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View Or Download Full Colour Catalogue May 2021
VIEW OR DOWNLOAD FULL COLOUR CATALOGUE 1986 — 2021 CELEBRATING 35 YEARS Ian Green - Elaine Sunter Managing Director Accounts, Royalties & Promotion & Promotion. ([email protected]) ([email protected]) Orders & General Enquiries To:- Tel (0)1875 814155 email - [email protected] • Website – www.greentrax.com GREENTRAX RECORDINGS LIMITED Cockenzie Business Centre Edinburgh Road, Cockenzie, East Lothian Scotland EH32 0XL tel : 01875 814155 / fax : 01875 813545 THIS IS OUR DOWNLOAD AND VIEW FULL COLOUR CATALOGUE FOR DETAILS OF AVAILABILITY AND ON WHICH FORMATS (CD AND OR DOWNLOAD/STREAMING) SEE OUR DOWNLOAD TEXT (NUMERICAL LIST) CATALOGUE (BELOW). AWARDS AND HONOURS BESTOWED ON GREENTRAX RECORDINGS AND Dr IAN GREEN Honorary Degree of Doctorate of Music from the Royal Conservatoire, Glasgow (Ian Green) Scots Trad Awards – The Hamish Henderson Award for Services to Traditional Music (Ian Green) Scots Trad Awards – Hall of Fame (Ian Green) East Lothian Business Annual Achievement Award For Good Business Practises (Greentrax Recordings) Midlothian and East Lothian Chamber of Commerce – Local Business Hero Award (Ian Green and Greentrax Recordings) Hands Up For Trad – Landmark Award (Greentrax Recordings) Featured on Scottish Television’s ‘Artery’ Series (Ian Green and Greentrax Recordings) Honorary Member of The Traditional Music and Song Association of Scotland and Haddington Pipe Band (Ian Green) ‘Fuzz to Folk – Trax of My Life’ – Biography of Ian Green Published by Luath Press. Music Type Groups : Traditional & Contemporary, Instrumental -
Celtic-Colours-Guide-2019-1
11-19 October 2019 • Cape Breton Island Festival Guide e l ù t h a s a n ò l l g r a t e i i d i r h . a g L s i i s k l e i t a h h e t ò o e c b e , a n n i a t h h a m t o s d u o r e r s o u ’ a n d n s n a o u r r a t I l . s u y l c a g n r a d e h , n t c e , u l n l u t i f u e r h l e t i u h E o e y r r e h a t i i s w d h e e e d v i p l , a a v d i b n r a a t n h c a e t r i a u c ’ a a h t a n a u h c ’ a s i r h c a t l o C WELCOME Message from the Atlantic Canada Message de l’Agence de promotion A Message from the Honourable Opportunities Agency économique du Canada atlantique Stephen McNeil, M.L.A. Premier Welcome to the 2019 Celtic Colours Bienvenue au Celtic Colours On behalf of the Province of Nova International Festival International Festival 2019 Scotia, I am delighted to welcome you to the 2019 Celtic Colours International Tourism is a vital part of the Atlantic Le tourisme est une composante Festival. -
1-888-355-7744 Toll Free 902-567-3000 Local
celtic-colours•com REMOVE MAP TO USE Official Festival Map MAP LEGEND Community Event Icons Meat Cove BAY ST. LAWRENCE | Capstick Official Learning Outdoor Participatory Concert Opportunities Event Event ST. MARGARET'S VILLAGE | ASPY BAY | North Harbour Farmers’ Visual Art / Community Local Food White Point Market Heritage Craft Meal Product CAPE NORTH | Smelt Brook Map Symbols Red River SOUTH HARBOUR | Pleasant Bay Participating Road BIG INTERVALE | Community Lone Shieling NEIL’S HARBOUR | Dirt Road Highway Cabot Trail CAPE BRETON HIGHLANDS NATIONAL PARK Cap Rouge TICKETS & INFORMATION 1-888-355-7744 TOLL FREE Keltic Lodge 902-567-3000 LOCAL CHÉTICAMP | Ingonish Beach INGONISH | Ingonish Ferry La Pointe GRAND ÉTANG HARBOUR | Wreck Cove Terre Noire Skir Dhu BELLE CÔTE | ATLANTIC.CAA.CA French River Margaree Harbour North Shore INDIAN BROOK | Chimney Corner East Margaree MARGAREE CENTER | Tarbotvale NORTH EAST MARGAREE | ENGLISHTOWN | Dunvegan MARGAREE FORKS | Big Bras d’Dor NORTH RIVER | SYDNEY MINES | Lake O’Law 16 BROAD COVE | SOUTH WEST MARGAREE | 17 18 15 Bras d’Dor 19 Victoria NEW WATERFORD | 12 14 20 21 Mines Scotchtown SOUTH HAVEN | 13 Dominion INVERNESS | 2 South Bar GLACE BAY | SCOTSVILLE | MIDDLE RIVER | 11 NORTH SYDNEY | ST. ANN'S | Donkin STRATHLORNE | Big Hill BOULARDERIE | 3 PORT MORIEN | 125 SYDNEY | L 10 Westmount A BADDECK | 4 K Ross Ferry E Barachois A COXHEATH | I MEMBERTOU | N 5 S East Lake Ainslie 8 L I 9 7 E 6 SYDNEY RIVER | WAGMATCOOK7 | HOWIE CENTRE | WEST MABOU | 8 Homeville West Lake Ainslie PRIME BROOK | BOISDALE -
Montreal, Quebec City & Canadian Maritimes
Tour Highlights Montreal, Quebec City & Canadian Maritimes AUGUST 6 - 16, 2020 Departure Point: Subject to Change with host TIM SEAMAN, Sioux City - KCAU TV 5993 Gordon Dr. KCAU 9 News Anchor Transportation provided to/from Eppley AirField Airport. Peggy's Cove DAY 7: CAPE BRETON ISLAND YOUR EXPERIENCE INCLUDES We depart Prince Edward Island by • All airfare, taxes & fuel surcharges ferry to Nova Scotia. Upon arrival • Guaranteed prices & low deposit in the city of Baddeck, take a tour • Holiday Vacations Tour Director through the life of its most famous • Expert local guides resident at the Alexander Graham • Motorcoach & professional driver Bell National Historic Site. The exhibits • Rail transportation showcase Bell’s many accomplish- • Baggage handling at hotels ments and inventions including the • $100 travel voucher for a future tour telephone. We check-in to our Baddeck 13 Excellent Meals Featuring accommodations for two nights. L,D • KCAU 9 Welcome Dinner at Érablière le TIM SEAMAN Chemin du Roy sugar shack THE CABOT TRAIL Tim Seaman celebrated 31 years at DAY 8: • Lunch at Fairmont Le Château Frontenac Today we travel along one of North KCAU in 2019. He became Sports • Dinner at Manoir Montmorency America’s most scenic roadways, Director in 1989. In 2012 he was • Farewell Lobster Dinner at Sou'Wester The Cabot Trail. On the way we pass promoted to news co-anchor, and in Peggy's Cove through Cape Breton Highlands currently shares the news desk with National Park, whose unspoiled B=Breakfast L=Lunch D=Dinner Bridget Bennett. natural beauty sets the stage for All Accommodations Featuring At the University of Northern Iowa, dramatic landscapes and incredible • at the Novotel Montreal Centre Tim received a Bachelor of Arts in Montreal, Quebec City & Canadian Maritimes coastal vistas. -
Canadian Maritimes
Canadian Maritimes July 6 – 16, 2021 Prince Edward Island This 11-day storybook journey by Tauck takes us to some of the most scenic—yet remote—destinations in Canada. The hotels were selected for their location, as they put you right in the heart of the best places to visit. Experience the history, heritage, ecology, wildlife, and a way of life that has been unchanged for centuries. Take the journey with us! JULY 6: DEPART FOR HALIFAX – Upon arrival, we travel to our hotel, Prince George Hotel, located in the heart of the city and enjoy a welcome reception and dinner at the historic Halifax Citadel. (Meals: D) JULY 7: SEASIDE LUNENBURG & PEGGY’S COVE – Explore the fishing village of Lunenburg, choosing from a walking tour with a local guide or a visit to the Fisheries Museum. Later explore the pretty village of Peggy’s Cove before returning to Halifax for dinner at our hotel. (Meals: B/D) JULY 8: HISTORIC HALIFAX & FIRST NATIONS CULTURE – A tour around Halifax introduces city landmarks before a guided tour at the Canadian Museum of Immigration at Pier 21, the gateway to Canada for a million immigrants from 1928-1971. At the Millbrook Cultural & Heritage Centre we learn about the Mi’kmaq and their artistic traditions. Arrive at our hotel, Delta Beausejour, in Monkton where we dine at our leisure tonight. (Meals: B/D) JULY 9: HOPEWELL GIANTS THAT ROCK THE SHORE – A leisurely morning at our hotel includes a talk about the environment by naturalist Alain Clavette, followed by lunch. Meet New Brunswick’s rock stars today at Hopewell Cape on the Bay of Fundy. -
Download PDF 8.01 MB
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2008 Imagining Scotland in Music: Place, Audience, and Attraction Paul F. Moulton Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC IMAGINING SCOTLAND IN MUSIC: PLACE, AUDIENCE, AND ATTRACTION By Paul F. Moulton A Dissertation submitted to the College of Music in partial fulfillment of the requirements of the degree of Doctor of Philosophy Degree Awarded: Fall Semester, 2008 The members of the Committee approve the Dissertation of Paul F. Moulton defended on 15 September, 2008. _____________________________ Douglass Seaton Professor Directing Dissertation _____________________________ Eric C. Walker Outside Committee Member _____________________________ Denise Von Glahn Committee Member _____________________________ Michael B. Bakan Committee Member The Office of Graduate Studies has verified and approved the above named committee members. ii To Alison iii ACKNOWLEDGMENTS In working on this project I have greatly benefitted from the valuable criticisms, suggestions, and encouragement of my dissertation committee. Douglass Seaton has served as an amazing advisor, spending many hours thoroughly reading and editing in a way that has shown his genuine desire to improve my skills as a scholar and to improve the final document. Denise Von Glahn, Michael Bakan, and Eric Walker have also asked pointed questions and made comments that have helped shape my thoughts and writing. Less visible in this document has been the constant support of my wife Alison. She has patiently supported me in my work that has taken us across the country. She has also been my best motivator, encouraging me to finish this work in a timely manner, and has been my devoted editor, whose sound judgement I have come to rely on. -
Further Reading We Are an Island
We are an Island Further Reading We are an Island Table of Contents Cape Breton Island Fiction and Poetry 7.i. Cape Breton Island Non-Fiction 7.vi. Works Cited and Consulted 7.xvi. We are an Island 7.i. CAPE BRETON ISLAND FICTION AND POETRY Archibald, Edith J. The Token: A Play in Three Acts of Old Days in Cape Breton. Halifax: Royal Print and Litho, 1927. Barkhouse, Joyce. Pit Pony. Toronto: Gage Educational Publishers, 1990. (for children) Cameron, Silver Donald. The Baitchopper. Toronto: James Lorimer, 1983. (for children) ---. The Dragon Lady. Toronto: McClelland and Stewart, 1980. Caplan, Ron, ed. The Day the Men Went to Town: 16 Stories by Women from Cape Breton. Wreck Cove: Breton Books: 1999. Connor, Ralph. The Arm of Gold. Toronto: McClelland and Stewart, 1932. Currie, Sheldon. The Company Store: A Novel. Ottawa: Oberon, 1988. ---. The Glace Bay Miner’s Museum: The Novel. Wreck Cove: Breton Books, 1995. ---. The Glace Bay Miner’s Museum. Ste. Anne de Bellevue, QC: Deluge Press, 1979. ---. The Story So Far. Wreck Cove: Breton Books, 1997. We are an Island 7.ii. Fraser, Dawn. Echoes from Labor’s Wars: The Expanded Edition. Wreck Cove: Breton Books, 1992. ---. Songs of Siberia and Rhymes of the Road. Glace Bay: Eastern Publishing Co., 1919?. ---. Dawn Fraser’s Narrative Verse and Comments. Glace Bay: Eastern Publishing Co., 192?. Gillis, Tessie. John R. and Son and Other Stories. Wreck Cove: Breton Books, 1998. ---. Stories from the Woman from Away. Wreck Cove: Breton Books, 1996. ---. The Promised Land: Stories of Cape Breton. West Bay: Medicine Label Press, 1992. -
Agricola News You Can Now Reconnect with Former Classmates, Hear About Events and Find out What’S Going on at NSAC by Following a Message from the Editor Us Online
ALUMNI THEATRE VISIONS THEN & FOR THE NOW FUTURE PAGE 10 PAGE 12 Keep in Touch! For the alumni and friends of Nova Scotia Agricultural College Follow us online Agricola News You can now reconnect with former classmates, hear about events and find out what’s going on at NSAC by following A Message from the Editor us online. Join us on the following social media sites: Twitter: twitter.com/nsacu Dear Friend, Facebook: facebook.com/nsacu YouTube: youtube.com/nsacalumni Happy New Year to you and your If you haven’t already, sign up for our monthly alumni family and best wishes for 2011! e-News by sending a request to [email protected] It’s hard to picture what the year To request your version of Agricola news electronically ahead of us will bring. One can e-mail us at [email protected] only imagine… “in Touch!” As this edition of Agricola News Submissions for the regular feature in Agricola News can be highlights, NSAC has come a long sent to [email protected], through a Facebook message, or way since it opened in 1905. Cam- by mailing the Development & External Relations office, pus has seen many changes. PO Box 550, Truro, NS B2N 5E3 Address change From just a few buildings with Update your address by calling 902-893-6721, e-mailing a handful of program offerings, to additions of residences and a de- [email protected] or fill out our online form at nsac.ca/ gree program, to a sustainable campus with no idling zones and a alumni/update tray-less cafeteria, to a governance transition. -
Seist Chorus Sections in Scottish Gaelic Song: an Overview of Their Evolving Uses and Functions
Seist Chorus Sections in Scottish Gaelic Song: An Overview of Their Evolving Uses and Functions by Anna Wright BMus, Edinburgh Napier University, 2015 MMus, University of British Columbia, 2018 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in The Faculty of Graduate and Postdoctoral Studies (Ethnomusicology) The University of British Columbia (Vancouver) April 2020 © Anna Wright, 2020 The following individuals certify that they have read, and recommend to the Faculty of Graduate and Postdoctoral Studies for acceptance, the thesis entitled: Seist Chorus Sections in Scottish Gaelic Song: An Overview of Their Evolving Uses and Functions submitted by Anna Wright in partial fulfillment of the requirements for the degree of Master of Arts in Ethnomusicology Examining Committee: Nathan Hesselink Supervisor, Chair, Ethnomusicology Department, School of Music, UBC Michael Tenzer Supervisory Committee Member, Professor, Ethnomusicology Department, School of Music, UBC ii Abstract This thesis examines the use of seist chorus sections in the Scottish Gaelic song tradition. These sections consist of nonsense syllables, or vocables. Although lacking semantic meaning, such vocables often provoke the joining in of the audience or listening group. The use of these vocable sections can be seen to have evolved in both their physical (sonic) characteristics and their social use and function over time while still maintaining a marked presence in Scottish Gaelic music across many genres and generations. I briefly examine theories surrounding seist vocables’ inception, interview three practitioners of Gaelic song about seist choruses’ inception and evolving function, examine four songs dating from a period spanning 1601-2016, and relate my findings to Scotland’s constantly evolving social and political climate. -
The Elements of Music
Skye Waulking Song – Capercaillie 2000 The Elements of Music Melody Rhythm Texture Instruments Genre Harmony & Tonality Structure MELODY RHYTHM INSTRUMENTS GENRE 12/8 (12 quavers in a bar, or 4 dotted Combination of popular Vocal melody: crotchets) Celtic Fusion – Scottish folk and pop music. Waulking song – work song. Waulking is the Pentatonic. Compound time is common to folk music. and folk instruments. Uses a low register of the voice. pounding of tweed cloth. Usually call and Lilting feel. Drum kit Mainly syllabic. response – helped the women work in time. Start of the song: hi-hat creates cross Alternates between Gaelic (call) Bass guitar Text is taken from a lament. and phrases that use vocables rhythms. Once the band enters it clearly Wurlitzer piano (response) emphasises the time signature. Synthesizer Vocables = nonsense syllables. Scotch Snap – short accented note before a longer one. STRUCTURE Instrumentalists: Accordion Short motifs & Countermelodies Violin (fiddle) Intro: 8 bars. Verse 5 Verse 1 Verse 6 based on the vocal phrases. Uileann pipes Break Instrumental TEXTURE Bouzouki Instruments improvise around Verse 2 Verse 7 Layered texture: the melody in a folk style. Whistle Verse 3 Verse 8 Rhythmic pattern on drum kit. Bass line on Similar melody slightly Verse 4 Outro bass guitar. Chords on synthesizer and different ways = heterophonic. Sometimes weaving a complex, accordion. weaving counterpoint around the Main melody sung by voice. Countermelodies HARMONY AND TONALITY melody. played on other melody instruments) Built around 3 main chords: G, Em and C. Vocal part = sung using E minor Because the dominant chord is avoided, the music has a modal feel. -
Scottish Studies 36
SCOTTISH STUDIES 36 Scottish Studies The Journal of the School of Scottish Studies University of Edinburgh Vol. 36 2011-2013 EDITED BY JOHN SHAW Published by The School of Scottish Studies University of Edinburgh 2013 Articles are invited and should be sent to: Dr John Shaw The Editor, Scottish Studies The School of Scottish Studies The University of Edinburgh 27 George Square Edinburgh EH8 9LD All articles submitted are sent out to readers for peer review. Enquiries may be made by email to: [email protected] The journal is published annually and costs £12. Subscriptions should be sent to The Subscription Secretary, Scottish Studies, at the address above. This volume of Scottish Studies is also available online: http://journals.ed.ac.uk/scottishstudies The School of Scottish Studies, University of Edinburgh Printed in Great Britain by Airdrie Press Services ISBN 978-0-900949-03-6 Contents Contributors vii Editorial ix Per G.L. Ahlander 1 Richard Wagner’s Der fliegende Holländer – A Flying Hebridean in Disguise? V.S. Blankenhorn 15 The Rev. William Matheson and the Performance of Scottish Gaelic ‘Strophic’ Verse. Joshua Dickson 45 Piping Sung: Women, Canntaireachd and the Role of the Tradition-Bearer William Lamb 66 Reeling in the Strathspey: The Origins of Scotland’s National Music Emily Lyle 103 The Good Man’s Croft Carol Zall 125 Learning and Remembering Gaelic Stories: Brian Stewart ‘ Book Reviews 140 Contributors Per G.L. Ahlander, School of Scottish Studies, University of Edinburgh V. S. Blankenhorn, School of Scottish Studies, University of Edinburgh Joshua Dickson, Royal Conservatoire of Scotland William Lamb, School of Scottish Studies Emily Lyle, University of Edinburgh Carol Zall, Cambridge, MA, USA vii Editorial Applications of digital technology have figured large in recent research and publications in Scottish ethnology. -
Gaelic Nova Scotia an Economic, Cultural, and Social Impact Study
Curatorial Report No. 97 GAELIC NOVA SCOTIA AN ECONOMIC, CULTURAL, AND SOCIAL IMPACT STUDY Michael Kennedy 1 Nova Scotia Museum Halifax, Nova Scotia Canada November 2002 Maps of Nova Scotia GAELIC NOVA SCOTIA AN ECONOMIC, CULTURAL, AND SOCIAL IMPACT STUDY Michael Kennedy Nova Scotia Museum Halifax, Nova Scotia Canada Nova Scotia Museum 1747 Summer Street Halifax, Nova Scotia B3H 3A6 © Crown copyright, Province of Nova Scotia All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing from the Nova Scotia Museum, or as expressly permitted by law, or under terms agreed with the appropriate reprographics rights organization. Enquiries concerning reproduction outside the scope of the above should be sent to the Nova Scotia Museum at the above address. Cataloguing in Publication Data ISBN 0-88871-774-1 CONTENTS Introduction 1 Section One: The Marginalization of Gaelic Celtic Roots 10 Gaelic Settlement of Nova Scotia 16 Gaelic Nova Scotia 21 The Status of Gaelic in the 19th Century 27 The Thin Edge of The Wedge: Education in 19th-Century Nova Scotia 39 Gaelic Language and Status: The 20th Century 63 The Multicultural Era: New Initiatives, Old Problems 91 The Current Status of Gaelic in Nova Scotia 112 Section Two: Gaelic Culture in Nova Scotia The Social Environment 115 Cultural Expression 128 Gaelic and the Modern Media 222 Gaelic Organizations 230 Section Three: Culture and Tourism The Community Approach 236 The Institutional Approach 237 Cultural Promotion 244 Section Four: The Gaelic Economy Events 261 Lessons 271 Products 272 Recording 273 Touring 273 Section Five: Looking Ahead Strengths of Gaelic Nova Scotia 275 Weaknesses 280 Opportunities 285 Threats 290 Priorities 295 Bibliography Selected Bibliography 318 INTRODUCTION Scope and Method Scottish Gaels are one of Nova Scotia’s largest ethnic groups, and Gaelic culture contributes tens of millions of dollars per year to the provincial economy.