Merlin Atmos

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Van der Graaf Generator – Merlin Atmos (71:00, 71:15, 2 CD,Cherry Red/Esoteric Antenna, 2015) Van der Graaf Generator sind live eine Macht, bisweilen gar eine Urgewalt – insofern bieten sich Live-Alben bei dieser Formation einerseits tatsächlich an. Andererseits sind allein in des Schreibers bescheidenem VdGG-Schrein mit „Vital“ (Do-LP, 1978), „Real Time“ (2005), „Metropolis“ (2010) doch bereits einige davon zu finden. Dennoch möchte der Fan auch und gerade „Merlin Atmos“ nicht missen. Speziell ist bei dieser Live- Konserve von der 2013er Tour, dass gleich zu Beginn eine für die Trio-Besetzung aufwändig umarrangierte, über 20-minütige Version von ‚Flight‘ gegeben wird, dem Epos von Hammills Solo- Album „A Black Box“ (1980), was allein schon die Beschäftigung mit diesem Release wert ist. Der zweite Höhepunkt ist die behutsam und doch spürbar aktualisierte Fassung von ‚A Plague Of Lighthouse Keepers‘ (24:), das – beispielsweise im Gegensatz zu ‚Man-Erg‘ – auf den bisherigen Live-Konserven fehlte. Man glaubt die Begeisterung, aber auch Überraschung des Publikums zu spüren, als es das Stück erkennt. Spätestens als auch ohne ihren legendären Ex-Saxophon-SpielerDavid „Jaxon“ Jackson das melancholische, unheimliche Nebelhorn ertönt, scheinen aber alle überzeugt. Doch auch das Break-reiche ‚All That Before‘ (mit besonders herrlichem Orgelspiel von Hugh Banton) oder das relativ heftig rockende ‚Bunsho‘ lassen auf der auf „Merlin Atmos“ getauften CD 1 kein Auge trocken. CD 2 ist zwar als „Bonus Atmos“ beschriftet, enthält mit besagtem ‚Man-Erg‘ oder ‚Scorched Earth‘ aber absolute Bühnen-Klassiker, allerdings auch mit ‚Over The Hill‘ (mit superbem Schlagzeugeinsatz von Guy Evans) und ‚Interference Patterns‘ vom 2008er Album „Trisector“ jüngeres Material. Der luftig klingende Mix stammt übrigens von Banton. „Merlin Atmos“ ist als CD, als (empfohlene) „Limited Ed.“ Doppel-CD und auf Vinyl erhältlich. Bewertung: 12/15 (KR 12, KS 12) Surftipps zu VdGG: VdGG Homepage Homepage Peter Hammill Peter Hammill Group Chat (Yahoo) VdGG Family Tree Facebook (unofficial) Spotify Deezer Reverbnation last.fm VdGG live @ Prag, 16.06.13 (YouTube) Wikipedia.

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Record Store Day 2020 (GSA) - 18.04.2020 | (Stand: 05.03.2020)
Record Store Day 2020 (GSA) - 18.04.2020 | (Stand: 05.03.2020) Vertrieb Interpret Titel Info Format Inhalt Label Genre Artikelnummer UPC/EAN AT+CH (ja/nein/über wen?) Exclusive Record Store Day version pressed on 7" picture disc! Top song on Billboard's 375Media Ace Of Base The Sign 7" 1 !K7 Pop SI 174427 730003726071 D 1994 Year End Chart. [ENG]Pink heavyweight 180 gram audiophile double vinyl LP. Not previously released on vinyl. 'Nam Myo Ho Ren Ge Kyo' was first released on CD only in 2007 by Ace Fu SPACE AGE 375MEDIA ACID MOTHERS TEMPLE NAM MYO HO REN GE KYO (RSD PINK VINYL) LP 2 PSYDEL 139791 5023693106519 AT: 375 / CH: Irascible Records and now re-mastered by John Rivers at Woodbine Street Studio especially for RECORDINGS vinyl Out of print on vinyl since 1984, FIRST official vinyl reissue since 1984 -Chet Baker (1929 - 1988) was an American jazz trumpeter, actor and vocalist that needs little introduction. This reissue was remastered by Peter Brussee (Herman Brood) and is featuring the original album cover shot by Hans Harzheim (Pharoah Sanders, Coltrane & TIDAL WAVES 375MEDIA BAKER, CHET MR. B LP 1 JAZZ 139267 0752505992549 AT: 375 / CH: Irascible Sun Ra). Also included are the original liner notes from jazz writer Wim Van Eyle and MUSIC two bonus tracks that were not on the original vinyl release. This reissue comes as a deluxe 180g vinyl edition with obi strip_released exclusively for Record Store Day (UK & Europe) 2020. * Record Store Day 2020 Exclusive Release.* Features new artwork* LP pressed on pink vinyl & housed in a gatefold jacket Limited to 500 copies//Last Tango in Paris" is a 1972 film directed by Bernardo Bertolucci, saxplayer Gato Barbieri' did realize the soundtrack.
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THE SHARED INFLUENCES and CHARACTERISTICS of JAZZ FUSION and PROGRESSIVE ROCK by JOSEPH BLUNK B.M.E., Illinois State University, 2014
COMMON GROUND: THE SHARED INFLUENCES AND CHARACTERISTICS OF JAZZ FUSION AND PROGRESSIVE ROCK by JOSEPH BLUNK B.M.E., Illinois State University, 2014 A thesis submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Master in Jazz Performance and Pedagogy Department of Music 2020 Abstract Blunk, Joseph Michael (M.M., Jazz Performance and Pedagogy) Common Ground: The Shared Influences and Characteristics of Jazz Fusion and Progressive Rock Thesis directed by Dr. John Gunther In the late 1960s through the 1970s, two new genres of music emerged: jazz fusion and progressive rock. Though typically thought of as two distinct styles, both share common influences and stylistic characteristics. This thesis examines the emergence of both genres, identifies stylistic traits and influences, and analyzes the artistic output of eight different groups: Return to Forever, Mahavishnu Orchestra, Miles Davis’s electric ensembles, Tony Williams Lifetime, Yes, King Crimson, Gentle Giant, and Soft Machine. Through qualitative listenings of each group’s musical output, comparisons between genres or groups focus on instances of one genre crossing over into the other. Though many examples of crossing over are identified, the examples used do not necessitate the creation of a new genre label, nor do they demonstrate the need for both genres to be combined into one. iii Contents Introduction………………………………………………………………………………… 1 Part One: The Emergence of Jazz………………………………………………………….. 3 Part Two: The Emergence of Progressive………………………………………………….. 10 Part Three: Musical Crossings Between Jazz Fusion and Progressive Rock…………….... 16 Part Four: Conclusion, Genre Boundaries and Commonalities……………………………. 40 Bibliography……………………………………………………………………………….
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VOLANTINO VDGG.Cdr
Ecco dunque apparire i mostri, ecco apparire i demoni, ecco apparire la disperazione, il riso, Ecco dunque apparire i mostri, ecco apparire i demoni, ecco apparire la disperazione, il riso, il trionfo ed il disastro. Le parole sono scivolose e sufficientemente elusive in inglese, e il loro senso è il trionfo ed il disastro. Le parole sono scivolose e sufficientemente elusive in inglese, e il loro senso è spesso nascosto tra le crepe che si formano tra le parole stesse e i loro doppi o tripli sensi. spesso nascosto tra le crepe che si formano tra le parole stesse e i loro doppi o tripli sensi. Tradurle in italiano è un compito monumentale... Tradurle in italiano è un compito monumentale... (Peter Hammill) (Peter Hammill) PER LA PRIMA VOLTA... LE LIRICHE DEI VAN DER GRAAF GENERATOR RACCOLTE IN UN PER LA PRIMA VOLTA... LE LIRICHE DEI VAN DER GRAAF GENERATOR RACCOLTE IN UN UNICO VOLUME CON TRADUZIONE ITALIANA A FRONTE! UNICO VOLUME CON TRADUZIONE ITALIANA A FRONTE! Non è stato difficile per gli italiani innamorarsi delle stupende musiche dei Van der Graaf Non è stato difficile per gli italiani innamorarsi delle stupende musiche dei Van der Graaf Generator, disegnate e scolpite tra inquietudine ed energia. Difficile, anzi, difficilissimo, Generator, disegnate e scolpite tra inquietudine ed energia. Difficile, anzi, difficilissimo, penetrare nelle sfaccettature di liriche ora visionarie, ora disincantate, sostenute da una penetrare nelle sfaccettature di liriche ora visionarie, ora disincantate, sostenute da una profonda vena poetica e filosofica. Facile, ascoltando queste liriche cantate, rendersi profonda vena poetica e filosofica. Facile, ascoltando queste liriche cantate, rendersi conto di avere incontrato una delle voci più belle ed originali della musica moderna.
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Dec. 22, 2015 Snd. Tech. Album Arch
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Various Repeat Performance Mp3, Flac, Wma
Various Repeat Performance mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Pop / Folk, World, & Country Album: Repeat Performance Country: Scandinavia Released: 1980 Style: Folk Rock, Art Rock, Pop Rock, Prog Rock, Symphonic Rock MP3 version RAR size: 1678 mb FLAC version RAR size: 1965 mb WMA version RAR size: 1105 mb Rating: 4.8 Votes: 636 Other Formats: AAC DMF FLAC MOD DXD WMA DTS Tracklist A1 –Van Der Graaf Generator Theme One A2 –Lindisfarne Lady Eleanor A3 –Rare Bird Sympathy A4 –Clifford T. Ward Gaye A5 –String Driven Thing It's A Game A6 –Capability Brown Liar A7 –The Nice America B1 –Genesis I Know What I Like B2 –Gary Shearston I Get A Kick Out Of You B3 –Chris White Spanish Wine B4 –Peter Gabriel Solsbury Hill B5 –Link Wray It's All Over Know B6 –Steve Hackett Every Day B7 –Bill Lovelady Reggae For It Now Barcode and Other Identifiers Rights Society: n©b Other versions Category Artist Title (Format) Label Category Country Year The Charisma Repeat Performance (Cass, BGC 001 Various Charisma BGC 001 UK 1980 Comp) The Charisma Repeat Performance (LP, BG 1 Various Charisma BG 1 UK 1980 Comp) BG 1 Various Repeat Performance (LP, Comp) Charisma BG 1 Ireland 1980 Related Music albums to Repeat Performance by Various Van Der Graaf Generator - Van Der Graaf Generator Box-Set Zero Charisma - X-16 mix Various - One More Chance Bill Lovelady - One More Reggae For The Road Steve Hackett - Cell 151 Bob Watters - Repeat Performance The Juniors - Do You Love Me? String Driven Thing - Mrs.
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Hybrid Correlation Models for Bond Breaking Based on Active Space Partitioning
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Van Der Graaf Generator
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University of Huddersfield Repository Quinn, Martin The Development of the Role of the Keyboard in Progressive Rock from 1968 to 1980 Original Citation Quinn, Martin (2019) The Development of the Role of the Keyboard in Progressive Rock from 1968 to 1980. Masters thesis, University of Huddersfield. This version is available at http://eprints.hud.ac.uk/id/eprint/34986/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ 0. A Musicological Exploration of the Musicians and Their Use of Technology. 1 The Development of the Role of the Keyboard in Progressive Rock from 1968 to 1980. A Musicological Exploration of the Musicians and Their Use of Technology. MARTIN JAMES QUINN A thesis submitted to the University of Huddersfield in partial fulfilment of the requirements for the degree of Master of Arts.
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