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Plataran Borobudur Encounter
PLATARAN BOROBUDUR ENCOUNTER ABOUT THE DESTINATION Plataran Borobudur Resort & Spa is located within the vicinity of ‘Kedu Plain’, also known as Progo River Valley or ‘The Garden of Java’. This fertile volcanic plain that lies between Mount Sumbing and Mount Sundoro to the west, and Mount Merbabu and Mount Merapi to the east has played a significant role in Central Javanese history due to the great number of religious and cultural archaeological sites, including the Borobudur. With an abundance of natural beauty, ranging from volcanoes to rivers, and cultural sites, Plataran Borobudur stands as a perfect base camp for nature, adventure, cultural, and spiritual journey. BOROBUDUR Steps away from the resort, one can witness one the of the world’s largest Buddhist temples - Borobudur. Based on the archeological evidence, Borobudur was constructed in the 9th century and abandoned following the 14th-century decline of Hindu kingdoms in Java and the Javanese conversion to Islam. Worldwide knowledge of its existence was sparked in 1814 by Sir Thomas Stamford Raffles, then the British ruler of Java, who was advised of its location by native Indonesians. Borobudur has since been preserved through several restorations. The largest restoration project was undertaken between 1975 and 1982 by the Indonesian government and UNESCO, following which the monument was listed as a UNESCO World Heritage Site. Borobudur is one of Indonesia’s most iconic tourism destinations, reflecting the country’s rich cultural heritage and majestic history. BOROBUDUR FOLLOWS A remarkable experience that you can only encounter at Plataran Borobudur. Walk along the long corridor of our Patio Restaurants, from Patio Main Joglo to Patio Colonial Restaurant, to experience BOROBUDUR FOLLOWS - where the majestic Borobudur temple follows you at your center wherever you stand along this corridor. -
E:\Jurnal Bumi Lestari\EDISI FE
Niken Wirasanti : The Sugnificance Of Sacred Places From “The Triad” Of Mendut Temple - ..... THE SIGNIFICANCE OF SACRED PLACES FROM “THE TRIAD” OF MENDUT TEMPLE – PAWON TEMPLE – BOROBUDUR TEMPLE : PERSPECTIVE OF ENVIRONMENTAL SEMIOTIC Niken Wirasanti*), Timbul Haryono*), Sutikno**) *) Faculty of Cultural Sciences, Gadjah Mada University **) Faculty of Geography, Gadjah Mada University [email protected] Abstrak Letak Candi Mendut - Candi Pawon -Candi Borobudur berada dalam satu garis (imajiner) yang dikenal dengan tiga serangkai. Rangkaian tersebut merupakan sistem tanda yang oleh masyarakat Mataram Kuna abad IX Masehi diberi makna sesuai dengan konvensi yang berlaku pada waktu itu. Membuktikan ketiga candi yang merupakan sistem tanda dengan sebuah makna dapat dijelaskan dengan pendekatan semiotika struktural (Ferdinan de Saussure) yang mendasarkan pada elemen- elemen semiotika yaitu tanda (penanda-petanda), dan poros tanda (sintagmatik dan paradigmatik). Elemen tanda dari lingkungan yang dapat dirunut yaitu penanda ruang, elevasi, jenis tanah, dan sumber air, sedangkan elemen tanda dari candi yaitu arsitektur, arca, dan relief cerita. Tanda tersebut tidak dapat dilihat secara terpisah-pisah tetapi dilihat dalam relasi dengan tanda yang lain dalam poros sintagmatik dan paradigmatik. Untuk itu urutan tanda dimulai dari Candi Mendut-Candi Pawon- Candi Borobudur yang tersusun dalam susunan tertentu (jukstaposisi) dengan masing- masing makna simbolisnya. Tanda-tanda pada Candi Mendut – Candi Pawon – Candi Borobudur yaitu lokasi, tanah- batuan, sumber air, elevasi, arca, dan relief cerita, tersusun dalam rangkaian yang memperlihatkan sebuah struktur yang bermakna. Susunan tersebut bersifat linier yakni mengikuti aturan tertentu. Apabila aturan penataan tersebut berubah maka maknanyapun akan berbeda. Hal inilah yang membuktikan bahwa ketiga candi tersebut membentuk kesatuan rangkaian perlambang yang mengacu pada makna simbolis berdasarkan konsep ajaran agama Buddha pada masa Mataram Kuna abad IX Masehi. -
Prambanan Temple Compounds, Indonesia
WHV – Prambanan Temple Compounds Prambanan Temple Compounds, Indonesia Cultural property inscribed on the 22/07/2019 –02/08/2019 World Heritage List in 1991 Built in the tenth century, Prambanan Temple Compounds is the largest temple compound dedicated to Shiva in Indonesia. Rising above the centre of the last of a series of concentric squares are three temples decorated with reliefs illustrating the epic of the Ramayana, dedicated to the three great Hindu divinities (Shiva, Vishnu and Brahma) and three temples dedicated to the animals who serve them. With over 500 temples, Indonesia’s largest Buddhist complex of Sewu, Prambanan Temple Compounds represents not only an architectural and cultural treasure, but also a living proof of past religious peaceful cohabitation. Project objectives: The project, one of the longest running camps in the World Heritage Volunteers initiative, strongly focuses on restoration, an important step in rebuilding the temple and showcasing its history. Furthermore, it progressively integrates more outreach activities to involve young students from the schools and communities in the area. Project activities: The volunteers will participate actively in the restoration activities at the temple, learning to use different techniques and tools. Working in teams, they will locate, clean and assemble the stones of the buildings heavily damaged by the 2006 earthquake. The will also conduct educational activities on heritage, targeting local students. Partners: Ministry of Education and Culture of Indonesia, UNESCO Office Jakarta, Central Java Archeological Site Management, Elementary and Junior High Schools of SD Kokosan 2, SD Bugisan Lor, SD Sanggrahan, MTs Prambanan, MI Maarif. Dejavato Foundation Mr Sigit Raharjo [email protected] . -
Forms and Types of Borobudur's Stupas
Cultural Dynamics in a Globalized World – Budianta et al. (Eds) © 2018 Taylor & Francis Group, London, ISBN 978-1-138-62664-5 Forms and types of Borobudur’s stupas A. Revianur Department of Archaeology, Faculty of Humanities, Universitas Indonesia, Depok, Indonesia ABSTRACT: Candi Borobudur (Borobudur Temple) is the world’s largest Mahayana- Vajrayana Buddhist temple, which is located in Magelang, Central Java, Indonesia. It was built by the Sailendra dynasty between the 8th and 9th centuries A.D. The temple was built with 10-step pyramid terraces, which are decorated with 2,672 relief panels, 504 Buddha stat- ues, and 1,537 stupas. In this study, we aim to examine the forms and types of the stupas of Borobudur, which are composed of 1,536 secondary stupas and 1 primary stupa compared to those of other stupas found in Java and Bali islands. The stupas at Borobudur located from the second to ninth terraces are called the secondary stupas, whereas the one located on the tenth terrace is called the primary stupa. They are symbolic stupas, which consist of a base (Prasadha), a bell-shaped body (anda), a top support (harmika), and a top (yashti). The stupas are divided into four types, namely plain stupas, hollow space-square stupas, hollow space-diamond stupas containing the Dhyani Buddha Vairocana that represents the turn- ing wheel of the dharma and the single main stupa that becomes the centre of Borobudur Temple reflecting Sailedra art-style. Here, we use a qualitative method, which is based on field observation and historical sources. The objective of this study is to provide a comprehensive description of the stupas in Borobudur from the perspective of historical archaeology. -
Bibliography
Bibliography Abbreviations André, M.-F., et al. Aung Myint 2011 “Weathering of Sandstone Lotus 1970 “The Excavations at Halin.” JBRS 53, BEFEO Bulletin de l’École Française Petals at the Angkor Site: A 1000-Year Stone no. 2, pp. 55–64. d’Extrême-Orient Durability Trial.” Environmental Earth Sciences BIPPA Bulletin of the Indo-Pacific 63, nos. 7–8, pp. 1723–39. Aung Thaw Prehistory Association 1968 Report on the Excavations at Beikthano. BKI Bijdragen tot de taal–, Ang Choulean Rangoon: Revolutionary Government of land– en volkenkunde van 1997 “Nandin and His Avatars.” In Sculpture the Union of Burma, Ministry of Union Nederlandsch-Indië of Angkor and Ancient Cambodia: Millennium Culture. FAD Fine Arts Department of of Glory, edited by Helen Ibbitson Jessup 1978 Historical Sites in Burma. Rangoon: Thailand and Thierry Zéphir, pp. 62–69. Exh. cat. Ministry of Union Culture. [Repr. of 1972 ed.] FMJ Federation Museums Journal Washington, D.C.: National Gallery of Art; JBRS Journal of the Burma Research Paris: Réunion des Musées Nationaux; New Aung-Thwin, Michael, and Maitrii Aung-Thwin Society York: Thames and Hudson. 2012 A History of Myanmar since Ancient JMBRAS Journal of the Malaysian Branch Times: Traditions and Transformations. London: of the Royal Asiatic Society Angkor: Göttliches Erbe Kambodschas Reaktion Books. JSS Journal of the Siam Society 2006 Angkor: Göttliches Erbe Kambodschas. MBJ Muang Boran Journal Exh. cat. Bonn: Kunst- und Ausstellungshalle Averbuch, Bryan NPHMVKCH Nhüng phát hiên mói vè khào der Bundesrepublik Deutschland; Berlin: 2013 “From Siraf to Sumatra: Seafaring and cõ hoc Martin-Gropius-Bau; Zurich: Rietberg- Spices in the Islamicate Indo-Pacific, Ninth– TBG Tijdschrift voor Indische taal–, Museum; Munich: Prestel. -
Stūpa to Maṇḍala: Tracing a Buddhist Architectural Development from Kesariya to Borobudur to Tabo1 Swati Chemburkar Jnanapravaha, Mumbai
Stūpa to Maṇḍala: Tracing a Buddhist Architectural Development from Kesariya to Borobudur to Tabo1 Swati Chemburkar Jnanapravaha, Mumbai INTRODUCTION There were occasions for the direct transfer of Southeast Asian Buddhist developments to India, and there is evidence of at least two specific moments when this occurred. Both instances provide oppor- tunities for a range of interpretative analyses.2 Hiram Woodward, in his “Esoteric Buddhism in Southeast Asia in the Light of Recent Scholarship,” singles out the moment when Bālaputradeva, an exiled scion of the Śailendra dynasty, the builders of the Buddhist Borobudur monument in Central Java, established a 1. This article is based on a paper presented at the conference “Cultural Dialogues between India and Southeast Asia from the 7th to the 16th Centuries” at the K.R. Cama institute, Mumbai, in January 2015. The Kesariya-Borobudur part of this article appears in Swati Chemburkar, “Borobudurs Pāla Forebear? A Field Note from Kesariya, Bihar, India,” in Esoteric Buddhism in Mediaeval Maritime Asia: Networks of Masters, Texts, Icons, ed. Andrea Acri (Singapore: ISEAS, 2016). I owe a special word of thanks to Prof. Tadeusz Skorupski for introducing me to esoteric Buddhism and generously sharing his deep knowledge of texts. I appreciate the critique of my draft by Hiram Woodward and Max Deeg. Despite their feedback, errors may still remain and they are no doubt mine. My sincere thanks to Yves Guichand and Christian Luczanits for graciously providing me the aerial images of the Kesariya stūpa and the layout of Tabo Monastery along with the photos. 2. Hiram Woodward, “Review: Esoteric Buddhism in Southeast Asia in the Light of Recent Scholarship,” Journal of Southeast Asian Studies 35, no. -
UNESCO World Heritage Site Yogyakarta 57454 Indonesia
Candi Perwara, Bokoharjo, Prambanan, Kabupaten Sleman, Daerah Istimewa UNESCO World Heritage Site Yogyakarta 57454 Indonesia unesco | 1 PRAMBANAN THE LEGEND The astonishing temples of Prambanan, believed to be the proof of love from Bandung Bondowoso to Princess Loro Jonggrang, are the best remaining examples of Java’s extended period of Hindu culture. Located 17 kilometers northeast of Yogyakarta, the temples boast of a wealth of sculptural detail and are considered to be one of Indonesia’s most phenomenal examples of Hindu art. Legend says that there were once a thousand temples standing in the area, but due to a great earthquake in the 16th century, accelerated by the treasure hunters and locals searching for building material, many of the temples are gone now. Initiatives to restore the temples have been conducted to some extent, though many stand in ruin today. The UNESCO World Heritage Site of the Prambanan Temple Compounds. PHOTO BY MICHAEL TURTLE prambanan | 2 prambanan | 3 CONSTRUCTION The Prambanan temple is the largest Hindu temple of ancient Java, and the first building was completed in the mid-9th century. It was likely started by Rakai Pikatan as the Hindu Sanjaya Dynasty’s answer to the Buddhist Sailendra Dynasty’s Borobudur and Sewu temples nearby. Historians suggest that the construction of Prambanan probably was meant to mark the return of the Hindu Sanjaya Dynasty to power in Central Java after almost a century of Buddhist Sailendra Dynasty domination. The construction of this massive Hindu temple signifies that the Medang court had shifted its patronage from Mahayana Buddhism to Shaivite Hinduism. -
World Heritage Sites in Indonesia Java (October 2009)
World Heritage Sites in Indonesia Site name Entered Borobudur Temple Compounds 1991 Prambanan Temple Compounds 1991 Komodo National Park 1991 Ujung Kulon National Park 1991 Sangiran Early Man Site 1996 Lorentz National Park 1999 Tropical Rainforest Heritage of Sumatra 2004 The Cultural Landscape of Bali Province: the Subak System as a Manifestation of 2012 the Tri Hita Karana Philosophy Tentative list of Indonesia Banda Islands Banten Ancient City Bawomataluo Site Belgica Fort Besakih Betung Kerihun National Park (Transborder Rainforest Heritage of Borneo) Bunaken National Park Derawan Islands Elephant Cave Great Mosque of Demak Gunongan Historical Park Muara Takus Compound Site Muarajambi Temple Compound Ngada traditional house and megalithic complex Penataran Hindu Temple Complex Prehistoric Cave Sites in Maros-Pangkep Pulau Penyengat Palace Complex Raja Ampat Islands Ratu Boko Temple Complex Sukuh Hindu Temple Taka Bonerate National Park Tana Toraja Traditional Settlement Trowulan Ancient City Wakatobi National Park Waruga Burial Complex Yogyakarta Palace Complex Sites that have been nominated in the past Lore Lindu NP Maros Prehistoric Cave Toraja Java (October 2009) The Indonesian island of Java holds three cultural WHS, among which is the iconic Borobudur. I visited all three sites on daytrips from Yogyakarta, a city that in its Sultan's Palace (kraton) also has a monument worthy of WH status. Borobudur . Sangiran Early Man Site . Prambanan Borobudur The Borobudur Temple Compounds is a ninth century Buddhist temple complex. It was built on several levels around a natural hill. Borobudur is built as a single large stupa, and when viewed from above takes the form of a giant tantric Buddhist mandala, simultaneously representing the Buddhist cosmology and the nature of mind. -
Architectural Composition in Java from the Eighth to Fourteenth Centuries
ARCHITECTURAL COMPOSITION IN JAVA FROM THE EIGHTH TO FOURTEENTH CENTURIES JACQUES DUMARC::AY ECOLE FRAN<;AISE D'EXTREME ORIENT PARIS translated by MICHAEL SMITHIES cjo UN-ESCAP The definitions of architecture are legion, and are often Of all the constraints which the construction of a build verbalized by art connoisseurs. One of the baldest, by the clas ing is subject to, the most obvious its financing, though it is sical theorist Blondel, is "Architecture is the art of building well." possible that sometimes the faithful compensated for a lack of Nearer to our times, Le Corbusier stated "Architecture is an means. This was the case, for example, with the Buddhists in intelligent, judicious and magnificent play of volumes beneath central java at the beginning of the 9th century, at the time of light." But above all, as the late Leroi-Gourhan, an anthropolo the maximum extension of the Buddhist Sailendra. Politics gist, noted, "Architecture is the putting in order of the universe played a role by imposing corvees, avoiding an impossible from a particular viewpoint"; in other words, it is a· way of financial burden. So the vast undertakings beginning around expressing our desires. 835 and finishing about 860 presupposed considerable human The remains of Javanese architecture from the 8th to the resources, and most probably could not have been finished 14th centuries are essentially of religious origin, either Buddhist without innumerable corvees. This must have been a means of or Hindu. Because of this, a study of architectural compostion reasserting Hindu Sanjaya influence, imposing the renewal of of this period takes on a limited aspect which can certainly not Hinduism on the Buddhist milieu and blocking the expansion be used to cover all the buildings which have disappeared. -
Pesona Candi Cetho Sebagai Salah Satu Daya Tarik Wisata Di Karanganyar Jawa Tengah
Domestic Case Study 2018 Sekolah Tinggi Pariwasata Ambarrukmo Yogyakarta Pesona Candi Cetho sebagai Salah Satu daya Tarik Wisata di Karanganyar jawa Tengah Tri Joko Setyanto 1702813 Sekolah Tinggi Pariwasata Ambarrukmo Yogyakarta Abstract : Makalah ini merupakan hasil laporan Domestic Case Study untuk syarat publikasi ilmiah di Sekolah Tinggi Pariwasata Ambarrukmo Yogyakarta dengan Judul Pesona Candi Cetho sebagai Salah Satu daya Tarik Wisata di Karanganyar jawa Tengah. 1. Pendahuluan Domestic Case Study (DCS) adalah program wajib yang harus diikuti oleh mahasiswa Semester VIII Program Studi Hospitality Sekolah Tingi Pariwisata Ambarrukmo (STiPRAM). Adapun tujuan dari DCS adalah agar mahasiswa mampu menganalisa kondisi pariwisata dalam negeri yang ada pada saat ini [1]. Pada tanggal 12 - 14 januari 2018 penulis mengikuti kegiatan Jambore Nasional yang diadakan di Bumi Perkemahan Karang Pramuka Kaliurang, Kabupaten Sleman dengan tema “Seminar Alam.” Jambore Nasional tersebut diikuti sekitar 350 mahasiswa pariwisata yang berasal dari Yogyakarta, Bali, Bandung dan Semarang. Adapun pembicara pada acara Jambore Nasional tersebut antara lain [2] : 1. Prof Dr. M Baiquni, M.A. (Guru Besar Geografi Regional UGM) dengan materi Community Based Tourism. 2. Prof Azril Azahari, P.Hd. (Ketua Umum Ikatan Cendikiawan Pariwisata Indonesia) dengan materi Responsible Tourism. 3. AKBP Sinungwati, SH, M.IP (Kasubdit Bintibluh Ditbinmas Polda DIY) dengan materi Tourism Security. Penulis mengambil judul “Pesona Candi Cetho Sebagai Salah Satu Daya Tarik Wisata Di Karanganyar Jawa Tengah” karena potensi Candi Cetho sangat besar dan harus tetap terjaga sehingga perlu diterapkan responsible tourism. Responsible tourism atau pariwisata bertanggung jawab adalah pendekatan pengelolaan pariwisata yang meminimalisir dampak lingkungan dari kegiatan pariwisata [7]. Tanggung jawab memelihara lingkungan bukan hanya terbatas pada pemerintah, para penyelenggara atau pengelola tempat liburan itu saja, tetapi juga masyarakat setempat dan wisatawan [8]. -
The Old Malay Mañjuśrīgr̥ha Inscription from Candi Sewu (Java
The Old Malay Mañjuśrīgrha inscription from Candi Sewu (Java, Indonesia) Arlo Griffiths To cite this version: Arlo Griffiths. The Old Malay Mañjuśrīgrha inscription from Candi Sewu (Java, Indonesia). Vin- cent Tournier; Vincent Eltschinger; Marta Sernesi. Archaeologies of the written: Indian, Tibetan, and Buddhist studies in honour of Cristina Scherrer-Schaub, 89, Università degli Studi di Napoli “L’Orientale”, pp.225-262, 2020, Series minor. halshs-03013600 HAL Id: halshs-03013600 https://halshs.archives-ouvertes.fr/halshs-03013600 Submitted on 4 Dec 2020 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Archaeologies of the Written: Indian, Tibetan, and Buddhist Studies in Honour of Cristina Scherrer-Schaub Series Minor LXXXIX Direttore Francesco Sferra Comitato di redazione Giorgio Banti, Riccardo Contini, Junichi Oue, Roberto Tottoli, Giovanni Vitiello Comitato scientifico Anne Bayard-Sakai (INALCO), Stanisław Bazyliński (Facoltà teologica S. Bonaventura, Roma), Henrietta Harrison (University of Oxford), Harunaga Isaacson (Universität Hamburg), Barbara -
Candi, Space and Landscape
Degroot Candi, Space and Landscape A study on the distribution, orientation and spatial Candi, Space and Landscape organization of Central Javanese temple remains Central Javanese temples were not built anywhere and anyhow. On the con- trary: their positions within the landscape and their architectural designs were determined by socio-cultural, religious and economic factors. This book ex- plores the correlations between temple distribution, natural surroundings and architectural design to understand how Central Javanese people structured Candi, Space and Landscape the space around them, and how the religious landscape thus created devel- oped. Besides questions related to territory and landscape, this book analyzes the structure of the built space and its possible relations with conceptualized space, showing the influence of imported Indian concepts, as well as their limits. Going off the beaten track, the present study explores the hundreds of small sites that scatter the landscape of Central Java. It is also one of very few stud- ies to apply the methods of spatial archaeology to Central Javanese temples and the first in almost one century to present a descriptive inventory of the remains of this region. ISBN 978-90-8890-039-6 Sidestone Sidestone Press Véronique Degroot ISBN: 978-90-8890-039-6 Bestelnummer: SSP55960001 69396557 9 789088 900396 Sidestone Press / RMV 3 8 Mededelingen van het Rijksmuseum voor Volkenkunde, Leiden CANDI, SPACE AND LANDscAPE Sidestone Press Thesis submitted on the 6th of May 2009 for the degree of Doctor of Philosophy, Leiden University. Supervisors: Prof. dr. B. Arps and Prof. dr. M.J. Klokke Referee: Prof. dr. J. Miksic Mededelingen van het Rijksmuseum voor Volkenkunde No.