DOCSLIB.ORG

Selected Topics in Cataloging Asian Art

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Selected Topics in Cataloging Asian Art VRA ulleB tin Volume 16 | Issue 2 Article 1 1-1-1989 Special Bulletin #4: Selected Topics in Cataloging Asian Art Follow this and additional works at: https://online.vraweb.org/vrab Part of the Asian Art and Architecture Commons Recommended Citation (1989) "Special Bulletin #4: Selected Topics in Cataloging Asian Art," VRA uB lletin:Vol. 16: Iss. 2, Article 1. Available at: https://online.vraweb.org/vrab/vol16/iss2/1 This Feature Articles is brought to you for free and open access by VRA Online. It has been accepted for inclusion in VRA ulB letin by an authorized editor of VRA Online. Special Bulletin #4: Selected Topics in Cataloging Asian Art Abstract Selected Topics in Cataloging Asian Art: 1. Cataloging Tips and Techniques • Country Divisions in Asian Slide Collections • Calligraphy and Scripts in Asia • Guidelines for Cataloging Sculpture • Adaptations in Organizing and Cataloging Asian Slides • Working with the Fogg System 2. South Asian Art • Indian Painting ◦ Rajput and Mughal Painting ◦ Ragamalas and Nayikas ◦ Cataloging Examples • Cataloging Tables for Indian Painting and Sculpture ◦ Indian Museum Abbreviations ◦ Life of the Buddha 3. Southeast Asian Art • Burmese Art • Thai Art • Cambodian Art • Cham Art • Indonesian Art 4. Far Eastern Art • Slide Sequences for Far Eastern Painting • A Classification of Japanese Buddhist Art • Japanese-Sanskrit Equivalents ◦ Japanese-Sanskrit Table ◦ Sanskrit-Japanese Table • A Classification of Japanese Ceramics 5. Asian Numerical Tables • Japanese Numerical Table • Pinyin Numerical Table This feature articles is available in VRA ulB letin: https://online.vraweb.org/vrab/vol16/iss2/1 Keywords Asian art, metadata, cataloging, art history, research, Southeast Asia, South Asia Author Bio & Acknowledgements Eleanor Mannikka - University of Michigan VRA ubP lications Advisory Committee: Chairman: Nancy Schuller - University of Texas at Austin Elizabeth O'Donnell - Dartmouth College Anne-Marie Logan - Yale University Mary Lampe - Amon Carter Museum Cover design and title page layout: Terry Arzola - University of Texas at Austin This feature articles is available in VRA ulB letin: https://online.vraweb.org/vrab/vol16/iss2/1 et al.: Special Bulletin #4 SPECTAL BULLBTIN -{ -rfr iDrfr tA A Publiffid ofme Visual Resources Associ4tion No.4, 1989 Selected Topics in Cataloging Asian Art 1 L VRA Bulletin, Vol. 16 [1989], Iss. 2, Art. 1 VRA Special Bulletin No. 4 1989 Selected Topics in Cataloging Asian Art By Eleanor Mannikka, PhD. Senior Associate Curator Slide and PhotograPh Collection Department of the History of Art University of Michigan lggo VRA puhlications Advisory Committee: Nancy Schuller, Chairman, University Logan, Yale of Texas at Austin; Elizabeth O'Donnell, Dartmouth College; Anne-Marie University; Mary Lampe, Amon Carter Museum. at Austin' Cover design and title page layout by Terry Arzola, University of Texas https://online.vraweb.org/vrab/vol16/iss2/1 2 et al.: Special Bulletin #4 Copynght 1989, Visual Resources Association All Rights Reserved rssN 1050-138X 3 t VRA Bulletin, Vol. 16 [1989], Iss. 2, Art. 1 SELECTED TOPICS IN CATALOGING ASIAN ART TABLE OF CONTENTS I. Preface U. Introduction III. Cataloging Tips and Techniques country Divisions in Asian slide collections 1 A. 2 CalligrlphY and ScriPs in Asia B. 4 C. CuiAEtirieifor Cataloging Sculpurc 5 Adaptations in Organlziqg *O Cataloging Asian Slides D. 7 E. Working with the Fogg SYstem IV. South Asian Art Indian Painting A. 8 1 RajPut and Mughal Painting . 11 Rafamalas and NaYikas 2. 13 3 . C-ataloging ExamPles Cataloging Tables for Indian Painting and Sculpturc B. 16 I tndan Uuseum Abbreviations . 16 2. Life of the Buddha V. Southeast Asian Art 18 A. Burmese An 2l Thai Aft B. 23 C-ambodian Art C. 25 Cham Art D. 28 E. Indonesian Art VI. Far Eastern Art 31 Slide Sequences for Far Eastern Painqg A. 34 B. A Classification of Japanese Buddhist Art JaPanese-Sanskrit Equivalens C. 39 1 JaPanese-sanskrit Table .- 42 2. Sanskrit-JaPanese Table 45 D. A Classification of Japanese Ceramics 47 VII. Asian Numerical Tables 48 Numerical Table A. Japanese 52 B. Pinyin Numerical Table https://online.vraweb.org/vrab/vol16/iss2/1 4 et al.: Special Bulletin #4 PREFACE would help in cataloging Asian art slides This Special B ulletin wascreated because of the need for materials that professional and academic life, I am very and phoographs. Since Asian art has occupied such a large segmentof my slide curators' pteaseO *--O t"ppy to know ttut there was a demand for this Special Bullerin among Art' University of The staff of the Slide and Photograph Collection in 0re Department of the Hisory of Association' Their Michigan, tus been very supponi".,-.. iruu" the executive officers of 0re Visual Resources though it may seem .n.o,rig"r.nt made the df,ierence in whether or not &is publication came ino existence. Even and}nowing they will bc of odd to thank someone for giving you more work !o do, the reward of seeing the resuls like to thank Nancy schuller who some benefit to the profesiion ii well worth the effort. In particular, I would project. Tina Bissell and Becky Hoort helped me overcome my tendency owards inertia at ttre beginning of this product humorous but more grarnmatically accurate' corrected typos and bloopers in ttre text, making the end less way, which caused me to agree Joy Blouiniust broached the subject of my writing this Bulletin ih a very kind ttraq and Jeri Hollister' wilh immediately that it should be donl, and then wondlr afterw'ards how she had done beginning to the end then' infinite p"ti"n.", guided me through my first steps in computer formatting. From the visual resources profession. 0ranks are due to au of the." coworkers who are a credit to the 5 I VRA Bulletin, Vol. 16 [1989], Iss. 2, Art. 1 INTRODUCTION with unforeseen problems' In the Cataloging Asian art challenges every slide curator at one time or another flower from a multi-floral handscroll' a bricf period of a morning's work, a curab; might have to identify a Chinese These of problems are only one Tibenn dharmapala in a thangka,and a story iro, u mural at Ajanta, Cave l. rypes a considerable variety of art and subject' matter part of a cataloger,s reperoire of puzles. one must also be able o fit to the art. Along with these concerns into one cohesive cataloging system, or in some cases, perhaps fit the system jystems fora few Asian languages, like Chinese and are others regarding problems such as alternate ranscription Bulletin on Asian cauloging' Thai. These are thi icinos of opics which will be aOOrisseO in this Special on art classification and cataloging' That Emphasis has been placed on Southeast Asia and India in rtre sertions art, and most instiurtions will have is because so much material is availabre in English on chinese and Japanese necessariiy the case for South and Souttreast Asia' experts working or teaching in those t*o ,*, which is not tables, and Pinyin and Japanese Cutter tables have been SanskriUJapanese, Japanese/Sanskrit Buddhist terminology classification and reference tables, the first part of this included as reference material. Aside from ttre categoridor.n physically differentiate specific Asian special Bultetinwill provide helpful hinrs in such practical maners as how o slide is upside down, or how to painting sections in a slide drawer, how to r*,ognizeif your Chinese calligraphy for your needs' ieorgan-ire ttre Fogg system in Decorative ArS if it is not s4isfacOry vRA Bulledz (previously ttre International This spec uinulietnis based on the columns published in the summer issue, 1983 up to ttre Spring Bulletinfor photograpilc Documentarion of the viual Arrs) dating from rhe author would prefer !o revise them rather issue, lggg. A few of tt e columns have been deleted becaue the have been left as originally printed' The extensively, orher columns have been updated and expanded, while some columns in the vRA Bulletin' present contenrs of this special Bulletinare meant to supersede the original ll https://online.vraweb.org/vrab/vol16/iss2/1 6 I et al.: Special Bulletin #4 Cataloging TiPs ail Techniques CATALOGING TIPS AN COUNTRY DIVISIONS IN ASIAN SLIDE COLLECTIONS or vice-versa, Whether a slide and photograph collection is arranged by medium and ttren by country, it may be best to simply the sequence of Asian countries or regions should be logical. In some collections feel that arrangement put the coun6ies in alphabetical order, from Bangladesh o Vietnam. I personally put countries in order based would make it easier to find counries in ttre slide drawers. One may also the then the five suMivisions on their shared cultural and artistic trais. If ttre latter arrirngement is followed, in art' literature, and economics listed below cogld serve as a guide. They reflect a frequency of interaction based on geographic location. These divisions are: India and ctrina) CENTRAL ASIA (unif,red by Buddhist rraditions, wirh cultural and artistic ties to bottr Cenral Asia East Turkistan Afghanistan Tibet Sikkim Bhutan Nepal Outer Mongolia Inner Mongolia Manchuria (could also be placed under China) Buddhism, and the THE FAR EAST (unified through painting, architecture, sculpurre, material culture, use of Chinese characters.) China Japan Korea SOUTH ASIA (shared religious and architectural uaditions) India Pakistan Bangladestt Sri Lanka MAINLAND SOUTHEAST ASIA Burma laos Tttailand Cambodia Vietnam 7 VRA Bulletin, Vol. 16 [1989], Iss. 2, Art. 1 Cataloging Tips ad Tecluiqucs ISLAND SOUTHEAST ASIA Malaysia Singapore Philippines Indonesia general (Ihe following eleven islands, arranged in alptrabedcal order, are regions wittrin Indonesia, any be put under Indonesia. scenes of peopte and activities, or oth.r geographically non-specific slides would instead of being please note rhat rtre political divisions oi Borneo have been kept under that one island, divided benveen Malaysia and Indonesia.) 1.
Load more

Recommended publications
  • Challenges in Conserving Bahal Temples of Sri-Wijaya Kingdom, In
    International Journal of Engineering and Advanced Technology (IJEAT) ISSN: 2249 – 8958, Volume-9, Issue-1, October 2019 Challenges in Conserving Bahal Temples of Sriwijaya Kingdom, in North Sumatra Ari Siswanto, Farida, Ardiansyah, Kristantina Indriastuti Although it has been restored, not all of the temples re- Abstract: The archaeological sites of the Sriwijaya temple in turned to a complete building form because when temples Sumatra is an important part of a long histories of Indonesian were found many were in a state of severe damage. civilization.This article examines the conservation of the Bahal The three brick temple complexes have been enjoyed by temples as cultural heritage buildings that still maintains the authenticity of the form as a sacred building and can be used as a tourists who visit and even tourists can reach the room in the tourism object. The temples are made of bricks which are very body of the temple. The condition of brick temples that are vulnerable to the weather, open environment and visitors so that open in nature raises a number of problems including bricks they can be a threat to the architecture and structure of the tem- becoming worn out quickly, damaged and overgrown with ples. Intervention is still possible if it is related to the structure mold (A. Siswanto, Farida, Ardiansyah, 2017; Mulyati, and material conditions of the temples which have been alarming 2012). The construction of the temple's head or roof appears and predicted to cause damage and durability of the temple. This study used a case study method covering Bahal I, II and III tem- to have cracked the structure because the brick structure ples, all of which are located in North Padang Lawas Regency, does not function as a supporting structure as much as pos- North Sumatra Province through observation, measurement, sible.
    [Show full text]
  • Pemanfaatan Situs Candi Jabung Sebagai Objek Wisata Sejarah Di Kabupaten Probolinggo Tahun 1982-2014
    Chairunnisa et al., Pemanfaatan Situs Candi Jabung Sebagai ..... 1 PEMANFAATAN SITUS CANDI JABUNG SEBAGAI OBJEK WISATA SEJARAH DI KABUPATEN PROBOLINGGO TAHUN 1982-2014 Marfiana Chairunnisa, Sutjitro, Sumarno Program Studi Pendidikan Sejarah Jurusan Pendidikan Ilmu Pengetahuan Sosial Fakultas Keguruan dan Ilmu Pendidikan, Universitas Jember (UNEJ) Jln. Kalimantan 37, Jember 68121 E-mail: [email protected] ABSTRAK Penemuan situs-situs candi menjadikan bangsa Indonesia kaya akan sektor wisata budaya sejarah. Wisata sejarah tak hanya sekadar pelesir dan melancong untuk kesenangan ke tempat-tempat bersejarah, tetapi juga belajar sejarah itu sendiri. Wisata sejarah kaya akan nilai-nilai budaya, edukatif, inspiratif, instruktif dan rekreatif, sehingga apabila berwisata ke tempat-tempat bersejarah akan banyak manfaat yang dapat diambil di dalamnya. Daya tarik situs candi Jabung sebagai objek wisata sejarah terletak pada latar belakang historis dari candi itu sendiri, ditunjang arsitektur dan ragam hias indah, serta komponen-komonen wisata di dalamnya. Candi Jabung dibawah pengelolaan Balai Pelestarian Peninggalan Purbakala (BP3) Mojokerto Jawa Timur. Daya tarik yang dimiliki candi Jabung cukup besar, maka akan sangat berguna apabila dapat dikelola seoptimal mungkin, karena pembangunan dalam bidang pariwisata diharapkan dapat memberikan manfaat bagi masyarakat maupun bagi dunia pendidikannya. Kata kunci: Pemanfaatan, Candi Jabung, Objek Wisata Sejarah. ABSTRACT The discovery of the temple sites make nation Indonesia is rich in historical cultural tourism sector. Historical tourism is not just simply pelesir and travelling for pleasure to places of historic, but also learn the history of it's own. Historical tourism values rich cultural, educative, instructive, inspiring and rekreatif, so when visiting historic places will be the many benefits that can be taken on board.
    [Show full text]
  • Community Empowerment Through Research, Innovation and Open Access
    COMMUNITY EMPOWERMENT THROUGH RESEARCH, INNOVATION AND OPEN ACCESS PROCEEDINGS OF THE 3RD INTERNATIONAL CONFERENCE ON HUMANITIES AND SOCIAL SCIENCES (ICHSS 2020), MALANG, INDONESIA, 28 OCTOBER 2020 Community Empowerment through Research, Innovation and Open Access Edited by Joko Sayono & Ahmad Taufiq Universitas Negeri Malang, Indonesia Luechai Sringernyuang Mahidol University, Thailand Muhamad Alif Haji Sismat Universiti Islam Sultan Sharif Ali, Brunei Darussalam Zawawi Isma’il Universiti Teknologi Malaysia, Malaysia Francis M. Navarro Ateneo De Manila University, Philippines Agus Purnomo & Idris Universitas Negeri Malang, Indonesia CRC Press/Balkema is an imprint of the Taylor & Francis Group, an informa business © 2021 selection and editorial matter, the Editors; individual chapters, the contributors Typeset by MPS Limited, Chennai, India The Open Access version of this book, available at www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license. Although all care is taken to ensure integrity and the quality of this publication and the information herein, no responsibility is assumed by the publishers nor the author for any damage to the property or persons as a result of operation or use of this publication and/or the information contained herein. Library of Congress Cataloging-in-Publication Data A catalog record has been requested for this book Published by: CRC Press/Balkema Schipholweg 107C, 2316 XC Leiden, The Netherlands e-mail: [email protected] www.routledge.com – www.taylorandfrancis.com ISBN: 978-1-032-03819-3 (Hbk) ISBN: 978-1-032-03820-9 (Pbk) ISBN: 978-1-003-18920-6 (eBook) DOI: 10.1201/9781003189206 Community Empowerment through Research, Innovation and Open Access – Sayono et al (Eds) © 2021 Copyright the Editor(s), ISBN 978-1-032-03819-3 Table of contents Preface ix Acknowledgement xi Scientific committee xiii Organizing committee xv Empowering translation students through the use of digital technologies 1 M.A.H.
    [Show full text]
  • An Examination of the Influence of Islam On
    AN EXAMINATION OF THE INFLUENCE OF ISLAM ON HOSPITALITY AND CUSTOMER SERVICE STANDARDS IN THE MEETINGS, INCENTIVES, CONVENTIONS AND EXHIBITIONS (MICE) INDUSTRY IN SOUTHERN THAILAND SONGSIN TEERAKUNPISUT DOCTOR OF PHILOSOPHY 2018 ACKNOWLEDGEMENTS My PhD study is a life-changing journey. Completing this commitment could not have been possible without a number of supporters. Although I am not able to address all of their names, it is my pleasure to give my gratitude to some key people who made my doctoral life so meaningful and memorable. First and foremost, I would like to express my sincere appreciation for the mentorship and the intellectual guidance of my principal supervisor, Dr. Julie Jie Wen, who not only walked side-by-side with me through this academic endeavour, but also has been very helpful in giving ideas and comments to ensure that I have delivered good work. Together with my two respectful co-supervisors, Dr. Amie Matthews and Dr. Felicity Picken, who both provided an enormous amount of guidance and advice that was beyond the call of duty until the day of thesis submission. I definitely would not have produced this project without the support and encouragement of my three amazing supervisors. Appreciation is further given to a number of people who offered help during my field study in three provinces in Southern Thailand. They have played a special role in advising me for data collection. I am eternally indebted to all of my participants, both MICE staff and customers in three venues, who shared their personal experiences. Without their contribution to this project with invaluable time and open conversations, this dissertation would never have been accomplished.
    [Show full text]
  • Download Article (PDF)
    Advances in Social Science, Education and Humanities Research, volume 552 Proceedings of the 4th International Conference on Arts and Arts Education (ICAAE 2020) Life Values in Gapura Bajangratu Katrin Nur Nafi’ah Ismoyo1,* Hadjar Pamadhi 2 1 Graduate School of Arts Education, Yogyakarta State University, Yogyakarta 55281, Indonesia 2 Faculty of Languages and Arts, Yogyakarta State University, Yogyakarta 55281, Indonesia *Corresponding author. Email: [email protected] ABSTRACT This study employed the qualitative research method with Hans-George Gadamer’s semiotic approach and analysis based on Jean Baudrillard’s hyperreality. According to Gadamer, truth can be obtained not through methods, but dialectics, where more questions may be proposed, which is referred to as practical philosophy. Meanwhile, Jean Baudrillard argues that “We live in a world where there is more and more information, and less and less meaning …”. This paper discusses the life values of Gapura Bajang Ratu in its essence, as well as life values in the age of hyperreality. Keywords: Gapura Bajangratu, life values, hyperreality, semiotics 1. INTRODUCTION death of Bhre Wengker (end 7th century). There is another opinion regarding the history of the Bajangratu Gapura Bajangratu (Bajangratu Temple) is a Gate which believe it to be one of the gates of the heritage site of the Majapahit Kingdom which is located Majapahit Palace, due to the location of the gate which in Dukuh Kraton, Temon Village, Trowulan District, is not far from the center of the Majapahit Kingdom. Mojokerto Regency, East Java. Gapura Bajangratu or This notion provides historical information that the the Bajangratu Gate is estimated to have been built in Gapura gate is an important entrance to a respectable the 13-14th century.
    [Show full text]
  • Watsan Who Is Doing What Where W a T E R C O V E R a G E Klaten District, Central Java Province
    WATSAN WHO IS DOING WHAT WHERE W A T E R C O V E R A G E KLATEN DISTRICT, CENTRAL JAVA PROVINCE 110°30'0"E 110°36'0"E 110°42'0"E Selo Cepogo Ngemplak Boyolali Colomadu Teras Banyudono Musuk Mojosongo Kartasura Sawit B o y o ll a ll ii Kemalang Malangan Tegalmulyo Pucang Miliran Mundu Sudimoro Tulung Sidoharjo Wunut Daleman Tlogowatu Kemiri Gatak S S " Sidomulyo Tegalgondo " 0 0 ' Sorogaten Sidowayah ' 6 Wadung 6 3 PMI, Cokro 3 ° Gedongjetis Janti Getas ° 7 IFRC Tulung Bono Beji Bolali 7 Balerante Sidorejo Dalangan Sedayu Majegan Kebonharjo Segaran Pomah Kiringan Wangen Kranggan Kayumas Kepanjen Sukorejo Tangkil Polanharjo Keprabon Ponggok Delanggu Duwet Polan Mendak Gatak Teloyo Jeblog Sekaran Socokangsi Karanglo Boto Wonosari PMI, Bumiharjo Temuireng Pandanan Bandungan Krajan Puluhan IFRC Jimus Turus Krecek Tlobong Bentangan Pandeyan Sabrang Panggang Glagah Pondok Lumbung Kerep Gempol Jatinom Nganjat Sribit Karang Kingkang Dompol Jatinom Kauman Soropaten Gledeg Borongan Bonyokan Ngabeyan Mrisen Bulan Karanganom Pundungan Ngemplak Tibayan Cawan Ngaran Delanggu Ngreden Gedaren Jurangjero Banaran Jelobo Kendalsari Bengking Padas Kapungan Butuhan Karangan Brangkal Bowan Bawukan Karangnongko Jambeyan Gunting Talun Beteng Glagah Wangi Jetis Logede Jiwan Jemawan Karanganom Juwiring Randulanang Jungkare Kunden Cangkringan Kemalang CWS, Beku Juwiring Carikan NCA Kadirejo Trasan Jaten Taji Gemampir Kahuman Manjungan Ngemplak Keputran Mranggen Kwarasan Seneng Tarubasan Kuncen Dukuh Bulurejo Tanjung CWS, Pepe Troso Blanceran Kepurun BlimNbCinAg
    [Show full text]
  • Garudeya Batik the Relief Sculpture "Garudeya" of Sukuh Temple As an Idea of Batik Creation
    Arts and Design Studies www.iiste.org ISSN 2224-6061 (Paper) ISSN 2225-059X (Online) Vol.79, 2019 Garudeya Batik The Relief Sculpture "Garudeya" of Sukuh Temple as an Idea of Batik Creation Dharsono Departement of Fine Art, Faculty of Fine Art and Design, Indonesian Institute of the Arts, Surakarta, Indonesia Abstract Creative artistic batik inspired by Garudeya sculptures carved on the reliefs of Sukuh Temple in Karanganyar, Central Java, Indonesia. The process of making batik is focused on preserving traditional arts as a form of cultural resilience. Preservation can be interpreted as maintaining, caring for and protecting. Conservation is the preservation of the form of development and use of values. Conservation is more prioritizing in the development of response alternatively to the condition of art and culture globally. This study aims to make prototypes and designs of batik as artistic creations sourced from reliefs of Garudeya sculptures carved on the outer walls of Sukuh Temple. To achieve this goal, it requires an experimental method of reproductive form with garap (work on) innovation, a sanggit work with a concept of revitalization. The method of creating sanggit works has a level of importance that refers to the form of traditional arts preservation, by trying to provide alternative artworks with the reproduction technique of garap innovation. Technically experienced processing reduction through the elements; contour lines, colouring techniques and content fields in thematic engineering. Conservation with the concept of revitalization and reinterpretation, producing prototypes and batik designs as artistic creations inspired by the Garudeya sculpture carved into the reliefs of Sukuh Temple. The artistic creation of the "Garudeya" batik inspired by the Garudeya Sculpture is a symbol of Garuda as a liberator figure who is part of the search for Tirta Amerta (living water) story contained in The Adiparwa book.
    [Show full text]
  • AGRIVITA Journal of Agricultural Science
    246 AGRIVITA Journal of Agricultural Science. 2019. 41(2): 246–255 AGRIVITA Journal of Agricultural Science www.agrivita.ub.ac.id Crossing Among Sixteen Sweet Potato Parents for Establishing Base Populations Breeding Sri Umi Lestari 1*), Ricky Indri Hapsari 1) and Nur Basuki 2) 1) Faculty of Agriculture, Tribhuwana Tunggadewi University, Malang, East Java, Indonesia 2) Faculty of Agriculture, University of Merdeka Pasuruan, East Java, Indonesia ARTICLE INFO ABSTRACT Keywords: The base - population of the controlled cross breeding is one of the Capsule important factors to develop a new improved cultivar. Since the Cross-compatibility incompatible nature of sweet potato remains a barrier for genetic Female-parent improvement, therefore it requires a lot of crossed pairs. This study Seed set aimed to determine the level of incompatibility among crossing line Sweet potato between high yielding and micronutrient content cultivars. The field experiment conducted at Brawijaya University Research Station, Article History: Jatikerto-Malang, during February to August 2015. The North Carolina Received: June 19, 2017 Design II was applied to sixty pairs controlled cross breeding and Accepted: May 6, 2019 their sixty reciprocal pairs of six cultivars for micronutrient content enrichment with ten high yielding cultivars. The observations were ) * Corresponding author: made to the cross flowers number, capsules, fruit sets, and seeds E-mail: [email protected] number. The level of incompatibility between crossed pairs was determined by the level of fruit set. The result showed that most pairs were compatible (fruit set > 20%) and only few were incompatible (fruit set < 10%). Among six parents with micronutrient content enrichment, two of them, have a high compatibility as as female parents, to all the high yielding cultivars, i.e.
    [Show full text]
  • East Java – Bali Power Distribution Strengthening Project
    *OFFICIAL USE ONLY PT PLN (Persero) East Java – Bali Power Distribution Strengthening Project Environmental & Social Management Planning Framework (Version for Disclosure) January 2020 *OFFICIAL USE ONLY BASIC INFORMATION 1. Country and Project Name: Indonesia – East Java & Bali Power Distribution Strengthening Project 2. Project Development Objective: The expansion of the distribution network comprises erection of new poles, cable stringing, and installation of distribution transformers. 3. Expected Project Benefits: Construction of about 17,000 km distribution lines and installation of distribution transformers in East Java and Bali 4. Identified Project Environmental and Social Risks: Social Risks. It is envisaged that this project will require (i) use of no more than 0.2 m2 of land for installation of concrete poles and approximately 4m2 for installation of transformers (either in cabinet of between two concrete poles or on one pole); limited directional drilling (approx. 200-300m) to run cables under major roads and limited trenching (usually less than 500m) in urban environments, and (iii) possible removal of non-land assets (primarily trimming or felling of trees) for stringing of conductors. While restrictions on land use within the existing right of way apply, the land requirements for the distribution network (lines and transformers) are considered manageable with normal mitigation measures. Project activities will not (i) require land acquisition, (ii) cause physical or economic displacement; and/or (ii) result in adverse impacts to Indigenous Peoples groups and/or members of ethnic minorities. Environmental risks are principally induced by the establishment of the network across natural habitats and potential impact on fauna (in particular avifauna and terrestrial fauna susceptible to access the distribution lines or transformers such as monkeys or other tree dwelling scavenging animals that frequent semi urban environments), and the management of waste (e.g.
    [Show full text]
  • Bab 3 Kepurbakalaan Padang Lawas: Tinjauan Gaya Seni Bangun, Seni Arca Dan Latar Keaagamaan
    BAB 3 KEPURBAKALAAN PADANG LAWAS: TINJAUAN GAYA SENI BANGUN, SENI ARCA DAN LATAR KEAAGAMAAN Tinjauan seni bangun (arsitektur) kepurbakalaan di Padang Lawas dilakukan terhadap biaro yang masih berdiri dan sudah dipugar, yaitu Biaro Si Pamutung, Biaro Bahal 1, Biaro Bahal 2, dan Biaro Bahal 3. Sedangkan rekonstruksi bentuk dilakukan terhadap unsur-unsur bangunan biaro-biaro di Padang Lawas yang sudah tidak berada dalam konteksnya lagi, atau masih insitu dan berada dengan konteksnya tetapi dalam keadaan fragmentaris. Rekonstruksi tersebut dilakukan berdasarkan tulisan dan foto (gambar) para peneliti yang sudah melakukan penelitian di situs tersebut pada masa lalu. Tinjauan terhadap gaya seni arca dilakukan terhadap arca-arca logam untuk mengetahui bagaimana gaya seni arca tinggalan di Padang Lawas, apakah mempunyai kesamaan dengan gaya seni arca dari tempat lain baik di Indonesia maupun luar Indonesia. Gaya seni arca juga dapat memberikan gambaran periodisasinya secara relatif. Adapun periodisasi situs secara mutlak didapatkan berdasarkan temuan prasasti-prasasti yang menuliskan pertanggalan. Prasasti- prasasti yang ditemukan di Padang Lawas sebagian besar berisi tentang mantra- mantra dalam melakukan suatu upacara keagamaan, oleh karena itu latar keagamaan situs dapat diketahui berdasarkan isi prasasti. Di samping itu latar keagamaan diketahui juga dengan melalui studi ikonografi terhadap arca dan relief. 3.1 Gaya Seni Bangun (Arsitektur) Menurut Walter Grophius arsitektur adalah suatu ilmu bangunan yang juga mencakup masalah-masalah yang berhubungan dengan biologi, sosial, teknik, dan artistik, oleh karena itu arsitektur dapat didefinisikan sebagai: (1) Seni ilmu bangunan, termasuk perencanaan, perancangan, konstruksi dan penyelesaian ornament; (2) Sifat, karakter atau gaya bangunan; (3) Kegiatan atau proses membangun bangunan; (4) Bangunan-bangunan; (5) Sekelompok bangunan Universitas Indonesia 114 Kepurbakalaan Padang..., Sukawati Susetyo, FIB UI, 2010.
    [Show full text]
  • UIN Maulana Malik Ibrahim Malang 12
    BAB II TINJAUAN PUSTAKA 2.1 Budaya, Seni, Kesenian, dan Pusat Kesenian (Tinjauan Obyek Perancangan) 2.1.1 Budaya 1. Definisi Budaya atau kebudayaan berasal dari bahasa Sanskerta yaitu buddhayah, yang merupakan bentuk jamak dari buddhi (budi atau akal) diartikan sebagai hal- hal yang berkaitan dengan budi dan akal manusia. Dalam bahasa Inggris, kebudayaan disebut culture, yang berasal dari kata Latin Colere, yaitu mengolah atau mengerjakan. Bisa diartikan juga sebagai mengolah tanah atau bertani. Kata culture juga kadang diterjemahkan sebagai "kultur" dalam bahasa Indonesia (www.wikipedia.org). Budaya adalah suatu cara hidup yang berkembang dan dimiliki bersama oleh sebuah kelompok orang dan diwariskan dari generasi ke generasi. Budaya terbentuk dari banyak unsur yang rumit, termasuk sistem agama dan politik, adat istiadat, bahasa, perkakas, pakaian, bangunan, dan karya seni. Bahasa, sebagaimana juga budaya, merupakan bagian tak terpisahkan dari diri manusia sehingga banyak orang cenderung menganggapnya diwariskan secara genetis. Ketika seseorang berusaha berkomunikasi dengan orang-orang yang berbeda UIN Maulana Malik Ibrahim Malang 12 budaya dan menyesuaikan perbedaan-perbedaannya, membuktikan bahwa budaya itu dipelajari (http://indobudaya.blogspot.com/2007). Budaya adalah suatu pola hidup menyeluruh. Budaya bersifat kompleks, abstrak, dan luas. Banyak aspek budaya turut menentukan perilaku komunikatif. Unsur-unsur sosio-budaya ini tersebar dan meliputi banyak kegiatan sosial manusia. (www.wikipedia.org) Pengertian Budaya secara etimologi dan fonetis fungsional adalah: . Secara etimologis: Budaya buddhayah, budhi (Sans.) = akal budi / pikiran Budaya budi (akal/pikiran) & daya (tenaga, kemampuan) . Secara fonetis fungsional: Budaya badaya bada’a, yabda’u al-Mubdi’u : yang Mengawali, Menjadikan segala sesuatu dari tiada Kemampuan berakal-budi dengan nilai luhur berketuhanan, untuk mengawali hidup dengan proses yang baik (adil, harmoni, selaras dalam kedamaian tenteraman, dengan bukti satu selarasnya jalinan kehidupan antar makhluk (Gautama, 2009).
    [Show full text]
  • APLIKASI ADI PARWA DALAM RELIEF SITUS CANDI KIDAL the Aplication of Adi Parwa at Kidal Temple Site Ni Nyoman Tanjung Turaeni Balai Bahasa Provinsi Jawa Timur Jl
    APLIKASI ADI PARWA DALAM RELIEF SITUS CANDI KIDAL The Aplication of Adi Parwa at Kidal Temple Site Ni Nyoman Tanjung Turaeni Balai Bahasa Provinsi Jawa Timur Jl. Siwalanpanji, Buduran Sidoarjo, 61252 Email: [email protected] Naskah diterima: 07-04-2015; direvisi: 16-06-2015; disetujui: 28-07-2015 Abstract Old Javanese literatures which are visualized into relief are in limited number few of them are the story of Partayadnya, Kunjarakarna, Arjuna Wiwaha, Adi Parwa and so on. This study aims to describe completely the structure and social phenomenon of Adi Parwa literature with wall relief at Kidal Temple Site. The analysis of this research describes descriptively with media changing approach, Adi Parwa literature into relief at Kidal temple. On the wall of Kidal Temple. There are three Garuda relief with different characteristic. All of those Garuda relief have close relation with parts of Adi Parwa. Keywords: the story of garuda, kidal temple relief, media changing. Abstrak Karya sastra Jawa Kuno yang divisualisasikan ke dalam bentuk relief cerita jumlahnya sangat terbatas seperti Partayadnya, Kunjarakarna, Arjuna Wiwaha, Adi Parwa, dan lainya. Tujuannya adalah untuk mendeskripsikan secara lengkap fenomena struktural dan sosial dalam cerita Adi Parwa dengan relief Situs Candi Kidal. Metode yang digunakan dalam penelitian ini adalah teknik deskriptif analisis dengan pendekatan alih wahana, cerita Adi Parwa ke dalam relief Candi Kidal. Pada dinding Candi Kidal ditemukan tiga relief Garuda dengan laksana yang berbeda. Semua relief Garuda tersebut memiliki hubungan yang sangat erat dengan penggalan-penggalan cerita Adi Parwa. Kata kunci: cerita sang garuda, relief candi kidal, dan alih wahana. PENDAHULUAN sastra yang berasal dari berbagai daerah dengan Karya seni sebagai bagian dari letak geografis yang berbeda-beda.
    [Show full text]