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Annie Ross Uk £3.25
ISSUE 162 SUMMER 2020 ANNIE ROSS UK £3.25 Photo by Merlin Daleman CONTENTS Photo by Merlin Daleman ANNIE ROSS (1930-2020) The great British-born jazz singer remembered by VAL WISEMAN and DIGBY FAIRWEATHER (pages 12-13) THE 36TH BIRMINGHAM, SANDWELL 4 NEWS & WESTSIDE JAZZ FESTIVAL Birmingham Festival/TJCUK OCTOBER 16TH TO 25TH 2020 7 WHAT I DID IN LOCKDOWN [POSTPONED FROM ORIGINAL JULY DATES] Musicians, promoters, writers 14 ED AND ELVIN JAZZ · BLUES · BEBOP · SWING Bicknell remembers Jones AND MORE 16 SETTING THE STANDARD CALLUM AU on his recent album LIVE AND ROCKING 18 60-PLUS YEARS OF JAZZ MORE THAN 90% FREE ADMISSION BRIAN DEE looks back 20 THE V-DISC STORY Told by SCOTT YANOW 22 THE LAST WHOOPEE! Celebrating the last of the comedy jazz bands 24 IT’S TRAD, GRANDAD! ANDREW LIDDLE on the Bible of Trad FIND US ON FACEBOOK 26 I GET A KICK... The Jazz Rag now has its own Facebook page. with PAOLO FORNARA of the Jim Dandies For news of upcoming festivals, gigs and releases, features from the archives, competitions and who 26 REVIEWS knows what else, be sure to ‘like’ us. To find the Live/digital/ CDs page, simply enter ‘The Jazz Rag’ in the search bar at the top when logged into Facebook. For more information and to join our mailing list, visit: THE JAZZ RAG PO BOX 944, Birmingham, B16 8UT, England UPFRONT Tel: 0121454 7020 BRITISH JAZZ AWARDS CANCELLED WWW.BIRMINGHAMJAZZFESTIVAL.COM Fax: 0121 454 9996 Email: [email protected] This is the time of year when Jazz Rag readers expect to have the opportunity to vote for the Jazz Oscars, the British Jazz Awards. -
Der Talentierte Mr. Sidran
SWR2 Musikpassagen Der talentierte Mr. Sidran Von Luigi Lauer Sendung: Sonntag, 20.06.2021 Redaktion: Anette Sidhu-Ingenhoff Produktion: SWR 2021 SWR2 Musikpassagen können Sie auch im SWR2 Webradio unter www.SWR2.de und auf Mobilgeräten in der SWR2 App hören Bitte beachten Sie: Das Manuskript ist ausschließlich zum persönlichen, privaten Gebrauch bestimmt. Jede weitere Vervielfältigung und Verbreitung bedarf der ausdrücklichen Genehmigung des Urhebers bzw. des SWR. Kennen Sie schon das Serviceangebot des Kulturradios SWR2? Mit der kostenlosen SWR2 Kulturkarte können Sie zu ermäßigten Eintrittspreisen Veranstaltungen des SWR2 und seiner vielen Kulturpartner im Sendegebiet besuchen. Mit dem Infoheft SWR2 Kulturservice sind Sie stets über SWR2 und die zahlreichen Veranstaltungen im SWR2-Kulturpartner-Netz informiert. Jetzt anmelden unter 07221/300 200 oder swr2.de Die SWR2 App für Android und iOS Hören Sie das SWR2 Programm, wann und wo Sie wollen. Jederzeit live oder zeitversetzt, online oder offline. Alle Sendung stehen mindestens sieben Tage lang zum Nachhören bereit. Nutzen Sie die neuen Funktionen der SWR2 App: abonnieren, offline hören, stöbern, meistgehört, Themenbereiche, Empfehlungen, Entdeckungen … Kostenlos herunterladen: www.swr2.de/app BEITRAGSTEXT: Ben Sidran ist ein US-amerikanischer Musiker, Produzent, Journalist und, nicht zuletzt, Musikwissenschaftler. Für und mit Steve Miller hat er gearbeitet, Peter Frampton, Dizzy Gillespie oder Bobby McFerrin. Er schreibt für Musikmagazine wie den Rolling Stone, Downbeat und Billboard, schreibt und spricht Rundfunk-Kolumnen, und für mehrere Bücher hat Dr. Ben Sidran auch noch Zeit gehabt. Zeit, sich auch für ihn mal eine Stunde Zeit zu nehmen. Der talentierte Mr. Sidran. Eine Sendung von Luigi Lauer. --- Steve Miller Band, Album Brave New World, Track 2, Space Cowboy, 4:56 --- RocknRoll 1969, das Lied Space Cowboy von der Steve Miller Band. -
The History of Rock, a Monthly Magazine That Reaps the Benefits of Their Extraordinary Journalism for the Reader Decades Later, One Year at a Time
L 1 A MONTHLY TRIP THROUGH MUSIC'S GOLDEN YEARS THIS ISSUE:1969 STARRING... THE ROLLING STONES "It's going to blow your mind!" CROSBY, STILLS & NASH SIMON & GARFUNKEL THE BEATLES LED ZEPPELIN FRANK ZAPPA DAVID BOWIE THE WHO BOB DYLAN eo.ft - ink L, PLUS! LEE PERRY I B H CREE CE BEEFHE RT+NINA SIMONE 1969 No H NgWOMI WI PIK IM Melody Maker S BLAST ..'.7...,=1SUPUNIAN ION JONES ;. , ter_ Bard PUN FIRS1tintFaBil FROM 111111 TY SNOW Welcome to i AWORD MUCH in use this year is "heavy". It might apply to the weight of your take on the blues, as with Fleetwood Mac or Led Zeppelin. It might mean the originality of Jethro Tull or King Crimson. It might equally apply to an individual- to Eric Clapton, for example, The Beatles are the saints of the 1960s, and George Harrison an especially "heavy person". This year, heavy people flock together. Clapton and Steve Winwood join up in Blind Faith. Steve Marriott and Pete Frampton meet in Humble Pie. Crosby, Stills and Nash admit a new member, Neil Young. Supergroups, or more informal supersessions, serve as musical summit meetings for those who are reluctant to have theirwork tied down by the now antiquated notion of the "group". Trouble of one kind or another this year awaits the leading examples of this classic formation. Our cover stars The Rolling Stones this year part company with founder member Brian Jones. The Beatles, too, are changing - how, John Lennon wonders, can the group hope to contain three contributing writers? The Beatles diversification has become problematic. -
BROWNIE the Complete Emarcy Recordings of Clifford Brown Including Newly Discovered Essential Material from the Legendary Clifford Brown – Max Roach Quintet
BROWNIE The Complete Emarcy Recordings of Clifford Brown Including Newly Discovered Essential Material from the Legendary Clifford Brown – Max Roach Quintet Dan Morgenstern Grammy Award for Best Album Notes 1990 Disc 1 1. DELILAH 8:04 Clifford Brown-Max RoaCh Quintet: (V. Young) Clifford Brown (tp), Harold Land (ts), Richie 2. DARN THAT DREAM 4:02 Powell (p), George Morrow (b), Max RoaCh (De Lange - V. Heusen) (ds) 3. PARISIAN THOROUGHFARE 7:16 (B. Powell) 4. JORDU 7:43 (D. Jordan) 5. SWEET CLIFFORD 6:40 (C. Brown) 6. SWEET CLIFFORD (CLIFFORD’S FANTASY)* 1:45 1~3: Los Angeles, August 2, 1954 (C. Brown) 7. I DON’T STAND A GHOST OF A CHANCE* 3:03 4~8: Los Angeles, August 3, 1954 (Crosby - Washington - Young) 8. I DON’ T STAND A GHOST OF A CHANC E 7:19 9~12: Los Angeles, August 5, 1954 (Crosby - Washington - Young) 9. STOMPIN’ AT TH E SAVOY 6:24 (Goodman - Sampson - Razaf - Webb) 10. I GET A KICK OUT OF YOU 7:36 (C. Porter) 11. I GET A KICK OUT OF YOU* 8:29 * Previously released alternate take (C. Porter) 12. I’ LL STRING ALONG WITH YOU 4:10 (Warren - Dubin) Disc 2 1. JOY SPRING* 6:44 (C. Brown) Clifford Brown-Max RoaCh Quintet: 2. JOY SPRING 6:49 (C. Brown) Clifford Brown (tp), Harold Land (ts), Richie 3. MILDAMA* 3:33 (M. Roach) Powell (p), George Morrow (b), Max RoaCh (ds) 4. MILDAMA* 3:22 (M. Roach) Los Angeles, August 6, 1954 5. MILDAMA* 3:55 (M. Roach) 6. -
The Pentatonic Scale D
What (is) the Blues? Akram Najjar You can download this Presentation + the List of Clips to be played at karazwlaimoon.com All Clips are found on YouTube 2 / 49 Apologies – Time is the Constraint . If your favorite blues singer is not featured If some clips are not completed The talk should finish at 8:30 --- But I will go on till the last person leaves 3 / 49 Why “Blues” ? Both Sources “Unconvincing” Origin 1: 17th-century English expression “the blue devils” Intense visual hallucinations that can accompany alcohol withdrawal. The blues came to mean a state of agitation or depression. “Blue” was slang for “drunk” by the 1800s. Also “blue laws” still prohibit Sunday alcohol sales in some of the United States Origin 2: derived from mysticism involving “blue indigo” Used by West Africans in mourning ceremonies Mourners’ garments were dyed blue to indicate suffering Associated with indigo plant in southern US slave plantations and with West African slaves who sang of suffering 50s Blues and the Rhythm and Rock n’ Blues Roll Evolution of Early Soul / Pop / 30s Latin / Country Jazz and Pop Boogie Woogie Honky Brass Band Tonk Marches 20s Ragtime Stride Early Spirituals Jazz (Sacred) 20s African Music Blues So What Makes a Song a Blues Song? Four Major Features A. African Musical Practices B. Musical Practices developed by the “Slaves” in Southern USA (under European influence) C. The Blue Scale, Blue Notes and the Pentatonic Scale D. The 12 Bar Song Notice: we did not include the mood as a feature Not every sad song is blue And -
SIDRAN, Ben (H.) 1943
SIDRAN, Ben (H.) 1943- PERSONAL: Born August 14, 1943, in Chicago, IL; son of Louis W. and Shirley G. Sidran; married Judith Lutrin (a weaver), July 10, 1969; children: Leo. Nationality: American Education: University of Wisconsin (now University of Wisconsin—Madison), B.S. (cum laude), 1966; University of Sussex, M.A., 1968, Ph.D. (American studies), 1970. CAREER: Musician, record and television producer, singer, and composer. University of Wisconsin— Madison, lecturer, 1973-74; WMTV, host of "The Weekend Starts Now", 1973-74; WTTW-TV, artistic director of jazz programming for "Soundstage", 1975-76; National Public Radio, host and artistic director of "Jazz Alive" radio series, 1981-83, contributor to "All Things Considered" radio program, 1983-85, host and producer of "Sidran on Record", 1985-90, producer of "Jazz Profiles", 1996-99; VH-1 Television Network, host of "New Visions" television series, 1988-91. Go Jazz record label, founder, co-owner, and producer; Nardis Music, cofounder and producer, 2003. MEMBER: American Society of Composers, Authors and Publishers, National Academy of Recording Arts and Sciences, Musicians Federation. AWARDS, HONORS: Peabody Award, 1982, for "Jazz Alive" radio series; International Radio Festival winner, 1986, for "Sidran on Record"; ACE Award for Best Cable Music Series, 1989, for "New Visions"; Sundance Audience Award and New York Film Critics Award, both 1994, both for "Hoop Dreams" soundtrack; Aspen Film Festival prize, Emmy Award, and Dramatists Guild of America Award, all 1998, all for "Vietnam: Long Time Coming" soundtrack; Grammy Award nomination, 2000, for "Concert for Garcia Lorca"; Parents' Choice Award, 2003, for "El Elefante", Member of Wisconsin Arts Board; member of board of advisers on Popular Music and Society at Bowling Green State University; artist-in-residence, University of Wisconsin—Madison, 2003. -
Tel: 07776 290 236 Email: [email protected]
www.matthobson.co.uk Tel: 07776 290 236 Email: [email protected] Big Band, jazz, soul and pop: Ken Mackintosh Big Band Trinity College of Music Big Band Swing Thing Big Band The Big Swing Swing City Mike Richards Big Band Fred Woods Big Band Scherwing Big Band Surrey Jazz Orchestra Croydon Jazz Orchestra Glenn Macnamara Band Matt Hobson Quartet The Pros OTB Soul Band Acoustic Resonance Various Singer/songwriters Orchestral: L.S.O and L.P.O (String sections, with Royal Marines) London Banqueting Ensembles Dartford Symphony Orchestra BBC Concert Orchestra (with Royal Marines) HM Royal Marines Band Service (Percussionist. ‘95-‘04) Personell: Martine McCutcheon Carleen Anderson Don Lusher (Ted Heath, various) Mark Nightingale (BBC, various) Alan Downey (Maynard Ferguson, various) Barry Forgie (BBC Big Band) Alec Dankworth Gary Williams Tammy Weis Neil Gordon Malcolm Bennett (Shirley Bassey, various) Harold Pervis Glenn Macnamara Kieran Pepper (Prodigy) Alex Dixon (Robbie Williams) Jon Stewart (Sleeper, KD Lang) Gary Husband (Level 42, various) Matt Hobson Professional Drummer CV 2008 Shows: Kings Of Swing (Calibre Productions), Cinderella Pantomime (PMA Productions), Jack and the Bean Stork Pantomime (PMA Productions), Swing Fever Christmas Tour ‘05 Music is the Hero (West End Preview, Ocean Theatre Company), West Side Story Jeckyll & Hyde (Ocean Theatre Company), Music of the Night (Plymouth) All the Queens Horses (Queens Golden Jubilee), Mountbatten Festival of Music, Royal Tournament. TV/Film/Radio: BBC Festival of Remembrance BBC TV 12 Days of Christmas BBC’s Friday Night Is Music Night BBC Music Live Asbooze Awards (BBC 3 TV production), Movie Film “Telstar” (Directed by Nick Moran 2007/08), Teacher (CRB Checked): Brighton Institute Or Modern Music (Course writer), Scout Organisation (master classes) Peripatetic (Winston Churchill School, Woking), Privately. -
Neil Reads Some Books Keith and What He Did
February 2018 February 101 In association with "AMERICAN MUSIC MAGAZINE" ALL ARTICLES/IMAGES ARE COPYRIGHT OF THEIR RESPECTIVE AUTHORS. FOR REPRODUCTION, PLEASE CONTACT ALAN LLOYD VIA TFTW.ORG.UK © Paul Harris Jeff Tuck finally gets some prominence (usually hidden behind guitars and vocalists) From the Last Hurrah for Skiffle on January 28th, courtesy of Paul Harris Neil reads some books Keith and what he did with Willie Mr Angry chats with Freddy Cannon We “borrow” more stuff from Nick Cobban Jazz Junction, Soul Kitchen, Blues Rambling And more.... 1 Greetings From Snobbo Manor I have not contributed to this publication for some years, but last night Henry and I went to see some Grand Opera, or so we thought. It turned out to be some dreadful American music apparently performed at something called the 'Grand Ole Opry' in Nashville, Tennessee. This woman sang a totally inappropriate song entitled 'Blanket On The Ground', one line of which went: 'Just because we are married doesn't mean we can't sleep around'! I ask you, this may be normal behaviour for hillbillies who marry their 13-year old cousins, but it is totally unacceptable here. A gentleman in the next row leaned over and tried to make out the words 'slip around', but of course that is absolute nonsense. Unless they were laying the blanket on icy ground why should they be slipping around? Then some awful man in a cowboy hat sang about his girlfriend coming out of a honkytonk. Why on Earth a woman would climb into an old upright pianoforte I have no idea; presumably this is where poor hillbillies live when their ramshackle huts fall down. -
Jack Dejohnette's Drum Solo On
NOVEMBER 2019 VOLUME 86 / NUMBER 11 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert. -
Am Sonntagmorgen Im Deutschlandfunk
Am Sonntagmorgen im Deutschlandfunk Pfarrer Stephan Krebs aus Darmstadt Grob oder großartig? Van Morrison über Gott und das Leben 30.08.2020 Er sattelt sein Pferd und reitet aus. „When rough God goes riding“ – das ist der Titel eines Songs von Van Morrison. Der Sänger aus Nordirland wird morgen 75 Jahre alt. Ein passender Anlass, sich mit ihm zu beschäftigen. Zumal er sich in seinen Songs immer wieder auf die Suche nach Gott begibt. „When rough God goes riding“ – wenn der raue Gott ausreitet. Bei diesem Satz entsteht in mir ein Bild: Ein Herrscher hoch zu Ross, vor dem sich alle fürchten. Erst recht, wenn er schlecht gelaunt ist. Wehe denen, die sein mürrischer Blick dann trifft! Gott als düsterer Herrscher, der rücksichtslos über Lebenswege hinwegtrampelt, Menschen, die seine Launen zu fürchten haben. Eine bittere und überwunden geglaubte Vorstellung. Doch sie könnte gerade jetzt vielen bekannt vorkommen, im Gewand der Schicksalsmacht Corona. Aller- dings kennt das Schicksal noch viele andere Wege, Menschen aus der Bahn zu werfen. Das alles hat auch mit Gott zu tun, sofern man in Gott die allbestimmende Kraft des Lebens sieht. Dann zeigt sich in der harten Hand des Schicksals die dunkle Seite Gottes, die Kehrseite seiner Liebe. Sie lehrt die Menschen das Fürchten und das Bescheidensein. Davon ist der Song von Van Morri- son geprägt. Der Sänger hat dabei aber noch etwas anderes im Blick: Ein Gedicht aus seiner Heimat in Nordirland. Geschrieben hast es William Butler Yeats, der irische Nationaldichter, vor 100 Jahren. Darin schlägt Yeats einen großen Bogen vom Schrecken des Ersten Weltkrieges über die bösen Vorahnungen auf den Nationalsozialismus bis hin zum Elend seines armen und geknech- teten Landes. -
Principal Partner 2 an ORCHESTRA LIKE NO OTHER Meet Southbank Sinfonia: 33 Outstanding Young Players Poised to Make a Significant Impact on the Music Profession
Principal partner 2 AN ORCHESTRA LIKE NO OTHER Meet Southbank Sinfonia: 33 outstanding young players poised to make a significant impact on the music profession. Every year we welcome an entirely new cohort of exceptional talents from all over the world and are fascinated to hear and see what they will achieve together. Let them guide you through a vast array of repertoire and invigorating collaborations with artists such as Antonio Pappano, Vladimir Ashkenazy and Guy Barker as well as venerable organisations like the Royal Opera House and Academy of St Martin in the Fields. Whatever events you can attend, you are sure to experience the immense energy and freshness the players bring to every performance. They make a blazing case for why orchestras still matter today, investing new life in a noble tradition and reminding us all what can be accomplished when dedicated individuals put their hearts and minds together. Join us on their remarkable journey, and be enlivened and inspired. Simon Over Music Director and Principal Conductor For the latest concert listings and to book tickets online, visit us at southbanksinfonia.co.uk All information in this Concert Diary was correct at the time of going to press, but Southbank Sinfonia reserves the right to vary programmes if necessary. 3 MEET THE PLAYERS Alina Hiltunen Karla Norton Anaïs Ponty Duncan Anderson Violin Violin Violin Viola Yena Choi Tamara Elias Rachel Gorman Kaya Kuwabara Cara Laskaris Colm O’Reilly Timothy Rathbone Violin Violin Violin Violin Violin Violin Violin Martha Lloyd Helen -
Music Radio Consultation Jazz Services Ltd
BBC Trust Service Review: Music Radio Consultation Jazz Services Ltd. Your overall opinion Q1. Are you responding to the consultation on your own behalf as an individual or as an organisation? As an organisation (please go to Q1a) Q1a. If you are completing this survey on behalf of an organisation: The BBC Trust usually publishes organisational responses in full when we reach our conclusions. If you would prefer that all or part of your response is treated as confidential, please complete the table below. What do you want the BBC Trust to keep confidential? Please mark one box only. Nothing Name of organisation: Jazz Services Ltd. Q3. Overall, what is your opinion of the BBC’s music radio services? Which of these statements is closest to how you feel about this? Would you say BBC music radio services… Have something to offer me Q4. Why do you say that? Jazz Services conducted its own survey so as to include feedback from the jazz community as part of its response. There were 79 respondents. Their age groups were broken down as follows: Under 20 - 0.00% (0 respondents) 20-29 - 3.80% (3) 30-39 - 7.59% (6) 40-49 - 10.13% (80) 50-59 - 20.25% (16) 60-69 - 24.05% (19) 70+ - 34.18% (27) This indicates the existing demographic for the BBC's jazz audience is older, and that more could be done to market or address its jazz programming towards a younger audience. In answer to the question "What is your opinion of the BBC’s music radio services?", our respondents answered as follows (in relation to the BBC's jazz programming): Offer me everything I need - 0.00% (0 respondents) Have a lot to offer me - 9.09% (7) Have something to offer me - 53.25% (41) Have little to offer me - 32.47% (25) Have nothing to offer me - 2.60% (2) Don't know - 2.60% (2) Total 77 Radio 2 Q15.