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magazine 28 TIDSSKRIFT FOR PROGRESSIV ROCK Tarkus nr. 28 • Mars 2004 • Løssalg kr. 50,- Peter Hammill Van der Graaf Carptree Kraftwerk Dream Theater Psykedelia Thijs van Leer Amerikansk prog Innhold Artikler/portretter 27 MANDALABAND the eye of wendor: prophecies 14 20 perler fra britisk psykedelia 32 MANNING the view from my window 6 ARKIVAREN: USA og Canada 31 MASI, ALEX in the name of mozart 19 Peter Hammill 28 MINDFLOWERS improgressive 18 Van der Graaf Generator 31 MISTER KITE box of fear 29 MYERS, DAVID LEE arcane device Redaksjon Intervjuer 29 NECKS drive by Sven Eriksen 5 Carptree 33 OPABINIA opabinia Trond Gjellum 3 Thijs van Leer 31 ORION RIDERS a new dawn Jon Christian Lie 30 PANZERPAPPA farlig vandring Anmeldelser 33 PARADOX ONE escalator to mars Bidragsytere dette nr. 21 ABSOLUTE ZERO crashing icons 23 PHILLIPS, ANTHONY battle of the birds Ulf Backstrøm 21 AHVAK ahvak 35 PINHAS, RICHARD transition 32 PSEUDO BUDDHA three months in a fat city Roger Matte 23 AKACIA an other life 21 APOGEE the garden of delights 33 PSICOTROPIA psicotropia Thiago Pinto Corrêa Sarkis 23 AQUAPLAN paperimeri 35 ROMISLOKUS trans aviation pilots Trond Sætre 21 ARM open reminder 32 ROSE, JON the people's music Rikard A Toftesund 23 ARS NOVA biogenesis project 33 SAKYPUTRA, RAHUL the denmark sessions 22 AVIARY ambition 35 SCARIOT strange to numbers Layout og grafisk produksjon 25 BALDIO, TERRENO terreno baldio 31 SCIENCE GROUP spoors Sven Eriksen 31 BALTIMOORE ultimate tribute 35 SIDE STEPS steps on edge 29 BARON, ERIK dés accordes 37 SPARTACUS demo II Trykk 31 BELLAS, GEORGE venomous fingers 33 TALISMA corpus Copyshop, 1300 Sandvika 22 BIRDSONGS OF THE MESOZOIC the iridium 33 TAMMATOYS within a dream controversy 36 TIRILL a dance with the shadows 5 CARPTREE superhero 27 TOUCH touch KONTAKT 26 CAZENAVE, GUILLAUME the mediation project 34 TRETTIOÅRIGA KRIGET elden av år Sven Eriksen part one – worship scraped 34 TRETTIOÅRIGA KRIGET glorious war Møllefaret 48B 23 CLEARLIGHT infinite symphony 34 TRUSTIES we only want to rule the world 0750 Oslo 22 CLEVELAND, BARRY memory and imagination 25 TWELFTH NIGHT art & illusion Tlf.: 22 50 03 61 (etter 18.00) 22 CLEVELAND, BARRY volcano 34 UNOMA croma 906 73 821 29 CLOUD CHAMBER dark matter 23 VEDRES, CZABA breathed prayer E-mail: [email protected] 29 DAVE ROSE GROUP live 25 VORTEX 1975-1979 25 ETCETERA tales of ardour and deceit 36 WETTON, JOHN amorata (DVD) Webadresse 25 EYESTRINGS burdened hands 23 WHITTAKER, ALAN top of the world www.tarkus.org 35 FLÄSKET BRINNER the swedish radio recordings 27 WOLSTENHOLME, WOOLLY black box recovered 29 GARLO coup de sang 31 WYATT, ROBERT solar flares burn for you Bankgiro 29 GLANDIEN, LUTZ lost in rooms 32 •DIVERSE ARTISTER músicas geometricas 6222.11.06658 30 GRANDE FORMATION galilée 26 GUAPO five suns Bøker Abonnement, annonsering etc 32 GUERIN, SHAUN the epic quality of life 37 REMME, STEINAR en skjebne verre enn livet Se siste side 32 HACKETT, STEVE live archive 03 30 HARDSCORE methane Konserter ISSN nummer 30 HARDSCORE surf, wind & desire 39 Dream Theater 31 HARRIS, MICHAEL words collide 39 Kraftwerk 0809-0971 25 HOMOSEXUALS the homosexuals' record 26 IN CAHOOTS all that Faste spalter/Annet 26 INKABB HOLNAP tomorrow instead 30 Leserbrev MERK! 27 JOHN, CLIVE you always know where you stand 38 Redaksjonens spilleliste ---------------------------------------------- 38 Resultat av leseravstemmingen Alle synspunkter gitt uttrykk for i Tarkus er artik- with a buzzard kelforfatterens egne, og ikke nødvendigvis sammen- 27 KARNATAKA delicate flame of desire 20 Svens mimrehjørne: FIELDS fields fallende med redaksjonens oppfatninger 36 KAYAK merlin – bard of the unseen (DVD) 11 Øde øy: HAMADRYAD conservation of mass 36 KING CRIMSON eyes wide open (DVD) Ettertrykk er tillat med kildehenvisning. 30 KOPECKY sunset gun Annonsører 28 KOTEBEL fragments of life 24 InsideOut 27 LOCOMOTIVE we are everything you see 28 Mellotronen 30 LOUISE AVENUE let's take one more 12 progrock.no Fra redaksjonen Den provoserende gentleman oe vi har fryktelig dårlig Bobby Brown Goes Down" og andre register og en dynamikk som til en samvittighet for ikke å ha magazine 28 låter med tilsvarende "grisete" inn- hver tid utfordret lytteren, men TIDSSKRIFT FOR PROGRESSIV ROCK Tarkus nr. 28 • Mars 2004 • Løssalg kr. 50,- N gjort tidligere, er å hedre hold, er det lite forståelse å hente også ga den en belønning hvis man Peter Hammill minnet til Frank Zappa, en av de for at dette tapet skulle være så bare kunne stå løpet ut. Van der Graaf Carptree største tonekunstnerne som har mye større enn en del andre tap Kraftwerk Dream Theater operert innenfor den vidtfavnende innen rockebransjen. Men for dem appa kjempet hardt for artis- Psykedelia sjangeren vi kaller rock. som har turt å bevege seg ned i ters ytringsfrihet, og hans Thijs van Leer Amerikansk prog dypet av mannens over seksti utgi- Z opptreden i den amerikanske en 4. desember 2003 var det velser (derav 55 mens han levde), kongressen midt på åttitallet er 10 år siden Frank Vincent har de funnet et univers som opple- fortsatt legendarisk, der Zappa D Zappa forlot en sjokkert ves som til de grader unikt, spen- fremsto som kanskje den mest for- musikkverden. At akkurat han av nende og altomfattende at man nuftige og taleføre av dem alle. alle i rockebransjen skulle være den ennå ikke fatter at mannen rakk å Men i stedet for å gremmes over som skulle dø så altfor tidlig, opp- få til alt dette i løpet av sine 27 år hans bortgang, skal vi heller prøve levdes da, og nå ti år senere, som som plateartist. Zappa kunne være å glede oss over den enorme plate- Daniel Denis (Univers Zero) det beste eksempel på verdens plump, banal, grisete og anstrengt produksjonen som i mange år frem- (Foto Vincent Chiavetta) totale meningsløshet. Man kan si provoserende, men Zappa på sitt over vil provosere og fascinere et mye rart om Frank Zappa. For dem beste kunne lage enormt vakker stort publikum. som forbinder han mest med låta musikk, med en dybde, et følelses- Side 2 Tarkus nr. 28 Vi setter kunnskapene på prøve… Aktive ører med Thijs Van Leer I “Aktive ører” lar vi kjente og ukjente mennesker høre, gjette og uttale seg om et knippe plater. Vi håper at dette skal kunne bli en serie som dukker opp i Tarkus med ujevne mellomrom. Uansett, så har den ikke ukjente Focus-lederen Thijs van Leer blitt utsatt for en aldri så liten platebunke fra Tarkus’ søramerikan- ske bidragsyter, og her er resultatet. Av Thiago Pinto Corrêa Sarkis Spock’s Beard Long Time Suffering fra albumet Snow (2002) Thijs: Dette er veldig bra. Veldig melodisk. Det er en enhet av tid, sted og handling, som er meget viktig for det dette bandet gjør. Kom- pleks, men ikke vel- dig kompleks. Stem- mene er godt arran- gert. Veldig musi- kalsk, høyt nivå på harmoniene og melodiene. Den ryt- miske delen fanget spesielt min opp- merksomhet. Det mest interessante var de tre første rytmene. Det eneste jeg føler mangler her er reprisen av denne rytmiske delen. Thiago: De gjentar den i løpet av CD-en ... det er en dobbel CD, et konseptalbum Thiago: Det er Chick Corea Elektric Band. Thijs: Åh, da er det greit. Hvilket band er det? Tool Thijs: Chick? Jeg trodde det var ham, men jeg Schism Thiago: Spock’s Beard. var ikke sikker. Hvem spiller han med? fra albumet Lateralus (2001) Thijs: Hvor er de fra? Er de fra syttitallet? Thiago: Frank Gambale, Dave We... (han lar meg Thijs: Dette er, for alt jeg vet ... vel, det er prog- ikke fullføre) rock. Det er en mengde taktarter. De spiller vel- Thiago: De er fra USA. Dette albumet ble sluppet i dig nøyaktig, jeg kan ikke røre på baken. Jeg 2002. Thijs: Gambale? Jeg har spilt med ham. Han er kan forestille meg at det kunne utvikle seg til fabelaktig. Dette er perfekt. Det rører noe i meg. noe lystigere. Thijs: Er det sant? Det er virkelig bra. Det er en De hører på hverandre. De er mestere. Visste du anelse av Gentle Giant, men også elementer av at Chick valgte Focus som headline-band for sine Thiago: De gjorde en andre band fra syttitallet. De høres ut som om de show? turné med King Crim- er fra syttitallet. son. Thiago: Virkelig? Thijs: Det kan jeg Chick Corea Elektrik Band Thijs: Ja! Vi var på samme plateselskap ... og godt se for meg. Det Eternal Child selskapet spurte ham hvem han ønsket å åpne er ikke vanskelig å fra albumet Eye Of The Beholder (1988) showene for. Han valgte Focus. Vi ble veldig gode skjønne hvorfor. Hva venner. Chick sa alltid at “Hocus Pocus” var er navnet på ban- Thijs: Dette er så fantastisk at de andre medlem- utmerket, en genistrek. Jeg er ikke enig med det? mene i bandet må ham (han ler). Han er veldig snill, vi snakket høre det. (Intervju- masse sammen på kveldene med forestilling. Han Thiago: Tool. ers anmerkning: I kom hjem til meg og var der i to dager. Han hør- dette øyeblikket te en demo av “Dona Nobis Pacem” og sa at han Thijs: Tool? Vel, trommeslageren er veldig god. reiste han seg fra ville spille den inn i sitt eget studio. Han er en Han spiller rett fram, bare akkompagnerer de stolen og spurte om av mine favoritt pianister / musikere. Hva er andre musikerne. Men han tenker kanskje ikke det var mulig å spil- navnet på denne skiva? på motstemmer. Jeg mener ... Det er en måte å le CD-en over hotel- spille på. Jeg har hatt de samme problemene med lets lydanlegg. Det Thiago: Eye of the Beholder.
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    TIJDSCHRIFT OVER PROGRESSIEVE ROCKMUZIEK verschijnt 7 keer per jaar, 12e jaargang december 2007, losse exemplaren 5 io pa g e s 7 7 RITUAL EN KAIPA PATRIK LUNDSTRÖM ZINGT ROBBY VALENTINE TOPPER TOBT EPICA GOTHIC MET GODDELIJKE TIK ‘REMSLAAP’ ONTWAAKT RIVERSIDE VERDER: NOVEMBRE, ISOPODA, KRAMER, RUSH 'IN CONCERT' COLOFON 3 UITGEVER Stichting iO Postbus 67 Paradoxale slaap 2678 ZH De Lier (tevens adres abonnementen administratie) fax: 0174-511213 e-mail: [email protected] website: www.iopages.nl ABONNEMENTEN Iedereen kent tijdens de slaap Lundström tot het schrijven van Een jaarabonnement kost per nacht gemiddeld vier of het prachtige nieuwe album The 31,00 binnen Nederland, resp. 39,00 voor de rest van Europa en vijf zogenoemde ‘remperiodes’. Die Hemulic Voluntary Band. De Zweed 49,50 buiten Europa. duren ongeveer twintig minuten per keer is zowel in de formatie Ritual als Kaipa het Nieuwe abonnees ontvangen de en het zijn de tijden dat je meestal behoor- gezicht van de band. Sprookjesachtige prog- uitgave van de maand volgend lijk droomt. ‘Rem’ staat voor Rapid Eye gy folkrock zoals we dat graag horen. Deze op de maand van aanmelding. Movement (snelle oogbeweging) en wordt klanken stimuleren tot wegdromen, even Adreswijzigingen dienen 4 weken ook wel paradoxale slaap genoemd. Die uit de heksenketel van het dagelijkse leven. tevoren te worden doorgegeven. (naar bovenstaand adres van uit- schijnbare tegenstelling heeft te maken met Tegelijkertijd zijn er diepere boodschappen gever of via e-mail). Vermeld altijd een grote hersenactiviteit en een maximale verborgen. Doet het toch weer een beroep je volledige naam en adres. ontspanning van de spieren.
  • Les Archives Du Sombre Et De L'expérimental

    Les Archives Du Sombre Et De L'expérimental

    Guts Of Darkness Les archives du sombre et de l'expérimental avril 2006 Vous pouvez retrouvez nos chroniques et nos articles sur www.gutsofdarkness.com © 2000 - 2008 Un sommaire de ce document est disponible à la fin. Page 2/249 Les chroniques Page 3/249 ENSLAVED : Frost Chronique réalisée par Iormungand Thrazar Premier album du groupe norvégien chz le label français Osmose Productions, ce "Frost" fait suite au début du groupe avec "Vikingligr Veldi". Il s'agit de mon album favori d'Enslaved suivi de près par "Eld", on ressent une envie et une virulence incroyables dans cette oeuvre. Enslaved pratique un black metal rageur et inspiré, globalement plus violent et ténébreux que sur "Eld". Il n'y a rien à jeter sur cet album, aucune piste de remplissage. On commence après une intro aux claviers avec un "Loke" ravageur et un "Fenris" magnifique avec son riff à la Satyricon et son break ultra mélodique. Enslaved impose sa patte dès 1994, avec la très bonne performance de Trym Torson à la batterie sur cet album, qui s'en ira rejoindre Emperor par la suite. "Svarte vidder" est un grand morceau doté d'une intro symphonique, le développement est excellent, 9 minutes de bonheur musical et auditif. "Yggdrasill" se pose en interlude de ce disque, un titre calme avec voix grave, guimbarde, choeurs et l'utilisation d'une basse fretless jouée par Eirik "Pytten", le producteur de l'album: un intemrède magnifique et judicieux car l'album gagne en aération. Le disque enchaîne sur un "Jotu249lod" destructeur et un Gylfaginning" accrocheur.