Music in Chinese Art Hong Kong I 1 December 2020
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Collection De Porcelaines Chinoises De Monsieur Et Madame Robert De Strycker
Collection de porcelaines chinoises de Monsieur et Madame Robert de strycker Lundi 9 décembre 2013 HÔTEL DROUOT Henri-Pierre TEISSÈDRE Delphine de COURTRY Commissaires-priseurs PIASA 5, rue Drouot 75009 Paris Tél. : +33 (0)1 53 34 10 10 Fax : +33 (0)1 53 34 10 11 ESTIMATIONS GRATUITES [email protected] ET CONFIDENTIELLES www.piasa.fr Piasa SA Ventes volontaires aux enchères publiques - agrément n° 2001-020 ART D'ASIE COLLECTION DE PORCELAINES CHINOISES DE MONSIEUR ET MADAME ROBERT DE STRYCKER PARTIE II Lundi 9 décembre 2013 à 13h30 Hôtel Drouot, salle 2 9 rue Drouot 75009 Paris Tél. : + 33 (0)1 48 00 20 02 EXPOSITION PUBLIQUE Hôtel Drouot, salle 2 Samedi 7 décembre de 11h à 18h Dimanche 8 décembre de 11h à 18h Lundi 9 décembre de 11h à 12h EXPERTS Thierry Portier RESPONSABLE DE VENTE Expert SFEP Anne-Caroline Germaine-Le Mintier Alice Jossaume Buhlmann Tél. : +33 (0)1 53 34 10 12 Expert SFEP [email protected] 26 bd Poissonière 75009 Paris Tél : +33 (0)1 48 00 03 41 CONTACT PRESSE PIASA Fax : +33 (0)1 48 00 02 64 Isabelle de Puysegur www.portier-asianart.com Tél. : +33 (0)1 53 34 10 10 [email protected] [email protected] ENCHÉRISSEZ EN DIRECT SUR WWW.PIASA.FR SUIVEZ NOTRE ACTUALITÉ SUR FACEBOOK 2 COLLECTION DE PORCELAINES CHINOISES DE MONSIEUR ET MADAME ROBERT DE STRYCKER Grands amateurs d’art, le professeur Robert de Strycker et son épouse découvrirent l’art chinois lors d’un voyage à Londres à la fin des années 1930, au British Museum. -
Schematizing Plum Blossoms
Schematizing Plum Blossoms: Understanding Printed Images in Thirteenth-Century China By Mengge Cao B.A., McGill University, 2014 A Thesis Submitted to Department of the Art History and Communication Studies of McGill University In Partial Fulfillment of the Requirements For the Degree of Master of Arts Department of Art History and Communication Studies McGill University Montreal, Quebec December 2016 © Mengge Cao 2016 ABSTRACT This thesis examines the significance of the printed images in the Register of Plum Blossom Portraits (Meihua xishen pu, d. 1238), the earliest extant book illustrating plum blossoms. In particular, it focuses primarily on the visual analogs in the Register, which consists of one hundred titled picture-poem sequences. Approaching the Register through the method of “period eye,” this thesis emphasizes on two factors that shaped the author’s compositional strategy: the potentiality of the print medium and the influence of the Learning of the Way (daoxue) conceptual framework. Section 1 offers factual information concerning the production and reception of the Register. Section 2 reveals the connection between the printed plum blossoms and their counterparts in the Song dynasty (960–1279) illustrated books. Section 3 investigates the conceptual foundation of the visual analogs in the Learning of the Way framework. ii RESUME Cette thèse examine l’impact historique des images imprimées dans la Chine du treizième siècle à travers l’étude du Registre des portraits de fleurs de prunier (Meihua xishen pu, d. 1238), le livre le plus ancien illustrant des fleurs de prunier. Elle concerne plus particulièrement les séquences de poèmes-images présents dans le Registre en tant qu’analog mot-image documenté par la circulation des livres ayant permis une nouvelle approche pour traiter les données visuelles. -
Tracing Changes in Acu- Moxa Therapy During the Transition from the Tang to the Song Dynasties 1
EASTM 18 (2001): 75-11 I Changing Standards: Tracing Changes in Acu moxa Therapy During the Transition from the Tang to the Song Dynasties 1 Asaf Goldschmidt [Asaf Goldschmidt is a lecturer at Tel Aviv University, Israel. He received his Ph.D. in History and Sociology of Science from the University of Pennsylvania in I 999. His dissertation was on "The transformations of Chinese medicine dur ing the Northern Song dynasty (920-1127)." The dissertation analysed how by the end of the Northern Song dynasty three past medical approaches converged into one comprehensive medical system. He is currently working on a history of the first imperially sponsored pharmacy in China and on the influence of the Song emperor Huizang on medicine.] * * * Acupuncture is probably one of the most renowned topics when traditional Chi nese medicine is discussed. Indeed, more often than not, when people discuss traditional Chinese medicine one of the first issues they discuss is acu-moxa therapy (see definition below). Acu-moxa therapy is certainly one of the most intriguing and unintuitive therapeutic skills in the arsenal of traditional Chinese medicine. However in spite of this, little research has been conducted on the history of this topic. Existing works mostly concentrate on either the question of the origin of acu-moxa therapy or provide a general overview of its history.2 This paper offers a different approach - it compares the contents of six surviving texts of acu-moxa therapy dating to the late Tang and early Song dynasties. By com paring the contents of these works, I attempt to examine changes in the manu scripts available to practitioners of that era. -
Introduction to Neijing Classical Acupuncture Part II: Clinical Theory Journal of Chinese Medicine • Number 102 • June 2013
20 Introduction to Neijing Classical Acupuncture Part II: Clinical Theory Journal of Chinese Medicine • Number 102 • June 2013 Introduction to Neijing Classical Acupuncture Part II: Clinical Theory Abstract By: Edward Neal As outlined in Part I of this article, the theories and practices of Neijing classical acupuncture are radically different from the type of acupuncture commonly practised today. In essence, Neijing classical acupuncture is Keywords: a form of clinical surgery, the goal of which is to restore the body’s circulatory pathways and tissue planes to a Acupuncture, state of dynamic balance. In its clinical application, Neijing classical acupuncture is a physician-level skill built Neijing, classical, upon a sophisticated understanding of the innate patterns of nature and an in-depth knowledge of the structure history, basic and physiology of the human body. Neijing classical acupuncture does not depend on point-action theory - the principles conceptual framework that dominates most current thinking in modern acupuncture - for its therapeutic efficacy. Rather, the goal of Neijing classical acupuncture is to regulate the different tissue planes of the body in order to restore the free circulation of blood, and in doing so allow the body to return to its original state of balance and innate self-healing. I. Background theoretical descriptions of acupuncture were outlined The detailed writings laid down in the original texts in the original medical texts where their core principles of Chinese medicine during the later Warring States period (475-221 BCE) and Western Han Dynasty (206 that is the least understood today.3 BCE-9 CE) represent a comprehensive theoretical system that has stood the test of time for over two History of the Lingshu family of texts millennia. -
The Study of Chinese Trade Ceramics in Sungai Sadong, Sarawak Jonathan
THE STUDY OF CHINESE TRADE CERAMICS IN SUNGAI SADONG, SARAWAK JONATHAN KO JIA YI UNIVERSITI SAINS MALAYSIA 2015 THE STUDY OF CHINESE TRADE CERAMICS IN SUNGAI SADONG, SARAWAK by JONATHAN KO JIA YI Thesis submitted in fulfilment of the requirements for degree of Master of Arts January 2015 ACKNOWLEDGEMENTS This study was made possible with the assistance and support of a number of people and organisations. First of all, I would like to thank my supervisor, Associate Professor Dr. Stephen Chia Ming Soon, the Deputy Director of the Centre for Global Archaeological Research (CGAR), Universiti Sains Malaysia (USM), Penang, for his tremendous support and excellent guidance during my research, and for providing me with a conductive environment for doing my research. I would also like to express my gratitude to the Director of CGAR, Professor Dato’ Dr. Mokhtar Saidin for giving me the opportunity to undertake the graduate study program at CGAR. I am deeply indebted to his constant support and encouragement. I also wish to thank USM for providing the environment and the financial assistance for this research under the USM Research University Grant. My thanks also go to the Institute of Postgraduate Studies in USM for providing the USM Postgraduate Fellowship during the course of my study. The analysis of Chinese trade ceramic in Sadong River, Sarawak was done over a period of more than one year at the Archaeology Section, Sarawak Museum Department with the assistance of a number of people. First of all, I would like to thank the Director of the Sarawak Museum Department, Mr. -
Chinese Art the Szekeres Collection
Chinese Art The Szekeres Collection J. J. Lally & Co. oriental art Chinese Art The Szekeres Collection Chinese Art The Szekeres Collection March 13 to 29, 2019 J. J. Lally & Co. oriental art 41 East 57th Street New York, NY 10022 Tel (212) 371-3380 Fax (212) 593-4699 e-mail [email protected] www.jjlally.com Janos Szekeres ANOS Szekeres was a scientist, an When his success in business gave him greater resources for collecting art, he first inventor, an aviator, a businessman and a formed a collection of Post-Impressionist paintings, which he had always loved, but Jfamily man. The outline of his life reads as business affairs brought him back to Asia he once again began to visit the antiques like a classic American success story. Born in shops looking for Chinese art, and soon he had a significant collection of Chinese snuff Hungary in 1914, Janos attended the University bottles. His interest and sophistication grew rapidly and eventually he served on the of Vienna for his graduate studies in chemistry. Board of Directors of the International Chinese Snuff Bottle Society and on the Chinese When war in Europe was imminent he signed Art Collections Committee of the Harvard University Art Museums. A trip to China in on as a seaman on a commercial freighter and, 1982 visiting Chinese art museums, kiln sites and monuments reinforced a wider interest on arrival in New York harbor, “jumped ship.” in Chinese ceramics and works of art. He enlisted in the US Army Air Force in 1941 Janos took great pleasure in collecting. -
Production and Trade of Porcelain in China, 1000-1500
Production and Trade of Porcelain in China, 1000-1500 Shelagh Vainker Ashmolean Museum, Oxford Email: [email protected] Just as the Song dynasty (960-1279) has been identified by economic historians as a peak after which no significant developments took place, so it is a period of culmination in the manufacture of ceramics. Between the 10th and 12th centuries, green, black or white high- fired wares that had been produced for centuries were made with finer bodies, smoother and more complex glazes and in a greater range of shapes than ever before, and in unprecedented quantities. They also became admired and moreover collected as objects of aesthetic, cultural and monetary value, a practice that had previously been restricted to works of art such as calligraphy and painting, or to the jades and bronze vessels associated with high antiquity and the authority to rule. This was also however the period in which was established China’s most enduring and famous kiln site, Jingdezhen. To that extent the period is not only a technological peak, but a pivotal one during which the centre of the ceramics industry began its shift from north to south China. At the time when the northern kilns were producing pieces for the imperial court and wares that would be adopted into the canon of connoisseur’s collectibles, southern kilns were making pots for everyday local use, and for export. In many instances, these imitated the northern wares in both technology and style; all were part of a country-wide industry with a distribution of manufacturing centres that was unprecedented and has not been repeated, for it is notable that during the pre-eminence of the north in potting, the south was also rich in kiln sites and products, while once the shift south had occurred no significant industry continued in north China. -
Luis Roncero Mayor La Tradicion Esoterica Taoista Tesis De Doctorado
UNIVERSIDAD AUTÓNOMA DE MADRID FACULTAD DE FILOSOFÍA Y LETRAS Tesis doctoral LA TRADICIÓN ESOTÉRICA TAOÍSTA: LOS FUNDAMENTOS DE LA ALQUIMIA INTERIOR TAOÍSTA Y SUS CORRESPONDENCIAS EN LA ALQUIMIA MEDIEVAL ESPAÑOLA Luis Roncero Mayor Directores de la tesis: Taciana Fisac Badell José Ramón Álvarez Méndez-Trelles Departamento de Lingüística, Lenguas Modernas, Lógica y Filosofía de la Ciencia, Teoría de la Literatura y Literatura Comparada. Programa de Doctorado en “Lengua, Literatura y Sociedad” AGRADECIMIENTOS En primer lugar, quisiera agradecer a mis dos tutores: Taciana Fisac y José Ramón Álvarez. Además de contar con su valiosa dirección y guía durante la redacción de la tesis, Taciana Fisac me ha apoyado en todos mis proyectos desde que empecé a estudiar chino en 1996 en la Universidad Autónoma de Madrid, y ha sido un apoyo imprescindible para mi desarrollo académico. Sin su experiencia escribir esta tesis habría sido mucho más tedioso; el gran pesar que habría sentido cuando estaba estancado en algunas secciones posiblemente me habría hecho abandonar. Por su parte, José Ramón Álvarez ha compartido conmigo sus profundos conocimientos sobre el Daodejing y el taoísmo, que tan presente está en el día a día de la sociedad taiwanesa. Además, han sido muy valiosas también las historias reales de la vida en Taiwán y cómo las relaciona con la mentalidad taoísta. Ambas perspectivas han servido de complemento fundamental para redactar algo que se habría quedado en pura teoría. A mis progenitores no sólo es menester agradecerles por haberme dado el mayor regalo—la vida—sino también por haberme mostrado la importancia del trabajo y de la responsabilidad. -
Fine Chinese Art New Bond Street, London I 8 November 2018
Fine Chinese Art New Bond Street, London I 8 November 2018 224 (detail) 181 (detail) Fine Chinese Art New Bond Street, London I 8 November 2018 at 10.30am Lots 101 - 295 VIEWING GLOBAL HEAD, CUSTOMER SERVICES As a courtesy to intending Sunday 4 November CHINESE CERAMICS Monday to Friday 8.30am - 6pm bidders, Bonhams will provide a 11am - 5pm AND WORKS OF ART +44 (0) 20 7447 7447 written Indication of the physical Monday 5 November Asaph Hyman condition of lots in this sale if a 9am - 7.30pm Please see page 4 for bidder request is received up to 24 hours before the auction starts. (partially opened from ENQUIRIES information including after-sale 4.30pm - 7.30pm) collection and shipment This written Indication is issued Colin Sheaf subject to Clause 3 of the Notice Tuesday 6 November +44 (0) 20 7468 8237 拍賣品之狀況 to Bidders. 9am - 4.30pm [email protected] Wednesday 7 November 請注意: 本目錄並無說明任何拍賣 品之狀況。按照本目錄後部份所載 9am - 4.30pm Asaph Hyman REGISTRATION 之「競投人通告第 條 」, 準 買 家 +44 (0) 20 7468 5888 15 IMPORTANT NOTICE 必須拍賣前親自確定拍賣品之狀 SALE NUMBER [email protected] Please note that all customers, 況。 irrespective of any previous 24596 純為方便準買家,本公司如果拍買 Benedetta Mottino activity with Bonhams, are 開始前24小時收到準買家的要求, +44 (0) 20 7468 8236 required to complete the Bidder CATALOGUE 本公司可提 供 書面上的 狀 況 報 告。 [email protected] Registration Form in advance of £20.00 該報告是依據「競投人通告第1.6 條 」提 供。 the sale. The form can be found BIDS Sing Yan Choy at the back of every catalogue +44 (0) 20 7468 8369 +44 (0) 20 7447 7447 ILLUSTRATIONS and on our website at www. -
Japanese Musical Instruments from the Collection of Alma M
ALMA KARLIN’S MUSICAL MINIATURES: JAPANESE MUSICAL INSTRUMENTS FROM THE COLLECTION OF ALMA M. KARLIN AND THEIR RELATION TO RELIGIOUS MUSIC Klara Hrvatin “… the silence was from time to time broken only by a long and solemn hit of the temple gong, which afterwards died out.”1 Karlin as a collector of Japanese musical instruments According to the inventory of the Alma Karlin collection2, with ob- jects which were from the years of 1957 to 1960 presented to Celje Regional Museum by Karlin’s friend Thea Schreiber Gammelin, Kar- lin brought home from her eight-year-long voyage some instruments. Some of them are small miniature instruments, souvenir musical in- struments, such as a 17-centimetre-long miniature of horizontal 1 Alma M. Karlin, Samotno potovanje (Ljubljana: Mladinska knjiga, 1969), 168. 2 The objects from the collection, inventoried by Milena Moškon in the year of 1964, were revised in 2014/2016 by B. Trnovec and N. Šmid. The inventory book itself was prepared by Barbara Trnovec in 2016. Most of Karlin’s objects discussed in the paper are from the collec- tion held by the Celje Regional Museum, while there is also an important collection with 840 items in the Celje Museum of Recent History, and a collection containing her manuscripts, etc., at the NUK (National and University Library) National Manuscript Collection. Collection of Alma Karlin (Inventory book) (Celje: Celje Regional Museum Archives, 2006); “Alma Karlin Collections in Slovenia,” Alma M. Karlin Virtual Home, accessed July 25, 2019, https://www. culture.si/en/Alma_M._Karlin_Virtual_Home. https://doi.org/10.35469/poligrafi.2019.193 Poligrafi, no. -
Redalyc.EVOLUCIÓN HISTÓRICA DE LA MEDICINA TRADICIONAL CHINA
Comunidad y Salud ISSN: 1690-3293 [email protected] Universidad de Carabobo Venezuela Reyes G., Ariel E. EVOLUCIÓN HISTÓRICA DE LA MEDICINA TRADICIONAL CHINA Comunidad y Salud, vol. 6, núm. 2, julio-diciembre, 2008, pp. 42-49 Universidad de Carabobo Maracay, Venezuela Disponible en: http://www.redalyc.org/articulo.oa?id=375740243004 Cómo citar el artículo Número completo Sistema de Información Científica Más información del artículo Red de Revistas Científicas de América Latina, el Caribe, España y Portugal Página de la revista en redalyc.org Proyecto académico sin fines de lucro, desarrollado bajo la iniciativa de acceso abierto Comunidad y Salud Jun-Dic, Vol. 6, Nº 2, Año 2008 Forum Comunitario EVOLUCIÓN HISTÓRICA DE LA MEDICINA ......................................................................... TRADICIONAL CHINA Historical Evolution of Chinese Traditional Medicine Ariel E. Reyes G..1 INTRODUCCIÓN La Medicina Tradicional China (MTCH), En los rasgos primitivos de la escritura china, medicina ancestral originaria de la antigua China, ha grabados en huesos de animales o en caparazones de perdurado y ha evolucionado a lo largo de la historia. tortuga, descubiertos en la dinastía Han, había Durante la segunda mitad del siglo XX, esta terapia ha anotaciones sobre la medicina, la asistencia médica y la ido introduciéndose en los países occidentales y ha sanidad pública, incluso referencias a más de 10 tipos obtenido una gran aceptación entre los usuarios de estos de enfermedades sus síntomas y su tratamiento. La etnia países que han encontrado una medicina diferente, nada de los han, más que ninguna otra, fue quien forjó, a agresiva y muy preventiva, mediante la cual se obtienen través de milenarias experiencias y de formulaciones resultados eficaces y rápidamente. -
Asian Decorative Works of Art of Works Decorative Asian
Tuesday December 19, 2017 Tuesday San Francisco ASIAN DECORATIVE WORKS OF ART ASIAN DECORATIVE ASIAN DECORATIVE WORKS OF ART | San Francisco | Tuesday December 19, 2017 24266 ASIAN DECORATIVE WORKS OF ART Tuesday December 19, 2017 at 11am San Francisco BONHAMS BIDS INQUIRIES 220 San Bruno Avenue +1 415 861 7500 San Francisco New York San Francisco, California 94103 +1 415 861 8951 fax Dessa Goddard, Director Jeff Olson, Director bonhams.com [email protected] +1 (415) 503 3333 Japanese Art [email protected] +1 (212) 461 6516 PREVIEW To bid via the internet please visit [email protected] San Francisco www.bonhams.com/24266 Joyce Chu, Business Manager Friday December 15, 2017 +1 (415) 503 3358 Bruce MacLaren, Specialist 10am – 5pm Please note that bids should be [email protected] Chinese Art Saturday December 16, 2017 summited no later than 24hrs +1 (917) 206 1677 10am – 5pm prior to the sale. New Bidders Dick Lin, Head of Sale [email protected] Sunday December 17, 2017 must also provide proof of +1(415) 503 3264 10am – 5pm identity when submitting bids. [email protected] Failure to do this may result in SALE NUMBER: 24266 your bid not being processed. Henry Kleinhenz, Specialist Lots 6001 - 6503 +1 (415) 503 3336 LIVE ONLINE BIDDING IS [email protected] CATALOG: $35 AVAILABLE FOR THIS SALE Please email Dan Herskee, Specialist ILLUSTRATIONS [email protected] +1 (415) 503 3271 Front cover: Lot 6369 with “Live bidding” in the subject [email protected] Back cover: Lot 6281 line 48hrs before the auction to First session page: Lot 6004 register for this service.