DOCSLIB.ORG

Director of Music, St George's College

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Director of Music, St George's College DIRECTOR OF MUSIC, ST GEORGE’S COLLEGE SEPTEMBER 2021 Notes for applicants St George’s College is seeking to appoint a dynamic individual as Director of Music from September 2021; The position of Director of Music is a key post both for the School and wider community, and the successful candidate will be a highly-qualified and skilled musician able to lead the department with vision, clarity, and energy. DEPARTMENT OVERVIEW The College enjoys a fine international reputation for the excellence and variety of its music. The Music Department comprises the Director of Music, two further full-time staff, twenty two visiting teachers (self-employed) and a part-time Music Administrator (4 days per week). The full-time members of music staff teach throughout the College with a varied timetable that incorporates all years and the visiting music staff offer tuition in all disciplines in addition to singing (changed and unchanged voices), organ and harp. Several also run ensembles within the department and many teach both within the College and the Junior School (located approximately one mile away in Weybridge). The Music Department at the Junior School is comprised of a Director of Music, a further full time member of staff, and two part-time teachers; links between the two departments are extremely well developed. Music plays a prominent part in the school’s life and is keenly supported by pupils, members of staff and parents. The Department houses a Recital Room (seating up to 110, with a permanent recording facility installed in 2016), a large classroom equipped with 24 PCs running Sibelius 6, Cubase, and Audacity, three further small study/teaching rooms, eight practice rooms (each with a piano/clavinova) and a store room with lockers for pupils to store their instruments, in addition to department stores. The Department also has its own Gamelan, Samba Kit, set of African Drums, Roland digital harpsichord, and several staff offices; Large scale choral and orchestral concerts take place in the College Chapel (seating 800) which houses a three manual organ by Hugh Banton (installed in 1999) and a Yamaha C7 Grand Piano; funds are in place to commence the search for an appropriate redundant pipe organ for installation in the Chapel. A whole school musical is staged in collaboration with the Drama department approximately every three-four years and the first year cohort perform a semi-staged musical at the start of each academic year. The Parents’ Society actively supports the music making and recent funding has covered projects including the purchase of a set of posture chairs for the Orchestra and a Recording Room. CHORAL MUSIC Choral and liturgical music are a core long-standing part of the school’s tradition and the choirs enjoy an outstanding international reputation in this regard. Performance opportunities for pupils are varied and numerous with several choirs catering for changed and unchanged voices of all ages. The College’s flagship choir, the Chamber Choir is an auditioned ensemble; The College Choir is open to pupils in all years (mixed SATB). Both choirs sing a wide and varied repertoire of music. The Chamber Choir in particular has an active schedule which includes concerts within school, external engagements, recordings, broadcasts, and tours. Previous tour destinations have included America (East and West Coast), Belgium, France, Germany, Holland, Italy, and Spain. The Chamber Choir was the 2012 BBC Songs of Praise School Choir of the Year and Barnardo’s Senior School Choir of the year. In December 2015 the choir won the Eagle Radio Carol Competition, and the choir was also a finalist in the 2016 BBC Songs of Praise School Choir of the Year Competition. The choirs released their first CD in December 2010, I am the Day which sold out in 3 weeks raising over £7000 for the Josephite mission in the Congo. Since then they have recorded 3 further discs, releasing the most recent one in November 2015, Follow that star. In addition to termly concerts there is an annual choral concert combining the school choirs with the Choral Society choir, made up of parents, staff, past students and musicians. These concerts have been accompanied by the College’s professional orchestra, Sinfonia, or period ensembles. Recent works include Bach Johannes-Passion with The Brandenburg Sinfonia, Handel’s Messiah, Haydn’s The Creation, Mendelssohn, Elijah, and Monteverdi Vespers (1610), with The English Cornett & Sackbut Ensemble. In March 2017 the performance was Haydn Nelson Mass and Poulenc Gloria. Recent choral workshops have included leading international figures including Ken Burton, Edward Higginbottom, and Bronwen Mills. The choirs play an integral role in the life of the school, providing musical accompaniment to key occasions including the annual Requiem Mass, Founder’s Day, Service of Nine Lessons & Carols and St. Joseph’s Day. INSTRUMENTAL MUSIC Over 250 pupils take individual instrumental/voice lessons each week and there are numerous ensembles which instrumentalists participate in including a Camerata (for string players), the College Band and the College Orchestra), and several other chamber groups some of which are run by visiting music staff or by the students themselves, such as . Several rock groups flourish within the department thanks to specialist tuition offered through our Rockshop programme and the College also offers complimentary grade 5 theory classes and training for the aural aspects of music examinations. Pupils are encouraged to participate in an ensemble as soon as they are able to, and several run their own groups and rehearsals. To support this, the College has an extensive concert schedule over the course of the year, including larger concert performances at the end of term, services of worship celebrating major feasts eg Armistice Day, Ash Wednesday, Founder’s Day, Remembrance Memorial Service, St George, St Joseph, St Peter, community projects, the music-live Concert Series (lunch time and after school short recitals), Inter-house Music Competitions, and workshops and masterclasses with musicians such as Ian Clarke, Mike Simpson, The Harpham String Quartet, and the Zephyr Ensemble. MUSIC IN THE CURRICULUM Music is a core-subject in the first two years with our First and Second Years (NC years 7 & 8) receiving three lessons per fortnight and it is an option in the Third Year (NC year 9). A ’Songs from the Shows‘ concert performed by the First Year cohort each year in October is a particular highlight. Since September 2016, the Junior School has provided every child with a term of tuition as part of the Year 3 and 4 curriculum. The Lower School music course caters for musicians of all types. Topics range from World Music to Baroque, Classical and Romantic studies, Popular, Jazz and Film music. The course incorporates opportunities for performance, composing, music technology and developing listening skills. Pupils may opt to take Music for GCSE (Edexcel) and A-Level (AQA) and there is currently one set in each of the Fourth, Fifth and Sixth Form year groups. St George’s is linear at A-Level; pupils study 3 subjects, the EPQ, and compulsory RE in both Sixth Form year groups. Academic standards in music are good with pupils attaining A*-B at GCSE/A-level. GEORGIAN MUSICIANS IN THE COMMUNITY AND BEYOND The College music department has a long held tradition of welcoming pupils from local schools to participate in outreach events, and each year there is a choral and instrumental day; these usually involve around 100-120 children at each event. College musicians regularly take the opportunity to perform in the locality and we have fostered good relations with St James’ Parish Church and Christ the Prince of Peace in Weybridge, and St Paul’s Church, Addlestone, alongside numerous local care homes. Further afield the department fosters excellent links with our Josephite schools in Europe through participating in the biennial Music Day in Belgium, in addition to singing and performing in Cathedrals within the UK, Europe, and USA. Whilst at the College, Georgian pupils have successfully gained places in the London Schools’ Symphony Orchestra, National Children’s Orchestra, National Youth Choir, National Youth Jazz Orchestra, National Youth Orchestra and various regional youth orchestras and choirs. In recent years pupils have won instrumental scholarships to the major conservatoires and universities both here and abroad, and Oxbridge Choral and Organ Scholarships. Many are now working within the music business themselves as singers, instrumentalists, music producers, and academics. In May 2014 the College hosted the MMA music conference for teachers, during which a number of distinguished artists within the music profession including Ashley Solomon and Peter Stark worked with the children and music teachers from all around the UK. Every three to four years the College stages a full musical in conjunction with the Drama department. MUSIC SCHOLARSHIPS The College offers music scholarships and exhibitions to pupils at 11+, 13+ and 16+ who show promise and ability at interview through a practical audition, written test, and viva voce. All music scholars receive mentoring, contribute to, and participate in a personalised musical programme. Scholarship holders are expected to perform well academically and musically, and a major review is undertaken in the Fifth Year prior to entry to the Sixth Form. There are currently 24 music scholars/exhibitioners at St George’s. APPOINTMENT OF DIRECTOR OF MUSIC (SEPTEMBER 2021) Following the appointment of the current post holder to a Deputy Headship, St George’s College wishes to appoint a Director of Music from September 2021. The College is seeking a highly-qualified and skilled musician to lead the department, maintaining and building upon the current traditions and high standards in place. The successful candidate will be an accomplished musician with excellent subject knowledge and keyboard skills, a proven track record of teaching in a selective secondary school up to and including A-Level and be able to inspire, encourage, and support pupils to excel in their music making at all levels.
Load more

Recommended publications
  • Peter Hammill & Van Der Graaf Generator
    CE-AM VĂZUT, CITIT, AUZIT Peter Hammill & Van Der Graaf Generator Probabil că dezinteresul faţă de latura comercială şi versurile deseori criptice au făcut ca Peter Hammill să rămână oarecum în umbra celor de la Genesis, Yes, Jethro Tull, ELP sau chiar King Crimson, cu care a colaborat în mai multe rânduri. Peter s-a născut în Ealing (vestul Londrei) în 1948. După ce a absolvit Beaumont College, s-a înscris la cursurile de Liberal Studies of Science (Manchester University). Chiar în primul an de facultate (1967) pune bazele trupei Van Der Graaf Generator, împreună cu Nick Pearne (orgă) şi Chris Judge (tobe). În 1968 Pearne e înlocuit de Hugh Banton, iar Tony Stratton, angajat ca manager (Tony Stratton lucrase cu The Nice şi avea să preia, doi ani mai târziu, grupul Genesis) îi cooptează pe Keith Ellis (chitară bass) şi Guy Evens (chitară). În septembrie 1969 apare la casa de discuri Charisma Records, primul album Van Deer Graaf, The Aerosol Grey Machine, opt dintre cele nouă piese fiind concepute în integralitate de Peter Hammill. Deschizând câteva forumuri, veţi găsi aproape in- variabil aceeaşi impresie: Progressive-ul e un stil ceva mai dificil, e adevărat, dar îmi place, are un sound interesant; însă toleranţa mea se opreşte acolo unde începe muzica ce- lor de la Van Der Graaf Generator. Dar sfârşitul anilor ’60 a fost o perioadă a experimentelor, în care gândirea liberă nu era subminată de idei preconcepute (cel puţin în ves- tul Europei şi în partea de nord a Statelor Unite), astfel că trupa a avut admiratorii şi susţinătorii ei, chiar de la debut.
    [Show full text]
  • Hybrid Correlation Models for Bond Breaking Based on Active Space Partitioning
    Hybrid Correlation Models For Bond Breaking Based On Active Space Partitioning A Thesis Presented to The Academic Faculty by Artem D. Bochevarov In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy School of Chemistry and Biochemistry Georgia Institute of Technology August 2006 Hybrid Correlation Models For Bond Breaking Based On Active Space Partitioning Approved by: Professor C. David Sherrill, Adviser (School of Chemistry & Biochemistry) Georgia Institute of Technology Professor Rigoberto Hernandez (School of Chemistry & Biochemistry) Georgia Institute of Technology Professor Jean-Luc Bredas´ (School of Chemistry & Biochemistry) Georgia Institute of Technology Professor Thomas Orlando (School of Chemistry & Biochemistry) Georgia Institute of Technology Professor Mei-Yin Chou (School of Physics) Georgia Institute of Technology Date Approved: June 1, 2006 ACKNOWLEDGEMENTS The time spent in the graduate school at Georgia Institute of Technology was the period of deep self-introspection and extensive learning. I was influenced, taught and helped by many people, whose names are given below in the alphabetical order. To all of them I express my sincere gratitude. Micah L. Abrams, William H. Adams, Roye Albrighton, Jon Anderson, Marc C. Baker, Tony Banks, Hugh Banton, Richard Barbieri, Samuel Beckett, Adrian Belew, Arnold Ben- nett, Lo¨ıc Bernardeau, Pascal Bertrand, Klaus Blasquiz, the Bochevarovs, Mick Brockett, Bill Bruford, Edward Bulwer-Lytton, Pietr Luigi Calderoni, Phil Collins, Joseph Conrad, Sebastian Constard, Pierre Corneille, T. Daniel Crawford, Ernie Croot, Renato D’Angelo, Michi Dei Rossi, Stanislav Derevyanko, Charles Dickens, Francesco DiGiacomo, R. M. W. Dixon, David Donson, Fyodor Dostoyevsky, Colin Edwin, Keith Emerson, Jonas En- gdegard,˚ Francesco Evangelista, Guy Evans, Henry Fielding, Fish, Allan Freeman, Guil- laume Fountaine, John Fowles, Robert Fripp, Anthony Gabard, Peter Gabriel, Benoˆıt Gaignon, Rene´ Garber, David Gilmour, George Gissing, Brian Greene, Lionel B.
    [Show full text]
  • Am. Singer/Songwriter,Flott.Covret Av Bl.A Spooky.Tooth,J.Driscoll. Utgitt I 1993
    ARTIST / BANDNAVN ALBUM TITTEL UTG.ÅR LABEL/ KATAL.NR. LAND LP A ATCO REC7567- AC/DC BACK IN BLACK 1995 EUR CD 92418-2 ACKLES, DAVID FIVE & DIME 2004 RAVENREC. AUST. CD Am. singer/songwriter,flott.Covret av bl.a Spooky.Tooth,J.Driscoll. Utgitt i 1993. Cd utg. fra 2004 XL RECORDINGS ADELE 21 2011 EUR CD XLLP 520 ADELE 25 2015 XLCD 740 EUR CD ADIEMUS SONGS OF SANCTUARY 1995 CDVE 925 HOL CD Prosjektet til ex Soft Machine medlem Karl Jenkins. Middelalderstemnig og mye flott koring. AEROSMITH PUMP 1989 GEFFEN RECORDS USA CD Med Linda Hoyle på flott vocal, Mo Foster, Mike Jupp.Cover av Keef. Høy verdi på original vinyl AFFINITY AFFINITY 1970 VERTIGO UK CD Vertigo swirl. AFTER CRYING OVERGROUND MUSIC 1990 ROCK SYMPHONY EUR CD Bulgarsk progband, veldig bra. Tysk eksperimentell /elektronisk /prog musikk. Østen insirert album etter Egyptbesøk. Lp utgitt AGITATION FREE MALESCH 2008 SPV 42782 GER CD 1972. AIR MOON SAFARI 1998 CDV 2848 EUR CD Frank duo, mye keyboard og synthes. VIRGIN 72435 966002 AIR TALKIE WALKIE 2004 EUR CD 8 ALBION BAND ALBION SUNRISE 1994-1999 2004 CASTLE MUSIC UK CDX2 Britisk folkrock med bl.a A.Hutchings,S.Nicol ex.Fairport Convention ALBION BAND M/ S.COLLINS NO ROSES 2004 CASTLE MUSIC UK CD Britisk folk rock. Opprinnelig på Pegasus Rec. I 1971. CD utg fra 2004. Shirley Collins på vocal. ALICE IN CHAINS DIRT 1992 COLOMBIA USA CD Godt album, flere gode låter, bl.a Down in a hole. ALICE IN CHAINS SAP 1992 COLOMBIA USA CD Ep utgivelse med 4 sterke låter, Brother, Got me wrong, Right turn og I am inside ALICE IN CHAINS ALICE IN CHAINS 1995 COLOMBIA USA CD Tungt, smådystert og bra.
    [Show full text]
  • Van Der Graaf Generator
    Ti ricordi Syd? Van Der Graaf Generator 15 Aprile 2015 Van Der Graaf Generator – H To He Who Am The Only One Van Der Graaf Generator, gruppo rock progressive inglese formato da Peter Hammill (voce, tastiere, chitarra), Hugh Banton (organo, basso all’organo), David Jackson (flauto ma famoso per il suo doppio sax) e Guy Evans (batteria). Caso comune per molte band inglesi del genere, il primo successo lo hanno conosciuto proprio in Italia grazie a frequenti concerti e a collaborazioni con gruppi italiani. Famosa tra tutte, la loro performance al festival pop di Villa Pamphili nel 1972. Ma il grande e immediato riscontro in Italia di questo genere non può essere riportato solo all’attività di questi gruppi qui da noi. C’è l’educazione italiana alla musica classica e alla melodia, l’attenzione alla scrittura dei brani, la predisposizioni virtuosismi strumentali. Tutti ingredienti che nel progressive rock sono basilari. Non è un caso che l’altra terra di conquista sia stata la Germania. La band prende il nome dal generatore di Van de Graaff, strumento usato per accumulare una quantità di carica elettrica in un conduttore. Il sound dei VDGG è una combinazione di psichedelica, jazz, classica e avanguardia con dinamiche musicali innovative che passano da atmosfere lente, calme e tranquille a impennate feroci e pesanti. Un mondo decisamente diverso anche nei testi che abbandonano folletti, elfi e favole spaziali per descrivere disturbi e inquietudini dell’uomo reale, una sorta di lato oscuro del progressive ma proprio per questo terribilmente affascinante. Nel 1970 i VDGG erano ancora alla ricerca del successo nonostante il lavoro fatto per lanciarli dalla celebre etichetta specializzata in progressive rock Charisma.
    [Show full text]
  • Download (1MB)
    University of Huddersfield Repository Quinn, Martin The Development of the Role of the Keyboard in Progressive Rock from 1968 to 1980 Original Citation Quinn, Martin (2019) The Development of the Role of the Keyboard in Progressive Rock from 1968 to 1980. Masters thesis, University of Huddersfield. This version is available at http://eprints.hud.ac.uk/id/eprint/34986/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ 0. A Musicological Exploration of the Musicians and Their Use of Technology. 1 The Development of the Role of the Keyboard in Progressive Rock from 1968 to 1980. A Musicological Exploration of the Musicians and Their Use of Technology. MARTIN JAMES QUINN A thesis submitted to the University of Huddersfield in partial fulfilment of the requirements for the degree of Master of Arts.
    [Show full text]
  • 'Curly's Airships' in One Way Or Another
    The Songstory by Judge Smith Home | Buy Now! Contents | Previous | Next CURLY'S AIRSHIPS is an epic work of words and music about the R.101 airship disaster of 1930, written in a new form of narrative rock music called songstory. This double CD involves eighteen featured performers, among whom are four of the original members of Van der Graaf Generator, including respected solo artist Peter Hammill and the composer of Curly's Airships, Judge Smith. Also participating are singer Arthur Brown (of The Crazy World), Pete Brown (of Battered Ornaments and Piblokto), Paul Roberts (of The Stranglers), John Ellis, (formerly of The Vibrators and The Stranglers), plus a 1920’s dance band, a classical Tenor, an Indian music ensemble and several cathedral organs. Six years in the making, Curly's Airships is probably one of the largest and most ambitious single pieces of rock music ever recorded. CONTACT US: To contact us on all matters, Email [email protected] Copyright © 1996, 1997, 1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 Judge Smith. All Rights Reserved World Wide. Last updated on Navigation Home | Buy Now! Contents | Previous | Next CURLY'S AIRSHIPS tells the true story of the bizarre events which led to the destruction of the world’s biggest airship, the giant dirigible R.101, on its maiden voyage to India; a tale of the incompetence and arrogance of government bureaucrats, the ruthless ambition of a powerful politician and the moral cowardice of his juniors; a story of inexplicable psychic phenomena, the thoughtless bravery of 1920s aviators and the extraordinary spell cast by the gigantic machines they flew: the giant airships, the most surreal and dreamlike means of transport ever devised.
    [Show full text]
  • Van Der Graaf Generator 2020 Biog
    Van der Graaf Generator 2020 Van der Graaf Generator 2020 are Peter Hammill (vox, gtr, kbd), Hugh Banton (organ, bass) & Guy Evans (drums , percussion), the three surviving members of the original group formed in 1968. Darker and wilder than most of their contemporaries VdGG were known for sprawling, dense and complex songs on six albums recorded for the Charisma label between ‘69 and ‘76. Their unique sound was based on organ, sax, driving percussion and declamatory vocals. Constantly touring, they achieved their greatest success in Italy with the album “Pawn Hearts” in 1971. After warping into a powerful violin/bass/guitar set-up in 1976 the band finally split in 1978. After a gap of nearly thirty years the “classic” four-piece line-up reappeared in 2005 with a triumphant reunion concert at the Royal Festival Hall, London and a new recording, “Present” . They continued to surprise European audiences with the vigour and dynamism of their live performances for the remainder of the year. In 2006 the saxophonist David Jackson left the group. The trio have continued to surge forward, first playing a series of live shows and then recording the albums “Trisector” (2008)and “A Grounding in Numbers” (2010). In 2012 they released “Alt”, a collection of experiments and improvisations. Their last studio album “Do not Disturb” was released in 2015. In live performance, as in the studio, they strive to look forward rather than back and as much of their repertoire is taken from the new albums as from the old ones. They’ve also made it a point to bring back to life some surprising - and rarely performed - pieces from the past, both from the VdGG catalogue and from Peter Hammill’s solo works.
    [Show full text]
  • I Van Del Graaf Generator,Al Castello Di Udine Il 2 Lug. Al Festival Internazionale Udin&Jazz
    I Van del Graaf Generator,al Castello di Udine il 2 lug. al Festival Internazionale Udin&Jazz. I Van der Graaf Generator tornano in Italia nel 2013 con tre sole tappe, la prima delle quali è attesa al Castello di Udine, martedì 2 luglio, per chiudere la ventitreesima edizione del Festival Internazionale Udin&Jazz, storica kermesse friulana organizzata da Euritmica – Associazione Culturale di Udine e sostenuta dalla Regione Autonoma Friuli Venezia Giulia e dal Comune di Udine. Scalda i motori il festival udinese, che si apre, come di consueto, nella seconda metà di giugno con alcune anteprime in provincia, per approdare nel capoluogo friulano con cinque intense giornate (dal 28 giugno al 2 luglio): artisti internazionali e nazionali sono attesi al teatro Palamostre e in altre sedi del centro città. A chiudere la kermesse, dunque, i Van der Graaf Generator, che a Udine (unica tappa del Triveneto) si presentano nella formazione originale, con Peter Hammill (voce, chitarra e tastiere), Hugh Banton (organo e basso) e Guy Evans (batteria e percussioni), anime della band sin dal suo esordio, nel 1968. I Van der Graaf Generator hanno scritto la storia della musica internazionale dagli anni Settanta, e difficilmente si accontentano di etichette di genere: il loro stile si eleva sul panorama musicale per la profondità delle idee, per il coraggio delle riflessioni, per la forza sperimentale delle indagini musicali mutuate dal jazz, dal rock, dal soul e dall’elettronica e tradotte in chiave del tutto rivoluzionaria, epica e selvaggia. Dense, complesse, pervasive sono le canzoni dei sei album incisi per Charisma tra il 1969 e il 1976.
    [Show full text]
  • Conference Program
    2nd International Conference on Minimalist Music University of Missouri-Kansas City Kansas City, Missouri September 2-6th 2009 Special Guests: Sarah Cahill, Robert Carl, Tom Johnson, Charlemagne Palestine, and Mikel Rouse Co-Directors: Kyle Gann and David McIntire Steering Committee: Andrew Granade, Andy Lee, Jedd Schneider, and Scott Unrein David Rosenboom James Tenney How Much Better if Plymouth Rock Had Spectrum Pieces Landed on the Pilgrims The Barton Workshop, David Rosenboom, Erika Duke-Kirkpatrick, Vinny Golia, James Fulkerson, musical director Swapan Chaudhuri, Aashish Khan, I Nyoman Wenten, 80692-2 [2 CDs] Daniel Rosenboom, and others 80689-2 [2 CDs] Larry Polansky Stuart Saunders Smith The Theory of Impossible Melody The Links Series of Jody Diamond, Chris Mann, voice; Phil Burk and Larry Polansky, live computers; Larry Polansky, electric guitar; Robin Vibraphone Essays Hayward, tuba 80690-2 [2 CDs] 80684-2 Io Jody Diamond Flute Music by Johanna Beyer, In That Bright World: Joan La Barbara, Larry Polansky, Music for Javanese Gamelan James Tenney, and Lois V Vierk Master Musicians at the Indonesian Margaret Lancaster, utes Institute of the Arts, Surakarta, Central Java, 80665-2 Indonesia; with Jody Diamond, voice 80698-2 Musica Elettronica Viva James Mulcro Drew MEV 40 (1967–2007) Animating Degree Zero Alvin Curran, Frederic Rzewski, Richard Teitelbaum, The Barton Workshop, Steve Lacy, Garrett List, George Lewis, Allan Bryant, James Fulkerson, musical director Carol Plantamura, Ivan Vandor, Gregory Reeve 80687-2 80675 (4 CDs) Robert Erickson Andrew Byrne Auroras White Bone Country Boston Modern Orchestra Project; Rafael Popper-Keizer, cello Stephen Gosling, piano; Gil Rose, conductor David Shively, percussion 80695-2 80696-2 The entire CRI CD catalog is now available as premium-quality on-demand CDs.
    [Show full text]
  • Tim Hecker Benvegnù Cathedral Electronic Music Parente Cantautorato Rock
    digital magazine APRILE 2011 N.78 Pearls Before Swine BASILE Tim Hecker BENVEGNÙ Cathedral Electronic Music PARENTE Cantautorato Rock The Dodos Discodeine Kode9 Frankie & the Heartstrings Stearica & the SPACEAPE Mogwai Erland and the Carnival black sun of dubstep p. 4 TURN ON The Dodos, Discodeine, Frankie & the Heartstrings, Stearica 78 p. 12 TUNE IN Mogwai, Erland and the Carnival sentireascoltare.com p. 20 DROP OUT Cesare Basile/Paolo Benvegnù/Marco Parente Kode9 Tim Hecker p. 50 RECENSIONI . p. 114 Rearview Mirror Pearls Before Swine Rubriche p. 106 Gimme some inches p. 108 Reboot p. 110 China Files SentireAscoltare online music magazine Registrazione Trib.BO N° 7590 del 28/10/05 p. 122 Campi Magnetici Editore: Edoardo Bridda Direttore responsabile: Antonello Comunale p. 123 Classic Album Provider NGI S.p.A. Copyright © 2009 Edoardo Bridda. Tutti i diritti riservati.La riproduzione totale o parziale, in qualsiasi forma, su qualsiasi supporto e con qualsiasi mezzo, è proibita senza autorizzazione scritta di SentireAscoltare DIRETTORE : Edoardo Bridda DIRETTORE RESPONSABILE : Antonello Comunale UFFICIO STAMPA : Teresa Greco COOR D INAMENTO : Gaspare Caliri PROGETTO GRAFICO E IMPAGINAZIONE : Nicolas Campagnari RE D AZIONE : Andrea Simonetto, Antonello Comunale, Edoardo Bridda, Gabriele Marino, Gaspare Caliri, Nicolas Campagnari, Stefano Pifferi, Stefano Solventi, Teresa Greco STAFF : Marco Boscolo, Edoardo Bridda, , Luca Barachetti, Marco Braggion, Gabriele Marino, Stefano Pifferi, Stefano Solventi, Teresa Greco, Fabrizio Zampighi, Luca Barachetti, Andrea Napoli, Diego Ballani, Mauro Crocenzi, Fabrizio Zampighi, Giulia Cavaliere, Giancarlo Turra COPERTINA : Aucan (foto di Giordano Garosio) GU I D A SPIRIT U ALE : Adriano Trauber (1966-2004) Sentireascoltare n. Sentireascoltare a storia dei Dodos, già Dodo Bird ai tempi in cui fortuna è stata ben felice di accettare.
    [Show full text]
  • Artist / Bandnavn Album Tittel Utg.År Label/ Katal.Nr
    ARTIST / BANDNAVN ALBUM TITTEL UTG.ÅR LABEL/ KATAL.NR. LAND LP KOMMENTAR A 80-talls synthpop/new wave. Fikk flere hitsingler fra denne skiva, bl.a The look of ABC THE LEXICON OF LOVE 1983 VERTIGO 6359 099 GER LP love, Tears are not enough, All of my heart. Mick fra den første utgaven av Jethro Tull og Blodwyn Pig med sitt soloalbum fra ABRAHAMS, MICK MICK ABRAHAMS 1971 A&M RECORDS SP 4312 USA LP 1971. Drivende god blues / prog rock. Min første og eneste skive med det tyske heavy metal bandet. Et absolutt godt ACCEPT RESTLESS AND WILD 1982 BRAIN 0060.513 GER LP album, med Udo Dirkschneider på hylende vokal. Fikk opplevd Udo og sitt band live på Byscenen i Trondheim november 2017. Meget overraskende og positiv opplevelse, med knallsterke gitarister, og sønnen til Udo på trommer. AC/DC HIGH VOLTAGE 1975 ATL 50257 GER LP Debuten til hardrocker'ne fra Down Under. AC/DC POWERAGE 1978 ATL 50483 GER LP 6.albumet i rekken av mange utgivelser. ACKLES, DAVID AMERICAN GOTHIC 1972 EKS-75032 USA LP Strålende låtskriver, albumet produsert av Bernie Taupin, kompisen til Elton John. HEADLINES AND DEADLINES – THE HITS WARNER BROS. A-HA 1991 EUR LP OF A-HA RECORDS 7599-26773-1 Samlealbum fra de norske gutta, med låter fra perioden 1985-1991 AKKERMAN, JAN PROFILE 1972 HARVEST SHSP 4026 UK LP Soloalbum fra den glimrende gitaristen fra nederlandske progbandet Focus. Akkermann med klassisk gitar, lutt og et stor orkester til hjelp. I tillegg rockere som AKKERMAN, JAN TABERNAKEL 1973 ATCO SD 7032 USA LP Tim Bogert bass og Carmine Appice trommer.
    [Show full text]
  • The Queen's Hall Edinburgh Eh8 9Jg Spring 2020
    THE QUEEN’S HALL EDINBURGH EH8 9JG SPRING 2020 J U H D D A U Y Z N E C L E L A U O D U T O I L E ’ N L L C I E C O N M N O P S JO E N N O Y H R S T N O R IF S N H R E U T L T G TL O E O W H R O S ICH R AR TH RAY D M T C AR BER X RO DODGE BROS AGNES OBEL IE TIN N P DE HA RST AT ICK JON S LE S Y E O L L D I B I S Y A S O D E D R S C O T Y S E R A H R S P H I T E H N S C R I I I H R T F P I A R Y E A O H T T M BOOKING TICKETS ONLiNE www.thequeenshall.net OvER THE PHONE +44 (0)131 668 2019 Mon –Sat 10am –5pm or until one hour before start on show nights iN PERSON 85 –89 Clerk Street, Edinburgh EH8 9JG Mo n–Sat 10a m–5pm or until 15 mins after start on show nights Booking charge A £1 fee is charged on all bookings made online and over the phone. This is per booking, not per ticket and helps support the running of our Box Office. Booking fees The ticket price shown is the price you will pay.
    [Show full text]