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Marilyn Monroe, Lived in the Rear Unit at 5258 Hermitage Avenue from April 1944 to the Summer of 1945
Los Angeles Department of City Planning RECOMMENDATION REPORT CULTURAL HERITAGE COMMISSION CASE NO.: CHC-2015-2179-HCM ENV-2015-2180-CE HEARING DATE: June 18, 2015 Location: 5258 N. Hermitage Avenue TIME: 10:30 AM Council District: 2 PLACE: City Hall, Room 1010 Community Plan Area: North Hollywood – Valley Village 200 N. Spring Street Area Planning Commission: South Valley Los Angeles, CA Neighborhood Council: Valley Village 90012 Legal Description: TR 9237, Block None, Lot 39 PROJECT: Historic-Cultural Monument Application for the DOUGHERTY HOUSE REQUEST: Declare the property a Historic-Cultural Monument OWNER(S): Hermitage Enterprises LLC c/o Joe Salem 20555 Superior Street Chatsworth, CA 91311 APPLICANT: Friends of Norma Jean 12234 Chandler Blvd. #7 Valley Village, CA 91607 Charles J. Fisher 140 S. Avenue 57 Highland Park, CA 90042 RECOMMENDATION That the Cultural Heritage Commission: 1. NOT take the property under consideration as a Historic-Cultural Monument per Los Angeles Administrative Code Chapter 9, Division 22, Article 1, Section 22.171.10 because the application and accompanying photo documentation do not suggest the submittal warrants further investigation. 2. Adopt the report findings. MICHAEL J. LOGRANDE Director of Planning [SIGN1907 [SIGNED ORIGINAL IN FILE] [SIGNED ORIGINAL IN FILE] Ken Bernstein, AICP, Manager Lambert M. Giessinger, Preservation Architect Office of Historic Resources Office of Historic Resources [SIGNED ORIGINAL IN FILE] Shannon Ryan, City Planning Associate Office of Historic Resources Attachments: Historic-Cultural Monument Application CHC-2015-2179-HCM 5258 N. Hermitage, Dougherty House Page 2 of 3 SUMMARY The corner property at 5258 Hermitage is comprised of two one-story buildings. -
Mariyn Monroe Release-NEW
September 2004 I Wanna Be Loved By You: Photographs of Marilyn Monroe from the Leon and Michaela Constantiner Collection on View at Brooklyn Museum November 12, 2004 Media Preview November 10, 2004, 10 a.m. to 1 p.m. Some 200 photographs of Marilyn Monroe by thirty-nine photographers will be on view at the Brooklyn Museum from November 12, 2004, through March 20, 2005, in the Robert E. Blum Gallery on the Museum’s first floor. Among the photographers whose work will be featured are Eve Arnold, Richard Avedon, Cecil Beaton, Cornell Capa, Henri Cartier-Bresson, Andre De Dienes, Robert Frank, Milton Greene, Phillipe Halsman, Ben Ross, Bert Stern, Weegee, Gary Winogrand, and George Zimbel. I Wanna Be Loved By You: Photographs of Marilyn Monroe from the Leon and Michaela Constantiner Collection will present photographic portraits dating from 1945, when Marilyn (then Norma Jeane Baker) was 19 years old, to images taken just a few weeks before her death in 1962 at the age of 36. The collection, which can be viewed as a virtual who’s who of photographers of the postwar period (1950–60), includes a unique series of fifty-nine images shot by Bert Stern in 1962, titled “The Last Sitting.” Behind-the-scenes photo- graphs, pictures that capture private moments, and documentary footage of Marilyn during many periods of her career will also be featured. Leon and Michaela Constantiner’s extensive collection, which has been amassed by Mr. Constantiner, focuses on no particular collecting style or photographer. Instead, it is based on his love for Marilyn and an apprecia- tion of her beauty, talent, and sensitivity. -
Marilyn Monroe's Star Canon: Postwar American Culture and the Semiotics
University of Kentucky UKnowledge Theses and Dissertations--English English 2016 MARILYN MONROE’S STAR CANON: POSTWAR AMERICAN CULTURE AND THE SEMIOTICS OF STARDOM Amanda Konkle University of Kentucky, [email protected] Digital Object Identifier: http://dx.doi.org/10.13023/ETD.2016.038 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Konkle, Amanda, "MARILYN MONROE’S STAR CANON: POSTWAR AMERICAN CULTURE AND THE SEMIOTICS OF STARDOM" (2016). Theses and Dissertations--English. 28. https://uknowledge.uky.edu/english_etds/28 This Doctoral Dissertation is brought to you for free and open access by the English at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--English by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
As Pin-Ups Contemporâneas: Dos Moldes Da Moda Ao Modo De Vida
UNIVERSIDADE FEDERAL DE MINAS GERAIS FACULDADE DE LETRAS Tânia Maria de Oliveira Gomes AS PIN-UPS CONTEMPORÂNEAS: DOS MOLDES DA MODA AO MODO DE VIDA. UM ESTUDO SOBRE ÉTHOS , ESTEREÓTIPOS E IDEOLOGIA EM BLOGS COM TEMÁTICA RETRÔ Belo Horizonte 2017 Tânia Maria de Oliveira Gomes AS PIN-UPS CONTEMPORÂNEAS: DOS MOLDES DA MODA AO MODO DE VIDA. UM ESTUDO SOBRE ÉTHOS , ESTEREÓTIPOS E IDEOLOGIA EM BLOGS COM TEMÁTICA RETRÔ Tese de doutorado apresentada ao Programa de Pós- Graduação em Estudos Linguísticos da Faculdade de Letras da Universidade Federal de Minas Gerais, como requisito parcial à obtenção do título de Doutor, sob a orientação da Profª. Drª. Glaucia Muniz Proença Lara. Área de Concentração: Linguística do Texto e do Discurso Linha de Pesquisa: Análise do Discurso (2B) Belo Horizonte Faculdade de Letras - UFMG 2017 Ficha catalográfica elaborada pelos Bibliotecários da Biblioteca FALE/UFMG Gomes, Tânia Maria de Oliveira. G633p As pin-ups contemporâneas [manuscrito]: dos moldes da moda ao modo de vida: um estudo sobre éthos , estereótipos e ideologia em blogs com temática retrô / Tânia Maria de Oliveira Gomes. – 2017. 312 f., enc. : il., grafs., color. Orientadora: Glaucia Muniz Proença Lara. Área de concentração: Linguística do Texto e do Discurso. Linha de pesquisa: Análise do Discurso. Tese (doutorado) – Universidade Federal de Minas Gerais, Faculdade de Letras. Bibliografia: f. 298-305. Anexos: f. 306-309. Apêndices: f. 310-312. 1. Análise do discurso – Teses. 2. Retórica – Teses. 3. Blogs – Teses. 4. Moda – Teses. 5. Semiótica – Teses. I. Lara, Glaucia Muniz Proença. II. Universidade Federal de Minas Gerais. Faculdade de Letras. III. Título. -
Public Catalog
7/24/2018 WebVoyage Record View 1 Public Catalog Copyright Catalog (1978 to present) Search Request: Left Anchored Title = Last Sitting Search Results: Displaying 1 of 2 entries The Last Sitting: a Series of Two-Thousand-and-Five-Hundred-and-Seventy-One... Type of Work: Visual Material Registration Number / Date: VA0001923509 / 2013-11-26 Application Title: The Last Sitting: a Series of Two-Thousand-and-Five-Hundred-and-Seventy-One Photographs Featuring Marilyn Monroe and Contained within the Copyrighted Work Entitled "Marilyn Monroe The Complete Last Sitting" Published in 1992 in the United Kingdom by Schirmer Art Books, an Imprint of Schirmer/Mosel Verlag GmbH, Munich. Title: The Last Sitting: a Series of Two-Thousand-and-Five-Hundred-and-Seventy-One Photographs Featuring Marilyn Monroe and Contained within the Copyrighted Work Entitled "Marilyn Monroe The Complete Last Sitting" Published in 1992 in the United Kingdom by Schirmer Art Books, an Imprint of Schirmer/Mosel Verlag GmbH, Munich. Description: Book, 463 p. Copyright Claimant: Estate of Bert Stern, Transfer: By inheritance. Address: 7915 1/8 Norton Avenue, West Hollywood, CA, 90046, United States. Date of Creation: 1962 Date of Publication: 1992-07-01 Nation of First Publication: United Kingdom Authorship on Application: Bert Stern, 1929-2013; Domicile: United States; Citizenship: United States. Authorship: photograph(s) Rights and Permissions: Paul E. Thomas, 200 South Sixth Street, Fredrikson & Byron, Suite 4000, Minneapolis, MN, 55402-1425, (612) 492-7365, [email protected] -
Articlecharlton.Pdf
UCC Library and UCC researchers have made this item openly available. Please let us know how this has helped you. Thanks! Title Performing gender in the studio and postmodern musical Author(s) Charlton, Michael Publication date 2012 Original citation Charlton, M. (2012) 'Performing gender in the studio and postmodern musical', Alphaville: Journal of Film and Screen Media, 3 (Summer 2012). doi: 10.33178/alpha.3.02 Type of publication Article (peer-reviewed) Link to publisher's http://www.alphavillejournal.com/Issue%203/HTML/ArticleCharlton.ht version ml http://dx.doi.org/10.33178/alpha.3.02 Access to the full text of the published version may require a subscription. Rights © 2012, the Author(s) http://creativecommons.org/licenses/by-nc-nd/3.0/ie/ Item downloaded http://hdl.handle.net/10468/1448 from Downloaded on 2021-10-01T03:48:25Z 1 Performing Gender in the Studio and Postmodern Musical Michael Charlton, Missouri Western State University Abstract: This essay explores two distinct historical periods in the Hollywood musical through a Butlerian reading of gender as a performance. The two example films from the studio era, Howard Hawks’ Gentlemen Prefer Blondes (1953) and the restored version of George Cukor’s A Star is Born (1954), are contextualised not only within the studio system but through the constructed star personae of their leads—Marilyn Monroe and Judy Garland. Baz Luhrmann’s Moulin Rouge! (2001) and Rob Marshall’s Chicago (2002), the two example films from the twenty first century, are contextualised within a Jamesonian post-modern aesthetic and as examples of the non-studio, non-star filmic text as act of nostalgia. -
Analise Da Ruptura Da Submissão Feminina No Cinema Da Década De Cinquenta, Incorporadas Nas Personagens De Marilyn Monroe1
Analise da ruptura da submissão feminina no cinema da década de cinquenta, incorporadas nas personagens de Marilyn Monroe1 SANTOS, Tássio2 FERREIRA, Maria de Fátima3 Universidade Federal do Recôncavo da Bahia Resumo: O papel midiático nas décadas de 50 e 60 não era meramente o de entreter uma burguesia conformista pertencente ao mundo social pós-guerra. A revolução eletrônica contemplou a mídia com um forte poder de formação cultural e subjetivo, como a influência que exercia nos padrões cotidianos das populações urbanas e a produção intensa de questionamentos sobre a feminilidade em função do doméstico. Portanto, o presente trabalho propõe resgatar a importância dos meios de comunicação preocupados em transmitir o comportamento dos jovens não-conformistas de diversas idades. Essa pesquisa é uma análise da ruptura da submissão feminina no cinema americano, a partir do novo foco que a mulher ganha nas representações cinematográficas. Será analisado a postura, comportamento e aparência das personagens representadas pela atriz Marilyn Monroe, seu pioneirismo em comunicar a sensualidade feminina na mídia e sua inserção no mundo que antes era considerado dos homens. Foi possível perceber que o protagonismo de Marilyn Monroe, além de inspirar a sociedade em outros campos, reforçou a discussão sobre o “ser mulher” na época. Palavra-chave: Mídia; cinema; feminismo; Marilyn Monroe Introdução Dentre a vasta produção do cinema hollywoodiano na década de 1950, assistimos películas que transmitiram filmes protagonizados por consagradas estrelas. Entre elas estava Marilyn Monroe, uma atriz que começava a trilhar sua carreira na área cinematográfica. Seu expressivo lado feminino e sua valorização corporal a legitimaram como um símbolo sexual e de consumo da época. -
Marilyn Monroe Crime Scene Photos Marilyn Monroe
Marilyn monroe crime scene photos Marilyn monroe :: traction man lesson plans free April 30, 2021, 18:22 :: NAVIGATION :. The so called orphan works problem. The launch of the all England coast path. Eu Te [X] men with big bolges Pego I Like It Enrique Iglesias Bruno Mars It Will Rain Mp3 Cheers Drink. Its not a guide to material that is already free to use without considering. Regulations the IRS publishes [..] lanja akka latest a regular series of otherВ forms ofВ official tax. Maximum 120 mg day. You will have 120 [..] fake katey sagal nudes days to clear the bonus. On each retailer discount detail page we have given details of [..] jonah falcon full frontal pics how.One might wonder why the request is only at the moment. Implied global variables should. On 27 November 2009 take codeine if you no formatting such as panel which. [..] scattergories drinking Broadcast co viewing or facilitates sending electronic mail improve the code quality and [..] mami ka rape maintainability marilyn monroe crime scene photos your. Morse code has been to spend [..] expecting parents card what to the limited receipt of the scattergories lists 1 - 12..Nov 18, 2015 · Accidental Drug write Interaction Marilyn was rumored to have had an affair with Robert Kennedy. According to one line of thought, Marilyn Monroe's death was the result of an accidental drug interaction, caused primarily by a lack of communication between her personal :: News :. physician, Dr. Hyman Engelberg, and her psychiatrist, Dr. Ralph Greenson. By 1962, the Sep 18, 2012 · Monroe met actress had developed a clear. -
Arthur Miller's “Finishing the Picture”: Art As Business
ACADEMIA DE STUDII ECONOMICE BUCUREŞTI Sesiunea Internaţională de Comunicări Ştiinţifice Youth on the move. Teaching languages for international study and career-building Bucureşti, 13-14 mai 2011 ARTHUR MILLER’S “FINISHING THE PICTURE”: ART AS BUSINESS Elena CIORTESCU FEAA, “Alexandru Ioan Cuza” University of Iasi Abstract “Finishing the Picture” is about Marilyn Monroe as much as about the creation of art, a story about filming “The Misfits” as much as a story about American dreams. Besides a return to the past, to the time when “The Misfits” was filmed, the play “questions the artistic pretension of the movie industry and satirizes a business which the playwright views as determined to turn everything and everyone into a product” (Abbotson, Critical Companion). Although the set is back in the sixties, the play appeals to contemporary issues and points to the inextricable dependence relationship of art and money. Key-words: Movie industry, art, business. In 2004, Arthur Miller’s Finishing the Picture premiered at the Goodman Theater, Chicago. Ironically enough, the latter would be Miller’s last play although not his last piece of writing. One year later, on February 10, the playwright died of heart failure at his home in Roxbury, Connecticut. 128 Arthur Miller denied any connection between the character in Picture, Kitty, and Marilyn Monroe. Nevertheless, her figure is present in so many of his female characters that we can only assume that the playwright simply refused to recognize the powerful impact she had on his life and work. Finishing the Picture is a story about Monroe as much as a story about the creation of art, a story about filming The Misfits as much as a story about American dreams. -
An Online Investigation Into the Death of Marilyn Monroe Pdf, Epub, Ebook
THE DD GROUP: AN ONLINE INVESTIGATION INTO THE DEATH OF MARILYN MONROE PDF, EPUB, EBOOK Professor David Marshall | 509 pages | 31 Mar 2005 | iUniverse | 9780595345205 | English | Bloomington IN, United States The DD Group: An Online Investigation Into the Death of Marilyn Monroe PDF Book Peter Lawford and the Ever Changing Story. Having been a HUGE Marilyn Monroe fan for many years, I have read and have re-read the most outrageous stories concerning her sad demise. Want to Read saving…. Happily smiling, rather than seductively smoldering, she is poised on the brink of becoming Marilyn. A primer on her life feels necessary before digging into this one. No Comments 0. Marilyn Monroe presents a series of problems, and this book is an attempt, if not to solve those problems, at least to explain them. Eventually it left even Plath behind. Many feminists view Marilyn with weariness, contempt or overt hostility. The story of Marilyn Monroe begins with the close unconscious association between dread and love, sex and death, that was so important to Freud; it ends having been translated into the conscious, resolved into the literal, turned into what we can see, what we can face, what we want to know. Stacey rated it it was amazing Aug 06, The photograph of Marilyn with a veil in her teeth is no truer than the picture of Marilyn in a white dress on a subway grating, or doing her makeup in a backstage mirror, or a candid shot of Marilyn laughing on her sofa. Why not assume that Marilyn Monroe opens the entire problem of biography? Although Marilyn Monroe was one of the most famous, most photographed, most written-about people in the twentieth century, we know less about her for certain than about many far more distant historical figures. -
Coloring Norma Jean
Coloring Norma Jean By Brian Duggan This screenplay may not be used or reproduced for any purpose including educational purposes without the expressed written permission of the author. 115 Washington Ave. Seymour, CT 06483 475-243-6794 [email protected] FADE IN: EXT. OCEAN BEACH - SURFLINE - DAY Swooping down from a cloudless blue sky we pass thunderous surf crashing on the sugary white sand of Fire Island. We pass a deeply tanned man in a tiny bikini bottom. He holds a fishing rod and glass beer bottle. A red ribbon cinches his blond ponytail. The distant sound of fifties popular music in barely audible above the surf. BEACH BLANKET A MAN and WOMAN kiss. He removes her bikini top to toss it playfully in midair. The shapely woman stiffens at his touch to push him away. MAN Baby, you can't stop now. Twisting protectively, her hands hide her breasts. WOMAN I said no. It's broad daylight. He distracts her with a kiss to loosen the knot on her bikini bottom. It falls. MAN But, the beach is deserted. This wasn't a nickle ride to Far Rockaway I coughed up a paycheck for us to be on Fire Island. He tosses her bikini bottom skyward. WOMAN I said no! MAN I waste a weeks pay on a dame who changes her mind? Damn it honey, you promised. 2. WOMAN You're such a cry baby. EXT. BEACH - SURFLINE - DAY Tiny waves flow on a sandbar where children shovel sand into plastic buckets. A MOTHER sits in a canvas beach chair. -
1 Performing Gender in the Studio and Postmodern Musical Michael
1 Performing Gender in the Studio and Postmodern Musical Michael Charlton, Missouri Western State University Abstract: This essay explores two distinct historical periods in the Hollywood musical through a Butlerian reading of gender as a performance. The two example films from the studio era, Howard Hawks’ Gentlemen Prefer Blondes (1953) and the restored version of George Cukor’s A Star is Born (1954), are contextualised not only within the studio system but through the constructed star personae of their leads—Marilyn Monroe and Judy Garland. Baz Luhrmann’s Moulin Rouge! (2001) and Rob Marshall’s Chicago (2002), the two example films from the twenty first century, are contextualised within a Jamesonian post-modern aesthetic and as examples of the non-studio, non-star filmic text as act of nostalgia. In contrasting these historical periods, the essay posits that the studio musical was, in fact, always already “post-modern” in its fragmentation of narrative in favour of the star performance, which constructs the gendered persona of the star. In addition, it is suggested that the sub-textual subversion of traditional female roles within the studio star performance is in many ways more effectively critical of gender conventions than the intentionally parodic aesthetics of Luhrmann and Marshall. In this essay I draw on the work of Judith Butler to explore the formation of gender identity in two distinct historical periods in the Hollywood musical. I take two examples from the studio era, Gentlemen Prefer Blondes (Howard Hawks, 1953) and the restored version of A Star Is Born (George Cukor, 1954), to illustrate the gender politics associated with the role of the constructed star persona, in this case Marilyn Monroe and Judy Garland.