Hwang Jini: an Examination of Life As a Joseon Kisaeng Kayley Edgin Marquette University
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Split at the Root: Prostitution and Feminist Discourses of Law Reform
Split at the Root: Prostitution and Feminist Discourses of Law Reform Margaret A. Baldwin My case is not unique. Violette Leduc' Today, adjustment to what is possible no longer means adjustment, it means making the possible real. Theodor Adorno2 This article originated in some years of feminist activism, and a sustained effort to understand two sentences spoken by Evelina Giobbe, an anti- prostitution activist and educator, at a radical feminist conference in 1987. She said: "Prostitution isn't like anything else. Rather, everything else is like prostitution because it is the model for women's condition."' Since that time, t Assistant Professor of Law, Florida State University College of Law. For my family: Mother Marge, Bob, Tim, John, Scharl, Marilynne, Jim, Robert, and in memory of my father, James. This article was supported by summer research grants from Florida State University College of Law. Otherwise, it is a woman-made product. Thanks to Rhoda Kibler, Mary LaFrance, Sheryl Walter, Annie McCombs, Dorothy Teer, Susan Mooney, Marybeth Carter, Susan Hunter, K.C. Reed, Margy Gast, and Christine Jones for the encouragement, confidence, and love. Evelina Giobbe, Kathleen Barry, K.C. Reed, Susan Hunter, and Toby Summer, whose contributions to work on prostitution have made mine possible, let me know I had something to say. The NCASA Basement Drafting Committee was a turning point. Catharine MacKinnon gave me the first opportunity to get something down on paper; she and Andrea Dworkin let me know the effort counted. Mimi Wilkinson and Stacey Dougan ably assisted in the research and in commenting on drafts. -
Exhibition Brochure
KOREAN FOLK PAINTINGS, OR MINWHA, DURING THE JOSEON DYNASTY (1392-1910) REVEAL SOME ESSENTIAL VALUES OF KOREAN SOCIETY. USUALLY PLACED IN A ROOM IN FOLDING SCREEN FORMAT OR HUNG ON WALLS IN SCROLL FORMAT, THIS GENRE ILLUSTRATES VARIOUS SUBJECTS SUCH AS SCHOLARS’ EQUIPMENT, CHARACTERS RELATED TO CONFUCIAN VIRTUES, AND NATURAL THEMES SUCH AS BIRDS-AND-FLOWERS AND A RANGE OF OTHER ANIMALS. THESE MINWHA NOT ONLY DECORATED THE ROOMS OF MANY HOUSEHOLDS BUT WERE ALSO UNDERSTOOD TO BRING GOOD LUCK, WARD OFF EVIL SPIRITS, AND DEPICT MORAL VIRTUES. IN CONTRAST TO HIGHLY REVERED LITERATI PAINTING BY YANGBAN, OR UPPER-CLASS SCHOLAR-GENTLEMEN, MINWHA RECEIVED LITTLE RESPECT AS AN ART FORM BUT CONTINUED TO ENJOY STRONG SUPPORT AMONG THE GROWING MIDDLE CLASS DURING PERIODS OF POLITICAL STABILITY. AUSPICIOUS BEAUTY: KOREAN FOLK PAINTING INTRODUCES POPULAR THEMES DEPICTED IN MINWHA AND DISCUSSES THEIR MEANINGS, FUNCTIONS AND THE ROLE OF PATRONS IN THEIR CREATION. Joseon Korea faced many changes politically and socially, which brought about new experiences in cultural life as well. After overthrowing the Goryeo dynasty (918-1392), the kings of the Joseon dynasty professed Confucianism over Buddhism, which had been the state religion of Goryeo Korea. Under Confucian ideology, social order, education and pragmatism became the fundamental ideas holding the nation together. As the Joseon government embarked on an ambitious plan to reform the Shin Saimdang (1504-1551); Sogwa-do (Painting of Vegetables-and- nation into an ideal Confucian society, able rulers such as King Fruit) (Detail); Korea, Joseon Dynasty (1392-1910), 16th century; Ink and Sejong (r.1418-50) systematically realized this vision with the mineral pigments on paper; Loaned by Isao Saito inception of the National Code, or Kyongguk Daejon, (completed in 1474), and the invention of the Korean alphabet, hangeul, in 1443. -
Yun Mi Hwang Phd Thesis
SOUTH KOREAN HISTORICAL DRAMA: GENDER, NATION AND THE HERITAGE INDUSTRY Yun Mi Hwang A Thesis Submitted for the Degree of PhD at the University of St Andrews 2011 Full metadata for this item is available in St Andrews Research Repository at: http://research-repository.st-andrews.ac.uk/ Please use this identifier to cite or link to this item: http://hdl.handle.net/10023/1924 This item is protected by original copyright This item is licensed under a Creative Commons Licence SOUTH KOREAN HISTORICAL DRAMA: GENDER, NATION AND THE HERITAGE INDUSTRY YUN MI HWANG Thesis Submitted to the University of St Andrews for the Degree of PhD in Film Studies 2011 DECLARATIONS I, Yun Mi Hwang, hereby certify that this thesis, which is approximately 80,000 words in length, has been written by me, that it is the record of work carried out by me and that it has not been submitted in any previous application for a higher degree. I was admitted as a research student and as a candidate for the degree of PhD in September 2006; the higher study for which this is a record was carried out in the University of St Andrews between 2006 and 2010. I, Yun Mi Hwang, received assistance in the writing of this thesis in respect of language and grammar, which was provided by R.A.M Wright. Date …17 May 2011.… signature of candidate ……………… I hereby certify that the candidate has fulfilled the conditions of the Resolution and Regulations appropriate for the degree of PhD in the University of St Andrews and that the candidate is qualified to submit this thesis in application for that degree. -
Strangers at Home: North Koreans in the South
STRANGERS AT HOME: NORTH KOREANS IN THE SOUTH Asia Report N°208 – 14 July 2011 TABLE OF CONTENTS EXECUTIVE SUMMARY ...................................................................................................... i I. INTRODUCTION ............................................................................................................. 1 II. CHANGING POLICIES TOWARDS DEFECTORS ................................................... 2 III. LESSONS FROM KOREAN HISTORY ........................................................................ 5 A. COLD WAR USES AND ABUSES .................................................................................................... 5 B. CHANGING GOVERNMENT ATTITUDES ......................................................................................... 8 C. A CHANGING NATION .................................................................................................................. 9 IV. THE PROBLEMS DEFECTORS FACE ...................................................................... 11 A. HEALTH ..................................................................................................................................... 11 1. Mental health ............................................................................................................................. 11 2. Physical health ........................................................................................................................... 12 B. LIVELIHOODS ............................................................................................................................ -
Women's Life During the Chosŏn Dynasty
International Journal of Korean History(Vol.6, Dec.2004) 113 Women’s Life during the Chosŏn Dynasty Han Hee-sook* 1 Introduction The Chosŏn society was one in which the yangban (aristocracy) wielded tremendous power. The role of women in this society was influenced greatly by the yangban class’ attempts to establish a patriarchal family order and a Confucian-based society. For example, women were forced, in accordance with neo-Confucian ideology, to remain chaste before marriage and barred from remarrying once their husbands had passed away. As far as the marriage system was concerned, the Chosŏn era saw a move away from the old tradition of the man moving into his in-laws house following the wedding (男歸女家婚 namgwiyŏgahon), with the woman now expected to move in with her husband’s family following the marriage (親迎制度 ch΄inyŏng jedo). Moreover, wives were rigidly divided into two categories: legitimate wife (ch΄ŏ) and concubines (ch΄ŏp). This period also saw a change in the legal standing of women with regards to inheritance, as the system was altered from the practice of equal, from a gender standpoint, rights to inheritance, to one in which the eldest son became the sole inheritor. These neo-Confucianist inspired changes contributed to the strengthening of the patriarchal system during the Chosŏn era. As a result of these changes, Chosŏn women’s rights and activities became increasingly restricted. * Professor, Dept. of Korean History, Sookmyung Women’s University 114 Women’s Life during the Chosŏn Dynasty During the Chosŏn dynasty women fell into one of the following classifications: female members of the royal family such as the queen and the king’s concubines, members of the yangban class the wives of the landed gentry, commoners, the majority of which were engaged in agriculture, women in special professions such as palace women, entertainers, shamans and physicians, and women from the lowborn class (ch’ŏnin), which usually referred to the yangban’s female slaves. -
Spackman Entertainment Group's LIFE RISKING ROMANCE Completes Filming
spackmanentertainmentgroup NEWS RELEASE SPACKMAN ENTERTAINMENT GROUP’S LIFE RISKING ROMANCE COMPLETES FILMING LIFE RISKING ROMANCE, starring Ha Ji-won, Chun Jung-myung, and Taiwanese actor Chen Bolin, has completed filming Expected to be released in theatres in the first half of 2016 Singapore, 10 December 2015 – Spackman Entertainment Group Limited (“Spackman Entertainment Group” or the “Company” and together with its subsidiaries, the “Group”), announced today that its movie LIFE RISKING ROMANCE has completed filming on 5 December 2015. The film is expected to be released in theatres in the first half of 2016. The film is presented and co-produced by its 51%-owned subsidiary Novus Mediacorp Co., Ltd. (“Novus Mediacorp”), and co-presented and distributed by its indirect wholly-owned subsidiary Opus Pictures Limited Liability Company. LIFE RISKING ROMANCE follows the story of Jane, a mystery novel writer (Ha Ji-won), her best friend Rokhwan (Chun Jung-myung), who is a police officer, and a mysterious, but charming neighbour named Jason (Chen Bolin). The three get intertwined in a complicated relationship amidst investigations into the serial murders happening in town. The romance thriller stars one of Korea’s top actresses Ha Ji-won, who is best known for her lead roles in television dramas, EMPRESS KI (2013/14), SECRET GARDEN (2010), and HWANG JINI (2006). Ha has also starred in several movies including the 2009 box office hit HAUNDAE, and has won numerous acting and popularity awards throughout her career. Also starring in the film is Korean actor Chun Jung-myung who is best known for his lead roles in the 2015 drama series HEART TO HEART and RESET (2014). -
10. When Did Joseon's Population Reach Ten
10. WHEN DID JOSEON’S POPULATION REACH TEN MILLION? Ko Dong-Hwan Korea underwent tremendous population growth during the twentieth century. Despite all the turbulence of the modern period, the population of the peninsula quadrupled. The country began the century with around seventeen million people. In the year 2009, the population of South Korea was about forty-eight million, ranking twenty-fourth in the world – similar in size to Spain and South Africa. North Korea had an estimated popula- tion of about twenty-four million in 2009, which ranked fifty-first in the world. Countries of comparable numbers include Yemen and Mozambique. If the two Koreas reunified, the total population of seventy-two million would rank eighteenth in the world. It would have more people than France, Congo, and Turkey, but fewer than Germany, Egypt, and Iran. The city of Seoul has undergone perhaps even more remarkable population growth. Its population was almost 10.5 million in 2009, which made it the eighth largest city in the world. In terms of the entire metropolitan area, it would be the second largest, behind only Tokyo. Joseon also experienced significant demographic change during the 518 years of its existence. At its founding in 1392, the population was about 5.5 million people, and it was around seventeen million at its end in 1910. As the title indicates, this chapter begins by trying to answer the question of when the population of the country reached ten million. Though this is an arbitrary number, it can serve as a rough indicator of the achievement of a certain level of economic and social development. -
Sijo: Korean Poetry Form
Kim Leng East Asia: Origins to 1800 Spring 2019 Curriculum Project Sijo: Korean Poetry Form Rationale: This unit will introduce students to the sijo, a Korean poetic form, that predates the haiku. This popular poetic form has been written in Korea since the Choson dynasty (1392-1910). The three line poem is part of Korea’s rich cultural and literary heritage. Common Core English Language Art Standards: CCSS.ELA-Literacy.RL.9-10.4 Determine the meaning of words and phrases as they are used in the text, including figurative and connotative meanings; analyze the cumulative impact of specific word choices on meaning and tone (e.g., how the language evokes a sense of time and place; how it sets a formal or informal tone). CCSS.ELA-Literacy.RL.9-10.6 Analyze a particular point of view or cultural experience reflected in a work of literature from outside the United States, drawing on a wide reading of world literature. CCSS.ELA-Literacy.RL.9-10.10 By the end of grade 9, read and comprehend literature, including stories, dramas, and poems, in the grades 9-10 text complexity band proficiently, with scaffolding as needed at the high end of the range. Common Core Standards: L 3 Apply knowledge of language to understand how language functions in different contexts. L 5 Demonstrate understanding of figurative language, word relationships and nuances in meaning. English Language Arts Standards » Standard 10: Range, Quality, & Complexity » Range of Text Types for 6-12 Students in grades 6-12 apply the Reading standards to the following range of text types, with texts selected from a broad range of cultures and periods. -
Cultural Heritage in Korea – from a Japanese Perspective Toshio Asakura National Museum of Ethnology
Cultural heritage in Korea – from a Japanese perspective Toshio Asakura National Museum of Ethnology Introduction The Korean television drama Dae Jang-geum has been popular not only in Korea but also throughout East Asia, including in Japan, Taiwan and China. It is based on the true story of Jang-geum, the reputedly first woman to hold the position of royal physician in the 16th-century during the Joseon Dynasty (1392−1897). What is interesting about the drama from a perspective of cultural her- itage is that it serves to highlight traditional Korean culture, espe- cially Korean court cuisine and medicine. How to cite this book chapter: Asakura, T 2016 Cultural heritage in Korea – from a Japanese perspective. In: Matsuda, A and Mengoni, L E (eds.) Reconsidering Cultural Heritage in East Asia, Pp. 103–119. London: Ubiquity Press. DOI: http://dx.doi. org/10.5334/baz.f. License: CC-BY 4.0 104 Reconsidering Cultural Heritage in East Asia I was in charge of supervising the Japanese-language version of this show, and one of the most challenging, yet interesting, aspects of my task was to work out how to translate Korean culture to a Japanese audience.1 By referring to this drama, which was part of the so-called ‘Korean wave’ (hanryû), I will investigate the circum- stances surrounding three aspects of cultural heritage in Korea: culinary culture; Living National Treasures (i.e. holders of Impor- tant Intangible Cultural Properties); and cultural landscapes. Japan and Korea are said to share broadly similar cultural heritage, including amongst other things the influence of Chinese culture, as exemplified by the spoken language and script, and the influence of Confucianism. -
Modern Literature After the 1960S in Korea 25 DOI: 10.1515/Ijas-2016-0002
DE SANGGUM LI. Modern literature after the 1960s in Korea 25 DOI: 10.1515/ijas-2016-0002 Research Note SANGGUM LI PUSAN NATIONAL UNIVERSITY Modern Literature after the 1960s in Korea Abstract (English): Since the beginning of the 1990s in Korea, the category and definition of new generation literature have become the topic of heated debate. One may understand this tendency as ‘generation severance’, ‘alienation between social classes’, or the ‘consumption- oriented culture of the masses’. Here, we call the literary youth born in approximately 1960 ‘the new generation’. In literature, the new generation refers to the appearance of a new culture and way of thinking. This generation passed their childhood in the 1970s and faced no such great difficulties as their parents combating poverty. However, they grew up under the indirect influence of a dark political outlook and suppression. Generally, they have a great affection for the culture produced by mass media. If we compare their development process with the literary stream in Korea, the 1960s could be defined as the era of literature for independence and strong self-awareness, the 1970s as the era for people, the 1980s as the era for the rights or emancipation of labour, and the 1990s as the era of new generation literature. Meanwhile, the appearance of the ‘Korean Wave’, or so-called ‘Hallyu’, has become one of the most beloved popular cultural phenomena both in Asia and in other countries since the late 1990s. Abstract (Korean): 특히 문학에서 1990년대 후반의 신세대가 새로운 문화의 등장과 새로운 사고로 특징되는 배경은 70년대에 유년시절을 그들의 부모세대와 달리 큰 어려움을 겪지 않고, 경제적으로도 궁핍하지 않게 성장할 수 있었기 때문일 것이다. -
Christian Communication and Its Impact on Korean Society : Past, Present and Future Soon Nim Lee University of Wollongong
University of Wollongong Thesis Collections University of Wollongong Thesis Collection University of Wollongong Year Christian communication and its impact on Korean society : past, present and future Soon Nim Lee University of Wollongong Lee, Soon Nim, Christian communication and its impact on Korean society : past, present and future, Doctor of Philosphy thesis, School of Journalism and Creative Writing - Faculty of Creative Arts, University of Wollongong, 2009. http://ro.uow.edu.au/theses/3051 This paper is posted at Research Online. Christian Communication and Its Impact on Korean Society: Past, Present and Future Thesis submitted in fulfilment of the requirements for the award of the degree of Doctor of Philosophy University of Wollongong Soon Nim Lee Faculty of Creative Arts School of Journalism & Creative writing October 2009 i CERTIFICATION I, Soon Nim, Lee, declare that this thesis, submitted in partial fulfilment of the requirements for the award of Doctor of Philosophy, in the Department of Creative Arts and Writings (School of Journalism), University of Wollongong, is wholly my own work unless otherwise referenced or acknowledged. The document has not been submitted for qualifications at any other academic institution. Soon Nim, Lee 18 March 2009. i Table of Contents Certification i Table of Contents ii List of Tables vii Abstract viii Acknowledgements x Chapter 1: Introduction 1 Chapter 2: Christianity awakens the sleeping Hangeul 12 Introduction 12 2.1 What is the Hangeul? 12 2.2 Praise of Hangeul by Christian missionaries -
KOREA's LITERARY TRADITION 27 Like Much Folk and Oral Literature, Mask Dances Ch'unhyang Chòn (Tale of Ch'unhyang)
Korea’s Literary Tradition Bruce Fulton Introduction monks and the Shilla warrior youth known as hwarang. Corresponding to Chinese Tang poetry Korean literature reflects Korean culture, itself and Sanskrit poetry, they have both religious and a blend of a native tradition originating in Siberia; folk overtones. The majority are Buddhist in spirit Confucianism and a writing system borrowed from and content. At least three of the twenty-five sur- China; and Buddhism, imported from India by way viving hyangga date from the Three Kingdoms peri- of China. Modern literature, dating from the early od (57 B.C. – A.D. 667); the earliest, "Sòdong yo," 1900s, was initially influenced by Western models, was written during the reign of Shilla king especially realism in fiction and imagism and sym- Chinp'yòng (579-632). Hyangga were transcribed in bolism in poetry, introduced to Korea by way of hyangch'al, a writing system that used certain Japan. For most of its history Korean literature has Chinese ideographs because their pronunciation embodied two distinct characteristics: an emotional was similar to Korean pronunciation, and other exuberance deriving from the native tradition and ideographs for their meaning. intellectual rigor originating in Confucian tradition. The hyangga form continued to develop during Korean literature consists of oral literature; the Unified Shilla kingdom (667-935). One of the literature written in Chinese ideographs (han- best-known examples, "Ch'òyong ka" (879; “Song of mun), from Unified Shilla to the early twentieth Ch'òyong”), is a shaman chant, reflecting the influ- century, or in any of several hybrid systems ence of shamanism in Korean oral tradition and sug- employing Chinese; and, after 1446, literature gesting that hyangga represent a development of written in the Korean script (han’gùl).