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Herb Ellis After Hours Session Mp3, Flac, Wma
Herb Ellis After Hours Session mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: After Hours Session Country: Germany MP3 version RAR size: 1109 mb FLAC version RAR size: 1956 mb WMA version RAR size: 1983 mb Rating: 4.1 Votes: 967 Other Formats: WMA MP2 TTA RA APE MIDI MP4 Tracklist A1 Pap's Blues 7:04 A2 Big Red's Boogie Woogie 5:37 A3 Tin Roof Blues 2:59 A4 Soft Winds 6:00 B1 Royal Garden Blues 4:45 B2 Patti Cake 6:00 B3 Blues For Janet 7:10 B4 Blues For Junior 4:50 Credits Bass – Ray Brown Drums – Stan Levey Guitar – Herb Ellis Tenor Saxophone – Stan Getz Trumpet – Roy Eldridge Notes German Pressing on Verve Records Other versions Category Artist Title (Format) Label Category Country Year Nothing But The Blues MG V-8252 Herb Ellis Verve Records MG V-8252 US 1957 (LP, Album) Nothing But The Blues 521 674-2 Herb Ellis Verve Records 521 674-2 Europe 1994 (CD, Album, RE) Nothing But The Blues 20MJ 0048 Herb Ellis Verve Records 20MJ 0048 Japan 1985 (LP, Album, Mono, RE) Nothing But The Blues MV-1145 Herb Ellis Verve Records MV-1145 Japan Unknown (LP, Album, Mono, Promo) Nothing But The Blues 33CX 10139 Herb Ellis Columbia 33CX 10139 UK 1957 (LP, Album, Mono) Related Music albums to After Hours Session by Herb Ellis Stan Getz / Dizzy Gillespie / Sonny Stitt - For Musicians Only Dizzy Gillespie / Stan Getz / Sonny Stitt, John Lewis - For Musicians Only Stan Getz & Friends - Stan Getz & Friends Stan Getz And The Oscar Peterson Trio - Stan Getz And The Oscar Peterson Trio Stan Getz - Dizzy Gillespie - Sonny Stitt - For Musicians Only Lester Young - Carnegie Blues Herb Ellis - Man With The Guitar Max Roach, Stan Levey, Howard Rumsey's Lighthouse All-Stars - Drummin' The Blues Stan Getz - Jazz & Blues Collection Vol. -
A Darkness at the End: the Shadows Know Your Name Free
FREE A DARKNESS AT THE END: THE SHADOWS KNOW YOUR NAME PDF Ruth Frances Long | 448 pages | 12 Sep 2016 | O'Brien Press Ltd | 9781847178633 | English | Dublin, Ireland LARRY GATLIN - LIGHT AT THE END OF DARKNESS LYRICS O'Brien Press uses cookies on this website. They are stored locally on your computer or mobile device. To accept cookies continue browsing as normal. Or go to the cookie policy for more information and preferences. Holly, the fae matriarch, tries to sieze the power of heaven for herself, while Izzy has lost her memory and Jinx is dead The final book in the contemporary fantasy trilogy set in Dublin: and Dubh Linn, the fae world that exists in the cracks and corners of reality. Angels, A Darkness at the End: The Shadows Know Your Name demons and humans are drawn into lethal conflict as the fate of the world hangs in the balance in the final installment in this urban fantasy. Confronted with ancient powers, sacrifice and treachery. War is looming within the ranks of the Sidhe. The angels and the demons begin to draw lines, daring each other to transgress and start another war She studied English Literature, History of Religions, and Celtic Civilisation in college and now works in a specialised library of rare and unusual books. She skilfully melds real Dublin and magical Dubh Linn, making excellent use of the history surrounding the locations. She writes about Dublin as a place of magic and story, making the Irish reader see their place in a new way … a brilliant read, both heart-pounding and heartbreaking. -
I Been Down in the Circle Before Black Music, Topicality and Social History
I Been Down In The Circle Before Black music, topicality and social history John Cowley 6 March 2007 Mississippi River levee system (Mississippi State) Laconia Circle (shown in red) is a circular levee that encloses Snow Lake (at the end of Arkansas Highway 85) and Laconia. It is positioned on a bend of the Mississippi River between the river and White River Bottom, just above the confluence of the White and Mississippi Rivers Levee Maintenance (1) Hand propulsion of wheelbarrows (wheelers) / “wheeling”— wheel barrowing Levee Maintenance (2) Teamsters called “muleskinners” transported ballast to the levees, and handled mule driven carts and scoop scrapers The Lowrence Brothers operated along both sides of the Mississippi River, upstream and downstream from Memphis, Tennessee. One brother is associated with Henry Truvillion’s Shack Bully Holler Isum, Sampson Pittman, recalled seven brothers but mentions only six: Charley, Lawrence, Eddie, Clarence, Blair and Ike; presumably the seventh was Isum? Memphis Slim (Leroy) mentioned three brothers by name Isum, Bill and Charley Bill making the total we know about, eight. The Lowrence family A little extra information concerning three of the family can be gleaned from entries in the Memphis City Directory. Edward M. Lowrence resided in Memphis between 1928-1931, his occupation listed as either “levee contractor” or, simply, “contractor.” Lucy D. Lowrence, as his widow, has an entry in 1933. Blair Lowrence lived in Memphis between 1929 and 1935. Designated “levee contractor’ except in 1930 he is shown as a “planter’; in 1931 no occupation is stated. William Tate Lowrence, listed as a “levee contractor” in 1925, does not appear again until 1928 when he is also shown as a “ levee contractor.” He is designated as a “contractor” in l929 and 1930, the latter year, his final entry. -
JAZZ in London F E B R U a R Y 2015
JAZZ in London www.jazzinlondon.net F E B R U A R Y 2015 RONNIE SCOTT’S PizzaExpress Jazz Club 47 Frith St. Soho, London W1D 4HT 10 Dean St. London W1 reservations: 020 7439 0747 Reservations: 08456 027 017 www.ronniescotts.co.uk www.PizzaExpresslive.com F E B R U A R Y Sun 1 (lunch) MATTHEW VanKAN with Phil Robson 1 BIG BAND METHENY (eve) JACQUI DANKWORTH 2 - 4 RUBY TURNER - sold out Mon 2 sings Billie Holiday 5 - 7 PEE WEE ELLIS FUNK ASSEMBLY EDANA MINGHELLA with special guest Huey Morgan on 6 & 7 Tue 3/Wed 4 RENATO D’AIELLO plays Horace Silver 8 CHARLIE WOOD BAND Thur 5 TAMMY WEIS with the Tom Cawley Trio with special guest Guy Barker Fri 6 CLARK TRACEY QUINTET 9 AMINA FIGAROVA featuring Chris Maddock & Henry Armburg-Jennings & ISHAR SARABSKI Sat 7 THE MOTOWN REVUE with Patrick Alan 9 Ronnie Scott’s JAZZ ORCHESTRA 10 PETER EDWARDS TRIO/ Sun 8 (lunch) LOUISE BALKWILL (eve) HENRY SPENCER’S JUNCTURE / SOWETO KINCH BAND WORLD SERVICE PROJECT Mon 9 WILDFLOWER SEXTET 11- 13 KENNY GARRETT QUINTET Tue 10 BETH ROWLEY 14 STILGOE/ WILLIAMS - sold out Wed 11 PETE OXLEY/ NICOLAS MEIER 15 - Soul Family NATALIE WILLIAMS Thur 12 ALEX MENDHAM ORCHESTRA 16-17 CHRIS POTTER’S UNDERGROUND Fri 13 18 ZHENYA STRIGALEV’S KANSAS SMITTY’S HOUSE BAND SMILING ORGANIZM Sat 14 Valentine’s special with TINA MAY 19-21 ARTURO SANDOVAL - sold out & GUILLERMO ROZENTHULLER 22 Ronnie Scott’s BLUES EXPLOSION Sun 15 (lunch) DURHAM UNI BIG BAND 23-28 BILLY COBHAM (eve) ROBERTO ANGRISANI Mon 16/ Tue17 ANT LAW BAND Wed 18 JONATHAN KREISBERG Royal College of Music with Will Vinson, Rick Rosato, Colin Stranahan (Britten Theatre) Prince Consort Rd. -
BROWNIE the Complete Emarcy Recordings of Clifford Brown Including Newly Discovered Essential Material from the Legendary Clifford Brown – Max Roach Quintet
BROWNIE The Complete Emarcy Recordings of Clifford Brown Including Newly Discovered Essential Material from the Legendary Clifford Brown – Max Roach Quintet Dan Morgenstern Grammy Award for Best Album Notes 1990 Disc 1 1. DELILAH 8:04 Clifford Brown-Max RoaCh Quintet: (V. Young) Clifford Brown (tp), Harold Land (ts), Richie 2. DARN THAT DREAM 4:02 Powell (p), George Morrow (b), Max RoaCh (De Lange - V. Heusen) (ds) 3. PARISIAN THOROUGHFARE 7:16 (B. Powell) 4. JORDU 7:43 (D. Jordan) 5. SWEET CLIFFORD 6:40 (C. Brown) 6. SWEET CLIFFORD (CLIFFORD’S FANTASY)* 1:45 1~3: Los Angeles, August 2, 1954 (C. Brown) 7. I DON’T STAND A GHOST OF A CHANCE* 3:03 4~8: Los Angeles, August 3, 1954 (Crosby - Washington - Young) 8. I DON’ T STAND A GHOST OF A CHANC E 7:19 9~12: Los Angeles, August 5, 1954 (Crosby - Washington - Young) 9. STOMPIN’ AT TH E SAVOY 6:24 (Goodman - Sampson - Razaf - Webb) 10. I GET A KICK OUT OF YOU 7:36 (C. Porter) 11. I GET A KICK OUT OF YOU* 8:29 * Previously released alternate take (C. Porter) 12. I’ LL STRING ALONG WITH YOU 4:10 (Warren - Dubin) Disc 2 1. JOY SPRING* 6:44 (C. Brown) Clifford Brown-Max RoaCh Quintet: 2. JOY SPRING 6:49 (C. Brown) Clifford Brown (tp), Harold Land (ts), Richie 3. MILDAMA* 3:33 (M. Roach) Powell (p), George Morrow (b), Max RoaCh (ds) 4. MILDAMA* 3:22 (M. Roach) Los Angeles, August 6, 1954 5. MILDAMA* 3:55 (M. Roach) 6. -
Boosey & Hawkes
City Research Online City, University of London Institutional Repository Citation: Howell, Jocelyn (2016). Boosey & Hawkes: The rise and fall of a wind instrument manufacturing empire. (Unpublished Doctoral thesis, City, University of London) This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/16081/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] Boosey & Hawkes: The Rise and Fall of a Wind Instrument Manufacturing Empire Jocelyn Howell PhD in Music City University London, Department of Music July 2016 Volume 1 of 2 1 Table of Contents Table of Contents .................................................................................................................................... 2 Table of Figures...................................................................................................................................... -
Instead Draws Upon a Much More Generic Sort of Free-Jazz Tenor
1 Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. JON HENDRICKS NEA Jazz Master (1993) Interviewee: Jon Hendricks (September 16, 1921 - ) and, on August 18, his wife Judith Interviewer: James Zimmerman with recording engineer Ken Kimery Date: August 17-18, 1995 Repository: Archives Center, National Museum of American History, Smithsonian Institution Description: Transcript, 95 pp. Zimmerman: Today is August 17th. We’re in Washington, D.C., at the National Portrait Galley. Today we’re interviewing Mr. Jon Hendricks, composer, lyricist, playwright, singer: the poet laureate of jazz. Jon. Hendricks: Yes. Zimmerman: Would you give us your full name, the birth place, and share with us your familial history. Hendricks: My name is John – J-o-h-n – Carl Hendricks. I was born September 16th, 1921, in Newark, Ohio, the ninth child and the seventh son of Reverend and Mrs. Willie Hendricks. My father was a minister in the African Methodist Episcopal Church, the AME Church. Zimmerman: Who were your brothers and sisters? Hendricks: My brothers and sisters chronologically: Norman Stanley was the oldest. We call him Stanley. William Brooks, WB, was next. My sister, the oldest girl, Florence Hendricks – Florence Missouri Hendricks – whom we called Zuttie, for reasons I never For additional information contact the Archives Center at 202.633.3270 or [email protected] 2 really found out – was next. Then Charles Lancel Hendricks, who is surviving, came next. Stuart Devon Hendricks was next. Then my second sister, Vivian Christina Hendricks, was next. Then Edward Alan Hendricks came next. -
Reggie Workman Working Man
APRIL 2018—ISSUE 192 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM REGGIE WORKMAN WORKING MAN JIM JONNY RICHARD EDDIE McNEELY KING WYANDS JEFFERSON Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East APRIL 2018—ISSUE 192 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 New York@Night 4 Laurence Donohue-Greene: Interview : JIM Mcneely 6 by ken dryden [email protected] Andrey Henkin: [email protected] Artist Feature : JONNY KING 7 by donald elfman General Inquiries: [email protected] ON The COver : REGGIE WORKMAN 8 by john pietaro Advertising: [email protected] Encore : RICHARD WYANDS by marilyn lester Calendar: 10 [email protected] VOXNews: Lest WE Forget : EDDIE JEFFERSON 10 by ori dagan [email protected] LAbel Spotlight : MINUS ZERO by george grella US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or vOXNEWS 11 by suzanne lorge money order to the address above or email [email protected] Obituaries by andrey henkin Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Stuart Broomer, FESTIvAL REPORT Robert Bush, Thomas Conrad, 13 Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, CD REviews 14 Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Marilyn Lester, Suzanne -
Black North American and Caribbean Music in European Metropolises a Transnational Perspective of Paris and London Music Scenes (1920S-1950S)
Black North American and Caribbean Music in European Metropolises A Transnational Perspective of Paris and London Music Scenes (1920s-1950s) Veronica Chincoli Thesis submitted for assessment with a view to obtaining the degree of Doctor of History and Civilization of the European University Institute Florence, 15 April 2019 European University Institute Department of History and Civilization Black North American and Caribbean Music in European Metropolises A Transnational Perspective of Paris and London Music Scenes (1920s- 1950s) Veronica Chincoli Thesis submitted for assessment with a view to obtaining the degree of Doctor of History and Civilization of the European University Institute Examining Board Professor Stéphane Van Damme, European University Institute Professor Laura Downs, European University Institute Professor Catherine Tackley, University of Liverpool Professor Pap Ndiaye, SciencesPo © Veronica Chincoli, 2019 No part of this thesis may be copied, reproduced or transmitted without prior permission of the author Researcher declaration to accompany the submission of written work Department of History and Civilization - Doctoral Programme I Veronica Chincoli certify that I am the author of the work “Black North American and Caribbean Music in European Metropolises: A Transnatioanl Perspective of Paris and London Music Scenes (1920s-1950s). I have presented for examination for the Ph.D. at the European University Institute. I also certify that this is solely my own original work, other than where I have clearly indicated, in this declaration and in the thesis, that it is the work of others. I warrant that I have obtained all the permissions required for using any material from other copyrighted publications. I certify that this work complies with the Code of Ethics in Academic Research issued by the European University Institute (IUE 332/2/10 (CA 297). -
Ted Heath (Bandleader) from Wikipedia, the Free Encyclopedia
Ted Heath (bandleader) From Wikipedia, the free encyclopedia Background information Birth name George Edward Heath Also known as Ted Born 30 March 1902 Wandsworth, South London, England Died 18 November 1969 (aged 67) Virginia Water, Surrey, England Genres Big Band, jazz Occupation(s) Bandleader, composer Instruments Trombone Years active 1916–1969 Labels Decca, London George Edward "Ted" Heath (30 March 1902 – 18 November 1969) was a British musician and big band leader. He led Britain's greatest post-war big band recording more than 100 albums which sold over 20 million copies. Considered the most successful band in Britain during the 1950s, it remained in existence as a ghost band long after Heath died, surviving in such a form until 2000. Musical beginnings After playing tenor horn at the age of six, encouraged by his father, the leader of the Wandsworth Town Brass Band, Heath later switched to trombone. Earning a living for his family in the post-war years he, and his brother Harold with three other musicians, formed a band that played to commuters outside London Bridge Station before winding their way along the streets in London to a location outside the Queen’s Hall Gardens venue. It was here that Heath’s professional career began as he was spotted on the street and asked to play with the Jack Hylton Band who had a residence there. He did not last long, not having the experience required, but it gave him the ambition to pursue a career as a professional musician. 1920s His first real band gig was with an American band on tour in Europe – the Southern Syncopation Orchestra – which had an engagement in Vienna, Austria and needed a trombone player. -
Warren Dosanjh the Music Scene Of
i-spysydincambridge.comi-spysydincambridge.com The Music Scene of 1960s CAMBRIDGE Walking Tour, Venues, Bands, Meeting Places and the People Award Winner 2014 researched and compiled by Warren Dosanjh 6th Edition April 2015 Walking Tours 2009-12 Photos © Mick Brown For information on how to book a fascinating guided walking tour of the 1960s Cambridge music scene, please contact: [email protected] Introduction ambridge developed its own unique music scene during the 1960s. Some local musicians later left and became internationally Cfamous while others, equally talented, chose to remain in the city. This booklet describes the venues, meeting places, the way of life of young people during the 1960s and some of the bands that entertained them. The story is told by Cambridge residents and musicians who were there in those times and are still here today! Contents III Map of City Centre showing positions of venues 1-22 Venues, meeting places and gallery of local people 24-26 Roots of Cambridge Rock photos and links 27 Devi Agarwala remembered and Maxpeed Printers 28-31 Pete Rhodes, Alan Styles, Tony Colleno and Clive Welham remembered 32-67 Bands and Vocalists 68 About this booklet 1 Photo by Ralph Goodfellow Publisher and main contributor: Warren Dosanjh, email: [email protected] Editing/Layout/Selected Youtube clips: Mick Brown, email: [email protected] with editorial help, advice and research by David Chapman Further contributions and research: Lee Wood, Alan Willis, Jenny Spires, Brian Foskett, Viv ‘Twig’ -
30Th Birmingham International Jazz & Blues Festival July
Photo by Merlin Daleman WWW.BIRMINGHAMJAZZFESTIVAL.COM [email protected] HOTLINE: 0121 454 7020 WWW.BIRMINGHAMJAZZFESTIVALTV.COM TWITTER: @birmjazzfest #brumjazzfest FacebooK.com/birminghamjazzfestival/ www.birminghamjazzfestival.com COUNCILLOR IAN WARD "It is with great pleasure that Birmingham is welcoming the Birmingham International Jazz and Blues Festival for a landmark 30th consecutive year. To mark this occasion the festival is again hosting big names from across the world with 175 performances at over 80 venues across the City. It is particularly impressive to see the festival increasingly attracting musicians from across Europe with France, Hungary, Czech Republic, Italy, Lithuania, Luxembourg, Slovakia and Spain all represented. The festival is an important event in Birmingham’s event calendar and is an opportunity for everyone to see live music and events at different venues making the festival accessible to all. I always enjoy the event and I am looking forward to it again this year. The breadth of Jazz and Blues on offer make this year’s event a must go festival for residents and visitors alike. Let’s hope the Jazz and Blues Festival brings the summer to Birmingham." Ian Ward Deputy Leader of Birmingham City Council Funded by 2 30TH BIRMINGHAM INTERNATIONAL JAZZ & BLUES FESTIVAL 2014 30TH BIRMINGHAM INTERNATIONAL JAZZ & BLUES FESTIVAL 2014 3 ACKNOWLEDGMENTS www.birminghamjazzfestival.com ACKNOWLEDGMENTS Festival Patron: Digby Fairweather Advisory Board: John Hemming MP, Derek Inman, John James, Danny Longstaff, Cllr. Phillip Parkin, John Patrick, THE JAZZ FESTIVAL BOARD Cllr. Rob Sealey Behind this short, sharp celebration of jazz, blues and related music lies many months Festival Director: Jim Simpson Find us on Commercial and Development Director: Tim Jennings facebook.com/birminghamjazzfestival/ of planning and organisation.