 Clarke, Len: Amend 690000-1 to 681031 Clyne, Jeff: Amend 611100 to 611027; Amend 651008 to 651008-2; add 680322, 721118 and 730104 in chronological order; amend 721200/721200 to 720911-2/720911-2; substitute 651019 and 651129 in place of 650600. Coe, Tony: Amend 680000-2 to 680709 and 680000-3 to 680302 Combe, Stuff: Add 650100-3 in chronological order Condon, Les: Amend 680000-3 to 680302; add 680322 in chronological order; amend 690527 to 690703 Costanzo, Jack: Amend 610822 to 610824 Coulam, Roger: Amend 690527 to 690703

Delmar, Elaine: Amend 611100 to 611027 Deuchar, Jimmy: Amend 610822 to 610824; amend 610900 to 610719; add 620718-19, 640103-1, 640529 and amend 640103 to 640103-2 37

Dover, Johnny (fl): Add to index with session 651027-2 Downey, Alan: Amend 730400-2 to 730423 Durham, Judith (v): Add to index with session 680706 Efford, Bob: Amend 690527 to 690703 Ellefson, Art: Amend 650902 to 650527; amend 680000-3 to 680302 Ericson, Rolf: Add 660527; amend 660601 to 660531 Eyden, Bill: Amend 611100 to 611027; amend 680000-2 to 680709 and 680000-3 to 680302; add 680620; amend 721029 to 720829 Fame, Georgie: Add 661004 and 670911 in chronological order; amend 680000-3 to 680302 Farmer, Art: Add 660527; amend 660601 to 660531 Fisher, Harold: Amend 730400-2 to 730423 Fisher, Tony: Amend 680000-2 to 680709; amend 690527 to 690703 Flick, Vic: Add 650210-11 in chronological order Forsyth, Bruce: Amend 730421 to 730312 Francis, David (arr, cond): Add to index with session 730212 Fry, Tristan (perc, tym): Add to index with session 650210-11 Ganley, Allan: Add 620718-19, 640103-1 and amend 640103 to 640103-2 Geldard, Bill: Amend 690527 to 690703 Geller, Herb: Add 660527; amend 660601 to 660531 Grahame, Alan (vbs, perc): Add to index with session 730212 Grant, Allan: Amend 690000-1 to 681031 Grech, Rick: Amend 680000-1 to 680312 Griffin, Johnny: Add to index with session 640310 Gulda, Friedrich: Add 640529, 650200-1, 650300-1, 651025 in chronological order; add 660527; amend 660601 to 660531. Guy, Athol (b, v): Add to index with session 680706 Hall, Albert: Amend 680000-3 to 680302 Hamer, Ian: Amend 680000-2 to 680709 and 680000-3 to 680302; amend 690527 to 690703; amend 720703 to 720619; add 730212 in chronological order Hancock, Dave: Amend 730400-2 to 730423 Hardie, Cliff: Amend 680000-2 to 680709 Hastings, Jimmy: Amend 730400-2 to 730423 Healey, Derek: Amend 680000-3 to 680302 Heath, Ted: Amend 620000-1 to 611031; add 620712 Heatley, Spike: Amend 720200 to 720313 Hicks, Clive: Amend 690000-1 to 681031 Horler, Dave: Amend 690527 to 690703; amend 730400-2 to 730423 Horler, John: Amend 730400-2 to 730423 Hubbard, Freddie: Add 651000 in chronological order Hurum, Helge: Add to index with session 720214 Husby, Per: Amend 730200 to 730203 Isaacs, Ike: Amend 690000-1 to 681031 Isaakson, Ralph: Add 660527; amend 660601 to 660531 Jacobs, Pim (p): Add to index with session 660600 Jacobs, Ruud (b): Add to index with session 660600 Jankowski, Horst (p): Add to index with sessions 651027-1 and 651027-2 Jay, June: Amend 690000-1 to 681031 Johansen, Kjell: Amend 730200 to 730203 Johnson, JJ: Add 651000 in chronological order; add 660527; amend 660601 to 660531 Jones, Quincy: Amend 690000-2/690000-2 to 681219/681219 Jones, Salena: Amend 730421 to 730312 Josl, Rudolf: Add 660527; amend 660601 to 660531 38

Karan, Chris: Amend 721200/721200 to 720911-2/720911-2; add 730212 in chronological order. Keating, Johnny: Amend 630900 to 630900-1; amend 640100 to 631200 King, Jim: Amend 680000-1 to 680312 King, Peter: Amend 720200 to 720313 Kinsey, Tony: Amend 610900 to 610719 Kish, George (d): Add to index with session 680322 Klein, Harry: Amend 680000-2 to 680709; add 680322 in chronological order; amend 730400-2 to 730423 Kleinschuster, Erich: Add 640529 in chronological order; add 660527; amend 660601 to 660531 Langford, Gordon (p, celeste): Add to index with session 730212 Le Sage, Bill: Amend 610900 to 610719; amend 720200 to 720313 Leach, John (cimbalom): Add to index with session 650210-11 Lee, Tony: Amend 730204 to 730121 Lewis, Mel: Add 640529 in chronological order; add 660527; amend 660601 to 660531 Levin, Tony: Amend 660623 to 660620; amend 721001 to 720911-1 Logan, Freddy: Amend 650902 to 650527; add 620718-19, 640103-1 and amend 640103 to 640103-2 London Studio Strings: Add to index with session 730212 Loussier, Jacques (comp, arr): Add to index with session 670900 Marshall, Johnny: Amend 680000-3 to 680302 Marshall, Joy: Add 680322 in chronological order Mathewson, Ron: Amend 690527 to 690703; amend 690624 to 690527; amend 700100 to 691209; 700119 to 681210; add 730128 in chronological order McLaughlin, John: Amend 680000-3 to 680302 McNair, Harold: Amend 611100 to 611027 Monro, Matt: Amend 690000-2/690000-2 to 681219/681219 Moss, Danny: Add 600000 in chronological order Moule, John: Amend 730204 to 730121 Müller, Werner (cond): Add to index with session 650100-3 Nottingham, Mike: Amend 690000-1 to 681031 Østereng, Thorleif: Add to index with session 720214 Overgaauw, Wim (g): Add to index with session 660600 Oxley, Tony: Add 680322 in chronological order Pedersen, Niels-Henning Ørsted: Add 651027-1 and 651027-2; amend 720218 to 721218 Perrin, Brian: Amend 680000-2 to 680709 Pethman, Esa (fl): Add to index with session 651027-2 Potger, Keith (g, v): Add to index with session 680706 Premru, Ray: Add 640529 in chronological order; add 660527; amend 660601 to 660531 Previn, Andre: Amend 690100 to 690130 Pyne, Mike: Amend 660623 to 660620; add 690624 in chronological order; amend 700100 to 691209; delete 700119; amend 721001 to 720911-1 Reece, Alfie: Add 640529; add 660527; amend 660601 to 660531; amend 730400-2 to 730423 Reubens, Cyril: Amend 680000-3 to 680302 Reys, Rita (v): Add to index with session 660600 Riel, Alex: Amend 720218 to 721218 Robinson, Barry: Amend 730400-2 to 730423 Rokovic, Bora: Add 650100-3 in chronological order Ross, Ronnie: Amend 611100 to 611027 and 650902 to 650527; add 660527; amend 660601 to 660531 Royal, Ernie: Amend 660601 to 660531 Runswick, Daryl: Amend 720703 to 720619; amend 721001 to 720911-1; amend 721029 to 720829 Sammes, Mike: Amend 690000-1 to 681031 Schifrin, Lalo: Add 691128, 691128 in chronological order Schneebiegl, Rolf: Add 640529 in chronological order Scott, Johnny: Amend 611100 to 611027; add 650210-11 in chronological order 39

Scott, Ronnie: Amend 610822 to 610824; amend 611100 to 611027; amend 680000-2 to 680709 and 680000-3 to 680302; amend 721200/721200 to 720911-2/720911-2 Seaman, Phil: Add 600000; amend 610822 to 610824 Shannon, Terry: Amend 611100 to 611027; add 640103-1 and amend 640103 to 640103-2 Shaw, Hank: Amend 680000-2 to 680709; amend 720200 to 720313 Shed, Henry (v): Add to index with sessions 691128, 691128 Shihab, Sahib: Add 640529 and 651000 in chronological order Smith, Pete: Amend 730400-2 to 730423 Smith, Terry: Amend 680000-3 to 680302 Snell, David: Amend 611100 to 611027 Solomon, Harry: Add 660527; amend 660601 to 660531 South, Harry: Add 530204 in chronological order; amend 680000-2 to 680709 and 680000-3 to 680302; add 661004, 680802 and 720000/720000 in chronological order Spence, Johnnie: Add 631229 in chronological order Spring, Bryan: Amend 720200 to 720313 Steele, Tommy: Add to index with session 631229 Stevens, John: Add 721118, 730104, and 730128 in chronological order Stewart, Louis: Add 681210 and 690703 in chronological order; delete 690624 Sulieman, Idrees: Add 640529 in chronological order Swinfield, Ray: Amend650902 to 650527 Taylor, John: Amend 721029 to 720829 Taylor, Ted: Amend 690000-1 to 681031 Taylor, Trevor: Amend 730204 to 730121 Tongay, Paul: Amend 730400-2 to 730423 Townsend, Rob: Amend 680000-1 to 680312 Tracey, Stan: Add 690416, 721118, 730104, and 730128 in chronological order Valente, Caterina: Amend 630900 to 630900-1; amend 640100 to 631200 Wallace, Gib: Amend 650902 to 650527; amend 680000-3 to 680302 Watkins, Derek: Amend 680000-2 to 680709 and 680000-3 to 680302; amend 690527 to 690703 Watts, Trevor: Add 721118, 730104, and 730128 in chronological order Wells, Spike: Amend 690527 to 690703; amend 690624 to 690527; amend 700100 to 691209; 700119 to 681210; amend 720703 to 720619 West, Cedric: Amend 690000-1 to 681031 Wheeler, Kenny: Amend 650902 to 650527; add 660527; amend 660601 to 660531; add 721118, 730104, and 730128 in chronological order Whitney, Charlie: Amend 680000-1 to 680312 Whitney, Pat: Amend 690000-1 to 681031 Whittle, Tommy: Amend 610822 to 610824; amend 680000-3 to 680302 Williams, Freddie: Amend 690000-1 to 681031 Willox, Roy: Amend 690527 to 690703 Woode, Jimmy: Add 640529 in chronological order Woodley, Bruce (g, mand, bjo, v): Add to index with session 680706 Zawinul, Joe: Add 660527; amend 660601 to 660531 40

Index of Compositions 40 Days And 40 Nights: Amend 690000-1 to 681031 A Man Alone, 650210-11: Add new composition A Taste of Honey: Substitute 651019 and 651129 in place of 650600; amend 660623 to 660620 Acropolis: Amend 720703 to 720619 All Things Bright And Beautiful: Amend 690000-1 to 681031 Alone Blues, 650210-11: Add new composition Alone in Three-Quarter Time, 650210-11: Add new composition Alone Together: Substitute 651019 and 651129 in place of 650600 An Unexpected Pleasure: Amend 721001 to 720911-1 Angelica, 691128: Add new composition Anvil (Il Trovatore), 691128: Add new composition At Last, 620712: Add new composition Autumn Leaves: Amend 690100 to 690130 Avanti, 691128: Add new composition Ballad for Jessica Rose, 651027: Add new composition Bamboozled: Amend 720200 to 720313 Bassman: Amend 610900 to 610719 Battle of the Bulge Salon, 691128: Add new composition Bayou Blues: Amend 721200/721200 to 720911-2/720911-2 Beathaven: Amend 610900 to 610719 Blue Denham: Amend session number to 600000 Blue Flues: Amend 640103 to 640103-2 Blues for Pipkins: Amend 650902 to 650527 Blues in the Closet: Amend 690100 to 690130 Bluesology: Substitute 651019 and 651129 in place of 650600 Breakout: Amend 721200/721200 to 720911-2/720911-2 Bright The Vision That Delighted: Amend 690000-1 to 681031 Britannia And Mr. Bridger, If You Please: Amend 690000-2 to 681219 Broadway: Amend 640100 to 631200 Bud’s Bubble, 530204: Add new composition But Beautiful: Amend 651008 to 651008-2; add 620718-19 But Not For Me: Add 651027; amend 690100 to 690130 Bye Bye Blackbird: Substitute 651019 and 651129 in place of 650600 C Minor Bird: Amend 720218 to 721218 Caccia, 691128: Add new composition Capsicum: Amend 721029 to 720829 Capuccina, 611031: Add new composition Challoners Wood: Amend 720703 to 720619 Change of Setting: Amend 650902 to 650527; amend 660623 to 660620 Chelsea Bridge, 640310: Add new composition Claire and Curry, 670900: Add new composition Claire’s First Appearance, 670900: Add new composition Clopin-Clopant, 611031: Add new composition Close Your Eyes, 620712: Add new composition Coffee Break, 691128: Add new composition Concertino for Clarinet, 651027: Add new composition Coo Coo Collision, 691128: Add new composition Couci, Couca: Amend 630900 to 630900-1 Cowboys And Indians Italian Style, 691128: Add new composition Curry and the Diamonds, 670900: Add new composition Curry Kills Henlein, 670900: Add new composition Curry’s Decision/End Title, 670900: Add new composition 41

Curry’s Drive with Claire, 670900: Add new composition Curry’s Plan/Ruffo’s Death, 670900: Add new composition Dark of the Sun (Main Theme), 670900: Add new composition Dawn Yawn: Add 661004 Detour Ahead: Substitute 651019 and 651129 in place of 650600 Diamond, 670900: Add new composition Dirt Road a la Italiana, 691128: Add new composition Don’t Fall Off the Bridge: Add 651027 Don’t You Ever Learn, 680000-4: Add new composition Double Stopper: Amend 650902 to 650527 Dr. Fahrquardt, 691128: Add new composition Dr. Wreid, 670900: Add new composition Drive Carefully, 680000-4: Add new composition Drive to Ubi, 670900: Add new composition Duplication, 691128: Add new composition Easy Living: Add 650100-3 and 680000-4 Ebb Tide: Add 620712 Egyptian Night, 620712: Add new composition Emancipation Blues, 680000-4: Add new composition Emily: Amend 690527 to 690703; amend 721029 to 720829 Eronel: Amend 720200 to 720313 Eurosuite: Amend 660601 to 660531 Everything Happens to Me: Add 651027 False Fronts, 691128: Add new composition Fear Is The Key (Main Theme): Amend 721200/721200 to 720911-2/720911-2 Fermando, 691128: Add new composition Finnish Schnapps, 651027: Add new composition Flashing Lights, 691128: Add new composition Flavia, 691128: Add new composition For All The Saints: Amend 690000-1 to 681031 Fraulein Anna, 691128: Add new composition Fred’s Theme (Short Version), 691128: Add new composition Fred’s Theme, 691128: Add new composition Free Again: Amend 690527 to 690703 Friendly Natives Having Fun, 670900: Add new composition Friends: Amend 730400-2 to 730423 From Sea Bed To Surface: Amend 721200/721200 to 720911-2/720911-2 Getta Bloomin’ Move On!: Amend 690000-2 to 681219 Gingerbread Boy: Add 680000-4 Girl In Blue: Amend 610900 to 610719 Glorious Things Of Thee Are Spoken: Amend 690000-1 to 681031 Godchild: Amend 720200 to 720313 Goodbye Harry, 650210-11: Add new composition Good Looking, 651027: Add new composition Grant Granite, 691128: Add new composition Greens And Gravy: Amend 730400-2 to 730423 Greensleeves And All The Jazz: Amend 690000-2 to 681219 Greenwell’s Glory: Amend 720703 to 720619 Grits, Beans and Greens: Amend 700100 to 691209; 730400-2 to 730423 Groove Into It, 691128: Add new composition Happily Ever After, 691128: Add new composition Harlem Nocturne, 611031: Add new composition 42

Harvest Home: Amend 690000-1 to 681031 Have Chickens Will Travel, 691128: Add new composition He Who Would Valiant Be: Amend 690000-1 to 681031 Heather Mist: Add 640318 Hello Mrs. Beckerman!: Amend 690000-2 to 681219 Here There and Everywhere: Amend 690527 to 690703 Here’s That Rainy Day: Amend 730200 to 730203 Hernando’s Hideaway, 611031: Add new composition Hey Jude: Amend 690527 to 690703 Hills of The North: Amend 690000-1 to 681031 Holes, 691128: Add new composition Hydro-Therapy, 691128: Add new composition I Can’t Get Started: Amend 730204 to 730121 I Got It Bad, And That Ain’t Good, 620712: Add new composition I Had the Craziest Dream, 620712: Add new composition I Never Know When to Say When: Substitute 651019 and 651129 in place of 650600 I Thought About You: Amend 720218 to 721218 I’ve Got You Under My Skin: Amend 721029 to 720829 If You’re Not Clean – I’ll Kill You, 650210-11: Add new composition Immortal Invisible God Only Wise: Amend 690000-1 to 681031 Improvised Themes 1 and 2, 720912: Add new compositions, as well as subsequent session references 730104 and 730128, In A Persian Market, 611131: Add new composition In Search of The Key: Amend 721200/721200 to 720911-2/720911-2 In the Night: Add 641200-1; substitute 651019 and 651129 in place of 650600 In the Still of the Night: Amend 730421 to 730312 Indian Camp, 691128: Add new composition Infiltration, 670900: Add new composition Invitation: Amend 721029 to 720829 It Could Happen to You: Amend 690100 to 690130 It’s Caper Time: Amend 690000-2 to 681219 Jazz Along Alone, 650210-11: Add new composition Just in Time: Add 680000-4; amend 690100 to 690130 Just One of Those Things: Add 530211 in chronological order Keep Your Big Mouth Shut: Add 661212 Lady Celia: Amend 721001 to 720911-1 Lament: Amend 660623 to 660620 Laura: Amend 730204 to 730121 Laverne Walk, 651027: Add new composition Lazy Afternoon: Amend 721029 to 720829 Le Accetiamo, 691128: Add new composition Louisiana Ferry: Amend 721200/721200 to 720911-2/720911-2 Lover Man, 651027: Add new composition Lovey Dovey: Add 661004 Lullaby of Broadway: Amend 640100 to 631200 Main Title (The Ipcress File), 650210-11: Add new composition Mainly for the Don: Add 720214 in chronological order Make Someone Happy: Amend 660623 to 660620 Mas Que Nada: Amend 690527 to 690703 Meanwhile, Back In The Mafia: Amend 690000-2 to 681219 Meeting with Grantby and Fight, 650210-11: Add new composition Mellow Yellow: Amend 680000-3 to 680302 43

Millie, 691128: Add new composition Mirage: Add 620712 Mission: Impossible, 691128: Add new composition Moonlight Serenade, 620712: Add new composition Music for 4 Soloists and Band No. 2: Amend 660601 to 660531 Nancy With The Laughing Face: Amend 730204 to 730121 Natives Source, 670900: Add new composition Newtyme Waltz: Amend 680000-2 to 680709 Nine Mile Ride: Amend 730400-2 to 730423 Nobody Else But Me Remove emboldening of title O Jesus I Have Promised: Amend 690000-1 to 681031 O Worship the King: Amend 690000-1 to 681031 Off the Wagon: Amend 700100 to 691209; 720218 to 721218 Oh Perfidy, 691128: Add new composition Old Songs, New Songs: Amend 680000-1 to 680312 Oleo: Amend 700100 to 691209 On Days Like These: Amend 690000-2 to 681219 One Note Samba: Add 680000-4 Organ Medley, 691128: Add new composition Ornella, 691128: Add new composition Out Of Gas, 691128: Add new composition Overture: Amend 660601 to 660531 Papa’s Got a Brand New Bag: Add 661212 Passing Strangers: Amend 730421 to 730312 Peddles and Clusters: Amend tune name to ‘Pedals and Clusters’ People, 680000-4: Add new composition People Will Say We’re in Love: Amend 730421 to 730312 Pepening, 680000-4: Add new composition Poinciana: Amend 730204 to 730121 Port Reprieve, 670900: Add new composition Portrait: Amend 610900 to 610719 Praise to The Lord: Amend 690000-1 to 681031 PS. And D.H: Amend 730400-2 to 730423 Pussycat Source, 691128: Add new composition Pussycat, Pussycat, I Love You (a.k.a. Millie), 691128: Add new composition Revenge, 670900: Add new composition Rhythm-A-Ning: Amend 720218 to 721218 Runnymede Groove: Amend 610900 to 610719 ‘S Wonderful: Add 530211 in chronological order Sabre Dance, 611031: Add new composition Sauna Bath, 691128: Add new composition Secret Love: Add 650100-3 She Insulted Me in Marrakech: Add 720214 in chronological order Sienna Red: Amend 720218 to 721218; amend 720703 to 720619; amend 721001 to 720911-1 Sleepy Fred, 691128: Add new composition Slow Motion Chase, 691128: Add new composition Smell The Gold!: Amend 690000-2 to 681219 Sneaky Fred, 691128: Add new composition Solweig: Add 720214 in chronological order Someday My Prince Will Come: Amend 720218 to 721218; amend 730204 to 730121 Something’s Cookin’: Amend 690000-2 to 681219 Song For A Sad Lady: Amend 690527 to 690703; add 720214 in chronological order 44

Sonnymoon For Two: Amend 730204 to 730121 Souriya: Add 641200-1 Southern Suite Part I: Penitentiary Breakout; Southern Suite Part II: Chase And Capture: Amend 610822 to 610824 Speak Low: Substitute 651019 and 651129 in place of 650600 Spoiled Juvenile, 691128: Add new composition Stagecoach Dance, 691128: Add new composition Stakeout, 670900: Add new composition Stella By Starlight: Amend 730204 to 730121 Storm Warning: Amend 680000-2 to 680709 Stripper, 691128: Add new composition Sunny, 661004: Add new composition Take Off, 680000-4: Add new composition The Boy Next Door: Amend 730204 to 730121 The Car Chase: Amend 721200/721200 to 720911-2/720911-2 The Chase, 670900: Add new composition The Closer: Amend 660601 to 660531 The Coach Rolls Back, 670900: Add new composition The Death of Carswell, 650210-11: Add new composition The Doctor is Found, 670900: Add new composition The Fight, 670900: Add new composition The Gentle Rain: Amend 690527 to 690703 The Gringo, 680000-5: Add new composition The Guru, 691128: Add new composition The Hostage Escapes: Amend 721200/721200 to 720911-2/720911-2 The Killers of W1: Add 641200-1 The Late One, 620718-19: Add new composition The Look Of Love: Amend 730204 to 730121 The Mercenaries, 670900: Add new composition The Mission, 670900: Add new composition The More I See You: Substitute 651019 and 651129 in place of 650600; amend 730204 to 730121 The Oil Rig: Amend 721200/721200 to 720911-2/720911-2 The Opener, 640531: Add new composition The Other Man’s Grass Is Always Greener: Amend 690527 to 690703 The Shadow Of Your Smile: Amend 660623 to 660620 The Simbas Attack, 670900: Add new composition The Song is You: Substitute 651019 and 651129 in place of 650600 The Swamp: Amend 721200/721200 to 720911-2/720911-2 The Unwritten Rule, 691128: Add new composition The Windows Of The World: Amend 690527 to 690703 Theme For A Fierce Embrace, 691128: Add new composition There Will Never Be Another You: Amend 730421 to 730312 These Boots Are Made for Walking: Amend 690527 to 690703 They Didn’t Believe Me, 620712: Add new composition This Guy’s in Love With You: Amend 690527 to 690703; amend 730204 to 730121 Three Blind Mice: Add 661212 Tickling Bubbles, 691128: Add new composition Time After Time: Substitute 651019 and 651129 in place of 650600 Too Little, Too Late, 691128: Add new composition Top Down, 691128: Add new composition Tracks Blown, 670900: Add new composition Trenton Place: Amend 720218 to 721218; Amend 721001 to 720911-1 Trouble For Charlie: Amend 690000-2 to 681219 True Friends, 691128: Add new composition 45

Tubby’s Blues: Substitute 651019 and 651129 in place of 650600 Tumbling Tumbleweeds, 620712: Add new composition Under Milkwood, 680000-4: Add new composition Up Up And Away: Amend 690527 to 690703 Variations for Two Pianos and Band: Amend 660601 to 660531 Very, Very Fast, 640531: Add new composition Vierd Blues: Amend 720218 to 721218 Volkslied (Folk Song), 651027: Add new composition Walkin’: Amend 730204 to 730121 War Paint, 691128: Add new composition Wave: Amend 730204 to 730121 Weber The Great: Amend 610900 to 610719 What A Gas!: Amend 610900 to 610719 What Is This Thing Called Love: Add 651027; amend 720218 to 721218 What’s Blue: Amend 650902 to 650527 What’s New Pussycat?, 691128: Add new composition Where Am I Going?: Add 690527 in chronological order White Convertible, 691128: Add new composition Who Can I Turn To?: Substitute 651019 and 651129 in place of 650600 Wild, 670900: Add new composition Without A Song: Amend 720218 to 721218; amend 721029 to 720829 World Of Blue: Amend 610900 to 610719 You Stepped Out Of A Dream, 620712: Add new composition You Think Of Everything, 691128: Add new composition You Took Advantage of Me, 680000-4: Add new composition Young And Active, 691128: Add new composition Young And Foolish: Amend 730204 to 730121

Bibliography Add the following references: https://www.bfi.org.uk/news-opinion/news-bfi/features/moviegraphic-ipcress-file.- Ac cessed 23 November 2018 http://www.bbc.co.uk/music/reviews/ghf9/. Accessed 23 November 2018.