Kiaull Manninagh Jiu Kiaullmanninaghjiu
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Irish Language in Meals Will Also Be Available on Reservation
ISSN 0257-7860 Nr. 57 SPRING 1987 80p Sterling D eatp o f S gum äs Mac a’ QpobpaiNN PGRRaNpORtb CONfGRGNCC Baase Doolisl) y KaRRaqpeR Welsb LaNquaqc Bills PlaNNiNQ CONtROl Q tpc MaNX QOVGRNMCNt HistORic OwiNNiNG TTpe NoRtp — Loyalist Attituöes A ScaSON iN tl7G FRGNCb CgRip Q0DC l£AGU€ -4LBA: COVIUNN CEIUWCH * BREIZH: KEl/RE KEU1EK Cy/VIRU: UNDEB CELMIDO *ElRE:CONR4DH CfllTHCH KERN O W KE SU NW NS KELTEK • /VWNNIN1COV1MEEY5 CELM GH ALBA striipag bha turadh ann. Dh'fhäs am boireannach na b'lheärr. Sgtiir a deöir. AN DIOGHALTAS AICE "Gun teagamh. fliuair sibh droch naidheachd an diugh. Pheigi." arsa Murchadh Thormaid, "mur eil sibh deönach mise doras na garaids a chäradh innsibh dhomh agus di- 'Seinn iribh o. hiüraibh o. hiigaibh o hi. chuimhnichidh mi c. Theid mi air eeann- Seo agaibh an obair bheir togail fo m'chridh. gnothaich (job) eite. Bhi stiuradh nio chasan do m'dhachaidh bhig fhin. "O cäraichidh sinn doras na garaids. Ma Air criochnacbadh saothair an lä dhomh." tha sibh deiseil tägaidh sinn an drasda agus seallaidh mi dhuibh doras na garaids. Tha Sin mar a sheinn Murchadh Thormaid chitheadh duine gun robh Murchadh 'na turadh ann." "nuair a thill e dhachaidh. "Nuair a bha c dhuine deannta 'na shcacaid dhubh-ghorm Agus leis a sin choisich an triuir a-mach a' stiiiireadh a’ chäir dhachaidh. bha eagail agus na dhungairidhe (dungarees), Bha baga dhan gharaids, an saor ’na shcacaid dhubh- air nach maircadh an ehr bochd air an rarhad uainc aige le chuid inncaian saoir. Bha e mu gorm is dungairidhc , . -
Chaotic Descriptor Table
Castle Oldskull Supplement CDT1: Chaotic Descriptor Table These ideas would require a few hours’ the players back to the temple of the more development to become truly useful, serpent people, I decide that she has some but I like the direction that things are going backstory. She’s an old jester-bard so I’d probably run with it. Maybe I’d even treasure hunter who got to the island by redesign dungeon level 4 to feature some magical means. This is simply because old gnome vaults and some deep gnome she’s so far from land and trade routes that lore too. I might even tie the whole it’s hard to justify any other reason for her situation to the gnome caves of C. S. Lewis, to be marooned here. She was captured by or the Nome King from L. Frank Baum’s the serpent people, who treated her as Ozma of Oz. Who knows? chattel, but she barely escaped. She’s delirious, trying to keep herself fed while she struggles to remember the command Example #13: word for her magical carpet. Malamhin of the Smooth Brow has some NPC in the Wilderness magical treasures, including a carpet of flying, a sword, some protection from serpents thingies (scrolls, amulets?) and a The PCs land on a deadly magical island of few other cool things. Talking to the PCs the serpent people, which they were meant and seeing their map will slowly bring her to explore years ago and the GM promptly back to her senses … and she wants forgot about it. -
What Lies Beyond an Extended Bestiary for Beyond the Wall and Other Adventures by Colin Chapman
WHAT LIES BEYOND AN EXTENDED BESTIARY FOR BEYOND THE WAll AND OTHER ADVENTURES BY COLIN CHAPMAN Amphisbaena for cruelty and a curious nature. Though not physically A venomous desert-dwelling reptile, the amphisbaena strong, their bites are paralyzing, and small bands of is a large serpent with a head at each end of its sinuous these beings delight in observing and tormenting all body, allowing it to swiftly move in either direction or they encounter. attack with a pair of bites. Its lambent green eyes attract insects to it during the hours of darkness, these being Hit Dice: 1d6 (4 HP) its preferred prey, though it will aggressively protect AC: 15 itself from anything it deems a threat. Attack: +1 to hit, 1d4 damage + poison (bite) Alignment: Chaotic Hit Dice: 2d4 (5 HP) XP: 15 AC: 13 Notes: Poisonous (anyone bitten by a attorcroppe Attack: +2 to hit, 1d6 damage + poison (bite) must make a saving throw versus poison or be para- Alignment: Neutral lyzed for 1d4 hours), True Name (attorcroppes have XP: 60 true names which give their foes power over them), Notes: Poisonous (anyone bitten by an amphisbaena Vulnerable to Iron (attorcroppes take double damage must make a saving throw versus poison or suffer an from iron) immediate extra 2 damage), Two-Headed (the amphis- baena may make two bite attacks per round) Black Dog Large faerie hounds with coats the color of coal and Animated Statue eyes that glimmer red, black dogs silently prowl the Animated via sorcerous means, statues serve as the night, haunting old roads and pathways, running with ideal guardians, ever-vigilant, unmoving, and unrecog- the Wild Hunt, and howling at stormy skies. -
Sociolinguistic Vitality of Manx After Extreme Language Shift: Authenticity Without Traditional Native Speakers
IJSL 2015; 231: 45 – 62 Open Access Tadhg Ó hIfearnáin Sociolinguistic vitality of Manx after extreme language shift: authenticity without traditional native speakers Abstract: This article draws on sociolinguistic fieldwork among speakers of one of Europe’s smallest indigenous language communities, a speaker group which persists after the loss of all of its “traditional speakers” within living memory. The extreme language shift experienced by Manx has not led to loss of the language as a spoken and literary medium due to the efforts of significant numbers of lan- guage activists and enthusiasts over several generations, from before the loss of the traditional language community to the present. Their actions have resulted in significant linguistic institutionalisation and a rapidly expanding number of speakers of various abilities, some of whom form a new “speaker community”. It discusses the constructions of linguistic authenticity and alternative models for the revival speaker, showing how core groups of speakers have been bestowed with authenticity by the wider non-speaker population, for whom linguists’ inter- est in language endangerment and language death are not primary concerns. The article shows how speakers appropriate and are accorded forms of authority and legitimacy in the absence of traditional native speakers. Keywords: authenticity, native speaker, language revitalization and regenera- tion, Manx Gaelic, Monegasque DOI 10.1515/ijsl-2014-0031 1 Introduction: sociolinguistic vitality after extreme language shift In this article I use the term extreme language shift (ELS) to refer to the process by which communities underwent a language shift from their historical native Tadhg Ó hIfearnáin: University of Limerick, Ireland. -
Manx Language Strategy 2017 - 2021 Strateysh Son Y Ghaelg 2017 - 2021 Manx Language Strateysh Son Strategy Y Ghaelg 2017-2021 2017-2021
Manx Language Strategy 2017 - 2021 Strateysh son y Ghaelg 2017 - 2021 Manx Language Strateysh son Strategy y Ghaelg 2017-2021 2017-2021 Manx Language Network Jeebin “Thinking back over the years I can’t remember a 6me when there was this much excitement and involvement with reviving Manx Gaelic, and I think it’s a great service to the Island now, and also for posterity.” Manx Language For All Gaelg son dy chooilley pheiagh !1 Manx Language Strategy 2017 - 2021 Strateysh son y Ghaelg 2017 - 2021 CONTENTS: Foreword Roie-raa …………………………………………………………………………………..………. 3 Introduction Goan Foslee Manx Language Yn Ghaelg ..……..………………………….……………..……………………………………. 4 Manx Language Network Members Olteynyn Key Stakeholders Parteeyn ………………………………………………………………………………………….. 5 Theme 1: Appropriate and Accessible Resources Cooish 1: Stoo-ynsee cooie ta ry gheddyn dy h-aashagh …………………………….. 7 Theme 2: Manx as an Important Part of National and Cultural Identity Cooish 2: Gaelg myr ayrn scanshoil jeh enney ashoonagh as cultooroil ……………8 Theme 3: Manx for the Manx Speaking Community Cooish 3: Gaelg son y theay Gaelgagh………………………………………………..….10 Theme 4: Lifelong Learning of Manx from Early to Later Years Cooish 4: Ynsagh fud bea voish lhiannooaght dys shenn-eash………………….……..11 “Learning is a treasure that will follow its owner everywhere; learning Manx isn’t just about language it’s about history, learning about the places we live, understanding why things are done the way they are and most importantly a pride and iden6ty of being part of the Isle of Man.” !2 Manx Language Strategy 2017 - 2021 Strateysh son y Ghaelg 2017 - 2021 MINISTERS’ FOREWORD ROIE-RAA In many ways, the Manx language is one of the Island’s success stories, both na:onally and interna:onally. -
Manx Music & Dance the Isle of Man’S History in Music, Song & Dance
lIbrary & archIve servIce ManX MusIc & Dance The Isle of Man’s hIsTory In MusIc, song & Dance Much of what we know about Manx music starts with early 19th century manuscripts and the earliest published source, the Mona Melodies, 1820 (J.48/2xf). however, many of the carvals (vernacular religious songs) and church music date from the 18th century, although very little was published. In the late 19th century, the Gill brothers, composer William This led to two publications of Manx dances by the English Henry and Deemster John Frederick, joined forces with Dr. Folk Dance Society and the eventual formation of the Manx John Clague on a rescue mission to collect Manx folk music Folk Dance Society in 1951. before it was forgotten. At the same time Arthur William Throughout this time the Isle of Man was flourishing as a Moore was conducting a similar project. In 1896 they tourist destination with large numbers of visitors from the UK published select pieces from their collections, edited for a late every year. To entertain them, large dance halls in Douglas Victorian audience as Manx National Songs (J.48) and Manx had daily performances for anything up to 6,000 people at a Ballads and Music. (J.48/14) time. Brothers Harry and Haydn Wood filled the demand for The 19th century also offers a variety of church music sources. music for these visitors and many of the music hall songs of The singing of carvals at oie’ll verrees (gatherings in the local the period are closely associated with the Isle of Man. -
GD No 2020/0062
Tuarastyl Vleinoil ANNUAL REPORT 2019/2020 of the Manx Heritage Foundation Undinys Eiraght Vannin ta dellal trading as Culture Vannin fo’n ennym Culture Vannin Incorporating the report Goaill stiagh tuarystal y Ving of the Gaelic Broadcasting Ymskeaylley Ghaelgagh Committee www.culturevannin.im Our year in numbers Nyn vlein ayns earrooyn EXISTING FILMS: The Secret 1800s Bank Vault in Castletown views OUR MOST POPULAR FILM 1,023,828 ONLINE HAD OVER NEWLY UPLOADED: The Isle of Man’s first 1 million UFO sighting? 3,067 views views during the year ON FACEBOOK: Chibbyr Vreeshey: St. Bridget’s Well at the Nunnery 20,600 views Videos added to YouTube 1,546,477 views videos newly uploaded 200 (making a total of 652 videos now available) 158,827 hours of viewing followers to our main Culture Vannin Twitter account, 3,648 with 1,598,000 impressions new audio files Listens in the past year: have been released Over 10,100 224 on SoundCloud (total of 522 now +3,522 on BandCamp available) =13,600 increase in Likes on our #culturevannin 19% main Facebook page images released 323 on Flickr Across our accounts: Facebook Twitter combined likes of pages and total followers on Twitter 14,444 members of groups on Facebook 7,698 across three accounts 1 CULTURE VANNIN ANNUAL REPORT 2019/2020 Contents Cooishyn sthie 03 SOME WORDS FROM OUR CHAIR 04 GOAN VEIH’N CHAAIRLIAGH AIN 05 WHO WE ARE AND WHAT WE DO 06 QUOI TA SHIN AS CRE TA SHIN JANNOO DEVELOPMENT WORK OBBYR VISHEE 07 SOME HIGHLIGHTS 08 PAART DY HALLEEYN CRONNAL A SUCCESS STORY FOR OUR VA COURYN Y VLEIN -
Freshly Caught Fairy Folk Captured by the Fairy Catcher Catching Fairies Since 1991
Freshly Caught Fairy Folk Captured by The Fairy Catcher catching fairies since 1991 The Fairy Catcher specialises in the capture of fairy folk. Using an ointment made from a four leafed Clover to protect you from their magic powers, but please never let them escape from their jars as we cannot be responsible for the consequences. Good Luck! These pages describe the fairies that we catch. The fairies are all held captive in glass jars, and the following descriptions appear on their individual labels. Please visit www.thefairycatcher.com to see them. Good luck! Pisky Ferrishyn Piskies are from Cornwall and The Ferrishyn are the trooping fairies of although they are fond of The Isle of Man. They love hunting and playing practical jokes have very good hearing, on people who have lost they can hear whatever their way in the countryside is said out of doors. they can bring luck and Every wind stirring good fortune carries the sound to their ears. Take care to speak well of them, then Knocker luck and good fortune Knockers come from Cornwall and used to help the Tin Miners could be yours. by knocking to indicate where a rich batch of ore Buggane could be found. Listen The Buggane is a goblin from The Isle of Man. He lives in a for their knocking, Dub into which the Spooty falls. He will change his shape if there could be he is set free, and it isnot unusual for a Buggane to turn into a rich vein in store a very large water horse! for you! Browney The Browney is a cornish guardian of the bees. -
Fíanaigecht in Manx Tradition FÍANAIGECHT in MANX TRADITION 1
Fíanaigecht in Manx Tradition FÍANAIGECHT IN MANX TRADITION 1 GEORGE BRODERICK University of Mannheim Introduction: The Finn Cycle In order to set the Manx examples of Fíanaigecht in context I cite here Bernhard Maier's short sketch of the Finn Cycle as it appears in Maier (1998: 118). Finn Cycle or Ossianic Cycle. The prose naratives and ballads centred upon the legendary hero Finn mac Cumaill and his retinue, the Fianna. They are set in the time of the king Cormac mac Airt at the beginning of the 3rdC AD. The heroes, apart from Finn, the leader of the Fianna, are his son Oisín, his grandson Oscar, and the warriors Caílte mac Rónáin, Goll mac Morna and Lugaid Lága. Most of the stories concerning F[inn] are about hunting adventures, love-affairs [...] and military disputes [...]. The most substantial work of this kind, combin- ing various episodes within a narrative framework, is Acallam na Senórach . The ballads concerning F[inn] gained in popularity from the later Middle Ages onwards and were the most important source of James Mac- pherson's "Works of Ossian" (Maier 1998: 118). The individual texts of the poems and ballads concerned with the Finn Cycle seemingly date over a period from the learned scribal tradition of the eleventh 2 to the later popular oral tradition of the early seventeenth century. Sixty-nine poems from this corpus survive in a single manuscript dating from 1626-27 known as Duanaire Finn ('Finn's poem book') (cf. Mac Neill 1908, Murphy 1933, 1953, Carey 2003). According to Ruairí Ó hUiginn (2003: 79), Duanaire Finn forms part of a long manuscript that was compiled in Ostend in 1626-7. -
Gaelic English New Testament
Gaelic English New Testament Erich condone dooms while Melbourne Quincey staned ornately or sermonize nae. Notable Edouard dapsquell someso lowest leasts that after Zebadiah towered airlifts Solomon his cares. dammed inexpensively. Underbred and Galwegian Tonnie Later issues on, particularly from scotland or gaelic new testament manuscripts of the. As the translators worked through the New Testament they were very much aware of the importance that this new translation will have for education and for the churches. The english text format used was carried by two centuries found favour of new testament into the place of the time when translating songs of the psalms, and are held them in dr campbell of. Arguably, this could have been exploited by the established church had it pursued a more vigorous campaign to produce religious materials in Irish, thereby cultivating literacy in the language and increasing the chances of successful conversions. John Wycliffe and his English Precursors. II, Part ii, pp. New family movie for kids! What you to new testament transliterated into english language is clear if set up to edit special offices and news! We are provide the API service to our client across the glob, Our serivces iuncluded Json API for APP, API presentation using swagger. Apocalyptic Mentalities in Late Medieval England. Dèanar do not one new gaelic new translation team comprises translators may have. But how different is it, and how hard is it to read, and learn? Gaelic language with Norse elements, is known simply as such. Even produced by either in news broadcasts, which had previously translated. -
Council of Ministers Annual Report of the Gaelic Broadcasting Committee
GD No: 2015/0064 Council of Ministers Annual Report of the Gaelic Broadcasting Committee Bing Ymskeaylley Gaelgagh Year ended 31 March 2015 BING YMSKEAYLLEY GAELGAGH Gaelic Broadcasting Committee Report to the Council of Ministers for the financial year 2014-15 Future of the Gaelic Broadcasting Committee The Gaelic Broadcasting Committee is to cease existence as a separate entity but its operations will be continued by Culture Vannin. Details of this change are to be finalised. Periods of membership of the Committee detailed immediately below are provisional. Membership of the Gaelic Broadcasting Committee The Committee membership for the year April 2014 until March 2015 was as follows: Mr Adrian Cain (member until 25.03.19) Mr Robert Carswell (member until 02.08.17) Ms Catherine Clucas (secretary) (member until 02.08.17) Hon. Philip Gawne MHK (member until 02.11.19) Mr James Harrison (member until 02.08.17) Dr Breesha Maddrell (member until 25.03.19 – re-appointed in January 2014) Dr Brian Stowell (chairman) (member until 16.01.18) Background The Gaelic Broadcasting Committee was appointed by the Council of Ministers under Section 12 of the Broadcasting Act 1993, after consultation with the Communications Commission. The Committee consists of a Chairman and not less than three other members. Monies for expenditure by the Gaelic Broadcasting Committee are allocated via the Communications Commission, and claims for expenditure approved by the Committee are sent to the Communications Commission for processing. Concerning radio programmes in or involving Manx Gaelic broadcast by Manx Radio, only Moghrey Jedoonee requires expenditure involving monies allocated to the Committee. -
Year One Reporting National Development Strategy for Culture
End of Year One of National Development Strategy for Culture and the Arts Progress Report Summary The Action Plan that accompanies the National Development Strategy for Culture and the Arts ‘arts, culture and creativity for everyone’ clearly outlines actions which should be achieved or started in Year One. This first annual report gives a summary of actions achieved and in progress as submitted to the Council of Ministers. YEAR ONE ACTIONS Review Communications Both organisations started the process of reviewing communications during the year. The strategy has helped us to talk confidently and clearly about culture, the arts and creativity, and to get the message across within mainstream media that this sector contributes greatly to quality of life, social inclusion and to the future of the economy. Culture Vannin has strengthened its online messaging and has identified the need to modernise one of its websites, manxmusic.com, which will be actioned later in the calendar year. The organisation has excellent reach through its various Facebook pages and groups (over 10,000 likes/members), Twitter accounts, and social media portfolio, with videos receiving over 90,000 views annually. Newsletter distribution lists have been refined in relation to GDPR. The Isle of Man Arts Council (“IOMAC”) has actively grown its communications during Year One. Grainney Sheard joined the team as the Arts Engagement Officer (this post is fully funded by IOMAC) in November 2017 and since then the IOMAC website (iomarts.com) has been completely updated and is kept current with regular news, events and articles. IOMAC now has a strong presence on Facebook, Twitter and Instagram, releases a monthly newsletter and supports a weekly podcast, Spotlight (broadcast every Wednesday on Manx Radio this programme is funded by IOMAC).