Jazzletter PO Box 240, Ojai CA 93024-0240
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GeneLees Ad Libitum 6- Jazzletter PO Box 240, Ojai CA 93024-0240 Val. 23 Na 2 February 2005 humor, and Al had a new joke — no, three or four of them! Bright Nights at the Half Note: —— every afiemoon, when he’d come in from one studio gig Legends of Zoot and Al r or another. We all used to wonder where he got them. Al was an adept of unpremeditated wisecracks. Two of The year 1962-63 was a dark one for me. I had dumped my the most famous: job in Chicago as editor of Down Beat and moved to New A derelict approached him on the street, saying, “Sir, I’m York, pretty much flat broke, and that year was a crazy quilt an alcoholic, and I need a drink.” Impressed, presumably, of contradictions, of deep depressions and unexpected by such candor, Al — a pretty stalwart drinker himself , as soaring of the spirit, of successes and discoveries and new we all were in those days —- peeled offa little loot and said, friendships, some of which I treasure to this day, whether as he handed the man the cash, “Wait a minute, how do I that friend is alive, like Phil Woods and Dave Frishberg and know you won’t spend this on food?” Bill Crow and Roger Kellaway, or gone, like Zoot Sims and Al played a gig in Copenhagen, where they have a brand Al Cohn and Art Farmer and Gerry Mulligan and Bill Evans ofbeer called Elephant. He was asked when he checked in and Jack Whittemore and Jimmy Koulouvaris. at the club, “Would you like an Elephant beer?” - Among my best memories of that time were two or three “No,” Al said. “I drink to forget.” weekends spent at Phil Woods’ home in Bucks County, I just remembered another one, which has assumed the Pennsylvania, and nights at the HalfNote listening to Zoot proportions of myth; I presume it’s ‘true because it sounds Sims and Al Cohn, who could have inspired Zasu Pitts, like him. Someone asked if he played Coltrane’s Giant Mischa Auer, Ned Sparks, Virginia O’Brien, and even Steps. Al said, “Yes, but I use my own changes.” Buster Keaton to smiles and even laughter. Man, that’s fast. Jack Whittemore was an agent and Jimmy Koulouvaris Zoot was just as funny, but in a different style. More owned and operated a New York bar called Jim and Andy’s incidents in the legend of Zoot and Al: _ on 48"‘ Street just west of Sixth Avenue. Almost no one Zoot, who was not renowned for sartorial splendor —— patronized the place except musicians, and any jazz fan who one could say he usually looked rumpled —— came into Jim inadvertently wandered in could look the length of the bar and Andy’s (known as~J&A’s or The Gynmasium) about and see a lot ofthe most famous names he had ever admired. eleven o’clock one morning dressed neatly in suit and tie. Jimmy Koulouvaris was a Greek-American former Seabee, Somebody said, “You’re looking pretty dapper this mom- -a veteran of the Pacific, who liked musicians, and who ing. What happened? extended them credit on food and drink that kept many a soul “I don’t know,” Zoot said. “I woke up this way.” alive through lean times. Jack Whittemore had been the head One day, after playing late the night before, Zoot tumed of the Shaw Agency, but quit to book jazz groups on his up in Jim and Andy’s, said he had a record date ahead of own. Agents are often detested, Jack was loved. He set a lot him and asked ifanybody had any kind ofupper pill to keep of careers in motion, in effect starting the Horace Silver him going. The wife of another musician said that she did, group, and doing much for the career of Stan Getz. got the pill out and handed it to him. Zoot said, “Is this Stan uttered one of the most cogent bits ofjazz criticism pretty strong stuff?” I have ever heard. Asked for his idea ofwhat would make the She said, “Well, you could break it in half and throw the perfect tenor saxophone player, he said (in the presence of rest away. _ Lou Levy, who passed it on to me): “My technique, Zoot’s Zoot said, “What? Throw that good stuff away? Do you time, and Al’s ideas.” realize there are people in Europe sleeping?” Zoot ’n’ Al were two ofthe most faithful denizens ofJim André Previn, another ofZoot’s great admirers, told me and Andy’s. Both were famous among the regulars for the next story. Years ago André played a Hollywood record ‘J1. ---.1.»-$1“ I ---1-_. ~ . - _ ' ~- _ -1" as .- _ __ date for John Graas, a classical French horn prayer who had stand behind the bar that extended into the new room, which a certain (and by now faded) vogue as a “jazz composer” and they filled with additional tables and chairs. With Mike and rlfcorded some LPs I found impenetrable. One ofhis compo- Sonny busy at the bar, they decided to hire a waiter. sitions had space for a solo over some difficult and preten- “They called an agency, and Al showed up for work in tious chord changes. When one musician after another had a his tuxedo, with two small children in tow. He explained cut at it and crashed, the solo was assigned to Zoot, who that his wife had just abandoned him, leaving him to care sailed through it with characteristic insouciance. At the end for the kids. Frank fixed them something to eat, Mike and of the tune, someone asked, “Hey Zoot, how did you do Sonny gave them a table in the comer, and Al went to work. that?” to which he replied, “I don’t know what you guys Not long after that, his wife came back, took the children, were doing, but I just played I Got Rhythm. ” and disappeared again. From then on Al lived alone. Al Cohn, as a consequence of an infection, had lost an “Al’s last name was Berg, though his cabaret cards bore eye. The record producer Jack Lewis also had one eye. One various names.” night Jack, Al, and Zoot were driving back in the rain from If I may intrude, cabaret cards were issued by the New some place or other. Zoot was zonked out in the back seat. York police to musicians and waiters and anybody else who He stirred, leaned over the back ofthe front seat, and said, “I worked where liquor was sold. It was an incredibly corrupt hope you guys are keeping both eyes on the road.” and fascist practice which fortunately has been abolished. Zoot-n-Al were inseparable names, like Pratt and Whit- To continue: ney, Vic and Sade, Lum and Abner, Chase and Sanbom, “As a youth he had been known as Al the Gonif in the Laurel and Hardy, and Gilbert and Sullivan, not to mention neighborhood where he lived. Some early difficullty with Ipana and Sal Hepatica. There have been several of these the New York City police had permanently stained his relationships in jazz, Duke Ellington and Billy Strayhom, record as far as the licensing department was concemed. Bix Beiderbecke and Frank Trumbauer, Dizzy Gillespie and The cabaret law provided for no legal means of clearing Charlie Parker among them. one’s record once a cabaret card had been denied or with- IfJim and Andy’s was the diumal habitat ofZoot and Al, drawn. But there were other ways. Al worked at the Half in the evenings, much of the year, it was the Half Note, an Note for over twenty years on temporary cards, which he Italian restaurant in the South Village, at Hudson and Spring got by going downtown periodically to pay someone off.” Streets, a district ofold warehouses and factories abandoned To intrude again, nearly all and maybe indeed all New at night, their windows all dark. I still can see the old brick York establishments that sold liquor paid offthe New York cobblestones given texture by the light of the lamp at the police to keep their doors open. Ifyou didn’t pay them, you corner and the neon sign, a half note, above the restaurant. just might find some health inspector in yourplace throwing It was a family operation. In 1989, bassist Bill Crow, who a few cigarette butts on the floor, then declaring the estab- often worked there, wrote a memoir of the place for the lishment unclean, and closing it down. I asked Jimmy Jazzletter. He recalled: Koulouvaris if he paid off the cops. “Of course!” he said. “It was one of New York’s most congenial jazz clubs. It Remember that when you’re watching the squeaky-clean was operated by the Canterino family, Frank in the kitichen cops on Law and Order. (spaghetti, eggplant Parmagiana, and meatball sandwiches), “Al was cadaverously thin,” Bill Crow wrote, “the effect his sons Mike and Sonny Behind the bar, and sister Rose in exaggerated by the absence of several molars. He kept up a the checkroom. When Mike got manied, his wife Judy went constant stream of patter in his New York street dialect as right to work in the family business, pitching in where she he rushed from tables to bar to kitchen. When Al took an was needed. The only outsider they hired besides the musi- order, he repeated the names ofthe drinks loudly, but ofien cians was Al the Waiter, who became a legend with habitués came back with something that hadn’t been ordered.