DOCSLIB.ORG

Epapyrus PDF Document

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Epapyrus PDF Document The Spirit of Kor-ean Cultural Roots 0 , ., ". ,. , " .... ..... " Lee Hai-soon Ewha Womans University Press The Poetic World ofClassic Korean Women Writers Lee Hai-soon Transl ated by Won-Jae Hur Ewha Womans University Press Table of Contents Foreword 4 1. Do Not Speak of the Beauty of Yeosan 13 Hwang Jini's Pride, Songdo·samjeo! 2. Walking Walking Finally Reached Macheonryeong 19 Song Deokbong, A Dignified Wife to Her Husband 3. Although Its Beauty Fades, Its Clear Fragrance Will 25 Never Die Heo Nanseolheon, Who Suffered the Nobility's Contempt 4. I Am a Crane of the Paradise Realm Trapped in a 33 Birdcage Yi Maechang, Who Was Buried With Her Harp 5. My Body, Too, Is of Royal Blood 39 Yi Okbong, Whose Poems Lacked the Fragile Sentiments of a Woman 6. Long Ago at My Home by the Sea, I Was Happy with Family 45 Kim Hoyeonjae, Who Composed Poems with 13 Members of Her Literary Family 7. Knowing Contentment Is Most Important in Life 53 Seo Youngsuhap, Who Steadfastly Admonished Even Her Son, a Great Scholar 8. Only Women in the Inner Room Speak Words of 61 Longing and Yearning Kim Samuidang. Who Staked Her Dreams on Her Husband's Success 9. Please Do Not Concern Yourself with Food and Clothing 69 Kang Jeongildang. Her Husband's True Intellectual Partner 10. Do Not Be Envious, You Flowers and Birds 77 Kim Uncho. Who Married a 77 Year-Old Literary Figure Who Recognized Her Poetic Talent 11. As First Plum Blossom Falls, Dreams Become Clearer 87 Park Jukseo. Whose Poems Spoke of Purity 12. Dipping the Brush in My Tears, I Write the Word "Longing" 95 Kang Jijaedang, Who Al so Excelled in Calligraphy 13. The Great Ultimate Abides within Us 103 Nam Jeongilheon. Who Mastered the Classics Index llO II{ ~ (t.. -iO . ., w '1 z.. ~~ ~ ,d! tJ ... il,y' ~ Jii..... t ; ~ i ~ 011 -1/.If! , ~¢ t'J {# if, l~ {{ ~""" "''' ." 0 !:'< (i' ~ ~ c;: £, n ~ (i' A 0 (i) 0> ::l ~ 0 :3 III ::l ~ ro Vl 12 13 Do Not Speab o-f the Beanty of Ycosan1 Hwang Jini' s Pride, Songdo-samjeo[' Literaty records refer to Hwang Jini as the illegitimate daughter of a low-level government official or as the daughter of a blind man. The story of how she called the great contemporaty Confuciat1 scholar, Seo Hwadam(1489-1546), the Bakyeon Waterfall, and herself the "Three Splendors of Pine Capital" is well known. According to legend, a funeral bier of a young man who had fallen in love with Hwang Jini stopped while passing in front of her house and would not move until Hwang Jini covered it with her blouse. It is said that she becatne a ginyeo 3 after this incident. Although Hwat1g Jini is most well known for her classical Korean verse, there remain about eight classical Chinese poems that she wrote. Among them, "Manwoldae Reminiscence(l~}=]g.I'itt1 ) "4 is a work imbued with affection for Gaegyeong, the capital and center of culture of the former GOlyeo Kingdom. As the title "Three Splendors of Pine Capital" that she gave herself indicates, Gaegyeong was a place close to her heat"t as both her home and place of birth. A ginyeo with low 1. Snli in Korean means "lTIOtmtain." 2. Sallgria-sall/jeal means "Three Splendors of Gaegyeong, Pine Capital," a title Hwang Jini coined to -­ refer to herself, her contemporary Confucian scholar, Seo Hwadam, and Bakyeon Waterfall which all come from the Songdo area near Gaeseong city(formerly called Gaegyeong during the Goryeo Kingdom) during the Joseon Dynasty. 3. A female entertainer for the aristocracy belonging to the lower class who was highly educated and trained in the classical arts and literatme. 4. Mmlwalriae means "Full Moon Belvedere" Portrait of a Beautiful Woman Joseon, Anonymous, 19C (Tokyo National Museum) ------ ---- - --- ---- - ------- class status, born and raised in the center of the former Goryeo Kingdom, Hwang Jini was an outsider at a time when Hanyang had taken its rightful place as the capital of the Joseon Dynasty. ;i¥i F.l Bm<!i Manwoldae Reminiscence ti1i'jffif1:!\f~milll The old temple lonely and silent next to the --l ::r palace stream ro 0" :9~;i*f~A~ Evening Slill falling on tall trees adds to the (S.n- sorrow :2: ~ ~niM'M~f~!J Only the monk left behind dreams of the 0:: lonely scenery s.. n ~ $Il:Jl ~~r~~lrn Only the broken tower remains of those n' glorious days A 0 ro Where is the Golden Bird while sparrows fly :lI\: m\~ Wi\ 1!U~ 1Ii '";:J to and fro :2: 0 3 ro fH~:ffi~~ tJ$4 Cows and sheep graze on palace grow1ds ::J where azaleas bloom ~ ~. ~$m t~ l~~¥El Remembering the old splendor of Songaksan 14 ~;f:jm ~ ~Mfx Who could have seen this fall-like spring. 15 Unlike her other poems that focus on her relationship with her beloved, this poem turns to consider history and nature. The "sh'eam" refers to the gutter of a palace belonging to an already fallen kingdom, and the temple next to it must have been desolate indeed in the evening light. Images such as the monk who still guards the lonely temple, the broken tower, and others point to the transient nature of the formerly splendid scenery and the glory of the past. This transience can be seen in the transformation of the seasonal scenery where only birds come and go as cows and sheep feed leisurely on grass. Although spring has returned, it feels like the fall when all of nature seems to fade because of the memory of the glory and prosperity of the past days. Songaksan near the end of the poem refers to the old capital of the Goryeo Kingdom, Gaegyeong. Originally, Gaegyeong's sacred mountain, Songak, was called Sinsung.5 Calling Songak by its former name hints that Hwang Jini still harbored affection for Goryeo while simultane­ ously revealing the poet's realization and awareness of how nature also changes before the transformations in history. The poem speaks of the impermanence of the past while also showing a deep w1derstand­ ing of history'S unpredictable character. Unlike her other poems, "BaklJeon Wate rfall(;H iJHl i~;{ff )" portrays the waterfall's grandeur. .:f~ ;~41lJ Bakyeon Waterfall -lJji*x PJ't~il!) One stream of the great heavens pours between the rocks AiT~ am*~~ Over a hundred lengths the water roars 11Hi{ 1lIJ ~tUJW:! Descending cascades appear like the Milky Way iBiJti4:!Hil B li Angry cresting fall shows clearly the white rainbow ~ iliL ~ ~5fijiFoJ m Cataract falling dizzily fills the valley ,*fi 'li ~!f friX lIj!i~ Jade broken in jeweled mortar clear in the crisp air i1rtA!JtJUI i.1J ~ Do not say, you passersby, that Yeosan is beautiful ~Ji~xJ.!l?lf.lw * For must you know Cheonmasan is the supreme 5. The original Chinese character for Songak in the second to the last verse is Sinsung. meaning "sacred height." This is another name for Gaegyeong's sacred mountain, Songak. .
Load more

Recommended publications
  • Spackman Entertainment Group's LIFE RISKING ROMANCE Completes Filming
    spackmanentertainmentgroup NEWS RELEASE SPACKMAN ENTERTAINMENT GROUP’S LIFE RISKING ROMANCE COMPLETES FILMING LIFE RISKING ROMANCE, starring Ha Ji-won, Chun Jung-myung, and Taiwanese actor Chen Bolin, has completed filming Expected to be released in theatres in the first half of 2016 Singapore, 10 December 2015 – Spackman Entertainment Group Limited (“Spackman Entertainment Group” or the “Company” and together with its subsidiaries, the “Group”), announced today that its movie LIFE RISKING ROMANCE has completed filming on 5 December 2015. The film is expected to be released in theatres in the first half of 2016. The film is presented and co-produced by its 51%-owned subsidiary Novus Mediacorp Co., Ltd. (“Novus Mediacorp”), and co-presented and distributed by its indirect wholly-owned subsidiary Opus Pictures Limited Liability Company. LIFE RISKING ROMANCE follows the story of Jane, a mystery novel writer (Ha Ji-won), her best friend Rokhwan (Chun Jung-myung), who is a police officer, and a mysterious, but charming neighbour named Jason (Chen Bolin). The three get intertwined in a complicated relationship amidst investigations into the serial murders happening in town. The romance thriller stars one of Korea’s top actresses Ha Ji-won, who is best known for her lead roles in television dramas, EMPRESS KI (2013/14), SECRET GARDEN (2010), and HWANG JINI (2006). Ha has also starred in several movies including the 2009 box office hit HAUNDAE, and has won numerous acting and popularity awards throughout her career. Also starring in the film is Korean actor Chun Jung-myung who is best known for his lead roles in the 2015 drama series HEART TO HEART and RESET (2014).
    [Show full text]
  • Sijo: Korean Poetry Form
    Kim Leng East Asia: Origins to 1800 Spring 2019 Curriculum Project Sijo: Korean Poetry Form Rationale: This unit will introduce students to the sijo, a Korean poetic form, that predates the haiku. This popular poetic form has been written in Korea since the Choson dynasty (1392-1910). The three line poem is part of Korea’s rich cultural and literary heritage. Common Core English Language Art Standards: CCSS.ELA-Literacy.RL.9-10.4 Determine the meaning of words and phrases as they are used in the text, including figurative and connotative meanings; analyze the cumulative impact of specific word choices on meaning and tone (e.g., how the language evokes a sense of time and place; how it sets a formal or informal tone). CCSS.ELA-Literacy.RL.9-10.6 Analyze a particular point of view or cultural experience reflected in a work of literature from outside the United States, drawing on a wide reading of world literature. CCSS.ELA-Literacy.RL.9-10.10 By the end of grade 9, read and comprehend literature, including stories, dramas, and poems, in the grades 9-10 text complexity band proficiently, with scaffolding as needed at the high end of the range. Common Core Standards: L 3 Apply knowledge of language to understand how language functions in different contexts. L 5 Demonstrate understanding of figurative language, word relationships and nuances in meaning. English Language Arts Standards » Standard 10: Range, Quality, & Complexity » Range of Text Types for 6-12 Students in grades 6-12 apply the Reading standards to the following range of text types, with texts selected from a broad range of cultures and periods.
    [Show full text]
  • Asian Literary Voices
    Publications Series AsianEdited Literary Volumes 12 Asian Literary Asian Literary Voices Philip F. Williams has published nine books in East Asian studies, including The Great Wall of Confinement (UCal, 2004), and has been ProfessorVoices of Chinese at Voices Massey University and Arizona State University. Asian Literary Voices Williams (ed.) Asian Literary Voices: From Marginal to Mainstream brings From Marginal to Mainstream together some of the most exciting recent scholarship on literature and culture in Japan, Korea, China, and India. The contributors combine original findings of interest to specialists with a clear and accessible style of writing; Edited by their unifying aim has been to give voice to a wide range Philip F. Williams of literary and scholarly figures who were important in their time and remain relevant to our epoch, and yet whose significance has been poorly understood. “The ten inquisitive and energetic authors explore a variety of topics from ‘bad-girl’ writers in contemporary China to Sanskrit poetesses in medieval India, from urban migration to avant-garde theater, and from genre paintings to writing systems.” Victor H. Mair, Professor of Chinese Language and Literature, University of Pennsylvania “This excellent book of essays represents the best of the conference volume genre. It includes concepts of the ideal lover, historical fiction and elite women’s reading in Chôson Korea and Meiji Japan, and how Europeans invented ‘Sinology’.” Michael S. Duke, Professor Emeritus of Chinese and Comparative Literature, University of British Columbia “This engaging volume deepens our understanding of how Asian civilizations have evolved not only through their contact with the West, but with one another as well.” Timothy R.
    [Show full text]
  • Eksistensi Komunitas Smtownfanbase Medan (Smfm)
    EKSISTENSI KOMUNITAS SMTOWN FANBASE MEDAN (SMFM) SKRIPSI Oleh: Claudya Alice L’Bareint 110905050 UNIVERSITAS SUMATERA UTARA FAKULTAS ILMU SOSIAL DAN ILMU POLITIK DEPARTEMEN ANTROPOLOGI SOSIAL MEDAN 2017 Universitas Sumatera Utara EKSISTENSI KOMUNITAS SMTOWN FANBASE MEDAN (SMFM) SKRIPSI Oleh: Claudya Alice L’Bareint 110905050 UNIVERSITAS SUMATERA UTARA FAKULTAS ILMU SOSIAL DAN ILMU POLITIK DEPARTEMEN ANTROPOLOGI SOSIAL MEDAN 2017 Universitas Sumatera Utara UNIVERSITAS SUMATERA UTARA FAKULTAS ILMU SOSIAL DAN ILMU POLITIK PERNYATAAN ORIGINALITAS EKSISTENSI KOMUNITAS SMTOWNFANBASE MEDAN (SMFM) SKRIPSI Dengan ini saya menyatakan bahwa dalam skripsi ini tidak terdapat karya yang pernah diajukan untuk memperoleh gelar kesarjanaan di suatu perguruan tinggi, dan sepanjang pengetahuan saya juga tidak terdapat karya atau pendapat yang pernah ditulis atau ditertibkan oleh orang lain, kecuali yang secara tertulis diacu dalam naskah ini dan disebut dalam daftar pustaka. Apabila dikemudian hari terrbukti lain atau tidak seperti yang saya nyatakan disini, saya bersedia diproses secara hukum dan siap meninggalkan gelar sarjana saya. Medan, Mei 2017 Claudya Alice L’Bareint Universitas Sumatera Utara ABSTRAK Penulisan ini bertujuan untuk mengetahui faktor apa sajakah yang membuat komunitas SMtown Fanbase Medan tetap bertahan hingga sekarang, dan faktor apakah yang membuat komunitas SMtown Fanbase Medan berbeda dengan komunitas Kpop lainnya yang terdapat di Medan. Lokasi penelitian adalah Kota Medan. Metode yang digunakan dalam penulisan adalah observasi partisipasif dan wawancara mendalam, dimana penulis terjun langsung ke lapangan dan mengamati kegiatan komunitas SMtown Fanbase Medan. Smtoewn Fanbase Medan merupakan suatu komunitas dimana setiap anggota yang tergabung di dalamnya adalah sesama pecinta Kpop baik dari unsur musik dan budayanya. SMtown Fanbase Medan mengumpulkan beberapa anak muda yang memiliki bakat dalam seni tari yang berasal dari kota Medan dan sekitarnya.
    [Show full text]
  • SEHYUNG KIM — Three Sijo
    SEHYUNG KIM THREE SIJO SEHYUNG KIM (*1987) 1. Sijo_011115 Version for flute and piano 6:54 2. Sijo_020517 [Geori] for daegum and piano, First Version 6:32 3. Sijo_271015 [Perle] for saxophone, piano and double bass 11:11 4. Sijo_020517 [Geori] for daegum and piano. Second Version 7:16 5. Sijo_011115 for clarinet and piano 6:41 TT 38:34 / 1 Elena Gabbrielli, flute / 5 Szilárd Benes, clarinet / 1, 5 Sehyung Kim, piano / 2, 4 Ensemble Geori Dasom Baek, Daegeum Jared Redmond, piano / 3 Schallfeld Ensemble Matej Bunderla-Havaj, saxophone Patrick Skrilecz, piano Nikolaus Feinig, double bass 2 BEAT FURRER ON SEHYUNG KIM’S THREE SIJO “ ... This music expresses the personality of a composer with Far Eastern roots in a language without any hint of eclectic sound- painting. Constantly researching, constantly looking for new forms, by concentrating and focusing on what is essential, he has already managed to find a sound very much his own.” BEAT FURRER ÜBER SEHYUNG KIM’S THREE SIJO „ … In dieser Musik artikuliert sich eine Persönlichkeit, ein Komponist mit fern- östlichen Wurzeln in einer Sprache ohne jegliche eklektizistische Klangmalerei. Ständig forschend, ständig auf der Suche nach neuen Formen, hat er, mit seiner Konzentration und Fokussierung auf das Wesentliche, bereits seine ganz eigene Klanglichkeit gefunden.“ 3 청산리 벽계수야 수이 감을 자랑마라 일도 창해하면 다시 오기 어려웨라 명월이 만공산하니 쉬어간들 어떠리 Haste you have, but brag not, blue stream in the green valley, Your loss will be eternal upon meeting the sea The bright moon is above the valley, why not linger a spell? Hwang Jini (c. 1506 – c.
    [Show full text]
  • Sound & Dance for Sky, Earth and Humans
    Sound & Dance for Sky, Earth and Humans Performance Program Gala Dinner 15th JECKU Top Executive Meeting Busan, Nov. 1~3, 2006 Performance Overview Sound of Ancient Times This performance begins with the strong beat of a traditional big drum. The echo of ancient times is created with a long and rumbling peal of thunder. The fast “Whimori” rhythm builds gradually to make our hearts throb at the end. The performers display their talents on the drum in changing rhythm, which alternates fast and slow in turn. During the performance, the drummers change costumes several times and move their drums around the stage, creating a more dramatic impact for the audience. Their skills and abilities in playing the huge drum are breathtaking. Boo-Chae-Choom (Fan Dance) This performance originates from the folding fan used in a shaman ritual. The dancers are dressed in a Korean court outfit, called Dangui, wear Hwagan, the flower crown, and hold feathered fans beautifully decorated with flower drawings in both hands. They fold, unfold and turn their fans to create waves, flowers and other forms in a fantastic display. Nov. 1~3, 2006 01 Performance Overview Electronic String Music Band Hwang Jini This is an electronic-fusion Korean classical music band consisting of Korean musical instruments - Daegeum (a large transverse bamboo flute), Kayageum (a 12-stringed harp), and Haegeum (a 2-stringed spike fiddle) - and electronic violin and electronic cello. Hwang Jini Band plays Korean folk songs, cinema scores and pop songs, featuring lively performances and harmonic rhythms. Upholding the timeless spirit of the art of Hwang Jini, who was famous for her beauty and artistic talent in the Joseon Dynasty, this band presents an eclectic mix of music of the past and present, the East and West.
    [Show full text]
  • The Hwadam Jip and Seo Gyeongdeok’ S Place in the Intellectual History of Joseon Isabelle Sancho
    What Master Hwadam Loved to Learn: The Hwadam jip and Seo Gyeongdeok’ s Place in the Intellectual History of Joseon Isabelle Sancho To cite this version: Isabelle Sancho. What Master Hwadam Loved to Learn: The Hwadam jip and Seo Gyeongdeok’ s Place in the Intellectual History of Joseon. THE REVIEW OF KOREAN STUDIES, 2020, 23, pp.55 - 88. 10.25024/review.2020.23.1.55. hal-02903511 HAL Id: hal-02903511 https://hal.archives-ouvertes.fr/hal-02903511 Submitted on 21 Jul 2020 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Distributed under a Creative Commons Attribution - NonCommercial - NoDerivatives| 4.0 International License Special Feature What Master Hwadam Loved to Learn: The Hwadam jip and Seo Gyeongdeok’s Place in the Intellectual History of Joseon Isabelle SANCHO The Review of Korean Studies Volume 23 Number 1 (June 2020): 55-88 doi: 10.25024/review.2020.23.1.55 ©2020 by the Academy of Korean Studies. All rights reserved. 56 The Review of Korean Studies Introduction Seo Gyeongdeok 徐敬德 (1489-1546), better known as Hwadam 花潭 or Master Hwadam, is seen today as a respected scholar of the Joseon period.
    [Show full text]
  • Spackman Entertainment Group's the PRIESTS Surpasses Five Million in Ticket Admissions
    spackmanentertainmentgroup NEWS RELEASE SPACKMAN ENTERTAINMENT GROUP’S THE PRIESTS SURPASSES FIVE MILLION IN TICKET ADMISSIONS THE PRIESTS sold over five million tickets at the Korean box office, sets the all-time record for the highest number of ticket admissions sold for a Korean film that opened in the non-peak month of November Distribution rights to THE PRIESTS have been sold in both Singapore and PRC in addition to the five overseas markets announced previously Three movies scheduled for release in the first half of 2016 Singapore, 4 December 2015 – Spackman Entertainment Group Limited (“Spackman Entertainment Group” or the “Company” and together with its subsidiaries, the “Group”), one of Korea’s leading entertainment production groups, announced today that its mystery-drama movie, THE PRIESTS, produced by its indirect wholly-owned subsidiary Zip Cinema Co., Ltd. (“Zip Cinema”), and presented by its indirect wholly-owned subsidiary Opus Pictures Limited Liability Company, has sold over five million tickets at the Korean box office and distribution rights to THE PRIESTS have been sold in both Singapore and China. THE PRIESTS crossed the five million ticket mark on 3 December 2015, and set the all-time Korean box office record for the highest number of ticket admissions for a Korean film opening in November1. THE PRIESTS is also the first Korean movie released in November to surpass the five million ticket admission mark at the Korean box office.2 As of 3 December 2015, THE PRIESTS achieved over 5,023,810 in ticket admissions with gross box office revenues of over KRW 39.1 billion (or US$33.6 million).3 Distribution rights to THE PRIESTS have also been sold in both Singapore and PRC.
    [Show full text]
  • Hwang Jini: an Examination of Life As a Joseon Kisaeng Kayley Edgin Marquette University
    Marquette University e-Publications@Marquette Maria Dittman Library Research Competition: Library (Raynor Memorial Libraries) Student Award Winners 1-1-2013 Hwang Jini: An Examination of Life as a Joseon Kisaeng Kayley Edgin Marquette University Freshman/Sophomore category recipient of the Library's Maria Dittman Award, Spring 2013. This paper was written for History 1501: East Asia. © Kayley Edgin. HIST 1501 Social Biography Kayley Edgin Hwang Jini: An Examination of Life as a Joseon Kisaeng Hwang Jini was a famous Joseon Dynasty kisaeng, likely to have been born around 1506 in the scenic city of Kaesong, now in modern-day North Korea. She was known also by her adopted kisaeng name of Myeongwol, meaning “bright moon”. Details of her birth are inconclusive at best, but it is generally agreed that she was born the illegitimate daughter of a yangban, who, having been seduced by her mother’s beauty and charm, had consented to relations1. Growing up, she was noted for her exceptional beauty and musical prowess, and a story stands that a young man of the village, so distressed by his unrequited love for her, had died of heartbreak. This story is instrumental in the development of a picture of young Jini, because during the young man’s funeral procession, she laid her blouse on the casket as a sign of her regret and sorrow2. This sensitivity to life and the needs of others, combined with her natural beauty and talent, made her an appropriate candidate to become a kisaeng. A kisaeng is an officially sanctioned female entertainer, trained in music, dancing, and poetry composition.
    [Show full text]
  • Bongsan Tal Um As a Social Satirical Comedys
    Windows to ICH Windows to ICH scriptures. While yuhui mocked Confucian scholars, the According to Chujae Giyi ( , “Collective Essays Yangban playing act made fun of noblemen. 'e masks of the of Chujae”) by a late Joseon dynasty瑼뱊笫沌 poet Cho Su-sam Bongsan noble characters portray the /rst nobleman with a double ("%&5-"43#), the mask dancer Tak Munhan, who lived from cle* lip, the second nobleman with a cle* lip, and the bache- the late eighteenth to the early nineteenth century, performed lor son of the head family with a crooked face and nose (Fig. the Monk Manseok dance. 'e phrase in the book, “Hwang Talum as a "). 'ese distinct features are a way of expressing the popular Jini struts with her face down, and Monk Manseok, dressed consciousness that rejects social inequality and criticizes the in a robe, dances while staggering around ( privileges of the nobility. )” matches the scene of the nojang澳㦇䑗婡俸逆澘触 playing act Social Satirical On the other hand, the Nojang (old monk) playing 焪圾圾薊銿糦in the present-day mask drama, in which the robed nojang act was constructed using the traditional Monk Manseok /rst appears, taking faltering steps and struggling to keep his dance. 'e elements performed, centering around chaebung footing. 'erefore, it can be inferred that the nojang playing Comedys (makeshi* wooden stage decorated with silk in /ve colors), act of today’s mask drama originated from the folktale of which can be found in the recently discovered color painting Monk Jijok and Hwang Jini. Nakseongyeondo ( ), correspond with sanhui Secondly, Bongsan Talchum carried highly progressive featured in the chapter訒䧯㵯㏨ of seonggi ( , performances themes for the time, re2ecting the popular consciousness Jeon Kyung Wook such as puppet shows and mask dramas)與⚧ in Volume " of that rejected the established order and demanded new values.
    [Show full text]
  • CONSTRUCTING CHAOXIANZU IDENTITY Dissertation Presented In
    CONTESTED STORIES: CONSTRUCTING CHAOXIANZU IDENTITY Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Peace Bakwon Lee, A.B., M.A. Graduate Program in East Asian Languages and Literatures The Ohio State University 2011 Dissertation Committee: Dr. Mark A. Bender, Advisor Dr. Kirk Denton Dr. Chan Park-Miller Dr. Dorothy Noyes Copyright by Peace Bakwon Lee 2011 ABSTRACT The Chaoxianzu (Joseonjok or Chosonjok in Korean) are an ethnic minority group associated with the Yanbian Chaoxianzu Autonomous Prefecture in northeast China. As a part of Korea’s historically displaced people -- the Korean diaspora – the Chaoxianzu have evolved an identity that is tagged with the term “contested,” as their historical narratives, the history of their autonomous prefecture and other areas in northeast China, and their identity as “Koreans” all feature contested complexities, controversies and multiplicities. This dissertation explores the construction of the Chaoxianzu’s contested ethnic identity, as reflected primarily in Chaoxianzu oral traditions, and in part through early 20th century Manchuria Chaoxian writers and contemporary Chaoxianzu return migration literature. This dissertation examines the construction of Chaoxianzu identity through personal narratives, songs, and stories collected during fieldwork conducted from 2000 to 2004. This collected material has been transcribed and translated into English, and is presented as examples of constructed Chaoxianzu identity as both ethno-culturally Korean and ethno-nationally Chinese. In Chapter 1, the contested historical and territorial narratives of Chaoxianzu and the early Chaoxian migrants in Manchuria are discussed to provide a contextual background for understanding the formation of the Chaoxianzu Korean ethnic minority group in China.
    [Show full text]
  • KOREJIEŠU ĪPAŠVĀRDU ATVEIDE LATVIEŠU VALODĀ: Ieteikumi
    Džinsoks So KOREJIEŠU ĪPAŠVĀRDU ATVEIDE LATVIEŠU VALODĀ: ieteikumi Rīga 2020 UDK 811.531`373.2=174 So001 So, Džinsoks. Korejiešu īpašvārdu atveide latviešu valodā: ieteikumi. Red. J. Platpīre, A. Timuška. Rīga : LVA, 2020. 68 lpp. Autors izsaka pateicību Hankukas Ārzemju studiju universitātei (Hankuk University of Foreign Studies), Latvijas Universitātes Humanitāro zinātņu fakultātes Korejas studiju centram – prof. Jānim Priedem, vad. pētn. Kasparam Kļaviņam, lekt. Ildzei Šķesterei, asist. Inesei Babrei, Relikai Gavarei, Sanitai Bitei, Silvijai Kovaļevai – par palīdzību ieteikumu izstrādē, Natālijai Jansonei par atbalstu Korejas studiju veidošanā Latvijā. Recenzente: Mg. hum. Lauma Šime Redaktori: Jūlija Platpīre, Agris Timuška Korektore: Ingrīda Sjomkāne Maketētāja un vāka dizaina autore: Vanda Voiciša © Džinsoks So (Seo Jinseok), autors, 2020 © Vanda Voiciša, mākslinieciskais noformējums, 2020 © Latviešu valodas aģentūra, 2020 ISBN 978-9984-829-67-8 SATURS Ievads . 4 1 . Korejiešu valodas rakstzīmes, to īpatnības un vēsture . 6 Hanguls 6 Hangula vēsture 8 Burtu rakstība hangulā 10 Vārdu pieraksts hangulā 12 2 . Pasaulē plaši izmantotās korejiešu valodas transkripcijas un transliterācijas sistēmas . 14 Makkūna–Reišauera korejiešu rakstības atveides ieteikumi 15 Jeila Universitātes korejiešu valodas atveides sistēma 16 Korejas Republikas Kultūras un tūrisma ministrijas 2000. gada korejiešu rakstības atveides ieteikumi 16 3 . Pamatprincipi korejiešu personvārdu, vietvārdu un citu īpašvārdu atveidei latviešu valodā . 18 Personvārdi korejiešu
    [Show full text]