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Eksistensi Komunitas Smtownfanbase Medan (Smfm)

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EKSISTENSI KOMUNITAS SMTOWN FANBASE MEDAN (SMFM) SKRIPSI Oleh: Claudya Alice L’Bareint 110905050 UNIVERSITAS SUMATERA UTARA FAKULTAS ILMU SOSIAL DAN ILMU POLITIK DEPARTEMEN ANTROPOLOGI SOSIAL MEDAN 2017 Universitas Sumatera Utara EKSISTENSI KOMUNITAS SMTOWN FANBASE MEDAN (SMFM) SKRIPSI Oleh: Claudya Alice L’Bareint 110905050 UNIVERSITAS SUMATERA UTARA FAKULTAS ILMU SOSIAL DAN ILMU POLITIK DEPARTEMEN ANTROPOLOGI SOSIAL MEDAN 2017 Universitas Sumatera Utara UNIVERSITAS SUMATERA UTARA FAKULTAS ILMU SOSIAL DAN ILMU POLITIK PERNYATAAN ORIGINALITAS EKSISTENSI KOMUNITAS SMTOWNFANBASE MEDAN (SMFM) SKRIPSI Dengan ini saya menyatakan bahwa dalam skripsi ini tidak terdapat karya yang pernah diajukan untuk memperoleh gelar kesarjanaan di suatu perguruan tinggi, dan sepanjang pengetahuan saya juga tidak terdapat karya atau pendapat yang pernah ditulis atau ditertibkan oleh orang lain, kecuali yang secara tertulis diacu dalam naskah ini dan disebut dalam daftar pustaka. Apabila dikemudian hari terrbukti lain atau tidak seperti yang saya nyatakan disini, saya bersedia diproses secara hukum dan siap meninggalkan gelar sarjana saya. Medan, Mei 2017 Claudya Alice L’Bareint Universitas Sumatera Utara ABSTRAK Penulisan ini bertujuan untuk mengetahui faktor apa sajakah yang membuat komunitas SMtown Fanbase Medan tetap bertahan hingga sekarang, dan faktor apakah yang membuat komunitas SMtown Fanbase Medan berbeda dengan komunitas Kpop lainnya yang terdapat di Medan. Lokasi penelitian adalah Kota Medan. Metode yang digunakan dalam penulisan adalah observasi partisipasif dan wawancara mendalam, dimana penulis terjun langsung ke lapangan dan mengamati kegiatan komunitas SMtown Fanbase Medan. Smtoewn Fanbase Medan merupakan suatu komunitas dimana setiap anggota yang tergabung di dalamnya adalah sesama pecinta Kpop baik dari unsur musik dan budayanya. SMtown Fanbase Medan mengumpulkan beberapa anak muda yang memiliki bakat dalam seni tari yang berasal dari kota Medan dan sekitarnya. Terdapat tiga orang informan dalam penelitian ini yakni Putri Patrecia, Muhammad Anggi, dan Januar Pangestu. Hasil dari penelitian ini memperlihatkan bagaimana cara komunitas SMtown Fanbase Medan membuat komunitasnya tetap bertahan, juga keunikan apa saja yang membuat komunitas ini berbeda, serta tanggapan para remaja dalam menanggapi kehadiran komunitas SMtown Fanbase Medan. Kata-kata Kunci : Kpop, Korean Wave, SMtown Fanbase Medan, Komunitas Universitas Sumatera Utara UCAPAN TERIMA KASIH Puji dan syukur kehadirat Allah SWT atas segala limpahan rahmat dan karunia-Nya sehingga saya dapat menyelesaikan skripsi ini dengan judul Eksistensi Komunitas SMtown Fanbase Medan (SMFM). Skripsi ini diajukan untuk memperoleh gelar kesarjanaan pada jurusan Antropologi Sosial, Fakultas Ilmu Sosial dan Ilmu Politik, Universitas Sumatera Utara. Pada kesempatan kali ini saya ingin mengucapkan terima kasih tak terhingga kepada keluarga saya yang sampai saat ini terus mendukung, mempercayai, memotivasi, dan memberi semangat kepada saya untuk terus melakukan yang terbaik. Terima kasih terbesar saya persembahkan untuk orang tua saya, Bapak Reymie dan Ibu Loreen Alice Tutupoly. Dan kepada adik saya Claudya Rey L’Bareint. Dan juga kepada seluruh keluarga saya di Binjai, Om Bando, Tante Ene, Om Inyo, Tante Maureen, Bang Bekel, dan Dilla yang selama ini selalu memberikan support, masukan, dan motivasi selama penulis mengemban pendidikan di bangku universitas. Dan juga terima kasih khususnya untuk Kak Ina yang selama ini selalu menghibur, mengajarkan, mensupport, memberikan nasihat, dan mendengarkan keluh kesah penulis. Terima kasih kepada Ibu Dra. Nita Savitri, M.Hum, selaku dosen pembimbing sekaligus Dosen Penasehat Akademik saya yang telah memberikan banyak ilmu, waktu dan perhatian kepada saya dari awal Ibu Universitas Sumatera Utara menjadi Dosen Penasehat Akademik saya sampai dengan selesainya skripsi ini. Terima kasih saya ucapkan kepada Ketua Departemen Antropologi Sosial, Bapak Dr. Fikarwin Zuska, M.Ant. Kepada sekretaris Departemen Antropologi Sosial, Bapak Agustrisno, MSP. Dosen-dosen Antropologi Sosial yang telah banyak memberikan ilmu, motivasi, dan pengalaman hidup bagi saya Ibu Dra. Rita Tambunan M.Si, Ibu Mariana Makmur M.A, Bapak Drs. Hermansyah M.Hum, Ibu Dra. Sabariah Bangun M.Soc, Se, Bapak Lister Berutu M.A, Bapak Wan Zulkarnaen M.Si, Ibu Dra. Sri Alem Sembiring M.A, Bapak Zulkifli M.Si, Bapak Yance M.si dan dosen lainnya yang tidak dapat disebutkan satu persatu. Tak lupa terima kasih juga kepada Kak Nurhayati selaku Staff Administrasi Departemen Antropologi yang telah berbaik hati memberikan kemudahan dalam pengurusan berkas-berkas selama masa skripsi ini. Terima kasih juga saya ucapkan kepada sahabat-sahabat saya Laila, Fanny, Tyo, Rianda, Indra, dan Novita yang telah berbagi, menghabiskan waktu bersama, dan memberikan support. Kepada pejuang-pejuang skripsi Wulan, Onxy, Edy, dan Agus yang telah memberikan support dan motivasi kepada penulis hingga akhirnya penulis dapat menyelesaikan skripsi. Dan juga terima kasih banyak kepada rekan-rekan Antropologi 2011 yang sudah banyak memberikan pengalaman yang tak terlupakan. Universitas Sumatera Utara Tak lupa saya mengucapkan terima kasih sebanyak-banyak kepada teman-teman komunitas SMtown Fanbase Medan terutama Putri Patrecia, Muhammad Anggi, dan Januar Pangestu yang telah meluangkan waktunya. Kiranya Allah SWT melimpahkan Rahmat dan Karunia-Nya kepada semua pihak yang telah memberikan bantuan kepada saya, sehingga skripsi ini dapat diselesaikan. Jasa-jasa baik semua pihak ini akan penulis kenang sepanjang masa. Medan, Mei 2017 Penulis (Claudya Alice L’Bareint) Universitas Sumatera Utara RIWAYAT SINGKAT PENULIS Penulis memiliki nama lengkap Claudya Alice L’Bareint atau sering disapa dengan panggilan “Dea”. Dilahirkan di Jakarta pada tanggal 04 Juni 1993. Penulis merupakan anak pertama dari dua bersaudara pasangan Bapak Reymie dan Ibu Loreen Alice Tutupoly. Menjalani 13 tahun kehidupannya di Duri Kosambi, Cengkareng, Jakarta Barat. Tahun 2006, penulis pindah ke Kota Medan, Sumatera Utara. Dan pada tahun 2007, penulis kembali pindah ke Kota Bogor, Jawa Barat. Adapun riwayat pendidikan penulis yaitu pada tahun 2005 lulus dari SD Swasta Impian Bunda, Duri Kosambi, Cengkareng. Kemudian melanjutkan SMP di SMP Negeri 176, setelah setahun menimba ilmu disana penulis pindah ke SMP Swasta Santo Thomas IV, Medan, Sumatera Utara. Dan kembali pindah ke SMP Negeri 11, Bogor, Jawa Barat dan lulus pada tahun 2008. Pada tahun 2011 penulis lulus dari SMA Negeri 7 Bogor dan melanjutkan studinya ke jenjang universitas di Universitas Sumatera Utara (USU) dan mengambil jurusan Antropologi Sosial, Fakultas Ilmu Sosial dan Ilmu Politik. Universitas Sumatera Utara Email : [email protected] Pernah berpartisipasi pada beberapa kegiatan di luar pendidikan formal yaitu : • Peserta Inisiasi Departemen Antropologi Sosial (2011) • Peserta Training of Fasilitator (TOF) Tingkat Dasar Angkatan IV Departemen Antropologi Sosial Universitas Sumatera Utara (2013) • Panitia Inisiasi Departemen Antropologi Sosial (2012/2013) Universitas Sumatera Utara KATA PENGANTAR Puji dan syukur penulis panjatkan kepada Tuhan Yang Maha Esa yang telah memberikan penulis kesehatan dan kesempatan. Berkat karuniaNya penulis dapat menyelesaikan penelitian yang ditulis dalam bentuk skripsi dengan judul: Eksistensi Komunitas SMtown Fanbase Medan. Skripsi ini merupakan hasil penelitian yang penulis lakukan di Kota Medan, Provinsi Sumatera Utara. Skripsi ini ditulis untuk memenuhi salah satu persyaratan untuk memperoleh gelar Sarjana Sosial (S.Sos) pada strata studi Departemen Antropologi Sosial, Fakultas Ilmu Sosial dan Ilmu Politik, Universitas Sumatera Utara, Medan. Penulis menyadari bahwa skripsi in masih belum sempurna, oleh karena itu dengan kerendahan hati penulis mengharapkan kritik dan saran dari pembaca untuk menyempurnakan skripsi ini. Penulis juga berharap skripsi ini dapat bermanfaat bagi pembaca dan juga khususnya bagi penulis sendiri. Medan, Mei 2017 Claudya Alice L’Bareint Universitas Sumatera Utara DAFTAR ISI PERNYATAAN ORIGINALITAS ............................................. i KATA PENGANTAR ...................................................................... ii UCAPAN TERIMA KASIH .......................................................... iii RIWAYAT SINGKAT PENULIS ............................................... vi DAFTAR ISI ....................................................................................... viii DAFTAR GAMBAR ........................................................................ xi ABSTRAK ........................................................................................... xii BAB I PENDAHULUAN ......................................................... 1 1.1 Latar Belakang ................................................................ 1 1.2 Tinjauan Pustaka .............................................................. 7 1.3 Rumusan Masalah ........................................................... 14 1.4 Tujuan Penelitian ............................................................. 14 1.5 Manfaat Penelitian ........................................................... 15 1.6 Metode Penelitian ........................................................... 15 1.6.1 Data Primer ............. ............................................ 15 1.6.2 Data Sekunder......................................................... 17 1.7 Pengalaman Penelitian ..................................................... 18 BAB II KOREAN WAVE..........................................................
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    The James Taylor Encyclopedia An unofficial compendium for JT’s biggest fans Joel Risberg GeekTV Press Copyright 2005 by Joel Risberg All rights reserved Published 2005 Printed in the United States of America James Taylor Online www.james-taylor.com [email protected] Cover photo by Joana Franca. This book is not approved or endorsed by James Taylor, his record labels, or his management. For Sandra, who brings me snacks. CONTENTS BIOGRAPHY 1 TIMELINE 16 SONG ORIGINS 27 STUDIO ALBUMS 31 SINGLES 43 WORK ON OTHER ALBUMS 44 OTHER COMPOSITIONS 51 CONCERT VIDEOS 52 SINGLE-SONG MUSIC VIDEOS 57 APPEARANCES IN OTHER VIDEOS 58 MISCELLANEOUS WORK 59 NON-U.S. ALBUMS 60 BOOTLEGS 63 CONCERTS ON TELEVISION 70 RADIO APPEARANCES 74 MAJOR LIVE PERFORMANCES 75 TV APPEARANCES 76 MAJOR ARTICLES AND INTERVIEWS 83 SHEET MUSIC AND MUSIC BOOKS 87 SAMPLE SET LISTS 89 JT’S FAMILY 92 RECORDINGS BY JT ALUMNI 96 POINTERS 100 1971 Time cover story – and nearly every piece of writing about James Taylor since then – characterized the musician Aas a troubled soul and the inevitable product of a family of means that expected quite a lot of its kids. To some extent, it was true. James did find inspiration for much of his life’s work in his emotional torment and the many years he spent fighting drug addiction and depression. And he did hail from an affluent, musically talented family that could afford to send its progeny to exclusive prep schools and expensive private mental hospitals. But now James Taylor in his fifties has the benefit of hindsight to moderate any lingering grudges against a press that persistently pigeonholed him – first as a sort of Kurt Cobain of his day, and much later as a sleepy crooner with his most creative years behind him.
  • The Hwadam Jip and Seo Gyeongdeok’ S Place in the Intellectual History of Joseon Isabelle Sancho

    The Hwadam Jip and Seo Gyeongdeok’ S Place in the Intellectual History of Joseon Isabelle Sancho

    What Master Hwadam Loved to Learn: The Hwadam jip and Seo Gyeongdeok’ s Place in the Intellectual History of Joseon Isabelle Sancho To cite this version: Isabelle Sancho. What Master Hwadam Loved to Learn: The Hwadam jip and Seo Gyeongdeok’ s Place in the Intellectual History of Joseon. THE REVIEW OF KOREAN STUDIES, 2020, 23, pp.55 - 88. 10.25024/review.2020.23.1.55. hal-02903511 HAL Id: hal-02903511 https://hal.archives-ouvertes.fr/hal-02903511 Submitted on 21 Jul 2020 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Distributed under a Creative Commons Attribution - NonCommercial - NoDerivatives| 4.0 International License Special Feature What Master Hwadam Loved to Learn: The Hwadam jip and Seo Gyeongdeok’s Place in the Intellectual History of Joseon Isabelle SANCHO The Review of Korean Studies Volume 23 Number 1 (June 2020): 55-88 doi: 10.25024/review.2020.23.1.55 ©2020 by the Academy of Korean Studies. All rights reserved. 56 The Review of Korean Studies Introduction Seo Gyeongdeok 徐敬德 (1489-1546), better known as Hwadam 花潭 or Master Hwadam, is seen today as a respected scholar of the Joseon period.
  • Spackman Entertainment Group's the PRIESTS Surpasses Five Million in Ticket Admissions

    Spackman Entertainment Group's the PRIESTS Surpasses Five Million in Ticket Admissions

    spackmanentertainmentgroup NEWS RELEASE SPACKMAN ENTERTAINMENT GROUP’S THE PRIESTS SURPASSES FIVE MILLION IN TICKET ADMISSIONS THE PRIESTS sold over five million tickets at the Korean box office, sets the all-time record for the highest number of ticket admissions sold for a Korean film that opened in the non-peak month of November Distribution rights to THE PRIESTS have been sold in both Singapore and PRC in addition to the five overseas markets announced previously Three movies scheduled for release in the first half of 2016 Singapore, 4 December 2015 – Spackman Entertainment Group Limited (“Spackman Entertainment Group” or the “Company” and together with its subsidiaries, the “Group”), one of Korea’s leading entertainment production groups, announced today that its mystery-drama movie, THE PRIESTS, produced by its indirect wholly-owned subsidiary Zip Cinema Co., Ltd. (“Zip Cinema”), and presented by its indirect wholly-owned subsidiary Opus Pictures Limited Liability Company, has sold over five million tickets at the Korean box office and distribution rights to THE PRIESTS have been sold in both Singapore and China. THE PRIESTS crossed the five million ticket mark on 3 December 2015, and set the all-time Korean box office record for the highest number of ticket admissions for a Korean film opening in November1. THE PRIESTS is also the first Korean movie released in November to surpass the five million ticket admission mark at the Korean box office.2 As of 3 December 2015, THE PRIESTS achieved over 5,023,810 in ticket admissions with gross box office revenues of over KRW 39.1 billion (or US$33.6 million).3 Distribution rights to THE PRIESTS have also been sold in both Singapore and PRC.