Council of Ministers Annual Report of the Gaelic Broadcasting Committee
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Irish Language in Meals Will Also Be Available on Reservation
ISSN 0257-7860 Nr. 57 SPRING 1987 80p Sterling D eatp o f S gum äs Mac a’ QpobpaiNN PGRRaNpORtb CONfGRGNCC Baase Doolisl) y KaRRaqpeR Welsb LaNquaqc Bills PlaNNiNQ CONtROl Q tpc MaNX QOVGRNMCNt HistORic OwiNNiNG TTpe NoRtp — Loyalist Attituöes A ScaSON iN tl7G FRGNCb CgRip Q0DC l£AGU€ -4LBA: COVIUNN CEIUWCH * BREIZH: KEl/RE KEU1EK Cy/VIRU: UNDEB CELMIDO *ElRE:CONR4DH CfllTHCH KERN O W KE SU NW NS KELTEK • /VWNNIN1COV1MEEY5 CELM GH ALBA striipag bha turadh ann. Dh'fhäs am boireannach na b'lheärr. Sgtiir a deöir. AN DIOGHALTAS AICE "Gun teagamh. fliuair sibh droch naidheachd an diugh. Pheigi." arsa Murchadh Thormaid, "mur eil sibh deönach mise doras na garaids a chäradh innsibh dhomh agus di- 'Seinn iribh o. hiüraibh o. hiigaibh o hi. chuimhnichidh mi c. Theid mi air eeann- Seo agaibh an obair bheir togail fo m'chridh. gnothaich (job) eite. Bhi stiuradh nio chasan do m'dhachaidh bhig fhin. "O cäraichidh sinn doras na garaids. Ma Air criochnacbadh saothair an lä dhomh." tha sibh deiseil tägaidh sinn an drasda agus seallaidh mi dhuibh doras na garaids. Tha Sin mar a sheinn Murchadh Thormaid chitheadh duine gun robh Murchadh 'na turadh ann." "nuair a thill e dhachaidh. "Nuair a bha c dhuine deannta 'na shcacaid dhubh-ghorm Agus leis a sin choisich an triuir a-mach a' stiiiireadh a’ chäir dhachaidh. bha eagail agus na dhungairidhe (dungarees), Bha baga dhan gharaids, an saor ’na shcacaid dhubh- air nach maircadh an ehr bochd air an rarhad uainc aige le chuid inncaian saoir. Bha e mu gorm is dungairidhc , . -
Report of Proceedings of House of Keys
REPORT OF PROCEEDINGS OF HOUSE OF KEYS Douglas, Tuesday, March '7, 1967 Present: The Speaker (Mr H. C. as the hon. member for Peel. When Kerruish, C.R), Messrs R. J. G. this House erected him to the Anderson, H. D. C. MacLeod, E, N. Legislative Council it was in every way Crowe, R. F. S. KerrUish, P. Radcliffe, an admirable choice. Mr Gale took his Miss J. C. C. Thornton-Duesbery, full share of all the responsible admini- Messrs P. A. S.pittall, W. E. Quayle, strative work which falls on the T. C. Faragher, A. H. Simcocks, G. T. shoulders of members of Tynwald, and Crellin, C. L. P. Vereker, J. A. Moore, at all times maintained that sunny and T. A. Corkish, E. C. Irving, C. E. Burke, cheerful disposition which we all G. V. H. Kneele, G. A. Devereau, R. MacDonald, A. S. Kelly, Sir Henry remember so well. A man of his Sugden, K.B.E., C.B., D.S.O., with Mr temperament is invaluable to any T. E. Kerineen, Secretary to the House. legislative assembly, and those of us who worked with him found that our tasks, however onerous, were lightened by his good natured participation in RETURN OF THE SECRETARY debate and deliberation. To his family we offer our sincere sympathy which AFTER mraNEss we hope to show by our attendance at The Speaker: Hon. members, I am his funeral this afternoon. Members sure I express this morning the pleasure will be aware that I propose to adjourn we all feel at seeing our secretary back the House at 12.15 to enable members in his accustomed place. -
Nu-Nordic Band Samling Give Taste of Our Past
www.iomtoday.co.im Isle of Man Examiner, Tuesday, November 1, 2011 13 MANX SHIP FIRST TO VISIT QUAKE MUSIC AND CULTURE STRICKEN JAPANESE PORT, page 15 CULTURAL MIX: The members of new Nordic band Samling, centre, at the Cooish were, from left, Naomi Harvey from Scotland, guitarist Tom Oakes from Devon, and Anne-Sofie Ling Vadal from Norway. They seek to com- bine traditional music from Norway, left, with Gaelic music from the Hebrides, right. Anne-Sofie told me: ‘It truly was a great experience for me personally to come to the Isle of Man, with all it’s links to Norway! I will definitely come back and spend a bit more time there to explore both the musical, history and culture links’ Nu-Nordic band Samling NORDREYS (Earldom of give taste of our past Orkney) THERE was a taste of a new gen- by Simon Artymiuk ensemble, there was also a real treat when Australian-born singer Sophia SUDREYS re of music at this year’s Coo- (Kingdom of part of an impressive Scandinavian At- Dale sang a solo Manx Gaelic song ac- Mann and ish concert – although it was lantic empire stretching from Denmark companied by Tom. She explained that the Isles) also a reminder of ancient links to Greenland. Even the Normans who on her visits to the island some years which, though forged long ago, took control of England after the Battle ago she had often encountered on Port continue to have resonance in of Hastings in 1066 were descendants Erin beach a little boy who every year of Danish raiders living in France. -
Doing Business in the Isle of Man
DOING BUSINESS IN THE ISLE OF MAN CONTENTS 1 – Introduction 3 2 – Business environment 4 3 – Foreign Investment 7 4 – Setting up a Business 8 5 – Labour 13 6 – Taxation 16 7 – Accounting & reporting 21 8 – UHY Representation in the Isle of Man 23 DOING BUSINESS IN THE ISLE OF MAN 3 1 – INTRODUCTION UHY is an international organisation providing accountancy, business management and consultancy services through financial business centres in over 100 countries throughout the world. Member firms work together through the network to conduct transnational operations for clients as well as offering specialist knowledge and experience within their own national borders. Global specialists in various industry and market sectors are also available for consultation. This detailed report providing key issues and information for users considering business operations in the Isle of Man has been provided by the office of UHY representatives: UHY CROSSLEYS LLC PO Box 1 Portland House Station Road Ballasalla Isle of Man, IM99 6AB British Isles Phone +44 (0) 1624 822816 Website www.crossleys.com Email [email protected] You are welcome to contact Andrew Pennington ([email protected]) or Nigel Rotheroe ([email protected]) for any enquiries you may have. Information in the following pages has been updated so that it is effective at the date shown, but inevitably it is both general and subject to change and should be used for guidance only. For specific matters, users are strongly advised to obtain further information and take professional advice before making any decisions. This publication is current at August 2021. We look forward to helping you do business in the Isle of Man. -
Sociolinguistic Vitality of Manx After Extreme Language Shift: Authenticity Without Traditional Native Speakers
IJSL 2015; 231: 45 – 62 Open Access Tadhg Ó hIfearnáin Sociolinguistic vitality of Manx after extreme language shift: authenticity without traditional native speakers Abstract: This article draws on sociolinguistic fieldwork among speakers of one of Europe’s smallest indigenous language communities, a speaker group which persists after the loss of all of its “traditional speakers” within living memory. The extreme language shift experienced by Manx has not led to loss of the language as a spoken and literary medium due to the efforts of significant numbers of lan- guage activists and enthusiasts over several generations, from before the loss of the traditional language community to the present. Their actions have resulted in significant linguistic institutionalisation and a rapidly expanding number of speakers of various abilities, some of whom form a new “speaker community”. It discusses the constructions of linguistic authenticity and alternative models for the revival speaker, showing how core groups of speakers have been bestowed with authenticity by the wider non-speaker population, for whom linguists’ inter- est in language endangerment and language death are not primary concerns. The article shows how speakers appropriate and are accorded forms of authority and legitimacy in the absence of traditional native speakers. Keywords: authenticity, native speaker, language revitalization and regenera- tion, Manx Gaelic, Monegasque DOI 10.1515/ijsl-2014-0031 1 Introduction: sociolinguistic vitality after extreme language shift In this article I use the term extreme language shift (ELS) to refer to the process by which communities underwent a language shift from their historical native Tadhg Ó hIfearnáin: University of Limerick, Ireland. -
Communications Commission Oaseirys Çhellinsh
DIRECTOR Dr Carmel McLaughlin Communications Commission Oaseirys Çhellinsh Director Dr Carmel McLaughlin Response to Ofcom’s Second Public Service Broadcasting Review Phase Two: Preparing for the digital future 4 December 2008 1. Executive Summary The Communications Commission welcomes this opportunity to respond to Ofcom’s Second Public Service Broadcasting Review. The review contained the proposal to merge Border and Tyne Tees news but with separate 15-minute sequences in the main weekday programme for viewers in the Border and Tyne Tees areas and separate late-evening bulletins which would directly affect the Isle of Man (Section 7 and Annex 1 of Ofcom’s review). Following publication of Ofcom’s review, the Commission conducted a public consultation inviting views on proposals to change ITV’s regional news coverage. The issue was reported and debated on the radio, internet and in the Island’s newspapers. In total we received 120 responses from Members of Tynwald, Government Departments, Statutory Boards, Parish Commissioners, Women’s Institutes, Manx Radio and other organisations and individuals from across the Island. The Commission thanks everyone who took time to respond to the consultation and for their considered responses. This submission summarises the responses to the consultation. The Commission, Tynwald and the great majority of respondents to our consultation are of the opinion that viewers and the Island would be better served by the Island’s transmitters switching to ITV Granada rather than being part of the Border/Tyne Tees proposal. The Isle of Man while not part of UK has cultural, economic and social links with the North West of England rather than Border and the North East of England. -
NAMA Convention 2014 IOM Program
yss a d g n h i ! Y NAMANorth american manx association We’re back! Isle of Man 2014 52nd North American Manx Association Convention July 3rd - 7th 2014 This is_____________________________________’s copy She dty vea dy valley -- Welcome home It gives me great pleasure to welcome you all “home.” Every year, in small groups scattered across the vastness of North America, we gather to celebrate the bond that brings us together, our Manx heritage and kinship. Now, for these SE91 few days in July, we are fortunate to be able to rekindle these friendships in the place where £6.55 it all began: Our homeland, Ellan Vannin, the Isle of Man. Whether your ancestor voyaged to the New World as an Elizabethan settler, or left behind a tholtan in the 1800s, or shipped out as a G.I. bride, we North American Manx all carry a piece of the Island in our hearts. And as the Manx in our blood thins out, we now welcome a new group of members, those who have come to love the Isle of Man for itself. To those members, we are delighted you have made the trip to discover what it is we find special about this unique and beautiful place. SE41 £6.60 Thank you for making the journey back. I’m sure you will enjoy all we have planned for you this action-packed Tynwald weekend. Please know that none of it would have been possible without the help and support of the local community, to whom we extend our Limited edition of deepest thanks. -
Gaelic Language Plans Audit - September 2020 Renewed Plans from 2018 Onwards
Gaelic Language Plans Audit - September 2020 renewed plans from 2018 onwards Contents 01 - City of Edinburgh Council Plan 2018-22 08 - North Ayrshire Council 2019-2024 02 - Cairngorms National Park Authority Plan 2018-2022 09 - Perth and Kinross Council 2018-2022 03 - Creative Scotland 2019-2022 10 - Scottish Parliament 2018-2023 04 - Glasgow City Council 2018-2022 11 - The Highland Council 2018-2023 05 - Historic Environment Scotland 2018-2023 12 - University of Aberdeen 2019-2024 06 - National Galleries Scotland 2018-2023 13 - University of Glasgow 2018-2021 07 - National Libraries of Scotland 2019-2024 14 - University of Highlands & Islands 2018-2023 City of Edinburgh Council Plan 2018-22 Strategic Priority 1 Sustainable: Gaelic is visible, encouraged and has a sustainable future within the City of Edinburgh Lead Service area and key Actions By when partners Economy, Culture Work with Scottish Government and its agencies to support their promotion of Gaelic within entrepreneurship, Economic Develpment, Culture, Bòrd 2022 and Communities and the creative, cultural and heritageindustry in Edinburgh. na Gàidhlig, VisitScotland and HIE Strategic Priority 3 Encouraged: The city’s Gaelic culture and arts are nurtured and preserved sociall and economically Lead Service area and key Actions By when partners Culture and Ensure Gaelic communities have the opportunity to access the culture website. Culture Ongoing communities Support the Gaelic community to promote access to Gaelic Cultural material for example Film locations, Arts Culture/Marketing Edinburgh Ongoing and Historical sites (eg. Makar’s Court) and continue to support local artists’ networks and arts development. Further develop partnerships with national bodies (for example EventScotland) to promote the city’s Gaelic Culture and External Relations Ongoing culture and history both nationally and internationally. -
AMANDA GRIFFIN the Manx Music Festival
EnterText 2.1 AMANDA GRIFFIN The Manx Music Festival: A Socio-Cultural Consideration Introduction At the close of the 1993 Manx Music Festival, Sir Charles Kerruish, then President of the Isle of Man parliament, Tynwald, stated: “This festival demonstrates the strength of Manx culture as it is today. Frankly it makes me feel proud to be Manx and happy in the knowledge that our cultural heritage is in such safe keeping.”1 This article is a consideration of the ways in which this music festival can be claimed to demonstrate “the strength of Manx culture as it is today.” By examining the festival from two perspectives it will consider the ways in which the festival is negotiated as a symbol of Manx culture. The first of these perspectives focuses on the meanings found within the festival itself, and the second on the place the Manx Music Festival occupies in the broader culture of the Isle of Man as a whole. Ultimately the article will show how a competitive music festival is used as symbol of both culture and identity. The empirical research for this paper took place over a number of preparatory months and culminated in an intensive six-week period of field study in the Isle of Man that included attending the 108th Manx Music Festival in April 2000. I have chosen to report my findings from this research using the present tense, but this is by Amanda Griffin: The Manx Music Festival150 EnterText 2.1 no means an attempt to place the research in some sort of historically ambivalent moment, with disregard to the passage of time. -
Manx Language Strategy 2017 - 2021 Strateysh Son Y Ghaelg 2017 - 2021 Manx Language Strateysh Son Strategy Y Ghaelg 2017-2021 2017-2021
Manx Language Strategy 2017 - 2021 Strateysh son y Ghaelg 2017 - 2021 Manx Language Strateysh son Strategy y Ghaelg 2017-2021 2017-2021 Manx Language Network Jeebin “Thinking back over the years I can’t remember a 6me when there was this much excitement and involvement with reviving Manx Gaelic, and I think it’s a great service to the Island now, and also for posterity.” Manx Language For All Gaelg son dy chooilley pheiagh !1 Manx Language Strategy 2017 - 2021 Strateysh son y Ghaelg 2017 - 2021 CONTENTS: Foreword Roie-raa …………………………………………………………………………………..………. 3 Introduction Goan Foslee Manx Language Yn Ghaelg ..……..………………………….……………..……………………………………. 4 Manx Language Network Members Olteynyn Key Stakeholders Parteeyn ………………………………………………………………………………………….. 5 Theme 1: Appropriate and Accessible Resources Cooish 1: Stoo-ynsee cooie ta ry gheddyn dy h-aashagh …………………………….. 7 Theme 2: Manx as an Important Part of National and Cultural Identity Cooish 2: Gaelg myr ayrn scanshoil jeh enney ashoonagh as cultooroil ……………8 Theme 3: Manx for the Manx Speaking Community Cooish 3: Gaelg son y theay Gaelgagh………………………………………………..….10 Theme 4: Lifelong Learning of Manx from Early to Later Years Cooish 4: Ynsagh fud bea voish lhiannooaght dys shenn-eash………………….……..11 “Learning is a treasure that will follow its owner everywhere; learning Manx isn’t just about language it’s about history, learning about the places we live, understanding why things are done the way they are and most importantly a pride and iden6ty of being part of the Isle of Man.” !2 Manx Language Strategy 2017 - 2021 Strateysh son y Ghaelg 2017 - 2021 MINISTERS’ FOREWORD ROIE-RAA In many ways, the Manx language is one of the Island’s success stories, both na:onally and interna:onally. -
22 April 2016
CELTIC MEDIA FESTIVAL 20 - 22 APRIL 2016 FÉILE NA MEÁN CEILTEACH DÚN GARBHÁN 20-22 AIBREÁN 2016 celtic media festival wELCOME PÁDHRAIC Ó CIARDHA áilte go Dún Garbhán! Failt erriu, Ócáid ar leith í an Fhéile seo. Tá idir chomhdháil, Croeso, Fàilte, Dynergh, Degemar, chomórtais, aonach agus oireachtas i gceist. Benvidos. Tapaíonn na toscairí an deis luachmhar bhliantúil seo teacht le chéile, bualadh le sean-chairde, Táimid bailithe le chéile anseo don nascanna nua a bhunú lena gcomhghleacaithe ó Fhéile bhliantúil cheiliúrtha, chomhrá agus chríocha eile lenár saothair sna teangacha comórtas. I mbliain seo an chomórtha céid in Ceilteacha (agus eile) a cheiliúradh agus a mhalartú. Éirinn, fearaim fáilte is fiche romhat agus súil agam Bíonn cur agus cúiteamh againn, breithiúnas ar go mbainfidh tú idir thairbhe agus thaitneamh as do an ábhar agus iomarbhá freisin b’fhéidir faoin chuairt chugainn. Tá tú tagtha go Déise Mumhan mbealach chun cinn. ar chiumhais na Gaeltachta agus i lár bhaile ina bhfuil an stair, an cultúr, an ceol agus an Ghaeilge Is ábhar mórtais dúinn an fás agus an fhorbairt atá ar fáil i ngach sráid, cearnóg agus cé. tagtha ar Fhéile na Meán Ceilteach le cúpla bliain anuas. Is í seo an 37ú Féile againn. Táimid ag teacht le chéile ag am na cinniúna. Ar an oileán seo, tá Agus muid ag iarraidh freastal ar an raon leathan Comóradh Céid 1916 tar éis aird an phobail a toscairí a thagann chugainn – léiritheoirí, craoltóirí tharraingt ar na meáin ar bhealach ar leith. Is cinnte raidió agus teilifíse, rialtóirí, riarthóirí cistí léiriúcháin freisin go bhfuil ról lárnach ag na meáin agus micléinn – féachann muid le deis a thabhairt chumarsáide, idir chló agus chraolta, sa bhfeachtas dóibh éisteacht agus bualadh le máistrí na ceirde géar-iomaíoch atá a fhearadh sa Ríocht Aontaithe agus leo sin atá i mbun ceannródaíochta agus nuá- faoi láthair maidir le todhchaí na dtíortha sin leis an la don earnáil sa tréimhse chinniúnach atá amach Aontas Eorpach. -
Manx Music & Dance the Isle of Man’S History in Music, Song & Dance
lIbrary & archIve servIce ManX MusIc & Dance The Isle of Man’s hIsTory In MusIc, song & Dance Much of what we know about Manx music starts with early 19th century manuscripts and the earliest published source, the Mona Melodies, 1820 (J.48/2xf). however, many of the carvals (vernacular religious songs) and church music date from the 18th century, although very little was published. In the late 19th century, the Gill brothers, composer William This led to two publications of Manx dances by the English Henry and Deemster John Frederick, joined forces with Dr. Folk Dance Society and the eventual formation of the Manx John Clague on a rescue mission to collect Manx folk music Folk Dance Society in 1951. before it was forgotten. At the same time Arthur William Throughout this time the Isle of Man was flourishing as a Moore was conducting a similar project. In 1896 they tourist destination with large numbers of visitors from the UK published select pieces from their collections, edited for a late every year. To entertain them, large dance halls in Douglas Victorian audience as Manx National Songs (J.48) and Manx had daily performances for anything up to 6,000 people at a Ballads and Music. (J.48/14) time. Brothers Harry and Haydn Wood filled the demand for The 19th century also offers a variety of church music sources. music for these visitors and many of the music hall songs of The singing of carvals at oie’ll verrees (gatherings in the local the period are closely associated with the Isle of Man.