Raymond Khong, Tenor (SHORT VERSION)

Total Page:16

File Type:pdf, Size:1020Kb

Raymond Khong, Tenor (SHORT VERSION) Biography Raymond Khong Associate Diploma Trinity College (London) (Voice) Teachers: Anna Connolly, Julian Gavin Performance Highlights Stage Roles Rodolfo in La Boheme Turridu in Cavalleria Rusticana Tian Qing in The Possessed (lead tenor role for Chamber Made Opera, world premiere) Earned 2003 Green Room Award Nomination for Best Singer in Principal Role Broadcast on ABC FM in 2004 Danilo in The Merry Widow – National Touring 2007 Belmonte in The Abduction from the Seraglio Ferrando in Cosi fan Tutte Bill in The Hand of Bridge Gabrielle von Eisenstein & Alfred in Die Fledermaus Camille de Rosillon in The Merry Widow Nanki Poo in The Mikado Frederic in The Pirates of Penzance Marco in The Gondoliers Prince Hilarion in Princess Ida Lun Tha in The King and I Robert in The New Moon Other performances include chorus member between 1993 and 1995 in the following operas with the Victoria State Opera and Australian Opera: Die Meistersinger von Nurmberg, Il Trovatore, Faust, The Pearl Fishers, Aida, La Traviata and Don Quichotte, Concert (Principal Tenor Soloist for) Victorian Concert Orchestra, resident tenor since 1999 Australian Army Band Camerata Orchestra & Camberwell Chorale o Bach’s Passion of St John (Tenor Solo) o Saint-Saens Christmas Oratorio (Tenor Solo) A Waltz Through Vienna – National Australian Tour The Three Chinese Tenors Robert Stoltz Society of Australia St Paul’s Cathedral – Stainer’s The Crucifixion (Tenor Solo) Preston Symphony Orchestra Opera in the Vineyard 2002, Opera in the Alps 2002 CD Recordings – Voices For Hope & Victorian Concert Orchestra .
Recommended publications
  • Verdi Week on Operavore Program Details
    Verdi Week on Operavore Program Details Listen at WQXR.ORG/OPERAVORE Monday, October, 7, 2013 Rigoletto Duke - Luciano Pavarotti, tenor Rigoletto - Leo Nucci, baritone Gilda - June Anderson, soprano Sparafucile - Nicolai Ghiaurov, bass Maddalena – Shirley Verrett, mezzo Giovanna – Vitalba Mosca, mezzo Count of Ceprano – Natale de Carolis, baritone Count of Ceprano – Carlo de Bortoli, bass The Contessa – Anna Caterina Antonacci, mezzo Marullo – Roberto Scaltriti, baritone Borsa – Piero de Palma, tenor Usher - Orazio Mori, bass Page of the duchess – Marilena Laurenza, mezzo Bologna Community Theater Orchestra Bologna Community Theater Chorus Riccardo Chailly, conductor London 425846 Nabucco Nabucco – Tito Gobbi, baritone Ismaele – Bruno Prevedi, tenor Zaccaria – Carlo Cava, bass Abigaille – Elena Souliotis, soprano Fenena – Dora Carral, mezzo Gran Sacerdote – Giovanni Foiani, baritone Abdallo – Walter Krautler, tenor Anna – Anna d’Auria, soprano Vienna Philharmonic Orchestra Vienna State Opera Chorus Lamberto Gardelli, conductor London 001615302 Aida Aida – Leontyne Price, soprano Amneris – Grace Bumbry, mezzo Radames – Placido Domingo, tenor Amonasro – Sherrill Milnes, baritone Ramfis – Ruggero Raimondi, bass-baritone The King of Egypt – Hans Sotin, bass Messenger – Bruce Brewer, tenor High Priestess – Joyce Mathis, soprano London Symphony Orchestra The John Alldis Choir Erich Leinsdorf, conductor RCA Victor Red Seal 39498 Simon Boccanegra Simon Boccanegra – Piero Cappuccilli, baritone Jacopo Fiesco - Paul Plishka, bass Paolo Albiani – Carlos Chausson, bass-baritone Pietro – Alfonso Echevarria, bass Amelia – Anna Tomowa-Sintow, soprano Gabriele Adorno – Jaume Aragall, tenor The Maid – Maria Angels Sarroca, soprano Captain of the Crossbowmen – Antonio Comas Symphony Orchestra of the Gran Teatre del Liceu, Barcelona Chorus of the Gran Teatre del Liceu, Barcelona Uwe Mund, conductor Recorded live on May 31, 1990 Falstaff Sir John Falstaff – Bryn Terfel, baritone Pistola – Anatoli Kotscherga, bass Bardolfo – Anthony Mee, tenor Dr.
    [Show full text]
  • There's a Real Buzz and Sense of Purpose About What This Company Is Doing
    15 FEBRUARY 7.15PM & 17 FEBRUARY 2PM “There’s a real buzz and sense of purpose about what this company is doing” ~ The Guardian www.niopera.com Grand Opera House, Belfast Welcome to The Grand Opera House for this new production of The Flying Dutchman. This is, by some way, NI Opera’s biggest production to date. Our very first opera (Menotti’s The Medium, coincidentally staged two years ago this month) utilised just five singers and a chamber band, and to go from this to a grand opera demanding 50 singers and a full symphony orchestra in such a short space of time indicates impressive progress. Similarly, our performances of Noye’s Fludde at the Beijing Music Festival in October, and our recent Irish Times Theatre Award nominations for The Turn of the Screw, demonstrate that our focus on bringing high quality, innovative opera to the widest possible audience continues to bear fruit. It feels appropriate for us to be staging our first Wagner opera in the bicentenary of the composer’s birth, but this production marks more than just a historical anniversary. Unsurprisingly, given the cost and complexities involved in performing Wagner, this will be the first fully staged Dutchman to be seen in Northern Ireland for generations. More unexpectedly, perhaps, this is the first ever new production of a Wagner opera by a Northern Irish company. Northern Ireland features heavily in this production. The opera begins and ends with ships and the sea, and it does not take too much imagination to link this back to Belfast’s industrial heritage and the recent Titanic commemorations.
    [Show full text]
  • RSTD OPERN Ma Rz April Ok 212X433
    RSTD OPERN_März April_ok_212x433 12.02.13 09:40 Seite 1 Opernprogramm März 2013 März Gaetano Donizetti Anna Bolena 20.00 - 22.55 Anna Bolena: Edita Gruberova, Giovanna Seymour: Delores Ziegler, Enrico VIII.: Stefano Palatchi, Lord Rochefort: Igor Morosow, 2 Lord Riccardo Percy: José Bros, Smeton: Helene Schneiderman, Sir Hervey: José Guadalupe Reyes. Samstag Chor und Orchester des Ungarischen Rundfunks und Fernsehens, Leitung: Elio Boncompagni, 1994. März Richard Wagner Das Liebesverbot 20.00 - 22.40 Friedrich: Hermann Prey, Luzio: Wolfgang Fassler, Claudio: Robert Schunk, Antonio: Friedrich Lenz, Angelo: Kieth Engen, 5 Isabella: Sabine Hass, Mariana: Pamela Coburn, Brighella: Alfred Kuhn. Dienstag Chor der Bayerischen Staatsoper, Bayerisches Staatsorchester, Leitung: Wolfgang Sawallisch, 1983. März Georg Friedrich Händel Alessandro 20.00 - 23.20 Alessandro Magno: Max Emanuel Cencic, Rossane: Julia Lezhneva, Lisaura: Karina Gauvin, Tassile: Xavier Sabata, 7 Leonato: Juan Sancho, Clito: In-Sung Sim, Cleone: Vasily Khoroshev. Donnerstag The City of Athens Choir, Armonia Atenea, Leitung: George Petrou, 2011. März Giuseppe Verdi Aroldo 20.00 - 22.15 Aroldo: Neil Shicoff, Mina: Carol Vaness, Egberto: Anthony Michaels-Moore, Briano: Roberto Scandiuzzi, 9 Godvino: Julian Gavin, Enrico: Sergio Spina, Elena: Marina Comparato. Samstag Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Leitung: Zubin Mehta, 2001. März Wolfgang Amadé Mozart La finta giardiniera 20.00 - 23.10 Sandrina: Sophie Karthäuser, Contino Belfiore: Jeremy Ovenden, Arminda: Alex Penda, 12 Cavaliere Ramiro: Marie-Claude Chappuis, Podestà: Nicolas Rivenq, Serpetta: Sunhae Im, Roberto: Michael Nagy. Dienstag Freiburger Barockorchester, Leitung: René Jacobs, 2011. Der neue Konzertzyklus im Mozarthaus Vienna: mozartakademie 2013 „Magic Moments – Magische Momente in den Werken großer Meister“ 20.03.
    [Show full text]
  • To Download the Full Archive
    Complete Concerts and Recording Sessions Brighton Festival Chorus 27 Apr 1968 Concert Dome Concert Hall, Brighton Brighton Festival Belshazzar's Feast Walton William Walton Royal Philharmonic Orchestra Baritone Thomas Hemsley 11 May 1968 Concert Dome Concert Hall, Brighton Brighton Festival Kyrie in D minor, K 341 Mozart Colin Davis BBC Symphony Orchestra 27 Oct 1968 Concert Dome Concert Hall, Brighton Brighton Philharmonic Society Budavari Te Deum Kodály Laszlo Heltay Brighton Philharmonic Orchestra Soprano Doreen Price Mezzo-Soprano Sarah Walker Tenor Paul Taylor Bass Brian Kay 23 Feb 1969 Concert Dome Concert Hall, Brighton Brighton Philharmonic Society Symphony No. 9 in D minor, op.125 Beethoven Herbert Menges Brighton Philharmonic Orchestra Soprano Elizabeth Harwood Mezzo-Soprano Barbara Robotham Tenor Kenneth MacDonald Bass Raimund Herincx 09 May 1969 Concert Dome Concert Hall, Brighton Brighton Festival Mass in D Dvorák Václav Smetáček Czech Philharmonic Orchestra Soprano Doreen Price Mezzo-Soprano Valerie Baulard Tenor Paul Taylor Bass Michael Rippon Sussex University Choir 11 May 1969 Concert Dome Concert Hall, Brighton Brighton Festival Liebeslieder-Walzer Brahms Laszlo Heltay Piano Courtney Kenny Piano Roy Langridge 25 Jan 1970 Concert Dome Concert Hall, Brighton Brighton Philharmonic Society Requiem Fauré Laszlo Heltay Brighton Philharmonic Orchestra Soprano Maureen Keetch Baritone Robert Bateman Organ Roy Langridge 09 May 1970 Concert Dome Concert Hall, Brighton Brighton Festival Mass in B Minor Bach Karl Richter English Chamber Orchestra Soprano Ann Pashley Mezzo-Soprano Meriel Dickinson Tenor Paul Taylor Bass Stafford Dean Bass Michael Rippon Sussex University Choir 1 Brighton Festival Chorus 17 May 1970 Concert Dome Concert Hall, Brighton Brighton Festival Fantasia for Piano, Chorus and Orchestra in C minor Beethoven Symphony No.
    [Show full text]
  • OQS0762 Subs 2011 Brochure Text V6.Indd
    SEASON 2011 SUBSCRIBE Truly. Madly. Deeply. AND SAVE! From the From the Premier of Queensland and Chief Executive/Artistic Director Minister for the Arts Come and celebrate Opera Queensland’s Welcome to Opera Queensland’s fi rst 30 years with 120 years of season for 2011. superlative creation. For nearly three decades, Opera After the success of our Verdi double Queensland has been presenting operas and musicals in 2009, it seems only fair to pay Puccini the same courtesy. across our state and, recently, across state borders. While there is a 43-year overlap in ages, in operatic terms, these two composers are not contemporaries, representing Not only is Opera Queensland expanding in its reach and as they do two musical traditions. Puccini sweeps us into scope, the company has found new ways to connect with the 20th century with melody to delight us all and a masterly audiences of many ages through programs with primary workmanship set to please even the most discerning. And students and young people in regional communities. so it is in May, that we bring you a wonderful new production My government provides key funding to Opera Queensland of The Girl of the Golden West, an opera never before seen as one of the state’s fl agship arts companies. in Queensland. While in October, we present John Copley’s I would like to acknowledge Opera Queensland’s corporate celebrated production of Tosca in all its traditional glory. After partners, many of whom have been onboard for more than an eight-year gap it is a great joy to return this magnifi cent a decade and who, along with government support, help piece to the Lyric Theatre.
    [Show full text]
  • Festivales De Verano Diana Damrau Gustav Leonhardt Julia Fischer
    REVISTA DE MÚSICA Año XXVI - Nº 263 - Mayo 2011 - 7 € Año XXVI - Nº 263 Mayo 2011 DOSIER Festivales de verano ENCUENTROS Diana Damrau ACTUALIDAD Gustav Leonhardt DISCOS Julia Fischer Seis piezas op. 6 de Webern CA-MAYO11 19/4/11 13:43 Página 1 CONCIERTOS AUGUSTO S.L. Agencia de Conciertos En Celebración de los 150 años de la unificación de Italia (1861-2011) CORO Y ORQUESTA DEL TEATRO REGIO DE TURÍN Director: Gianandrea Noseda “REQUIEM” de G. VERDI Tamar Iveri Soprano Daniela Barcellona Mezzo Soprano Maksim Aksenov Tenor Ildar Abdrazakov Bajo GIRA EN ESPAÑA - MAYO 2011 18 - CASTELLÓN. Auditorio. 20:00h. www.culturalcas.com 19 - MURCIA. Auditorio V. Villegas. 20:00h. Programa: Grandes Coros de Verdi www.auditoriomurcia.org Gira organizada por: 20 - MADRID. Auditorio Nacional. 22:30h. www.auditorionacional.mcu.es CONCIERTOS AUGUSTO S.L. Calle Viento 15, 2ºB. 21 - OVIEDO. Auditorio Príncipe Felipe. 20:00h. 28220 Madrid. www.palaciocongresos-oviedo.com Telf: 916 340 205 23 - ZARAGOZA. Auditorio Palacio de Congresos. 20:15h. [email protected] www.auditoriozaragoza.com www.conciertosaugusto.com 263-Pliego 1 19/4/11 14:07 Página 1 AÑO XXVI - Nº 263 - Mayo 2011 - 7 € 2 OPINIÓN SCHERZO DISCOS 51 CON NOMBRE Sumario PROPIO DOSIER 91 6 Gustav Leonhardt Festivales de verano Pablo J. Vayón ENCUENTROS 8 AGENDA Diana Damrau Patrick Dillon 114 12 ACTUALIDAD NACIONAL EDUCACIÓN 118 JAZZ 34 ACTUALIDAD Pablo Sanz 120 INTERNACIONAL LIBROS 122 46 ENTREVISTA LA GUÍA 124 Josep Pons Luis Suñén CONTRAPUNTO Norman Lebrecht 128 50 Discos del mes Colaboran
    [Show full text]
  • THE ARTS Name Genre Years School Alsop, John Radio & TV Script Writer / Director 1966-71 Whitefriars
    THE ARTS Name Genre Years School Alsop, John Radio & TV script writer / Director 1966-71 Whitefriars Achievements / Major Awards & Nominations “Brides of Christ” won scriptwriting awards from the AFI, Australian Writers’ Guild; as well as receiving an International Emmy Award nomination. “The Leaving of Liverpool” also received an AFI award for Best TV Screenplay and a Writers’ Guild Awgie for Best Screenplay (mini Series). The production also won AFI awards and an ATOM award. “Bordertown” Episodes 7 & 8 (“The Cracks and The Squares”) “R.A.N. Remote Area Nurse” Episode Two won its year’s Best Screenplay (Television Series) Australian Writers’ Guild Awgie Award. Also Recipient of the Hector Crawford Award for Contribution to Script Editing in a body of work. In 2007 received an Asialink grant to develop a script with an Australian-Filipino connection, resulting in the short film “He She It”, which premiered as part of the Accelerator program at the Melbourne Film Festival and also screened at more than a dozen international film festivals. The 2008 Foxtel Fellowship for achievement in television writing funded development of a feature film script currently at the production finance stage. Borrack, John Visual Arts 1950 Parade A master colourist predominantly in watercolour and gouache, John Borrack has described his art as “a celebration of the natural world and its wonders that are all around us”. He has been described as “something of a maverick, a man who has dedicated the last 50 years of his life to the pursuit of a pure, spiritual expression”. John and his wife, Gillian, have campaigned against the Plenty Valley growth corridor.
    [Show full text]
  • Val Gavin Song Offerings
    Val Gavin Song Offerings Julian Gavin (tenor) and May Gavin(piano) Classical vocal Tall Poppies TP235 Reviewed by Inge Southcott Song Offerings by Val Gavin (1935-2003) are two unpublished song cycles, here wonderfully performed by her son and daughter. They certainly deserve recognition as part of the great tradition of twentieth century English art song. I was moved by this CD. Not only are Val Gavin’s songs as beautiful as her sensitive face gracing the CD cover, and the performances of the highest quality, but the whole package is a loving tribute by Julian and May Gavin to her, their mother. The revealing and insightful biography that May includes in the CD notes makes fascinating reading and puts Val’s work in context. Clearly the siblings greatly admired her and are grateful for the love of music she instilled in them. And both have themselves excelled as professional musicians. Julian, born 1965, now residing in England, has been a busy tenor, performing in top opera houses all over the world. He has recorded Don José in Carmen and the title roles in Ernani and Don Carlos for Chandos Records. He was a very popular regular with OA many times. But disaster struck in 2011, when he was diagnosed with a serious neurological condition and had to withdraw from performing. (For details, go to Slipped Disc where he courageously writes about his struggle with his debilitating condition. http://slippedisc.com/2016/05/1st-person-exclusive-the-tenor-who-disappeared/ ). Julian Gavin- tenor Don Carlos, Leeds May, his younger sister, learnt piano from Val and at the early age of thirteen, obtained her Licentiate Diploma of Music.
    [Show full text]
  • In Association With
    OVERTURE OPERA GUIDES in association with We are delighted to have the opportunity to work with Overture Publishing on this new series of opera guides and to build on the work English National Opera did over twenty years ago on the Calder Opera Guide Series. Masterminded by the late Nicholas John, ENO’s Literary Manager and Dramaturg for almost twenty years until his tragic early death in 1996, the original series of Opera Guides stands as a testimony to Nicholas’s remarkable energy, skills and passionate enthusiasm for the art form. As well as reworking and updating the existing titles, Overture and ENO have commissioned new titles for the series, and all of the guides will be published to coincide with repertoire being staged by the company at the London Coliseum. The first of the Overture Guides in association with ENO is published to mark a major event: a new production of Tosca in May 2010, directed by the leading American soprano Catherine Malfitano, who, in the 1980s and 1990s, made the role of Tosca her own. The production is conducted by our award-winning Music Director Edward Gardner, and the cast is led by soprano Amanda Echalaz (Tosca), Julian Gavin (Cavaradossi) and Anthony Michaels-Moore (Scarpia). We hope that these guides will prove an invaluable resource now and for years to come, and that by delving deeper into the history of an opera, the poetry of the libretto and the nuances of the score, readers’ understanding and appreciation of the opera and the art form in general will be enhanced.
    [Show full text]
  • Verdi's Don Carlo
    Verdi’s Don Carlo: a partial survey of the discography by Ralph Moore Introduction The CLOR discography lists 165 recordings of Don Carlo (or should that be Don Carlos? - more of that anon). A couple of live recordings in German were made before the first one in Italian, live from the Met 1950, with a cast headed by Jussi Bjőrling, then there was a whole slew of live and radio recordings throughout the 50’s from the Met and various Italian opera houses, punctuated by the first studio account conducted by Santini in Rome in 1954, with a stellar (and Stella) cast including Gobbi and Christoff. This still stands up remarkably well despite its age and some casting weakness. Santini was again at the helm for the next studio recording in 1961 with an even finer cast, then Solti recorded the Five Act version for Decca in 1965. For so great and popular an opera, Don Carlo has received very few studio recordings; Giulini followed in 1971, Karajan in 1978, Abbado in 1983-84, Levine in 1992 and Haitink in 1996. Only Abbado’s was in French, and Richard Farnes recorded an English version for Chandos in 2009. Thus, so far, we have had a grand total of only nine studio versions: seven in Italian, one in English and only one of the original French version, yet the catalogue is teeming with live performances. No survey can encompass so many, nor have I considered DVDs. However, I assess below some twenty-seven audio accounts, having restricted my choice to the nine studio recordings plus a sampling of live performances, including the three live recordings of original Five Act versions in French; the rest are variously either of the Four or Five Act versions in Italian.
    [Show full text]
  • Download Booklet
    SOLOISTS /OPERA NORTH/ RICHARD FARNES CHAN 3162(3) GIUSEPPE VERDI: DON CARLOS CHANDOS Giuseppe Verdi (1813 – 1901) DON CARLOS Opera in four acts Libretto by Joseph Méry and Camille du Locle, after Schiller English translation by Andrew Porter © Lebrecht Music & Arts Photo Library Photo & Arts Music © Lebrecht Philip II, King of Spain Alastair Miles bass Don Carlos, Infante of Spain Julian Gavin tenor Rodrigo, Marquis of Posa William Dazeley baritone The Grand Inquisitor John Tomlinson bass Elisabeth de Valois, Philip’s Queen Janice Watson soprano Giuseppe Verdi Giuseppe Princess of Eboli Jane Dutton mezzo-soprano Thibault,Elisabeth de Valois’ page Julia Sporsén soprano Countess of Aremberg silent Count of Lerma Stephen Briggs tenor An old Monk Clive Bayley bass Voice from Heaven Rebecca Ryan soprano Royal Herald Campbell Russell tenor Flemish Deputies Julian Close bass Grant Doyle baritone Stephen Richardson bass Riccardo Simonetti baritone A. Galloway Bell bass Stephen Dowson baritone Chorus of Opera North Timothy Burke chorus master Orchestra of Opera North David Greed leader Alexander Ingram assistant conductor Giuseppe Verdi Richard Farnes 3 Time Page Time Page compact disc one 11 ‘Carlos my friend, hope of our future’ 4:27 [p.47] Act I Rodrigo, Eboli, Elisabeth Scene 1: At the tomb of Charles V in the Monastery of San Juste 12 ‘I come before the Queen and I ask for a favour’ 7:57 [p.48] 1 Prelude 2:17 [p.40] 13 ‘Here where I stand let the earth crack asunder’ 1:46 [p.50] 2 ‘Charles the Fifth, our mighty Lord’ 4:01 [p.40] Don Carlos,
    [Show full text]
  • Verdirequiem2016z.Pdf
    H.-U. WILI: GIUSEPPE VERDI (1813-1901) Messa da Requiem (1868-1874) 1 31.12.2015, 16.30h/huw (VerdiRequiem2016z.docx) Konzert des Singkreises Wohlen vom 29. Mai 2016 im Kulturcasino Bern: GIUSEPPE VERDI (1813-1901): Messa da Requiem (1868-1874) Inhaltsübersicht Nr. Bst. Inhalt S. Rz. I. Einleitung 3-4 1-4 II. GIUSEPPE FRANCESCO FORTUNINO VERDI (1813-1901) 4-125 5-168 A. Lebensabriss und Charakterisierung 4-83 5-156 a. Herkunftsfamilie, Jugend und Bildung 4-9 5-20 1. Geistliche und weltliche Frühkompositionen VERDIS 5-8 7-12 2. Oberto, conte di San Bonifacio 8 13 3. Un giorno di regno ossia il finto Stanislao 9 14 b. VERDIS „Galeerenjahre“ 9-13 15-20 c. VERDI – Dramatiker par excellence 13-50 21-102 4. Nabucco 15-16 25-26 5. I Lombardi alla prima crociata 16-17 27-29 6. Ernani 18-19 30-33 7. I due Foscari 19 34-35 8. Giovanna d’Arco 19-20 36 9. Alzira 20 37 10. Attila 20-21 38-39 11. Macbeth 21-22 40-41 12. I masnadieri 22-23 42-44 13. Jérusalem 23-25 45-47 14. Il corsaro 25-26 48-50 15. La battaglia di Legnano 26-28 51-54 16. Luisa Miller 28 55-56 17. Stiffelio 29-30 57-59 18. Rigoletto 31-32 60-63 19. Il trovatore 32-34 64-67 20. La traviata 34-37 68-71 21. Les vêpres siciliennes 37-38 72-73 22. Simon Boccanegra I 38 74-75 23. Aroldo 39 76 24. Un ballo in maschera 39-40 77-79 25.
    [Show full text]