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Soundstage! Mike Bloomfield, Al Kooper, Steve Stills – Super Session 03.06.09 07:56
SoundStage! Mike Bloomfield, Al Kooper, Steve Stills – Super Session 03.06.09 07:56 February 2009 Mike Bloomfield, Al Kooper, Steve Stills - Super Session Speakers Corner/Columbia Records CS 9701 Format: LP Originally Released: 1968 Reissue Released: 2008 by Joseph Taylor [email protected] Musical Performance Recording Quality Overall Enjoyment In 1968, Al Kooper had just left Blood Sweat & Tears, the horn band he had started, and was an A&R man at Columbia Records. Guitarist Mike Bloomfield, whom Kooper had played with on Highway 61 Revisited, was also between bands, so Kooper called him up and suggested they jam in the recording studio. Two other musicians, bassist Harvey Brooks and drummer Eddie Hoh, joined them for a marathon nine-hour session (pianist Barry Goldberg sat in on a couple of tracks). The next day, Bloomfield was a no show and Kooper, in a panic, cast about for another guitarist. He was lucky enough to track down Steven Stills, whose band, Buffalo Springfield, had just split up. After another long session, Kooper had enough material to create an album. Super Session, co-credited to Bloomfield, Kooper, and Stills, cost $13,000 to record and became a gold record. Kooper had horn arrangements dubbed onto some of the tunes, but otherwise they were released as originally recorded, except for some editing on a version of Donovan’s "Season of the Witch." Bloomfield is the reason to own the record. His searing guitar work is astonishing, some of the best of his brief career. He plays with focused intensity and a powerful grasp of blues tradition. -
2020 May June Newsletter
MAY / JUNE NEWSLETTER CLUB COMMITTEE 2020 CONTENT President Karl Herman 2304946 President Report - 1 Secretary Clare Atkinson 2159441 Photos - 2 Treasurer Nicola Fleming 2304604 Club Notices - 3 Tuitions Cheryl Cross 0275120144 Jokes - 3-4 Pub Relations Wendy Butler 0273797227 Fundraising - 4 Hall Mgr James Phillipson 021929916 Demos - 5 Editor/Cleaner Jeanette Hope - Johnstone Birthdays - 5 0276233253 New Members - 5 Demo Co-Ord Izaak Sanders 0278943522 Member Profile - 6 Committee: Pauline Rodan, Brent Shirley & Evelyn Sooalo Rock n Roll Personalities History - 7-14 Sale and wanted - 15 THE PRESIDENTS BOOGIE WOOGIE Hi guys, it seems forever that I have seen you all in one way or another, 70 days to be exact!! Bit scary and I would say a number of you may have to go through beginner lessons again and also wear name tags lol. On the 9th of May the national association had their AGM with a number of clubs from throughout New Zealand that were involved. First time ever we had to run the meeting through zoom so talking to 40 odd people from around the country was quite weird but it worked. A number of remits were discussed and voted on with a collection of changes mostly good but a few I didn’t agree with but you all can see it all on the association website if you are interested in looking . Also senior and junior nationals were voted on where they should be hosted and that is also advertised on their website. Juniors next year will be in Porirua and Seniors will be in Wanganui. -
Vindicating Karma: Jazz and the Black Arts Movement
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-2007 Vindicating karma: jazz and the Black Arts movement/ W. S. Tkweme University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Tkweme, W. S., "Vindicating karma: jazz and the Black Arts movement/" (2007). Doctoral Dissertations 1896 - February 2014. 924. https://scholarworks.umass.edu/dissertations_1/924 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. University of Massachusetts Amherst Library Digitized by the Internet Archive in 2014 https://archive.org/details/vindicatingkarmaOOtkwe This is an authorized facsimile, made from the microfilm master copy of the original dissertation or master thesis published by UMI. The bibliographic information for this thesis is contained in UMTs Dissertation Abstracts database, the only central source for accessing almost every doctoral dissertation accepted in North America since 1861. Dissertation UMI Services From:Pro£vuest COMPANY 300 North Zeeb Road P.O. Box 1346 Ann Arbor, Michigan 48106-1346 USA 800.521.0600 734.761.4700 web www.il.proquest.com Printed in 2007 by digital xerographic process on acid-free paper V INDICATING KARMA: JAZZ AND THE BLACK ARTS MOVEMENT A Dissertation Presented by W.S. TKWEME Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 W.E.B. -
G E R a L D I N E C R A
GERALDINE CRAIG 111 Willard Hall Manhattan, KS 66506-3705 [email protected] E DUCATION 1987 - 1989 M.F.A. Fiber, Cranbrook Academy of Art, Bloomfield Hills, MI 1977 - 1982 B.F.A. Textile Design, University of Kansas, Lawrence, KS B.F.A. History of Art, University of Kansas, Lawrence, KS 1979 - 1980 University of St. Andrews, St. Andrews, Scotland (Philosophy, Art History) P ROF E SSIONAL E X pe RI E NC E 2007 - Professor of Art Kansas State University, Manhattan, KS Associate Dean of the Graduate School (2014-2018) Department Head of Art (2007-2014) Associate Professor of Art (2007-2014) 2001 - 2007 Assistant Director for Academic Programs Cranbrook Academy of Art, Bloomfield Hills, MI Developed annual Critical Studies/Humanities program; academic administration 2005 - Regional Artist/Mentor, Vermont College M.F.A. Program Vermont College, Montpelier, VT 1995 - 2001 Curator of Education/Fine and Performing Arts Wildlife Interpretive Gallery, Detroit Zoological Institute, Royal Oak, MI Develop/manage permanent art collection, performing arts programs, temporary exhibits 1994 - 1995 James Renwick Senior Research Fellowship in American Crafts Smithsonian Institution, Washington, D.C. 1990 - 1995 Executive Director Detroit Artists Market, (non-profit art center, est. 1932), Detroit, MI 1990 - 1993 Instructor Fiber Department, College for Creative Studies, Detroit, MI 1990 Instructor Red Deer College, Alberta, Canada 1989 - 1990 Registrar I Detroit Institute of Arts, Detroit, MI 1987 Associate Producer Lyric Theater, Highline Community College, -
Chart-Chronology DARYL HALL & JOHN OATES
www.chart-history.net vdw56 DARYL HALL & JOHN OATES Chart-Chronology Singles and Albums Germany United Kingdom U S A From the 1950ies to the current charts Chart - Chronology The Top-100 Singles and Albums from Germany, the United Kingdom and the USA Daryl Hall & John Oates Daryl Hall (* 11.10.1948) & John Oates (* 7.4.1949) are an American pop rock duo. Singles 38 30 16 6 14 Longplay 26 18 5 --- B P Top 100 Top 40 Top 10 # 1 B P Top 100 Top 40 Top 10 # 1 15 6 3 --- --- 32 3 1 --- --- 6 17 6 2 --- 8 15 11 2 --- 1 14 34 29 16 6 3 22 13 4 --- Singles D G B U S A 1 She's Gone 10/1976 42 02/1974 7 2 Sara Smile 01/1976 4 3 Do What You Want, Be What You Are 10/1976 39 4 Rich Girl 01/1977 1 2 5 Back Together Again 05/1977 28 6 It's Uncanny 07/1977 80 7 Why Do Lovers (Break Each Other's 10/1977 73 Heart?) 8 It's A Laugh 08/1978 20 9 I Don't Wanna Lose You 12/1978 42 10 Wait For Me 10/1979 18 11 Running From Paradise 06/1980 41 12 How Does It Feel To Be Back 07/1980 30 13 You've Lost That Lovin' Feelin' 09/1980 55 09/1980 12 14 Kiss On My List 11/1980 33 01/1981 1 3 15 You Make My Dreams 05/1981 5 16 Private Eyes 04/1982 32 08/1981 1 2 17 I Can't Go For That (No Can Do I) 04/1982 72 01/1982 8 11/1981 1 1 18 Did It In A Minute 03/1982 9 19 Your Imagination 06/1982 33 20 Maneater 12/1982 15 10/1982 6 10/1982 1 4 21 One On One 01/1983 63 01/1983 7 22 Family Man 04/1983 15 04/1983 6 23 Say It Isn't So 10/1983 69 10/1983 2 24 Adult Education 03/1984 63 02/1984 8 25 Out Of Touch 12/1984 15 10/1984 48 09/1984 1 2 26 Method Of Modern Love 02/1985 45 02/1985 -
North Carolina Obituaries Courier Tribune Name Date of Paper Page # Date of Death Abbott, Blannie Allen 7-Aug-84 7A 6-Aug-84
North Carolina Obituaries Courier Tribune Name Date of Paper Page # Date of Death Abbott, Blannie Allen 7-Aug-84 7A 6-Aug-84 Abbott, Douglas L. 1-Sep-82 12A 30-Aug-82 Abbott, Helen Hartsook 3-Dec-82 9A 2-Dec-82 Abbott, Molly Jeane 3-Nov-81 8A 31-Oct-81 Abbott, Nora Johnson Mitchell 14-Oct-83 12A 13-Oct-83 Abbott, Roger 1-Aug-84 6A 31-Jul-84 Abercrombie, Dodd 5-Oct-80 6A 3-Oct-80 Abernathy, Ray Paul 29-Jun-80 8A 28-Jun-80 Abernathy, Shaun Travis 24-May-83 8A 24-May-83 Abrams, Reagan Vincent 28-Sep-80 6A 26-Sep-80 Abston, Thomas Earl 30-Dec-82 10A 29-Dec-82 Ackerman, Elsie K. 20-Apr-82 8A 19-Apr-82 Acree, Una Mae Phillips 6-Jul-81 6A 5-Jul-81 Adams, Anna Threadgill 9-Dec-85 9A 8-Dec-85 Adams, Annie Vaughn 12-Mar-85 6A 11-Mar-85 Adams, Bernice Hooper 6-Jul-82 8A 5-Jul-82 Adams, Dora Carrick 13-Jun-80 10A 12-Jun-80 Adams, Edward Vance 23-May-83 6A 23-May-83 Adams, Herman Hugh Sr. 29-Oct-81 8A 27-Oct-81 Adams, James Clifton 18-Sep-84 9A 17-Sep-84 Adams, John Edwin 1-Mar-84 10A 29-Feb-84 Adams, T.B. 15-Oct-82 10A 14-Oct-82 Adams, Velma D. 11-Aug-81 8A 10-Aug-81 Adcock, Plackard C. 6-Jul-82 8A 5-Jul-82 Aderholt, Daniel H. 17-May-85 10A 13-May-85 Adkins, Clarence Odell 1-Jan-85 7A 1-Jan-85 Adkins, E.G. -
University of Southern Queensland Behavioural Risk At
University of Southern Queensland Behavioural risk at outdoor music festivals Aldo Salvatore Raineri Doctoral Thesis Submitted in partial fulfilment of the requirements for the Degree of Doctor of Professional Studies at the University of Southern Queensland Volume I April 2015 Supervisor: Prof Glen Postle ii Certification of Dissertation I certify that the ideas, experimental work, results, analyses and conclusions reported in this dissertation are entirely my own effort, except where otherwise acknowledged. I also certify that the work is original and has not been previously submitted for any other award, except where otherwise acknowledged. …………………………………………………. ………………….. Signature of candidate Date Endorsement ………………………………………………….. …………………… Signature of Supervisor Date iii Acknowledgements “One’s destination is never a place, but a new way of seeing things.” Henry Miller (1891 – 1980) An outcome such as this dissertation is never the sole result of individual endeavour, but is rather accomplished through the cumulative influences of many experiences and colleagues, acquaintances and individuals who pass through our lives. While these are too numerous to list (or even remember for that matter) in this instance, I would nonetheless like to acknowledge and thank everyone who has traversed my life path over the years, for without them I would not be who I am today. There are, however, a number of people who deserve singling out for special mention. Firstly I would like to thank Dr Malcolm Cathcart. It was Malcolm who suggested I embark on doctoral study and introduced me to the Professional Studies Program at the University of Southern Queensland. It was also Malcolm’s encouragement that “sold” me on my ability to undertake doctoral work. -
Blood Sweat Tears and When I Die Download Free Blood Sweat Tears and When I Die Download Free
blood sweat tears and when i die download free Blood sweat tears and when i die download free. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 67addf555e0b7b6b • Your IP : 188.246.226.140 • Performance & security by Cloudflare. BLOOD SWEAT AND TEARS AND WHEN I DIE lyric. Now troubles are many there as deep as a well I can swear there ain't no Heaven but I pray there ain't no hell Swear there ain't no Heaven and I'll pray there ain't no hell but I'll never know by livin' only my dyin' will tell, yes only my dyin' will tell, oh yeah, Only my dyin' will tell. And when I die, and when I'm gone there'll be, one child born, in this world to carry on, to carry on yeah yeah. Give me my freedom for as long as I be All I ask of livin' is to have no chains on me All I ask of livin' is to have no chains on me And all I ask of dyin' is to go natrually, only wanna go naturally Here I go! hey hey Here come the devil right behind look out children, here he come here he come, heyyy. -
The Poetry of Allison Grayhurst Copyright © 2021 by Allison Grayhurst First Addition All Rights Reserved
Ways of Mercy Allison Grayhurst Edge Unlimited Publishing 1 Ways of Mercy The poetry of Allison Grayhurst Copyright © 2021 by Allison Grayhurst First addition All rights reserved No part of this book may be reproduced or transmitted in any form by any means electronic or mechanical, including photocopying, recording or any information storage, retrieval and transmission systems now known or to be invented without permission in writing from the author, except by a reviewer who may quote brief passages in a review. Cover Art (sculpture): “Fish” © 1997 by Allison Grayhurst Photo of sculpture “Fish” © 2020 by Allison Grayhurst Canadian Cataloguing in Publication Data Grayhurst, Allison, 1966- Ways of Mercy “Edge Unlimited Publishing” Poems. ISBN-13: 9798720154585 ISBN-10: Ways of Mercy The poetry of Allison Grayhurst Title ID: 2 Table of Contents Tadpoles Find the Sun No Gods, no Heroes, only women and Hector………………………….………………8 Because…………………….…………………………………….11 Sand………………………………………….…………………..12 Centre-Faith (while dreams swirl all-around)………………………………..14 A Dream Suspended …………………………………………..16 Light that came……….…………………………………………18 Glory, believe...………………………………………………….19 Exit Door Closed…………………...……………………………20 Stark Relief……………………..………………………………..21 The light has gone out.………………………...………………..22 Rationed………………………………………………………….23 Open Wide……...………………………………………………..25 Deathbed………………………………………………...……….26 Build……………………………………………………………...27 Mercy without Miracles and Miracles without Mercy…...……………………………………28 Water Wings…………………………………………………….30 Wind – -
Jerry Garcia Song Book – Ver
JERRY GARCIA SONG BOOK – VER. 9 1. After Midnight 46. Chimes of Freedom 92. Freight Train 137. It Must Have Been The 2. Aiko-Aiko 47. blank page 93. Friend of the Devil Roses 3. Alabama Getaway 48. China Cat Sunflower 94. Georgia on My Mind 138. It Takes a lot to Laugh, It 4. All Along the 49. I Know You Rider 95. Get Back Takes a Train to Cry Watchtower 50. China Doll 96. Get Out of My Life 139. It's a Long, Long Way to 5. Alligator 51. Cold Rain and Snow 97. Gimme Some Lovin' the Top of the World 6. Althea 52. Comes A Time 98. Gloria 140. It's All Over Now 7. Amazing Grace 53. Corina 99. Goin' Down the Road 141. It's All Over Now Baby 8. And It Stoned Me 54. Cosmic Charlie Feelin' Bad Blue 9. Arkansas Traveler 55. Crazy Fingers 100. Golden Road 142. It's No Use 10. Around and Around 56. Crazy Love 101. Gomorrah 143. It's Too Late 11. Attics of My Life 57. Cumberland Blues 102. Gone Home 144. I've Been All Around This 12. Baba O’Riley --> 58. Dancing in the Streets 103. Good Lovin' World Tomorrow Never Knows 59. Dark Hollow 104. Good Morning Little 145. Jack-A-Roe 13. Ballad of a Thin Man 60. Dark Star Schoolgirl 146. Jack Straw 14. Beat it on Down The Line 61. Dawg’s Waltz 105. Good Time Blues 147. Jenny Jenkins 15. Believe It Or Not 62. Day Job 106. -
Celebrating Gregg Allman: Storytelling and Special Performances, Featuring Eric Church
FOR IMMEDIATE RELEASE: July 27, 2015 Media Contacts: Laura B. Cohen, LC Media PR for Skirball Cultural Center, (310) 867-3897, [email protected] Hannah Berryman, GRAMMY Foundation, (310) 392-3777, [email protected] Christina Cassidy, GRAMMY Foundation, (310) 392-3777, [email protected] Christian T. Potts, Iron Mountain Incorporated, (617) 535-8721, [email protected] Skirball Cultural Center and GRAMMY Foundation® announce CELEBRATING GREGG ALLMAN: STORYTELLING AND SPECIAL PERFORMANCES, FEATURING ERIC CHURCH Two musical superstars take the stage at the Skirball in celebration of the popular exhibition Bill Graham and the Rock & Roll Revolution Presented as part of the GRAMMY Foundation’s Living Histories program Thursday, September 24, 2015, 8:00 p.m. $35 General | $30 Skirball Members Dress code: business casual This program will take place at the Skirball Cultural Center 2701 N. Sepulveda Blvd., Los Angeles, CA 90049 FREE parking Tickets available on site, online at skirball.org/allman-church, or by phone at (877) SCC-4TIX LOS ANGELES, CA—The Skirball Cultural Center and the GRAMMY Foundation® announce GRAMMY®-winning legend Gregg Allman, renowned founding member of the Allman Brothers Band, in conversation with GRAMMY-nominated country star Eric Church on Thursday, September 24, 2015, at 8:00 p.m. The program will take place at the Skirball Cultural Center. Moderated by Scott Goldman, Vice President of the GRAMMY Foundation and MusiCares®, the evening will conclude with live acoustic performances by both Allman and Church, which will be recorded and archived as part of the GRAMMY Foundation Living Histories program. The Living Histories program preserves on visual media the life stories of key recording industry professionals and visionaries who helped create the history of recorded sound. -
Pérez Art Museum Miami Celebrates 35Th Anniversary During 2018 Miami Art Week
Pérez Art Museum Miami Celebrates 35th Anniversary During 2018 Miami Art Week PAMM Welcomed Visitors For Events Including Christian Louboutin’s Supper Party For Ebony G. Patterson, Impact Fund Dinner Honoring Christo, and PAMM Presents (MIAMI, FL – December 8, 2018) – Pérez Art Museum Miami (PAMM) welcomed thousands of visitors from the worlds of art, business, fashion, philanthropy, and more during Miami Art Week. Guests enjoyed PAMM’s dynamic lineup of events, exhibitions, and programming that highlighted the institution’s history as a leading international modern and contemporary art museum, and celebrated the kick off of PAMM’s 35th anniversary. “We are grateful for the opportunity to open our doors and it is always particularly nice to welcome the international community of contemporary art to our museum at this time every year,” said PAMM Director Franklin Sirmans. “The wide range of exhibitions on view this year are representative of our museum in the juxtaposition of the historical and the current; the local and the global, and an anchoring from the vantage point of our unique Miami lens on the world. We are also thankful for the chance to celebrate with our supporters and partners. Particularly moving is our ongoing collaboration with South Florida Cares, an organization focused on mentoring youth.” HIGHLIGHTS FROM MIAMI ART WEEK 2018 PAMM PRESENTS: 35th ANNIVERSARY Left: Antibalas band. Right: Kilo Kish. Photos by World Red Eye. Photo by World Red Eye. On Thursday night, PAMM Presents brought nearly 4,500 guests from Miami and beyond for the museum’s signature art week bash, which kicked off PAMM's 35th Anniversary.