Various Concord Jazz Guitar Collection - Volumes 1 and 2 Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Various Concord Jazz Guitar Collection - Volumes 1 And 2 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Concord Jazz Guitar Collection - Volumes 1 And 2 Country: Germany Released: 1987 MP3 version RAR size: 1741 mb FLAC version RAR size: 1554 mb WMA version RAR size: 1124 mb Rating: 4.9 Votes: 782 Other Formats: APE DMF MPC WAV FLAC MP1 MOD Tracklist 1 –Kenny Burrell La Petite Mambo 4:14 2 –Charlie Byrd Isn‘t It A Lovely Day 3:15 3 –Howard Roberts Dolphin Dance 5:24 4 –Eddie Duran Zigeuner 4:29 5 –Joe Pass Prelude To A Kiss 5:25 6 –Barney Kessel I‘m On My Way 4:16 7 –George Barnes I Can‘t Get Started 3:05 8 –Remo Palmier* Side Tracks 4:38 9 –Herb Ellis Georgia On My Mind 4:00 10 –Cal Collins Blues On My Mind 5:39 11 –Tal Farlow You Don‘t Know What Love Is 4:03 12 –Laurindo Almeida Claire De Lune Samba 4:58 13 –Joe Pass & Herb Ellis Seven Come Eleven 4:39 14 –George Barnes When Sunny Gets Blue 4:06 15 –Herb Ellis Orange Brown & Green 5:18 16 –Charlie Byrd Don‘t Cry For Me Argentina 3:32 Companies, etc. Marketed By – Bellaphon Barcode and Other Identifiers Barcode (scanned): 4003099999121 Matrix / Runout: INTERPRESS CCD-4160 31 Matrix / Runout (Mounded on Inner ring): INTERPRESS COMPACT DISC MADE IN W.GERMANY Other versions Category Artist Title (Format) Label Category Country Year Concord Jazz Guitar Collection (2xLP, CJ-160 Various Concord Jazz CJ-160 US 1981 Comp) The Concord Jazz Guitar Collection CCD-4160 Various Concord Jazz CCD-4160 US 1987 Volumes 1 And 2 (CD, Album, Comp) Related Music albums to Concord Jazz Guitar Collection - Volumes 1 And 2 by Various Monty Alexander ▪ Ray Brown ▪ Herb Ellis - Triple Treat Various - Guitar Player Herb Ellis - Charlie Byrd - Guitar/Guitar Great Guitars / Charlie Byrd · Barney Kessel · Herb Ellis - Great Guitars At The Winery Herb Ellis, Red Mitchell - Doggin' Around Ray Brown - The Best Of The Concord Years André Previn / Herb Ellis / Shelly Manne / Ray Brown - 4 To Go! Herb Ellis And Freddie Green - Rhythm Willie Herb Ellis & Ray Brown - Herb Ellis & Ray Brown's Soft Shoe Joe Pass, Ray Brown, Jake Hanna, Herb Ellis - Jazz/Concord.

Copy Link

Recommended publications

Wavelength (December 1981)
University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 12-1981 Wavelength (December 1981) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (December 1981) 14 https://scholarworks.uno.edu/wavelength/14 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. ML I .~jq Lc. Coli. Easy Christmas Shopping Send a year's worth of New Orleans music. to your friends. Send $10 for each subscription to Wavelength, P.O. Box 15667, New Orleans, LA 10115 ·--------------------------------------------------r-----------------------------------------------------· Name ___ Name Address Address City, State, Zip ___ City, State, Zip ---- Gift From Gift From ISSUE NO. 14 • DECEMBER 1981 SONYA JBL "I'm not sure, but I'm almost positive, that all music came from New Orleans. " meets West to bring you the Ernie K-Doe, 1979 East best in high-fideUty reproduction. Features What's Old? What's New ..... 12 Vinyl Junkie . ............... 13 Inflation In Music Business ..... 14 Reggae .............. .. ...... 15 New New Orleans Releases ..... 17 Jed Palmer .................. 2 3 A Night At Jed's ............. 25 Mr. Google Eyes . ............. 26 Toots . ..................... 35 AFO ....................... 37 Wavelength Band Guide . ...... 39 Columns Letters ............. ....... .. 7 Top20 ....................... 9 December ................ ... 11 Books ...................... 47 Rare Record ........... ...... 48 Jazz ....... .... ............. 49 Reviews ..................... 51 Classifieds ................... 61 Last Page ................... 62 Cover illustration by Skip Bolen. Publlsller, Patrick Berry. Editor, Connie Atkinson.
[Show full text]
Brian Casserly, Who Also Goes by the Name "Big B" Plays Trumpet, Trombone and Is Also a Vocalist with the Band
Cornet Chop Suey – Biographies The Cornet Chop Suey Jazz Band has enjoyed a meteoric rise in popularity since its arrival on the jazz scene in 2001. The band's unique front line with Brian Casserly on trumpet, Tom Tucker on cornet, Jerry Epperson on reeds and Brett Stamps on trombone is driven by a powerful rhythm section consisting of Paul Reid on piano, Al Sherman on bass and John Gillick on drums. Best known for a wide variety of styles, Cornet Chop Suey applies its own exciting style to traditional jazz, swing, blues and "big production" numbers. Every performance by Cornet Chop Suey is a high-energy presentation and is always a memorable experience for the audience. Named after a somewhat obscure Louis Armstrong composition, Cornet Chop Suey now has six CD's available. The "St. Louis Armstrong" CD includes many of the tunes performed in the special Louis Armstrong show. The band is in great demand at jazz festivals, jazz cruises, conventions and concerts around the country. Brian Casserly, who also goes by the name "Big B" plays trumpet, trombone and is also a vocalist with the band. A professional musician since the age of 14, Brian has played for many greats in the music business, including Tony Bennett,Tex Beneke, Stan Kenton, Chuck Berry and even Tiny Tim. He has also played the prestigious Monterey Pops Festival for several years. An in-demand session musician, Brian has performed in many commercials, recordings and musicals in the U.S. and Canada and is the past musical director for the S.S.
[Show full text]
A Strayhorn Centennial Salute NJJS Presents an Afternoon of Billy Strayhorn’S Music at Morristown’S Mayo PAC See Page 26
Volume 43 • Issue 7 July/August 2015 Journal of the New Jersey Jazz Society Dedicated to the performance, promotion and preservation of jazz. Michael Hashim leads the Billy Strayhorn Orchestra at the Mayo Performing Arts Center in Morristown on June 14. Photo by Mitchell Seidel. A Strayhorn Centennial Salute NJJS presents an afternoon of Billy Strayhorn’s music at Morristown’s Mayo PAC See page 26. New JerseyJazzSociety in this issue: New JerSey JAzz SocIety Prez Sez. 2 Bulletin Board ......................2 NJJS Calendar ......................3 Jazz Trivia .........................4 Mail Box. 4 Prez Sez Editor’s Pick/Deadlines/NJJS Info .......6 Crow’s Nest. 46 By Mike Katz President, NJJS Change of Address/Support NJJS/ Volunteer/Join NJJS. 47 NJJS/Pee Wee T-shirts. 48 hope that everyone who is reading this is July 31. It will also be a first for us, as Jackie New/Renewed Members ............48 I having a great summer so far and/or has made Wetcher and I will be spending a couple of days StorIeS plans for their upcoming summer vacation. I also there. Billy Strayhorn Tribute ...........cover hope that those plans include the Morristown Jazz At six o’clock, the music turns to the blues with Big Band in the Sky ..................8 and Blues Festival, which will be taking place on the always entertaining Roomful of Blues followed Talking Jazz: Roseanna Vitro. 12 Saturday, August 15 on the Morristown Green. Noteworthy ......................24 by the legendary blues hall of fame harmonica President Emeritus Writes ...........28 The festival is returning for the fifth season and player Charlie Musselwhite and his all-star band 92nd St.
[Show full text]
Drums • Bobby Bradford - Trumpet • James Newton - Flute • David Murray - Tenor Sax • Roberto Miranda - Bass
1975 May 17 - Stanley Crouch Black Music Infinity Outdoors, afternoon, color snapshots. • Stanley Crouch - drums • Bobby Bradford - trumpet • James Newton - flute • David Murray - tenor sax • Roberto Miranda - bass June or July - John Carter Ensemble at Rudolph's Fine Arts Center (owner Rudolph Porter)Rudolph's Fine Art Center, 3320 West 50th Street (50th at Crenshaw) • John Carter — soprano sax & clarinet • Stanley Carter — bass • William Jeffrey — drums 1976 June 1 - John Fahey at The Lighthouse December 15 - WARNE MARSH PHOTO Shoot in his studio (a detached garage converted to a music studio) 1490 N. Mar Vista, Pasadena CA afternoon December 23 - Dexter Gordon at The Lighthouse 1976 June 21 – John Carter Ensemble at the Speakeasy, Santa Monica Blvd (just west of LaCienega) (first jazz photos with my new Fujica ST701 SLR camera) • John Carter — clarinet & soprano sax • Roberto Miranda — bass • Stanley Carter — bass • William Jeffrey — drums • Melba Joyce — vocals (Bobby Bradford's first wife) June 26 - Art Ensemble of Chicago Studio Z, on Slauson in South Central L.A. (in those days we called the area Watts) 2nd-floor artists studio. AEC + John Carter, clarinet sat in (I recorded this on cassette) Rassul Siddik, trumpet June 24 - AEC played 3 nights June 24-26 artist David Hammond's Studio Z shots of visitors (didn't play) Bobby Bradford, Tylon Barea (drummer, graphic artist), Rudolph Porter July 2 - Frank Lowe Quartet Century City Playhouse. • Frank Lowe — tenor sax • Butch Morris - drums; bass? • James Newton — cornet, violin; • Tylon Barea -- flute, sitting in (guest) July 7 - John Lee Hooker Calif State University Fullerton • w/Ron Thompson, guitar August 7 - James Newton Quartet w/guest John Carter Century City Playhouse September 5 - opening show at The Little Big Horn, 34 N.
[Show full text]
HA-Bio New 2010
Howard Alden- Jazz Guitarist “He may be the best of his generation,” writes Owen Cordle in JAZZ TIMES. George Kanzler of the NEWARK STAR LEDGER proclaims that he is “the most impressive and creative member of a new generation of jazz guitarists.” And Chip Deffaa of the NEW YORK POST observes that he is “ ...one of the very ﬁnest young guitarists working today.” It seems that the only thing regarding Howard Alden on which the critics have debate is whether the remarkable jazz guitarist is one of the best or simply the best. Born in Newport Beach, California, in 1958, Howard began playing at age ten, inspired by recordings of Louis Armstrong, Count Basie and Benny Goodman, as well as those by guitarists Barney Kessel, Charlie Christian, Django Reinhardt and George Van Eps. Soon he was working professionally around Los Angeles playing in groups ranging from traditional to mainstream to modern jazz. In 1979, Alden went east, for a summer in Atlantic City with vibraphone legend Red Norvo, and continued to perform with him frequently for several years. Upon moving to New York City in 1982, Aldenʼs skills, both as soloist and accompanist, were quickly recognized and sought-out for appearances and recordings with such artists as Joe Bushkin, Ruby Braff, Joe Williams, Warren Vache` and Woody Herman. He has continued to win accolades from critics and musicians alike, adding Benny Carter, Flip Phillips, Mel Powell, Bud Freeman, Kenny Davern, Clark Terry, Dizzy Gillespie and George Van Eps, as well as notable contemporaries such as Scott Hamilton and Ken Peplowski to his list of impressive credits.
[Show full text]
1993 February 24, 25, 26 & 27, 1993
dF Universitycrldaho LIoNEL HmPToN/CHEVRoN JnzzFrsrr\Al 1993 February 24, 25, 26 & 27, 1993 t./¡ /ìl DR. LYNN J. SKtNNER, Jazz Festival Executive Director VtcKt KtNc, Program Coordinator BRTNoR CAtN, Program Coordinator J ¡i SusnN EHRSTINE, Assistant Coordinator ltl ñ 2 o o = Concert Producer: I É Lionel Hampton, J F assisted by Bill Titone and Dr. Lynn J. Skinner tr t_9!Ð3 ü This project is supported in part by a grant from the National Endowment for the Arts We Dedicate this 1993 Lionel Hømpton/Chevron Jøzz Festivül to Lionel's 65 Years of Devotion to the World of Juzz Page 2 6 9 ll t3 r3 t4 l3 37 Collcgc/Univcrsity Compctition Schcdulc - Thursday, Feh. 25, 1993 43 Vocal Enserrrbles & Vocal Conrbos................ Harnpton Music Bldg. Recital Hall ...................... 44 45 46 47 Vocal Compctition Schcrlulc - Fridav, Fcli. 2ó, 1993 AA"AA/AA/Middle School Ensenrbles ..... Adrrrin. Auditoriunr 5l Idaho Is OurTenitory. 52 Horizon Air has more flights to more Northwest cities A/Jr. High/.Ir. Secondary Ensenrbles ........ Hampton Music Blclg. Recital Hall ...............,...... 53 than any other airline. 54 From our Boise hub, we serve the Idaho cities of Sun 55 56 Valley, Idaho Falls, Lewiston, MoscowÆullman, Pocatello and AA/A/B/JHS/MIDS/JR.SEC. Soloists ....... North Carnpus Cenrer ll ................. 57 Twin Falls. And there's frequent direct service to Portland, lnstrurncntal Corupctilion'Schcrlulc - Saturday, Fcll. 27, 1993 Salt Lake City, Spokane and Seattle as well. We also offer 6l low-cost Sun Valley winter 8,{. {ÀtûåRY 62 and summer vacation vt('8a*" å.t. 63 packages, including fOFT 64 airfare and lodging.
[Show full text]
CELEBRATING OSCAR PETERSON Posted on February 16, 2021
BLACK HISTORY MONTH | CELEBRATING OSCAR PETERSON Posted on February 16, 2021 Category: News Oscar Emmanuel Peterson (1925–2007) | Agent of Change | Remembered as a virtuoso jazz pianist and composer of Hymn to Freedom, an international anthem to civil rights. The son of immigrants from the West Indies, Oscar Peterson was born in Montréal, Québec and grew up in Little Burgundy, a predominantly Black neighbourhood of the city where he was immersed in the culture of jazz. He was five years old when he began taking music lessons from his father. He also studied classical piano with his sister, Daisy Peterson Sweeney, who went on to teach other renowned jazz artists. Peterson later attended the Conservatoire de musique du Québec è Montrèal and studied classical piano with Paul de Marky, but with a deep interest in jazz, he also played boogie-woogie and ragtime. At only 14 years old, Peterson won the national Canadian Broadcasting Corporation music competition, after which he dropped out of high school and joined a band with jazz trumpeter and classmate Maynard Ferguson. While still a teenager, Peterson played professionally at hotels and at a weekly radio show. He also joined the Jonny Holmes Orchestra as its only Black musician. From 1945 to 1949, Peterson recorded 32 songs with RCA Victor. Beginning in the 1950s, he released several albums each year while appearing on over 200 albums by other artists including Billie Holiday, Louis Armstrong, Count Basie, Ella Fitzgerald, and Dizzy Gillespie. In 1949, jazz impresario Norman Ganz was on his way to the airport in Montréal, when hearing Peterson playing live on radio, asked the cab driver to take him to the club where the concert was being aired.
[Show full text]
Groovyvol. 54
ＫＪＦＣ (九谷ジャズファンクラブ )会報 www.kjfc.info ＧＲＯＯＶＹVOL. 54 2012.6.23 ジャズ喫茶・ライブハウスの話題ハービー・ハンコック研究 1 ＣＯＮＴＥＮＴＳ〔連載〕ジャズ喫茶・ライブハウスの話題第 2 回 Kjfc2ndAlt ・・・ 1 ハービー・ハンコック研究・第 202020 回回回/ 回///高木信哉高木信哉高木信哉・・・ 6 〔例会レポート〕 8 フィリー城石井宏一紅我蘭堂 Y.S. Y.T Kjfc2ndAlt 他表紙及び本文中イラスト制作（一部ロゴマーク除く）・・・・・水戸守敬一郎無断転載はかたくお断りいたします。印刷・製本：文京堂東京都文京区本駒込 1－10 －4 電話 03 －3941 －4508 ジャズ喫茶・ライブハウスの話題第２回 Kjfc2ndAlt 新宿「新宿「BIRDLANDBIRDLANDBIRDLAND」」」」ジャズ喫茶、アメリカのジャズ･クラブの名前シリーズ４回目は、新宿二丁目にあった「BIRDLAND」。マスターは酋長と呼ばれていたそうですが、二度目に行った時はもう店はありませんでした。「BIRDLAND」という名前のお店は今でも赤坂他各地にありますね。チャーリー・パーカーのニックネームに因んで命名されたニューヨークの BIRDLAND ではカウント・ベイシー、コルトレーン、アート・ブレーキーほか多くの録音が残されています。ピー・ウィー・マーキットのかん高い声の MC が耳に残ります。ジョージ・シアリングの「ララバイ・オブ・バードランド」は名曲、名演です。人気のあった BIRDLAND も６５年にはロックの波に押されて閉店になりました。しかしながら閉店から２１年後の１９８６年にニューヨークの BIRDLAND は再開を果たしています。チャーリー・パーカーは BIRDLAND について”The Jazz Corner Of The World”と言ったそうです。自由が丘と大阪の「５自由が丘と大阪の「５SPOTSPOTSPOT」」」」ジャズ喫茶、アメリカのジャズ･クラブの名前シリーズ５回目は、当然「FIVE SPOT」です。東京の自由が丘にジャズ評論家いソノ・てルヲ氏が経営されていたライブハウス「５SPOT」がありました。店内にはジャズメンを描いた大きな絵が何枚も掲げられていました。大阪万博があった時に初めて大阪に行きました。その時に行ったジャズ喫茶がやはり「５SPOT」でした。マッチを見ると道頓堀と心斎橋にありますが、どちらに行ったか覚えていません。道頓堀店の地下には「ARGO」というレストランもありました。ニューヨークの「FIVE SPOT」でのライブ録音はエリック・ドルフィーやセロニアス・モンクやペッパー・アダムスなどにあります。カーティス・フラーの「BLUES ette」に入っている、ベニー・ゴルソンが作曲した「Five Spot After Dark」もまた名曲、名演だと思います。原宿原宿原宿の原宿のののJAZZ CLUBCLUB「「「「KEYSTONEKEYSTONE KORNERKORNER」」」」サンフランシスコのジャズ・クラブ「Keystone Korner」が１９９１年に「Keystone Korner Tokyo」として原宿にもできました。早速その年にマル・ウォルドロンの演奏を聴きに行きました。その後アニタ・オディも出たので行きたかったのですが、行きそびれたので残念でした。このクラブはあまり長くは続かなかったようです。マッチ箱は無いのでメンバーズ・カードです。サンフランシスコの「Keystone
[Show full text]
Pressure of Trying to Make Each Note and Phrase a Little Jewel
(Sportiello, Metz and Parrott) had the crowd buzzing during intermission and rising en masse for a standing ovation... KEN FRANCKLING/JAZZTIMES Together, they are the most elegant trio around! DICK HYMAN ...pure straight ahead heaven... doesn’t miss a beat or drop a false note... CHRIS SPECTOR, MIDWEST RECORD ANY DAY IS A GOOD DAY FOR SOME SONGS Many recording sessions are tense affairs, because the musicians feel the pressure of trying to make each note and phrase a little jewel. But at a Rossano Sportiello session, his delight in being allowed to make music, his easy assurance that there is no need to rush, makes everyone feel relaxed and joyous. No one could feel tense when his directions to the other musicians are so gentle, “You watch me. Maybe something nice will come out.” During playbacks, the control room was atypically quiet, because everyone (including visitors Harry Allen and Rebecca Kilgore) was busy listening and smiling. This trio is a friendly supportive community. Each voice is equal yet the three players come together from the first notes in a lovely synergy. Hear Ed Metz’s beautiful touch, his light-hearted rhythms that recall Jake Hanna so well: feathery brushwork or explosive accents. (Ed provides wonderfully apt incidental percus- sion, too.) Hear Nicki Parrott’s swinging pulse, the rich sonorities of her bass. Dur- ing this session, I would have sworn I heard a rhythm guitar because her sound is so ripe and full. As a singer, Nicki is one with the song. Her subtle, understated delivery is always convincing, whether she’s being perky or rueful.
[Show full text]
Herb Ellis Seven, Come Eleven (From Their Live Performance at the Concord Summer Festival) Mp3, Flac, Wma
Herb Ellis Seven, Come Eleven (From Their Live Performance At The Concord Summer Festival) mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Seven, Come Eleven (From Their Live Performance At The Concord Summer Festival) Country: US Released: 2015 Style: Post Bop, Swing MP3 version RAR size: 1446 mb FLAC version RAR size: 1837 mb WMA version RAR size: 1585 mb Rating: 4.7 Votes: 345 Other Formats: WAV VOX AA MP2 RA FLAC AIFF Tracklist Hide Credits In A Mellowtone A1 6:36 Written-By – Edward Kennedy Ellington* Seven Come Eleven A2 4:36 Written-By – Erroll Garner Prelude To A Kiss A3 5:20 Written-By – Duke Ellington, Irving Gordon, Irving Mills Perdido A4 4:51 Written-By – Ervin M. Drake*, Hans Lengsfelder, Juan Tizol I'm Confessin' (That I Love You) B1 4:49 Written-By – Doc Daugherty, Ellis Reynolds Easy Living B2 4:08 Written-By – Leo Robin, Ralph Rainger Concord Blues B3 8:10 Written-By – Herb Ellis Companies, etc. Phonographic Copyright (p) – Concord Jazz, Inc. Copyright (c) – Concord Jazz, Inc. Recorded At – Concord Boulevard Park Mastered At – The Lacquer Channel, Sausalito Manufactured By – Custom Fidelity Published By – Robins Music Corp. Published By – Octave Music Publishing Corp. Published By – American Academy Of Music, Inc. Published By – Tempo Music Inc. Published By – Bourne, Inc. Published By – Famous Music Corporation Published By – Joel Music Co. Credits Bass – Ray Brown Drums – Jake Hanna Guitar – Herb Ellis, Joe Pass Liner Notes – Philip Elwood Photography By [Cover] – Richard Hixson Recorded By, Mixed By [Remix],
[Show full text]
Newsletternewsletter March 2015
NEWSLETTERNEWSLETTER MARCH 2015 HOWARD ALDEN DIGITAL RELEASES NOT CURRENTLY AVAILABLE ON CD PCD-7053-DR PCD-7155-DR PCD-7025-DR BILL WATROUS BILL WATROUS DON FRIEDMAN CORONARY TROMBOSSA! ROARING BACK INTO JAZZ DANCING NEW YORK ACD-345-DR BCD-121-DR BCD-102-DR CASSANDRA WILSON ARMAND HUG & HIS JOHNNY WIGGS MOONGLOW NEW ORLEANS DIXIELANDERS PCD-7159-DR ACD-346-DR DANNY STILES & BILL WATROUS CLIFFF “UKELELE IKE” EDWARDS IN TANDEM INTO THE ’80s HOME ON THE RANGE AVAilable ON AMAZON, iTUNES, SPOTIFY... GHB JAZZ FOUNDATION 1206 Decatur Street New Orleans, LA 70116 phone: (504) 525-5000 fax: (504) 525-1776 email: [email protected] website: jazzology.com office manager: Lars Edegran assistant: Jamie Wight office hours: Mon-Fri 11am – 5pm entrance: 61 French Market Place newsletter editor: Paige VanVorst contributors: Jon Pult and Trevor Richards HOW TO ORDER Costs – U.S. and Foreign MEMBERSHIP If you wish to become a member of the Collector’s Record Club, please mail a check in the amount of $5.00 payable to the GHB JAZZ FOUNDATION. You will then receive your membership card by return mail or with your order. As a member of the Collector’s Club you will regularly receive our Jazzology Newsletter. Also you will be able to buy our products at a discounted price – CDs for $13.00, DVDs $24.95 and books $34.95. Membership continues as long as you order one selection per year. NON-MEMBERS For non-members our prices are – CDs $15.98, DVDs $29.95 and books $39.95. MAILING AND POSTAGE CHARGES DOMESTIC There is a flat rate of $3.00 regardless of the number of items ordered.
[Show full text]
Ambassador Auditorium Collection ARS.0043
http://oac.cdlib.org/findaid/ark:/13030/kt3q2nf194 No online items Guide to the Ambassador Auditorium Collection ARS.0043 Finding aid prepared by Frank Ferko and Anna Hunt Graves This collection has been processed under the auspices of the Council on Library and Information Resources with generous financial support from the Andrew W. Mellon Foundation. Archive of Recorded Sound Braun Music Center 541 Lasuen Mall Stanford University Stanford, California, 94305-3076 650-723-9312 [email protected] 2011 Guide to the Ambassador Auditorium ARS.0043 1 Collection ARS.0043 Title: Ambassador Auditorium Collection Identifier/Call Number: ARS.0043 Repository: Archive of Recorded Sound, Stanford University Libraries Stanford, California 94305-3076 Physical Description: 636containers of various sizes with multiple types of print materials, photographic materials, audio and video materials, realia, posters and original art work (682.05 linear feet). Date (inclusive): 1974-1995 Abstract: The Ambassador Auditorium Collection contains the files of the various organizational departments of the Ambassador Auditorium as well as audio and video recordings. The materials cover the entire time period of April 1974 through May 1995 when the Ambassador Auditorium was fully operational as an internationally recognized concert venue. The materials in this collection cover all aspects of concert production and presentation, including documentation of the concert artists and repertoire as well as many business documents, advertising, promotion and marketing files, correspondence, inter-office memos and negotiations with booking agents. The materials are widely varied and include concert program booklets, audio and video recordings, concert season planning materials, artist publicity materials, individual event files, posters, photographs, scrapbooks and original artwork used for publicity.
[Show full text]