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Before the Forties
Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY -
Texte Intégral (PDF)
Document généré le 27 sept. 2021 20:30 Séquences La revue de cinéma Montréal, Festival, An VI Gilles Blain Cinéma et justice Numéro 42, octobre 1965 URI : https://id.erudit.org/iderudit/51796ac Aller au sommaire du numéro Éditeur(s) La revue Séquences Inc. ISSN 0037-2412 (imprimé) 1923-5100 (numérique) Découvrir la revue Citer cet article Blain, G. (1965). Montréal, Festival, An VI. Séquences, (42), 38–46. Tous droits réservés © La revue Séquences Inc., 1965 Ce document est protégé par la loi sur le droit d’auteur. L’utilisation des services d’Érudit (y compris la reproduction) est assujettie à sa politique d’utilisation que vous pouvez consulter en ligne. https://apropos.erudit.org/fr/usagers/politique-dutilisation/ Cet article est diffusé et préservé par Érudit. Érudit est un consortium interuniversitaire sans but lucratif composé de l’Université de Montréal, l’Université Laval et l’Université du Québec à Montréal. Il a pour mission la promotion et la valorisation de la recherche. https://www.erudit.org/fr/ MONTREAL FESTIVAL AN VI Gilles Blain conduirait à n'élire que les plus ré centes tentatives mondiales dans On se rappelle les vigoureuses l'art cinématographique" (15 août critiques émises l'an dernier contre 1964). Solution à laquelle se ralliak la sélection du 5e Festival interna aussi Henri-Paul Senécal dans son tional du film de Montréal : pau compte rendu du Festival (cf. Sé vreté affligeante de trois ou quatre quences, no 38, p. 54). films, absence regrettable de cer taines oeuvres remarquées en Eu Cette suggestion n'a été suivie rope au cours de l'année. -
The Age of Innocence Showcase Tribute to Claudia Cardinale
PRESS RELEASE The age of innocence showcase Tribute to Claudia Cardinale From Monday 5 to Monday 26 March 2018, 3.30 p.m. “Mario Gromo” Library/Mediatheque – Events Room - Via Matilde Serao 8/A, Turin tel. +39 011 8138 599 - email: [email protected] Following the success of the showcases offered by the Mario Gromo Library/Mediatheque over the past months, in March it is the turn of a tribute to one of the most representative and beloved Italian actresses: Claudia Cardinale. Focusing on the time span between 1959 and 1961, during which the actress shot a good 15 films, The age of innocence. Tribute to Claudia Cardinale is proposing a significant selection of titles which illustrate this thespian’s maturity well and her sensitive capability for offering intensely dramatic introspective characters. Fragility and determination, naiveté and innocence, awareness and disenchantment are the emotional and- personality traits that young Cardinale – provided with charm, allure and a natural, luminous beauty – expresses in this first phase of her long and fortunate career. Extraordinarily photogenic, the actress imposed herself at the beginning of the Sixties as a new female diva model in Italian cinema, working with some of the most important authors of that period, who found a degree of expressiveness that was both sunny and enigmatic in her person, capable of expressing the establishment of a new, signally modern type of woman. The showcase will be inaugurated by the screening of Vento del sud, the only film by Enzo Provenzale (a trusted collaborator of Francesco Rosi), in which Cardinale plays the role of an aristocratic and unhappy Sicilian scion. -
Cinema Medeia Nimas
Cinema Medeia Nimas www.medeiafilmes.com 08.07 04.08.2021 O Meu Burro, o Meu Amante e Eu de Caroline Vignal Estreia – 22 Julho O Cinema de Bong Joon Ho A partir de 29 Julho Programa Cinema Medeia Nimas | 14ª edição | 08.07 — 04.08.2021 | Av. 5 de Outubro, 42 B - 1050-057 Lisboa | Telefone: 213 574 362 | [email protected] 213 574 362 | [email protected] Telefone: 42 B - 1050-057 Lisboa | 5 de Outubro, Medeia Cinema Nimas | 14ª edição 08.07 — 04.08.2021 Av. Programa Presos no Tempo Éric Rohmer, ou o Génio do Moderno de M. Night Shyamalan Cinema Francês – 1º Capítulo Estreia – 22 Julho A partir de 15 Julho Ciclo: O “Roman Porno” Programa sujeito a alterações de horários no quadro de eventuais novas medidas de contençãoda da propagaçãoNikkatsu da [1971-2016] COVID-19 determinadas pelas autoridades. Consulte a informação sempre actualizada em www.medeiafilmes.com. Continua em exibição Medeia Nimas 08.07 — 04.08.2021 1 Continuam Estreias em exibição AS ANDORINHAS DE CABUL Les Hirondelles de Kaboul de Zabou Breitman e Eléa Gobbé-Mévellec ANNETTE A VOZ HUMANA com Simon Abkarian, Zita Hanrot, de Leos Carax The Human Voice Swann Arlaud de Pedro Almodóvar França, 2019 – 1h21 | M/14 com Adam Driver, Marion Cotillard, Simon Helberg França, México, EUA, Suíça, Bélgica, Japão, Alemanha, 2021 – 2h19 | M/14 com Tilda Swinton Verão de 1998, em Cabul, sob ESTREIA – 8 JULHO Espanha, 2020 – 30 min | M/14 o controlo dos talibãs. Mohsen --------------------------------------------- ESTREIA – 15 JULHO e Zunaira amam-se, e apesar da Nove anos depois de Holy Motors, Leos Carax abre o festival de Filme seguido de projecção de uma entrevista com Pedro Almodóvar violência do dia-a-dia acreditam no Cannes com Annette, um musical desconcertante, uma experiência e Tilda Swinton. -
The Thousand Eyes International Arts and Film Festival
The Thousand Eyes International Arts and Film Festival 13-17 SEPTEMBER 2013, TRIESTE, “I MILLE OCCHI” (Thousand Eyes). SNEAK PREVIEWS 10-11 SEPTEMBER, ROME. I Mille Occhi celebrates 12 years of cinema. “Totò che visse due volte” (Totò Who Lived Twice), “Corpi dell’analogico all’avanzare del digitale”. Film director Franco Maresco, wins the Anno uno award 2013. The 12th anniversary of the International Arts and Film Festival “I Mille Occhi” takes place the 13-17 September in Trieste (northeast Italy) at the Teatro Miela (Miela Theater). Previews can be seen on the 10 and 11 September in Rome at the Cinema Trevi - Cineteca Nazionale. The festival has a full programme of showings and events with the participation of many rel- evant guests. Amongst the guests, Enrique Irazoqui lies at the heart of the Film Festival, the main character of Il vangelo secondo Matteo (The Gospel According to St. Matthew) by Pier Paolo Pasolini. The festival is dedicated to Gianni Da Campo. During “I Mille Occhi” festival will be a pre-inaugural event with an exhibition of Roberto Caielli’s works at the Studio Tommaseo (via del Monte 2, Trieste) on the 12 September. Since 5 years, the greatest Italian archive has been the main partner of the festival, besides the Cine- teca del Friuli di Gemona (Cineteca of Friuli in Gemona- province of Udine). It also offers a good opportunity to the festival, an important introduction to Rome. These galleries highlight the festival and makes the international headlines, “Sight and Sound”. It is about crossing the boundaries between films from different eras, offering the latest audience to discover and watch what they enjoy. -
And the Ship Sails On
And The Ship Sails On by Serge Toubiana at the occasion of the end of his term as Director-General of the Cinémathèque française. Within just a few days, I shall come to the end of my term as Director-General of the Cinémathèque française. As of February 1st, 2016, Frédéric Bonnaud will take up the reins and assume full responsibility for this great institution. We shall have spent a great deal of time in each other's company over the past month, with a view to inducting Frédéric into the way the place works. He has been able to learn the range of our activities, meet the teams and discover all our on-going projects. This friendly transition from one director-general to the next is designed to allow Frédéric to function at full-steam from day one. The handover will have been, both in reality and in the perception, a peaceful moment in the life of the Cinémathèque, perhaps the first easy handover in its long and sometimes turbulent history. That's the way we want it - we being Costa-Gavras, chairman of our board, and the regulatory authority, represented by Fleur Pellerin, Minister of Culture and Communication, and Frédérique Bredin, Chairperson of the CNC, France's National Centre for Cinema and Animation. The peaceful nature of this handover offers further proof that the Cinémathèque has entered into a period of maturity and is now sufficiently grounded and self-confident to start out on the next chapter without trepidation. But let me step back in time. Since moving into the Frank Gehry building at 51 rue de Bercy, at the behest of the Ministry of Culture, the Cinémathèque française has undergone a profound transformation. -
Costa-Gavras: a Retrospective
The Museum of Modern Art For Immediate Release March 1990 COSTA-GAVRAS: A RETROSPECTIVE April 13 - 24, 1990 A complete retrospective of twelve feature films by Costa-Gavras, the Greek-born French filmmaker, opens at The Museum of Modern Art on April 13, 1990. Both thought provoking and entertaining, Costa-Gavras's suspenseful mysteries deal with compelling social issues and are often based on actual political incidents. His stories involve the motivations and misuses of power and often explore the concept of trust in personal and public relationships. His films frequently star such popular actors as Fanny Ardant, Jill Clayburgh, Jessica Lange, Jack Lemmon, Yves Montand (who stars in six of the films), Simone Signoret, Sissy Spacek, and Debra Winger. Opening with Z (1969), one of his best-known works, COSTA GAVRAS: A RETROSPECTIVE continues through April 24. New prints of Costa-Gavras's early French films have been made available for this retrospective. These include his first film, The Sleeping Car Murders (1965), a thriller about the hunt for a murderer on an overnight train; the American premiere of the original version of One Man Too Many/Shock Troops (1967), a story of resistance fighters who free a group of political prisoners from a Nazi jail; and Family Business (1986), a drama about the transformation of a family crime ring into the local affiliate of an international syndicate. Also featured are Z (1969), an investigation into the murder of a politician; State of Siege (1972), a fictionalized version of the 1970 kidnapping of an American diplomat in Uruguay; and Special Section -more- 11 West 53 Street, New York, N.Y. -
Completeandleft
MEN WOMEN 1. JA Jason Aldean=American singer=188,534=33 Julia Alexandratou=Model, singer and actress=129,945=69 Jin Akanishi=Singer-songwriter, actor, voice actor, Julie Anne+San+Jose=Filipino actress and radio host=31,926=197 singer=67,087=129 John Abraham=Film actor=118,346=54 Julie Andrews=Actress, singer, author=55,954=162 Jensen Ackles=American actor=453,578=10 Julie Adams=American actress=54,598=166 Jonas Armstrong=Irish, Actor=20,732=288 Jenny Agutter=British film and television actress=72,810=122 COMPLETEandLEFT Jessica Alba=actress=893,599=3 JA,Jack Anderson Jaimie Alexander=Actress=59,371=151 JA,James Agee June Allyson=Actress=28,006=290 JA,James Arness Jennifer Aniston=American actress=1,005,243=2 JA,Jane Austen Julia Ann=American pornographic actress=47,874=184 JA,Jean Arthur Judy Ann+Santos=Filipino, Actress=39,619=212 JA,Jennifer Aniston Jean Arthur=Actress=45,356=192 JA,Jessica Alba JA,Joan Van Ark Jane Asher=Actress, author=53,663=168 …….. JA,Joan of Arc José González JA,John Adams Janelle Monáe JA,John Amos Joseph Arthur JA,John Astin James Arthur JA,John James Audubon Jann Arden JA,John Quincy Adams Jessica Andrews JA,Jon Anderson John Anderson JA,Julie Andrews Jefferson Airplane JA,June Allyson Jane's Addiction Jacob ,Abbott ,Author ,Franconia Stories Jim ,Abbott ,Baseball ,One-handed MLB pitcher John ,Abbott ,Actor ,The Woman in White John ,Abbott ,Head of State ,Prime Minister of Canada, 1891-93 James ,Abdnor ,Politician ,US Senator from South Dakota, 1981-87 John ,Abizaid ,Military ,C-in-C, US Central Command, 2003- -
A New Chapter
FINAL-1 Sat, Nov 30, 2019 4:06:52 PM tvupdateYour Weekly Guide to TV Entertainment For the week of December 8 - 14, 2019 A new chapter Jacqueline Toboni stars in “The L Word: Generation Q” INSIDE •Sports highlights Page 2 •TV Word Search Page 2 •Family Favorites Page 4 •Hollywood Q&A Page14 Showtime is rebooting one of its most beloved shows with “The L Word: Generation Q,” premiering Sunday, Dec. 8. The series features the return of original “The L Word” stars Jennifer Beals (“Flashdance,” 1983), Leisha Hailey (“Dead Ant,” 2017) and Katherine Moennig (“Ray Donovan”), as well as a few new faces, including Jacqueline Toboni (“Grimm”), Arienne Mandi (“The Vault”) and Leo Sheng (“Adam,” 2019). To advertise here WANTED MOTORCYCLES, SNOWMOBILES, OR ATVS GOLD/DIAMONDS please call ✦ 40 years in business; A+ rating with the BBB. ✦ For the record, there is only one authentic CASH FOR GOLD, Bay 4 (978) 946-2375 Group Page Shell PARTS & ACCESSORIES We Need: SALESMotorsports & SERVICE 5 x 3” Gold • Silver • Coins • Diamonds MASS. MOTORCYCLEWANTED1 x 3” We are the ORIGINAL and only AUTHENTIC SELLBUYTRADEINSPECTIONS CASH FOR GOLD on the Methuen line, above Enterprise Rent-A-Car at 527 So. Broadway, Rte. 28, Salem, NH • 603-898-2580 1615 SHAWSHEEN ST., TEWKSBURY, MA Open 7 Days A Week ~ www.cashforgoldinc.com 978-851-3777 WWW.BAY4MS.COM FINAL-1 Sat, Nov 30, 2019 4:06:53 PM COMCAST ADELPHIA 2 Sports Highlights Kingston CHANNEL Atkinson ESPN NESN Sunday 8:00 p.m. TNT Basketball NBA Football NCAA Division I Hockey NCAA Dartmouth at Salem Londonderry 9:00 a.m. -
Kezich Parla Di Un Lord Jim a Rimini
TANTI AUGURI A... Steve Jobs: fondò la religione ALBUM VENERDÌ dell’iPad 24. FEBBRAIO 2017 era il 24 febbraio 1955 ccadde 30 anni fa. Angelo La drammaturgia italiana e il Premio Ric- Longoni era un giovane cione, per Grafis), sono abbandonati all’o- drammaturgo e regista blio. Non vi è sufficiente l’esempio? Eccone poco più che trenten- un altro. Riccione, Palazzo del Turismo, 4-7 ne. Vince il Premio giugno 1987. Al Premio Riccione s’interseca Riccione con Naja. l’appendice del Riccione TTV, cioè “Teatro Questa la motiva- Televisione Video”. Il succo della vicenda zione: «Naja, af- racconta di uno “speciale Raul Ruiz” e, u- frontando a- dite udite, uno “speciale Samuel Beckett”. spetti della vita Del geniale drammaturgo irlandese (che militare che hanno offerto materia di crona- morirà nel 1989) sono presentati i fanto- ca dolorosa, tratteggia, in una vicenda che matici “Videobeckett”, da He, Joe (del 1966, si conclude col gesto disperato di una reclu- con Jack MacGowran, attore che al cinema ta, cinque ritratti di particolare spessore u- avete visto in Il dottor Zivago e L’esorcista) a mano con apprezzabile asciuttezza di lin- Was Wo, del 1986, tutti progettati per la tivù guaggio e con esatta intuizione del disagio tedesca. Tra le perle di quel ciclo di TTV, esistenziale dei giovani». Il presidente di Giu- trent’anni fa, vanno menzionati Falsch, gi- ria, Odoardo Bertani, è critico teatrale di Av- rato dai fratelli Dardenne (registi di culto, venire, accanito studioso di Goldoni. Il testo premiati a Cannes), The Man Who Mistook (cosa non del tutto scontata), sorretto dal His Wife For a Hat di Michael Nyman, ma premio, ha un successo scenico strepitoso: anche I Miserabili di Romeo Castellucci, del- la prima è al Teatro di Porta Romana di Mi- la “Raffaello Sanzio”. -
CELEBRATING FORTY YEARS of FILMS WORTH TALKING ABOUT Solved! the Mystery Motors of the Autosafe “Skypark”…
2 MAR 18 5 APR 18 1 | 2 MAR 18 - 5 APR 18 88 LOTHIAN ROAD | FILMHOUSECinema.COM CELEBRATING FORTY YEARS OF FILMS WORTH TALKING ABOUT Solved! The Mystery Motors of the Autosafe “SkyPark”… Huge thanks to a number of you out there who sent me a link to the BBC News article that finally puts the issue I’ve been bleating on about for months (see Filmhouse December and February monthly programme introductions) to bed. Turns out the eight cars that have been trapped in the failed then abandoned automated car park (which is currently being dismantled behind our offices) since it closed in the early 2000s were only ever old bangers brought in to test the automatic parking machinery! Phew! Glad to have gotten to the bottom of that one… Our March programme, as is customary for the time of year, is replete with Oscar® hopefuls, it now being the turn of Lady Bird, Phantom Thread (in 70mm!), A Fantastic Woman, Palme d’Or winner The Square, and The Shape of Water, which continues from February. Awards season is, though, nearly over, as is evidenced by a slew of new films too new to qualify for consideration this year: Lynne Ramsay’s brilliant You Were Never Really Here; Warwick (Samson & Delilah) Thornton’s stunning Aussie ‘western’, Sweet Country, and Wes Anderson’s fabulous Isle of Dogs. And you know what, looking at that list, I’m going to stick my neck out and say that I’m not entirely sure I have ever seen a better line-up of new release cinema, at any one cinema, ever. -
IL PROGRAMMA Illustrazione Di Ettore Scola Iniziativa Cofinanziata Da Prodotta Da
SOTTO L’ALTO PATRONATO DEL PRESIDENTE DELLA REPUBBLICA ITALIANA PRESIDENTE MARGARETHE VON TROTTA PRESIDENTE ONORARIO Ettore SCOLA DIRETTORE FELICE LaUDADIO IL PROGRAMMA Illustrazione di Ettore Scola Iniziativa cofinanziata da Prodotta da In partnership con COMUNE DI BARI UNIVERSITÀ POLITECNICO DEGLI STUDI DI BARI DI BARI Con il contributo di Con la collaborazione determinante di Sponsor tecnici Main media partner Media partner Quartier generale durante il Bif&st Museo Civico - Strada Sagges 13 - 70122 Bari, Italy - [email protected] - www.bifest.it IL PRO GRA MMA Questo festival è davvero un’utopia. Edgar Reitz Sotto l’Alto Patronato una iniziativa della Regione Puglia del Presidente Assessorato Industria Turistica e Culturale della Repubblica Italiana finanziata da FSC – Fondo per lo Sviluppo e la Coesione POR Puglia FESR-FSE 2014-2020 COMITATO D’ONOre SOGGETTO ATTUATOre Michele Emiliano Fondazione Apulia Film Commission Presidente Regione Puglia Loredana Capone Consiglio di amministrazione Assessore Industria Turistica e Culturale Maurizio Sciarra Regione Puglia Presidente Antonio Decaro Giandomenico Vaccari Sindaco di Bari Vicepresidente Antonio Felice Uricchio Chiara Coppola Rettore Università degli Studi di Bari Simonetta Dellomonaco Eugenio Di Sciascio Fabio Prencipe Rettore Politecnico di Bari Consiglieri Domenico De Bartolomeo Presidente Confindustria Bari e BAT Sebastiano Di Bari Aurora De Falco Giuseppe Fragasso Presidente ANCE Bari e BAT Giuseppe Tanisi Collegio revisori Massimo Biscardi Sovrintendente Fondazione