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MEDIEVAL ARMOR Over Time
The development of MEDIEVAL ARMOR over time WORCESTER ART MUSEUM ARMS & ARMOR PRESENTATION SLIDE 2 The Arms & Armor Collection Mr. Higgins, 1914.146 In 2014, the Worcester Art Museum acquired the John Woodman Higgins Collection of Arms and Armor, the second largest collection of its kind in the United States. John Woodman Higgins was a Worcester-born industrialist who owned Worcester Pressed Steel. He purchased objects for the collection between the 1920s and 1950s. WORCESTER ART MUSEUM / 55 SALISBURY STREET / WORCESTER, MA 01609 / 508.799.4406 / worcesterart.org SLIDE 3 Introduction to Armor 1994.300 This German engraving on paper from the 1500s shows the classic image of a knight fully dressed in a suit of armor. Literature from the Middle Ages (or “Medieval,” i.e., the 5th through 15th centuries) was full of stories featuring knights—like those of King Arthur and his Knights of the Round Table, or the popular tale of Saint George who slayed a dragon to rescue a princess. WORCESTER ART MUSEUM / 55 SALISBURY STREET / WORCESTER, MA 01609 / 508.799.4406 / worcesterart.org SLIDE 4 Introduction to Armor However, knights of the early Middle Ages did not wear full suits of armor. Those suits, along with romantic ideas and images of knights, developed over time. The image on the left, painted in the mid 1300s, shows Saint George the dragon slayer wearing only some pieces of armor. The carving on the right, created around 1485, shows Saint George wearing a full suit of armor. 1927.19.4 2014.1 WORCESTER ART MUSEUM / 55 SALISBURY STREET / WORCESTER, MA 01609 / 508.799.4406 / worcesterart.org SLIDE 5 Mail Armor 2014.842.2 The first type of armor worn to protect soldiers was mail armor, commonly known as chainmail. -
History and Drafting of Hose By: Adelheid Holtzhauer
History and Drafting of Hose By: Adelheid Holtzhauer Introduction Leg coverings of some sort have been worn throughout history by both men and women. For the purposes of this class, the hose we will be looking at are fitted, closed footed and made of woven fabric. There are many garments called Hose and Hosen worn throughout history. Extant examples have been found dating back to the 2nd century such as the footed hose found a Martres-de- Veyre. Image 1: Womens woollen twill hose excavated at Martres-de-Veyre Although there are many different garments that could be referred to as hose, in this class we will be focusing on "Single Hose" and "Attached Hose". Single hose cover one leg and can vary in length/height. Attached hose are essentially tight fitted trews. Over the course of time, single hose went from knee length and gartered with trim, to full fitted "pants" to thigh high and attached with to a belt at the waist, to detached and gartered under the knee to the full legging style common in the late 161h century. Image 2 shows a pair of attached hose which are carbon dated to 1355 AD and were found in the Damendorf Bog. Image 2: Susan Moller- Image 4: After a photo in Wlering: War and worship, p Nockert: 114 Bockstenmannen och Image 3: Margareta hans drakt Nockert: Bockstenmannen och hans drakt. pg 61 The knee high hose in image 3 were found on the Bocksten Bog Man generally dated to the th 14 century but were carbon dated between 1290 and 1430. -
FITA Level 1 Coaching Guide
COACHES MANUAL ENTRY LEVEL http://www.archery.org FITA Coaches Committee Coaching Manual - Entry Level Table of Content s Introduction Chapter 1 The archer’s skills Chapter 2 S teps of the Shooting Sequence Chapter 3 Safety Chapter 4 Archery Classes and Entry level Program Chapter 5 Common Problems Chapter 6 Coach’s Role Chapter 7 Teaching suggestions for the Coach Chapter 8 Tip s for your demonstration, organization and present ation Chapter 9 Tip s for practice planning Chapter 10 Some suggested Teaching exercises Chapter 11 Facilities for group instruction Chapter 12 The disabled archer Chapter 13 Games COACHING MANUAL Glossary COACHING MANUAL Dear Coaches and Friends, As President of FITA, I am very pleased with the results of the hard work of the Coaches Committee, the FITA office and all those coaches who have contributed to this valuable manual. FITA now has an updated coaching manual that will unify the basic coaching knowledge of the best coaches in the world. It is important that a uniform method be used at the basic level to give all new enthusiasts a well-tested foundation of the best archery practices. Archers will be able to go from this level to that of a recreational, national or international participant, building on this basic training with intermediate and expert coach- ing. My special thanks to Juan Carlos Holgado, Coaches Committee Chairman and Pascal Colmaire, FITA Development Director for their great effort and knowledge to write and compile this manual. Best regards, Jim Easton President COACHING MANUAL ere is the first coaching manual of the Federation Internationale de Tir àl'Arc (FITA). -
ANZ Shooting Rules 2018
Archery NZ Shooting Rules 2018 Contents INTRODUCTION ....................................................................................................................................... 4 BOW SAFETY ........................................................................................................................................... 4 1. Notes ............................................................................................................................................... 4 2. General ............................................................................................................................................ 4 Shooting Rules ........................................................................................................................................ 5 1 RECOGNISED CATEGORIES ............................................................................................................... 5 1.1 Archers’ Equipment .................................................................................................................. 5 1.2 Classes ....................................................................................................................................... 5 2 SHOOTING RULES APPLICATION ...................................................................................................... 5 2.1 Application ................................................................................................................................ 5 2.2 Archers with disabilities ........................................................................................................... -
Stab Resistant Body Armour
IAN HORSFALL STAB RESISTANT BODY ARMOUR COLLEGE OF DEFENCE TECHNOLOGY SUBMITTED FOR THE AWARD OF PhD CRANFIELD UNIVERSITY ENGINEERING SYSTEMS DEPARTMENT SUBMITTED FOR THE AWARD OF PhD 1999-2000 IAN HORSFALL STAB RESISTANT BODY ARMOUR SUPERVISOR DR M. R. EDWARDS MARCH 2000 ©Cranfield University, 2000. All rights reserved. No part of this publication may be reproduced without the written permission of the copyright holder. ABSTRACT There is now a widely accepted need for stab resistant body armour for the police in the UK. However, very little research has been done on knife resistant systems and the penetration mechanics of sharp projectiles are poorly understood. This thesis explores the general background to knife attack and defence with a particular emphasis on the penetration mechanics of edged weapons. The energy and velocity that can be achieved in stabbing actions has been determined for a number of sample populations. The energy dissipated against the target was shown to be primarily the combined kinetic energy of the knife and the arm of the attacker. The compliance between the hand and the knife was shown to significantly affect the pattern of energy delivery. Flexibility and the resulting compliance of the armour was shown to have a significant effect upon the absorption of this kinetic energy. The ability of a knife to penetrate a variety of targets was studied using an instrumented drop tower. It was found that the penetration process consisted of three stages, indentation, perforation and further penetration as the knife slides through the target. Analysis of the indentation process shows that for slimmer indenters, as represented by knives, frictional forces dominate, and indentation depth becomes dependent upon the coefficient of friction between indenter and sample. -
Coaches Manual
Lviv State University of Physical Culture named after Ivan Boberskyj Department of shooting and technical sports Subject "Theory and Methodology of the Selected Sport and Improvement of Sports Skill – archery" for 4 courses students LECTURE: "TERMINOLOGY / GLOSSARY IN ARCHERY" by prof. Bogdan Vynogradskyi Lviv – 2020 TERMINOLOGY / GLOSSARY Actual draw length: The personal draw length Barrelled arrow: An arrow that has a greater of the archer measured at full draw, from the cross section in the middle and tapers down at bottom of the slot in the nock to the pivot point both ends. of the grip plus 1 3/4 inch (45mm), which is the Basic technique: The fundamental technique of back edge (far side of the bow) on most bows. shooting a bow and arrow. Usually the style Actual arrow length: The personal arrow taught during the introduction to archery, length of the archer, measured from the bottom forming the basis for consistent shooting. slot of the nock to the end of the shaft (this Belly (of bow): The surface of the bow facing measurement does not include the point/pile); the archer during shooting. Also known as the with this end of the shaft at 1 inch (25mm) in “face” of the bow. front of the vertical passing through the deepest point of the bow grip or the arrow rest. Black: The fourth scoring colour on the Indoor/Outdoor target face, when counting from Actual draw weight: The energy required to the centre of the target. draw the bow to the actual draw length (commonly measured in pounds). -
From Knights' Armour to Smart Work Clothes
September 16, 2020 Suits of steel: from knights’ armour to smart work clothes From traditional metal buttons to futuristic military exoskeletons, which came to the real world from the pages of comics. From the brigandines of medieval dandies to modern fire-resistant clothing for hot work areas. Steel suits have come a long way, and despite a brief retreat caused by a “firearm”, they are again conquering the battlefields and becoming widely used in cutting-edge operations. Ancestors of skins and cotton wool The first armour that existed covered the backs of warriors. For the Germanic tribes who attacked the Roman Empire, it was not considered shameful to escape battle. They protected their chests by dodging, while covering their backs, which became vulnerable when fleeing, with thick animal skins over the shoulders. Soldiers of ancient Egypt and Greece wore multi-layer glued and quilted clothes as armour. Mexican Aztecs faced the conquistadors in quilted wadded coats a couple of fingers thick. In turn, the Spanish borrowed the idea from the Mexicans. In medieval Europe, such protective clothing was widely used up to the 16th century. The famous Caucasian felt cloak also began life as armour. Made of wool using felting technology, it was invulnerable against steel sabres , arrows and even some types of bullets. Metal armour: milestones Another ancient idea for protective clothing was borrowed from animals. The scaled skin of pangolins was widely used as armour by Indian noble warriors, the Rajputs. They began to replicate a scaly body made of copper back in ancient Mesopotamia, then they began to use brass and later steel. -
BRAND NAME PRODUCTS Branded Male Marketing to Men.Pdf
Branded Male hb aw:Branded Male 15/1/08 10:10 Page 1 BRANDED MALE Mark Tungate is the “Tungate dissects the social trends that have been shaping the male consumer across a Men are not what they were. In article after author of the variety of sectors in recent years… Provides insights on how brands can tackle the article we’re told a new type of man is bestselling Fashion business of engaging men in a relevant way – and the influential role that the women in abroad – he’s more interested in looking Brands, as well as the their lives play.” good and he’s a lot keener on shopping. highly acclaimed Carisa Bianchi, President, TBWA / Chiat / Day, Los Angeles Adland: A Global Branded Male sets out to discover what History of Advertising, “Finally a book that uses humour, examples and clever storytelling to shed a new light on makes men tick as consumers and how both published by male trends. Helps us approach male consumers as human beings and not simply as products and services are effectively Kogan Page. Based in marketing targets.” branded for the male market. Using a day Photography: Philippe Lemaire Paris, he is a journalist in the life of a fictional “branded male”, specializing in media, marketing and Roberto Passariello, Marketing Director, Eurosport International Mark Tungate looks at communication. Mark has a weekly column BRANDED male-orientated brands and their in the French media magazine Stratégies, “Ideas, advice and insights that will help anyone aiming to get messages across marketing strategies in areas as diverse as: and writes regularly about advertising, style to men.” and popular culture for the trends David Wilkins, Special Projects Officer, Men’s Health Forum • grooming and skincare; intelligence service WGSN and the • clothes; magazine Campaign. -
Saint Demetrios of Thessaloniki
Master of Philosophy Faculty of Arts University of Glasgow Saint Demetrios of Thessaloniki By Lena Kousouros Christie's Education London Master's Programme September 2000 ProQuest Number: 13818861 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 13818861 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 ^ v r r ARV- ^ [2,5 2 . 0 A b stract This thesis intends to explore the various forms the representations of Saint Demetrios took, in Thessaloniki and throughout Byzantium. The study of the image of Saint Demetrios is an endeavour of considerable length, consisting of numerous aspects. A constant issue running throughout the body of the project is the function of Saint Demetrios as patron Saint of Thessaloniki and his ever present protective image. The first paper of the thesis will focus on the transformation of the Saint’s image from courtly figure to military warrior. Links between the main text concerning Saint Demetrios, The Miracles, and the artefacts will be made and the transformation of his image will be observed on a multitude of media. -
World Crossbow Shooting Association - TARGET, STANDARD, FREESTYLE & MEDIEVAL CROSSBOW RULES
World Crossbow Shooting Association - TARGET, STANDARD, FREESTYLE & MEDIEVAL CROSSBOW RULES WORLD CROSSBOW SHOOTING ASSOCIATION SHOOTING RULES FOR TARGET, MEDIEVAL, STANDARD, FREESTYLE CROSSBOWS AND GENERAL SHOOTING RULES. EFFECTIVE 1st January 2019 Effective, 1st January 2019 Page: 1 World Crossbow Shooting Association - TARGET, STANDARD, FREESTYLE & MEDIEVAL CROSSBOW RULES INDEX Clause Item Page No INDEX ................................................................................................................................................................................. .................. 2 DEFINITIONS ...................................................................................................................................................................................... 6 SECTION 1. WORLD CHAMPIONSHIPS, REGINAL CHAMPIONSHIP, JUDGING, RECORDS, ASSISTED SHOOTERS 1 PRECEDENCE, INTERPRETATION AND AMENDMENTS ..................................................................................................... 9 2 WORLD CHAMPIONSHIPS ...................................................................................................................................................... 9 2.1 Outdoor Target ................................................................................................................................................................ 2.2 3D ................................................................................................................................................................................... -
Tenpoint 2017Catalog Screen
4–7 | New for 2017 8–15 | Crossbows 16–19 | Crossbow Features 20–21 | Crossbow Specifications YOUR DESTINATION Dense Eastern Pine Forest YOUR CHALLENGE Tight spaces, low light, and thick cover 24–25 | Cocking Devices YOUR EQUIPMENT Carbon Nitro RDX™ with Pro Elite™ Carbon Arrows 26–27 | Crossbow Accessories 28–30 | Crossbow Arrows & Nocks 31 | String & Cable Guide WWW.TENPOINTCROSSBOWS.COM PAGE 9 Featuring our new RCX Cam System™, the game-changing Carbon Phantom RCX is the most efficient crossbow we have ever designed. Utilizing a 16-inch power stroke, its lightweight 160-pound bow assembly measures an ultra-compact 13.375-inches axle-to-axle and generates speeds up to a blazing 385 FPS. Pair that power with its new ACX™ (Adjustable Comfort Crossbow) stock and ultra-light carbon fiber barrel, and this agile-handling, hard-hitting crossbow is unmatched by the competition. NEW FOR 2017 UP TO THREE NEW PERFORMANCE-INSPIRING HUNTING MACHINES SHOW WHY TENPOINT REIGNS AS THE DEFINING MANUFACTURER 385 FPS OF ELITE-QUALITY CROSSBOWS. TO OUR CUSTOMERS TenPoint has just completed one of the most productive years in its Perhaps more importantly, this investment also involved hiring a history — a year ultimately focused on our ongoing commitment to group of highly qualified middle management professionals to technological advancement, impeccable customer service, help stimulate and manage future growth, innovation, and quality. and the production of premium crossbow products. Finally, I am proud to report that my two sons, Phil and Steve, First, we engineered and built three exciting new models for and my nephew, Mike Shaffer, have worked 24/7 to manage the 2017 — the premium-level Carbon Phantom RCX, the thrilling facilities expansion and a rather remarkable transformation Eclipse RCX, and the entry-level Renegade. -
Banners in Heraldic Art
Banners in heraldic art Magnus Backrnark Abstract The banner is very useful to heraldic art. It is a carrier of charges and colours, just like its coun terpart the shield. But where the shield can be seen as crude, heavy, flat and robust - its purpose being taking hits- the banner is brilliant, swift, full of I ife and motion. Its purpose is spiritual. It is lifted above anyone's head, above dust and confusion, for inspiration and guiding. Something of this character, I will with this article try to show by examples that the heraldic artist, if lucky, can translate in his or her work. First, we could though take a quick glance at the historical development of banners. The term banner approves, as we shall see, to a specific kind of flag, but in a wide sense of the word a banner is any ensign made of a peace of cloth, carried on a staff and with symbolic value to its owner(s). The profound nature of this innovation, which seem to be of oriental origin, makes it the mother of all kinds of flags. The etymologi cal root of the word banner is the French word banniere, derived from latin bandaria, bandum, which has German extraction, related to gothic bandwa, bandw6, 'sign'. 1 The birth of heraldry in the l2 h century Western world was preceded by centuries of use of early forms of banners, called gonfanons. From Bysantium to Normandy, everywhere in the Christian world, these ensigns usually were small rectangular lance flags with tai Is (Fig.