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Hermann NAEHRING: Wlodzimierz NAHORNY: NAIMA: Mari
This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ Hermann NAEHRING: "Großstadtkinder" Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; Stefan Dohanetz -d; Henry Osterloh -tymp; recorded 1985 in Berlin 24817 SCHLAGZEILEN 6.37 Amiga 856138 Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; Stefan Dohanetz -d; recorded 1985 in Berlin 24818 SOUJA 7.02 --- Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; Volker Schlott -fl; recorded 1985 in Berlin A) Orangenflip B) Pink-Punk Frosch ist krank C) Crash 24819 GROSSSTADTKINDER ((Orangenflip / Pink-Punk, Frosch ist krank / Crash)) 11.34 --- Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; recorded 1985 in Berlin 24820 PHRYGIA 7.35 --- 24821 RIMBANA 4.05 --- 24822 CLIFFORD 2.53 --- ------------------------------------------ Wlodzimierz NAHORNY: "Heart" Wlodzimierz Nahorny -as,p; Jacek Ostaszewski -b; Sergiusz Perkowski -d; recorded November 1967 in Warsaw 34847 BALLAD OF TWO HEARTS 2.45 Muza XL-0452 34848 A MONTH OF GOODWILL 7.03 --- 34849 MUNIAK'S HEART 5.48 --- 34850 LEAKS 4.30 --- 34851 AT THE CASHIER 4.55 --- 34852 IT DEPENDS FOR WHOM 4.57 --- 34853 A PEDANT'S LETTER 5.00 --- 34854 ON A HIGH PEAK -
A Strayhorn Centennial Salute NJJS Presents an Afternoon of Billy Strayhorn’S Music at Morristown’S Mayo PAC See Page 26
Volume 43 • Issue 7 July/August 2015 Journal of the New Jersey Jazz Society Dedicated to the performance, promotion and preservation of jazz. Michael Hashim leads the Billy Strayhorn Orchestra at the Mayo Performing Arts Center in Morristown on June 14. Photo by Mitchell Seidel. A Strayhorn Centennial Salute NJJS presents an afternoon of Billy Strayhorn’s music at Morristown’s Mayo PAC See page 26. New JerseyJazzSociety in this issue: New JerSey JAzz SocIety Prez Sez. 2 Bulletin Board ......................2 NJJS Calendar ......................3 Jazz Trivia .........................4 Mail Box. 4 Prez Sez Editor’s Pick/Deadlines/NJJS Info .......6 Crow’s Nest. 46 By Mike Katz President, NJJS Change of Address/Support NJJS/ Volunteer/Join NJJS. 47 NJJS/Pee Wee T-shirts. 48 hope that everyone who is reading this is July 31. It will also be a first for us, as Jackie New/Renewed Members ............48 I having a great summer so far and/or has made Wetcher and I will be spending a couple of days StorIeS plans for their upcoming summer vacation. I also there. Billy Strayhorn Tribute ...........cover hope that those plans include the Morristown Jazz At six o’clock, the music turns to the blues with Big Band in the Sky ..................8 and Blues Festival, which will be taking place on the always entertaining Roomful of Blues followed Talking Jazz: Roseanna Vitro. 12 Saturday, August 15 on the Morristown Green. Noteworthy ......................24 by the legendary blues hall of fame harmonica President Emeritus Writes ...........28 The festival is returning for the fifth season and player Charlie Musselwhite and his all-star band 92nd St. -
Trevor Tolley Jazz Recording Collection
TREVOR TOLLEY JAZZ RECORDING COLLECTION TABLE OF CONTENTS Introduction to collection ii Note on organization of 78rpm records iii Listing of recordings Tolley Collection 10 inch 78 rpm records 1 Tolley Collection 10 inch 33 rpm records 43 Tolley Collection 12 inch 78 rpm records 50 Tolley Collection 12 inch 33rpm LP records 54 Tolley Collection 7 inch 45 and 33rpm records 107 Tolley Collection 16 inch Radio Transcriptions 118 Tolley Collection Jazz CDs 119 Tolley Collection Test Pressings 139 Tolley Collection Non-Jazz LPs 142 TREVOR TOLLEY JAZZ RECORDING COLLECTION Trevor Tolley was a former Carleton professor of English and Dean of the Faculty of Arts from 1969 to 1974. He was also a serious jazz enthusiast and collector. Tolley has graciously bequeathed his entire collection of jazz records to Carleton University for faculty and students to appreciate and enjoy. The recordings represent 75 years of collecting, spanning the earliest jazz recordings to albums released in the 1970s. Born in Birmingham, England in 1927, his love for jazz began at the age of fourteen and from the age of seventeen he was publishing in many leading periodicals on the subject, such as Discography, Pickup, Jazz Monthly, The IAJRC Journal and Canada’s popular jazz magazine Coda. As well as having written various books on British poetry, he has also written two books on jazz: Discographical Essays (2009) and Codas: To a Life with Jazz (2013). Tolley was also president of the Montreal Vintage Music Society which also included Jacques Emond, whose vinyl collection is also housed in the Audio-Visual Resource Centre. -
Ambassador Auditorium Collection ARS.0043
http://oac.cdlib.org/findaid/ark:/13030/kt3q2nf194 No online items Guide to the Ambassador Auditorium Collection ARS.0043 Finding aid prepared by Frank Ferko and Anna Hunt Graves This collection has been processed under the auspices of the Council on Library and Information Resources with generous financial support from the Andrew W. Mellon Foundation. Archive of Recorded Sound Braun Music Center 541 Lasuen Mall Stanford University Stanford, California, 94305-3076 650-723-9312 [email protected] 2011 Guide to the Ambassador Auditorium ARS.0043 1 Collection ARS.0043 Title: Ambassador Auditorium Collection Identifier/Call Number: ARS.0043 Repository: Archive of Recorded Sound, Stanford University Libraries Stanford, California 94305-3076 Physical Description: 636containers of various sizes with multiple types of print materials, photographic materials, audio and video materials, realia, posters and original art work (682.05 linear feet). Date (inclusive): 1974-1995 Abstract: The Ambassador Auditorium Collection contains the files of the various organizational departments of the Ambassador Auditorium as well as audio and video recordings. The materials cover the entire time period of April 1974 through May 1995 when the Ambassador Auditorium was fully operational as an internationally recognized concert venue. The materials in this collection cover all aspects of concert production and presentation, including documentation of the concert artists and repertoire as well as many business documents, advertising, promotion and marketing files, correspondence, inter-office memos and negotiations with booking agents. The materials are widely varied and include concert program booklets, audio and video recordings, concert season planning materials, artist publicity materials, individual event files, posters, photographs, scrapbooks and original artwork used for publicity. -
A Little More Than a Year After Suffering a Stroke and Undergoing Physical Therapy at Kessler Institute Buddy Terry Blows His Sax Like He Never Missed a Beat
Volume 39 • Issue 10 November 2011 Journal of the New Jersey Jazz Society Dedicated to the performance, promotion and preservation of jazz. Saxman Buddy Terry made his first appearance with Swingadelic in more than a year at The Priory in Newark on September 30. Enjoying his return are Audrey Welber and Jeff Hackworth. Photo by Tony Mottola. Back in the Band A little more than a year after suffering a stroke and undergoing physical therapy at Kessler Institute Buddy Terry blows his sax like he never missed a beat. Story and photos on page 30. New JerseyJazzSociety in this issue: NEW JERSEY JAZZ SOCIETY Prez Sez . 2 Bulletin Board . 2 NJJS Calendar . 3 Pee Wee Dance Lessons. 3 Jazz Trivia . 4 Editor’s Pick/Deadlines/NJJS Info . 6 Prez Sez September Jazz Social . 51 CD Winner . 52 By Laura Hull President, NJJS Crow’s Nest . 54 New/Renewed Members . 55 hanks to Ricky Riccardi for joining us at the ■ We invite you to mark your calendar for “The Change of Address/Support NJJS/Volunteer/JOIN NJJS . 55 TOctober Jazz Social. We enjoyed hearing Stomp” — the Pee Wee Russell Memorial Stomp about his work with the Louis Armstrong House that is — taking place Sunday, March 4, 2012 at STORIES Buddy Terry and Swingadelic . cover Museum and the effort put into his book — the Birchwood Manor in Whippany. Our Big Band in the Sky. 8 What a Wonderful World. These are the kinds of confirmed groups include The George Gee Swing Dan’s Den . 10 Orchestra, Emily Asher’s Garden Party, and Luna Stage Jazz. -
The Complete Poetry of James Hearst
The Complete Poetry of James Hearst THE COMPLETE POETRY OF JAMES HEARST Edited by Scott Cawelti Foreword by Nancy Price university of iowa press iowa city University of Iowa Press, Iowa City 52242 Copyright ᭧ 2001 by the University of Iowa Press All rights reserved Printed in the United States of America Design by Sara T. Sauers http://www.uiowa.edu/ϳuipress No part of this book may be reproduced or used in any form or by any means without permission in writing from the publisher. All reasonable steps have been taken to contact copyright holders of material used in this book. The publisher would be pleased to make suitable arrangements with any whom it has not been possible to reach. The publication of this book was generously supported by the University of Iowa Foundation, the College of Humanities and Fine Arts at the University of Northern Iowa, Dr. and Mrs. James McCutcheon, Norman Swanson, and the family of Dr. Robert J. Ward. Permission to print James Hearst’s poetry has been granted by the University of Northern Iowa Foundation, which owns the copyrights to Hearst’s work. Art on page iii by Gary Kelley Printed on acid-free paper Library of Congress Cataloging-in-Publication Data Hearst, James, 1900–1983. [Poems] The complete poetry of James Hearst / edited by Scott Cawelti; foreword by Nancy Price. p. cm. Includes index. isbn 0-87745-756-5 (cloth), isbn 0-87745-757-3 (pbk.) I. Cawelti, G. Scott. II. Title. ps3515.e146 a17 2001 811Ј.52—dc21 00-066997 01 02 03 04 05 c 54321 01 02 03 04 05 p 54321 CONTENTS An Introduction to James Hearst by Nancy Price xxix Editor’s Preface xxxiii A journeyman takes what the journey will bring. -
Recorded Jazz in the 20Th Century
Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana -
Celebrating Duke Ellington
Thursday–Saturday Evening, April 25 –27, 2013, at 8:00 Saturday Afternoon, April 27, 2013, at 2:00 Wynton Marsalis, Managing & Artistic Director Greg Scholl, Executive Director Bloomberg is the Lead Corporate Sponsor of this performance. CELEBRATING DUKE ELLINGTON JAZZ AT LINCOLN CENTER ORCHESTRA WYNTON MARSALIS, Music Director, Trumpet RYAN KISOR, Trumpet KENNY RAMPTON, Trumpet MARCUS PRINTUP, Trumpet VINCENT GARDNER, Trombone CHRIS CRENSHAW, Trombone ELLIOT MASON, Trombone SHERMAN IRBY, Alto Saxophone, Clarinet TED NASH, Alto Saxophone, Clarinet VICTOR GOINES, Tenor Saxophone, Clarinet WALTER BLANDING, Tenor Saxophone, Clarinet JOE TEMPERLEY, Baritone Saxophone, Bass Clarinet JAMES CHIRILLO, Guitar and Banjo DAN NIMMER, Piano CARLOS HENRIQUEZ, Bass ALI JACKSON, Drums Selections will be announced from the stage. There will be a 20-minute intermission for the evening performances. Please turn off your cell phones and other electronic devices. Jazz at Lincoln Center thanks its season sponsors: Bloomberg, Brooks Brothers, The Coca-Cola Company, Con Edison, Entergy, HSBC Bank, Qatar Airways, The Shops at Columbus Circle at Time Warner Center, and SiriusXM. MasterCard ® is the Preferred Card of Jazz at Lincoln Center. Qatar Airways is a Premier Sponsor and Official Airline Partner of Jazz at Lincoln Center. This concert is made possible by the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature. ROSE THEATER JAZZ AT LINCOLN CENTER’S FREDERICK P. ROSE HALL jalc.org PROGRAM JAZZ AT LINCOLN CENTER 25TH ANNIVERSARY SEASON HONORS Since Jazz at Lincoln Center’s inception on August 3, 1987, when Lincoln Center for the Performing Arts initiated a three-performance summertime series called “Classical Jazz,” the organization has been steadfast in its commitment to broadening and deepening the public’s awareness of and participation in jazz. -
2016 Fall Concert Series Dr Lonnie Smith Dauphin County Jazz & Wine Fest Friends of Jazz Night September 9Th 6:30-10Pm Dr
Connecting Jazz Lovers with Each Other & the Music! CPFJ Newsletter CENTRAL PA FRIENDS OF SEPT/OCT 2016 #42 2016 FALL CONCERT SERIES DR LONNIE SMITH DAUPHIN COUNTY JAZZ & WINE FEST FRIENDS OF JAZZ NIGHT SEPTEMBER 9TH 6:30-10PM DR. LONNIE SMITH TRIO & LEON FOSTER THOMAS LEON QUINTET FOSTER FT. HUNTER PARK THOMAS 5300 N FRONT STREET, HARRISBURG PA SUNDAY, OCTOBER 9TH 3-6PM HARRY ALLEN QUARTET featuring vocalist HILARY GARDNER JOIN US FOR A SWINGING AFTERNOON! HARRISBURG MIDTOWN ARTS CENTER 1110 NORTH 3RD STREET, HARRISBURG PA HILARY HARRY GARDNER ALLEN PAT MARTINO SUNDAY, NOVEMBER 27TH 3PM PAT MARTINO TRIO LEGENDARY GUITAR MASTER WYNDRIDGE FARM 885 SOUTH PLEASANT AVE., DALLASTOWN PA DISTILLERY, BREWERY, WINERY & RESTAUR ANT HILARY GARDNER PAT MARTINO . pg. 2 - Exec. Dir. Letter pg. 8 - CPFJ T-shirts pg. 3 - Grants & Donors pg. 9 - Youth Band - Scholarships - CPFJ Online Store pg. 4 & 5 2016 Fall Concert Series pg. 10 - Dauphin county Jazz & Wine Festival pg. 6 - Steady Gigs pg. 11 - Membership Application & Fall Series Ticket Order Form pg. 7 - One Time Only Events/Jam Sessions pg. 12 - mailing page The Vibe is published monthly at the Central PA Friends of Jazz, 5721 Jonestown Road, Harrisburg PA 17112 EXECUTIVE DIRECTOR'S REPORT: Central Pennsylvania . Friends of Jazz We are currently hard at work in the CPFJ Office arranging all the details of production for the Fall . Concert Series that begins September 9th - please save the dates for this year’s Series and join us for 5721 Jonestown Road great programs of world class jazz! Harrisburg PA 17112 . CENTRAL PA JAZZ FESTIVAL REVIEW: TEL: 717-540-1010 . -
Contemporary Carioca: Technologies of Mixing in A
Con tempo C o n t e m p o r a r y raryC a r i o c a Cari oca ontemporary CCarioca Technologies of Mixing in a Brazilian Music Scene Frederick Moehn Duke University Press Durham anD LonDon 2012 © 2012 Duke University Press All rights reserved. Printed in the United States of America on acid-free paper ♾ Designed by Kristina Kachele Typeset in Quadraat and Ostrich Sans by Tseng Information Systems, Inc. Library of Congress Cataloging- in- Publication Data appear on the last printed page of this book. Duke University Press gratefully acknowledges the support of Stony Brook University, which provided funds toward the publication of this book. For Brazil’s musical alchemists ontents Illustrations ix C Preface xi Acknowledgments xxiii Introduction 1 1 Marcos Suzano: A Carioca Blade Runner 25 2 Lenine: Pernambuco Speaking to the World 55 3 Pedro Luís and The Wall: Tupy Astronauts 92 4 Fernanda Abreu: Garota Carioca 130 5 Paulinho Moska: Difference and Repetition 167 6 On Cannibals and Chameleons 204 Appendix 1: About the Interviews, with a List of Interviews Cited 211 Appendix 2: Introductory Aspects of Marcos Suzano’s Pandeiro Method 215 Notes 219 References 245 Discography 267 Index 269 llustrations Map of Rio de Janeiro with inset of the South Zone 6 1 “mpb: Engajamento ou alienação?” debate invitation xii 2 Marcos Suzano’s favorite pandeiro (underside) 29 I 3 Marcos Suzano demonstrating his pandeiro and electronic foot pedal effects setup 34 4 A common basic samba pattern on pandeiro 48 5 One of Marcos Suzano’s pandeiro patterns 49 6 Marcos -
Jazzflits 01 09 2003 – 01 03 2021
1 19de JAARGANG, NR. 354 22 MAART 2021 IN DIT NUMMER: 1 BERICHTEN 5 JAZZ OP PAPIER Jeff Gold: ‘Sittin' in’. 6 JAZZ OP DE PLAAT Grégoire Maret & Jazz Station Big Band, Masabumi Kikuchi, Machine Mass Sextet, Christian Pabst, Jeremy Pelt e.a. EN VERDER (ONDER MEER): 12 Ike Quebec (Erik Marcel Frans) 17,5 J AAR JAZZFLITS 01 09 2003 – 01 03 2021 NR. 355 KOMT 5 APRIL UIT ONAFHANKELIJK JAZZPERIODIEK SINDS 2003 BERICHTEN Chris Barber overleden De Britse ‘trad jazz’-trombonist en band- leider Chris Barber is op 2 maart overle- den. Hij was 90 jaar oud en leed aan dementie. Barber bracht honderden opnames uit, verkocht miljoenen platen en gaf meer dan 15.000 concerten in vijftig verschillende landen. Barber ging twee jaar geleden met pensioen. Een impressie van Jazz Middelheim 2010. (Foto: Joke Schot) ‘J AZZ MIDDELHEIM MOET KUNNEN DOORGAAN’ Het festival Jazz Middelheim, dat op 14 en 15 augustus in Antwerpen staat gepland, moet kunnen doorgaan. Dat vindt Bertrand Flamang, de organisator van het festival. Hij rekent erop dat na de zomer de vaccinatiecampagne is beëindigd en is ervan overtuigd dat hij maatregelen kan treffen om een coronaveilig festival te organiseren. Chris Barber. (Persfoto) “Die blik op de toekomst is niet optimistisch of opportunistisch omdat ik organisator ben van een festival. Ik vind dat objectief Wim en Ria Wigt waren meer dan vijftig en realistisch. De (Belgische, red.) overheid heeft een jaar de jaar zijn manager en brachten meer dan 25 platen uit van The Chris Barber Band tijd gehad om een vaccinatiecampagne op te zetten. -
Alvin Fiedler Anthony Braxton Barbara Dane Bobby Zankel Cecil Taylor Leon Russell
THE INDEPENDENT JOURNAL OF CREATIVE IMPROVISED MUSIC BARB BFFFFFFFF ANA ALVIN FIEDLER ANTHONY BRAXTON BARBARA DANE BOBBY ZANKEL CECIL TAYLOR LEON RUSSELL Jazz in South Africa Top Ten Critics Picks of 2016 International Jazz News CD Reviews Book Reviews DVD Reviews Obituaries Volume 43 Number 1 Jan Feb March 2017 HANS LÜDEMANN DAS REALE KLAVIER „There are musicians that are more real Hans Lüdemann – piano & virtual piano than others, real in the sense that they carry more truth in them as others... because the musician devotes himself without doubt completely to the music, lets himself be reached by the origin of what he wants to say without anything coming from elsewhere, neither an outer world or another source. This is what pianist Hans Lüdemann does on a CD entitled „das reale Klavier“ – in an incredible way, never heard new solo album and rarely with such on BMC records/MVD intensity“. nominated for „Deutscher notes des jazz/France, Schallplattenpreis 2016“ Michel Arcens, 2015 CD of the month – piano news 3/4 -2016 www.HansLuedemann.de vision of sound "Vincent has written some lovely tunes and plays them with a Debussy- like tension. More please, this is a fine mainstream pianist." Robert D. Rusch Cadence Magazine Future/memory jazz full of dynamism, melody and groove. Masterful composi- tions intimately performed. Beautiful music. Nick Luscombe, BBC Radio 3 Late Junction/FlomotionRadio Dynamic, sublime, refreshing. Occasionally too much of a good thing can be wonderful. Peter Wockner, Jazz and Beyond Captivating, vast shimmering piano impressionism with a unique sensitivity for sound. Robert Ratajczak, Longplay Available now on Vision Of Sound Records.