The Yeshiva University Experience
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Deciphering-Jewish-Gravestones.Pdf
Deciphering Jewish Gravestones Philip Trauring Originally published on bloodandfrogs.com March 8, 2020 My 2011 article on Jewish gravestone symbols has long been one of the most popular posts on my web site. In that article, I discuss the symbols found on Jewish gravestones, but not the text. I wrote in the first paragraph that I will likely write about the text at some point in the future. Unfortunately, I waited nine years to do so, but here’s a look at some of the Hebrew text you might find on a Jewish gravestone, and how to decipher it. We should get some terminology out the way. We’re talking about Hebrew inscriptions on מצבה kever, and the gravestone itself a קבר gravestones. In Hebrew we call the grave a matseva (lit. monument). There isn’t a particularly good Hebrew word for epitaph (the the writing on the gravestone. We do use the word הכתובת על המצבה inscription), it’s just hesped for eulogy, and you can think of some of the inscription to be a eulogy. As this הספד is intended as an introduction to this topic, I’ll simply use the English terms most of the time. Let’s jump in with a gravestone I photographed in Warsaw in 2018. I like this inscription because it’s fairly clear and it duplicates almost all the information from the Hebrew in Polish, allowing everything to be confirmed. We have here a Professor Markus Zamenof, who was born in 1837 and died in 1907. I’ve underlined key parts of the Hebrew, and explain it all in the table below the photo. -
Encoded Representations for Distinct Positional Uses of Hebrew Meteg Peter Constable, Microsoft Corporation 2004-09-13
Encoded representations for distinct positional uses of Hebrew Meteg Peter Constable, Microsoft Corporation 2004-09-13 In some uses of the Hebrew script, particularly for Biblical text, a variety of combining marks are used. One of these marks is meteg, encoded as U+05BD, HEBREW POINT METEG. Meteg frequently occurs together with other combining marks. When meteg co-occurs with another mark that occupies the same general space below the base character, different relative arrangements of meteg and these other marks are possible. In some uses it is considered necessary to specify these relative arrangements of meteg and other marks in the encoded representation. A proposal1 has been submitted to UTC for how these different positionings of meteg should be specified in encoded representations. This proposal makes use of the control characters COMBINING GRAPHEME JOINER (CGJ), ZERO WIDTH JOINER (ZWJ) and ZERO WIDTH NON-JOINER (ZWNJ). This public-review issue is soliciting feedback on this proposal and, in particular, on the proposed use of ZWJ and ZWNJ for distinguishing between the different positional uses of the meteg. The details in this case are somewhat complex. Familiarity with combining marks, canonical combining classes, canonical ordering and canonical equivalence is assumed. Some background information on those topics is provided in an appendix. 1. Background: meteg in combination with below-base vowel marks Biblical Hebrew text includes a number of marks used to annotate the text, which were introduced by Masoretic scholars over a thousand years ago. These marks include vowel points and a number of accentuation marks that indicate structural units of the text, serving to guide the reader or chanter. -
How Was the Dageš in Biblical Hebrew Pronounced and Why Is It There? Geoffrey Khan
1 pronounced and why is it בָּתִּ ים How was the dageš in Biblical Hebrew there? Geoffrey Khan houses’ is generally presented as an enigma in‘ בָּתִּ ים The dageš in the Biblical Hebrew plural form descriptions of the language. A wide variety of opinions about it have been expressed in Biblical Hebrew textbooks, reference grammars and the scholarly literature, but many of these are speculative without any direct or comparative evidence. One of the aims of this article is to examine the evidence for the way the dageš was pronounced in this word in sources that give us direct access to the Tiberian Masoretic reading tradition. A second aim is to propose a reason why the word has a dageš on the basis of comparative evidence within Biblical Hebrew reading traditions and other Semitic languages. בָּתִּיםבָּתִּ ים The Pronunciation of the Dageš in .1.0 The Tiberian vocalization signs and accents were created by the Masoretes of Tiberias in the early Islamic period to record an oral tradition of reading. There is evidence that this reading tradition had its roots in the Second Temple period, although some features of it appear to have developed at later periods. 1 The Tiberian reading was regarded in the Middle Ages as the most prestigious and authoritative tradition. On account of the authoritative status of the reading, great efforts were made by the Tiberian Masoretes to fix the tradition in a standardized form. There remained, nevertheless, some degree of variation in reading and sign notation in the Tiberian Masoretic school. By the end of the Masoretic period in the 10 th century C.E. -
Section 9.2, Arabic, Section 9.3, Syriac and Section 9.5, Man- Daic
The Unicode® Standard Version 12.0 – Core Specification To learn about the latest version of the Unicode Standard, see http://www.unicode.org/versions/latest/. Many of the designations used by manufacturers and sellers to distinguish their products are claimed as trademarks. Where those designations appear in this book, and the publisher was aware of a trade- mark claim, the designations have been printed with initial capital letters or in all capitals. Unicode and the Unicode Logo are registered trademarks of Unicode, Inc., in the United States and other countries. The authors and publisher have taken care in the preparation of this specification, but make no expressed or implied warranty of any kind and assume no responsibility for errors or omissions. No liability is assumed for incidental or consequential damages in connection with or arising out of the use of the information or programs contained herein. The Unicode Character Database and other files are provided as-is by Unicode, Inc. No claims are made as to fitness for any particular purpose. No warranties of any kind are expressed or implied. The recipient agrees to determine applicability of information provided. © 2019 Unicode, Inc. All rights reserved. This publication is protected by copyright, and permission must be obtained from the publisher prior to any prohibited reproduction. For information regarding permissions, inquire at http://www.unicode.org/reporting.html. For information about the Unicode terms of use, please see http://www.unicode.org/copyright.html. The Unicode Standard / the Unicode Consortium; edited by the Unicode Consortium. — Version 12.0. Includes index. ISBN 978-1-936213-22-1 (http://www.unicode.org/versions/Unicode12.0.0/) 1. -
How to Install B. Hebrew Font (Mac)
INSTALLING SBL HEBREW FONT (SIL) For Mac OS 1. Open Safari (or Chrome) 2. CLICK LINK Teaching Bible SBL HEBREW FONT Biblical Fonts Texts and Resources Bible Odyssey Font download (True Type Font file, v1 .56a Build 016, updated 12/15/2010) Keyboard Drivers (.zip files, updated 4/21/2008) SBL Hebrew keyboard Driver, SIL Layout (Windows) SBL Hebrew keyboard Driver, Tiro Layout (Windows) SBL Hebrew keyboard Drivers, SIL and Tiro (macOS/OS X). PASSWORD User Manuals (pdf files, updated 2/26/2008) SBL Hebrew User Manual ... Login SBL Hebrew SIL Keyboard Driver Manual Create new 12assword SBL Hebrew Tiro Keyboard Driver Manual ForgQL'{.our12assword? Join SBL To decide which keyboard layout is best for you, consult the driver manuals. Having trouble installing or using the SBL Hebrew font? Please consult our Biblical Fonts FAQ. Please donate to support Font development and other SBL projects. 3. CLICK AND DOWNLOAD HEBREW FONT FOR MAC ~r.(True Type Font file, v1 .56a Build 016, updated 12/15/2010) rs (.zip files, updated 4/21/2008) fl r·,rrl r,-iur T' C,. I U"""-1 • -- - -- • /r" \ SBL Hebrew keY.board Drivers, SIL and Tiro (macOS/0S X). User Manuals (pdf files, updated 2/26/2008) !, ,L H- t-,-.!w L 1r'!" r,1c-,,-1..-- !, ,L H- t-""•w !, "'ry~o;. rrt >r.v---r, 1111 11 f, ,L H ~ • ,·J 1ro K .ybo·1rdL•r1¥1 r ' T' 1, 1 To decide which keyboard layout is best for you, consult the driver manuals. Having trouble installing or using the SBL Hebrew font? Please consult our r 1t"lic I r or•, r Af , , _or J to support Font development and other SBL projects. -
Primo Technical Guide
Technical Guide May 2016 Ex Libris Confidential 6/7 1 CONFIDENTIAL INFORMATION The information herein is the property of Ex Libris Ltd. or its affiliates and any misuse or abuse will result in economic loss. DO NOT COPY UNLESS YOU HAVE BEEN GIVEN SPECIFIC WRITTEN AUTHORIZATION FROM EX LIBRIS LTD. This document is provided for limited and restricted purposes in accordance with a binding contract with Ex Libris Ltd. or an affiliate. The information herein includes trade secrets and is confidential. DISCLAIMER The information in this document will be subject to periodic change and updating. Please confirm that you have the most current documentation. There are no warranties of any kind, express or implied, provided in this documentation, other than those expressly agreed upon in the applicable Ex Libris contract. This information is provided AS IS. Unless otherwise agreed, Ex Libris shall not be liable for any damages for use of this document, including, without limitation, consequential, punitive, indirect or direct damages. Any references in this document to third‐party material (including third‐party Web sites) are provided for convenience only and do not in any manner serve as an endorsement of that third‐ party material or those Web sites. The third‐party materials are not part of the materials for this Ex Libris product and Ex Libris has no liability for such materials. TRADEMARKS ʺEx Libris,ʺ the Ex Libris bridge , Primo, Aleph, Alephino, Voyager, SFX, MetaLib, Verde, DigiTool, Preservation, Rosetta, URM, ENCompass, Endeavor eZConnect, WebVoyáge, Citation Server, LinkFinder and LinkFinder Plus, and other marks are trademarks or registered trademarks of Ex Libris Ltd. -
Middle East-I 9 Modern and Liturgical Scripts
The Unicode® Standard Version 13.0 – Core Specification To learn about the latest version of the Unicode Standard, see http://www.unicode.org/versions/latest/. Many of the designations used by manufacturers and sellers to distinguish their products are claimed as trademarks. Where those designations appear in this book, and the publisher was aware of a trade- mark claim, the designations have been printed with initial capital letters or in all capitals. Unicode and the Unicode Logo are registered trademarks of Unicode, Inc., in the United States and other countries. The authors and publisher have taken care in the preparation of this specification, but make no expressed or implied warranty of any kind and assume no responsibility for errors or omissions. No liability is assumed for incidental or consequential damages in connection with or arising out of the use of the information or programs contained herein. The Unicode Character Database and other files are provided as-is by Unicode, Inc. No claims are made as to fitness for any particular purpose. No warranties of any kind are expressed or implied. The recipient agrees to determine applicability of information provided. © 2020 Unicode, Inc. All rights reserved. This publication is protected by copyright, and permission must be obtained from the publisher prior to any prohibited reproduction. For information regarding permissions, inquire at http://www.unicode.org/reporting.html. For information about the Unicode terms of use, please see http://www.unicode.org/copyright.html. The Unicode Standard / the Unicode Consortium; edited by the Unicode Consortium. — Version 13.0. Includes index. ISBN 978-1-936213-26-9 (http://www.unicode.org/versions/Unicode13.0.0/) 1. -
Parashat Vayishlach: a Tribute to Cantor Eugene Rosner December 14, 2019 | 16 Kislev 5780 Rabbi Neil S
Parashat VaYishlach: A Tribute to Cantor Eugene Rosner December 14, 2019 | 16 Kislev 5780 Rabbi Neil S. Cooper At the beginning of Parashat VaYishlach, Jacob is on edge. Soon he will need to confront his brother, his twin brother, Esau, who Jacob had avoided for more than 20 years. Jacob was smart to avoid his brother and smart to give Esau two decades for Esau’s anger and sense of wrath to subside. Jacob cheated Esau out of his birthright and blessings. Now, for the first time in 20 years, the two brothers would meet. But, today, what interests me more than that long-awaited confrontation is what occurred just before the brothers met. Specifically, in preparation for that meeting, Jacob prays to God in the following words. katonti mi’kol hahasadim - I have been made small by all of the kindnesses - קטנתי מכל החסדים you have so steadfastly shown your servant, for with my staff I crossed this Jordan and now I have become two camps.” (Genesis 32:11) With all of the blessings which you, God, have showered upon me, I feel “katan.” But, what is not clear from this verse, is whether this word, “katonti,” is spoken: 1. Positively: I am humbled by the kindness you have shown me, O God. (This implies that Jacob will be protected by God’s goodness). Or 2. Negatively: As I wait to cross the river and confront Esau, you left me small and vulnerable, God. I have split my camp in half and now, without protection, am totally vulnerable before my hateful brother (who, I believe, will try to kill me). -
Dead Sea Scrolls - the Music of the Bible an Overview on the Work of Suzanne Haik-Vantura(1912 - 2000)
Dead Sea Scrolls - The Music of the Bible An overview on the work of Suzanne Haik-Vantura(1912 - 2000) Hebrew Bible Cantillation ITU-State Conservatory, Istanbul. Term Project Mehmet Okon¸sar January 27, 2011 i Contents Biblical research 1 BiblicalExegesis ............................ 1 TraditionalJudaicBibleStudies . 2 Musical Archeology 2 ”NewTestament”Times .. .. .. .. .. .. .. .. .. 2 IncantationversusChanting. 3 Dead Sea Scrolls 4 Thediscovery.............................. 6 TheimportanceoftheScrolls . 7 Qumran-EsseneTheory and the departures from it . 8 The texts 9 GroupingtheScrolls .. .. .. .. .. .. .. .. .. .. 10 Excavations............................... 11 The Story of the Discovery 11 TheBedouins.............................. 11 MarSamuel............................... 12 The photographies allows for the reading . 12 Gettingintotherighthands. 13 Historical importance of the Scrolls . 13 Facts About the Dead Sea Scrols . 14 On Jewish Liturgical Music 17 Maqams 18 Cantillation Signs 19 ThePurposeofCantillationSigns . 20 Thesyntacticalfunction . 20 Importanceintheunderstanding . 21 Thephoneticfunction . 22 Themusicalfunction.. .. .. .. .. .. .. .. .. .. 22 Types of Cantillation Marks 22 Babyloniansystem ........................... 22 Palestiniansystem ........................... 23 Tiberiansystem ............................ 24 Differentiation in the poetic books . 25 Notation 25 ii Suzanne Haik-Vantura 26 The Methodology 28 The schools of interpretation of the signs . 28 Appendices 30 NamesandMeaningoftheSigns . 30 Sequences -
Issues in the Representation of Pointed Hebrew in Unicode
Issues in the Representation of Pointed Hebrew in Unicode http://www.qaya.org/academic/hebrew/Issues-Hebrew-Unicode.html Issues in the Representation of Pointed Hebrew in Unicode Third draft, Peter Kirk, August 2003 1. Introduction The Hebrew block of the Unicode Standard (http://www.unicode.org/charts/PDF/U0590.pdf) is intended to include all of the characters needed for proper representation of Hebrew texts from all periods of the Hebrew language, including fully pointed and cantillated ancient texts such as that of the Hebrew Bible. It is also intended to cover other languages 1 written in Hebrew script, including Aramaic as used in biblical and other religious texts as well as Yiddish and a few other modern languages. In practice there are a number of issues and minor deficiencies in the Hebrew block as currently defined, in version 4.0 of the Unicode Standard (http://www.unicode.org/versions/Unicode4.0.0/), which affect its usefulness for representation of pointed Hebrew texts and of Hebrew script texts in some other languages. Some of these simply require clarification and agreed guidelines for implementers. Others require further discussion and decision, and possibly additions to the Unicode standard or other action by the Unicode Technical Committee. The conclusion reached in this paper is that two new Unicode characters should be proposed; other issues can be resolved by use of suitable sequences of existing characters, provided that such use is generally agreed by content providers and rendering systems. Several of these issues relate to different typographical conventions for publishing of Hebrew texts. -
The Ultimate Bar Mitzvah Torah Reading Software Tutor
Kol Kore User’s Guide The Ultimate Bar Mitzvah Torah Reading Software Tutor Kol Koren LTD., 8 King David Street, Bnei Brak 51445, ISRAEL, Tel: +972-3-570-0840 www.kolkoren.com Table of Contents Glossary .............................................................................................. 2 Introduction ........................................................................................ 3 Torah Reading Theory.......................................................................... 5 The Order of Torah Reading ............................................................................... 5 Ta’amei Hamikra (Reading Accents - Trop) .......................................................... 6 Musical .......................................................................................................... 6 Syntactic ........................................................................................................ 6 Grammatical ................................................................................................. 10 Kol Kore Features ............................................................................................ 11 Reading Fluency and Accuracy ....................................................................... 11 Torah Font Selection ..................................................................................... 11 Trop and Vowels Highlighted in Different Colors .............................................. 11 Text Highlighted as Chazan Reads ................................................................ -
1000 HEBREW SENTENCES: Dual Language Hebrew-English Interlinear & Parallel Text Table of Contents
1000 HEBREW SENTENCES: Dual Language Hebrew-English Interlinear & Parallel Text Table of contents Introduction i Alphabet and Pronunciation iv 1000 Sentences 1 Introduction ear Language Learner: This book is intended for beginner and intermediate learners of Modern He- D brew who want to improve their Hebrew vocabulary, grammar, speaking, and listening abilities through massive exposure to one thousand wide-ranging sentences. The sentences are presented in an interlinear + parallel text format for maximum comprehension of every aspect of the sentence. On the right side of the page is the interlinear Hebrew, romanization, and translation. Linguistically speaking, this is an interlinear gloss containing three lines of interlinear text: (1) the first line is the Hebrew source text; (2) the second line is the romanization, which improves speaking ability and provides a better overall understanding of the word; and (3) the third line is the translation, which gives more context- specific information than a dictionary possibly could. On the left side of the page is the parallel text, which is an English translation of the Hebrew sentence. The translation style of the parallel text is a free translation, whereas the third line of the interlinear gloss is essentially a literal translation. A Hebrew audio file recorded by a professional voice actor is available as a companion to this book (available for purchase at L2Press.com). Audio files are important for developing correct pronunciation and listening ability. The second line of the interlinear is an excellent pronunciation guide, but there is no replacement for trying to emulate the pronunciation of a native speaker when it comes to developing a good accent.