DOCSLIB.ORG

Asian Decorative Works of Art of Works Decorative Asian

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Asian Decorative Works of Art of Works Decorative Asian Tuesday December 19, 2017 Tuesday San Francisco ASIAN DECORATIVE WORKS OF ART ASIAN DECORATIVE ASIAN DECORATIVE WORKS OF ART | San Francisco | Tuesday December 19, 2017 24266 ASIAN DECORATIVE WORKS OF ART Tuesday December 19, 2017 at 11am San Francisco BONHAMS BIDS INQUIRIES 220 San Bruno Avenue +1 415 861 7500 San Francisco New York San Francisco, California 94103 +1 415 861 8951 fax Dessa Goddard, Director Jeff Olson, Director bonhams.com [email protected] +1 (415) 503 3333 Japanese Art [email protected] +1 (212) 461 6516 PREVIEW To bid via the internet please visit [email protected] San Francisco www.bonhams.com/24266 Joyce Chu, Business Manager Friday December 15, 2017 +1 (415) 503 3358 Bruce MacLaren, Specialist 10am – 5pm Please note that bids should be [email protected] Chinese Art Saturday December 16, 2017 summited no later than 24hrs +1 (917) 206 1677 10am – 5pm prior to the sale. New Bidders Dick Lin, Head of Sale [email protected] Sunday December 17, 2017 must also provide proof of +1(415) 503 3264 10am – 5pm identity when submitting bids. [email protected] Failure to do this may result in SALE NUMBER: 24266 your bid not being processed. Henry Kleinhenz, Specialist Lots 6001 - 6503 +1 (415) 503 3336 LIVE ONLINE BIDDING IS [email protected] CATALOG: $35 AVAILABLE FOR THIS SALE Please email Dan Herskee, Specialist ILLUSTRATIONS [email protected] +1 (415) 503 3271 Front cover: Lot 6369 with “Live bidding” in the subject [email protected] Back cover: Lot 6281 line 48hrs before the auction to First session page: Lot 6004 register for this service. Amelia Chau, Consultant Second session page: Lot 6030 Chinese Paintings Third session page: Lot 6426 Bidding by telephone will only be +1 (415) 503 3397 Fourth session page: Lot 6495 accepted on a lot with a lower [email protected] estimate in excess of $1000. Gloria Garaventa, Consultant Please see pages 151 to 154 Japanese Prints and Paintings for bidder information including +1 (415) 503 3397 Conditions of Sale, after-sale [email protected] collection and shipment. Ling Shang, Consultant Asian Works of Art +1 (415) 503 3208 [email protected] Bonhams 220 San Bruno Avenue San Francisco, California 94103 © 2017, Bonhams & Butterfields Auctioneers Corp.; All rights reserved. Bond No. 57BSBGL0808 ORDER OF SALE Japanese and Korean Art ..................................6001-6016 Indian, Himalayan and Southeast Asian Works of Art ..............6017-6039 Chinese Works of Art .....................................6040-6449 Jade and Hardstone Carvings ............................6040-6141 Snuff Bottles..........................................6142-6174 Ceramics ............................................6175-6346 Early Ceramics .......................................6175-6185 Monochromes ........................................6186-6234 Blue and White Wares ..................................6235-6253 Enameled Wares ......................................6254-6327 Bronze, Cloisonné, and Metalwork .........................6328-6371 Furniture.............................................6372-6383 Chinese Works of Art ..................................6384-6449 Paintings and Calligraphy ..................................6450-6503 JAPANESE AND KOREAN ART Lots 6001-6016 JAPANESE WORKS OF ART 6001 PROPERTY FROM THE ESTATE OF A GENTLEMAN A PATINATED BRONZE FIGURAL GROUP Meiji era 6005 Depicting Ebisu kneeling on a small boat, the deity laughing as he A LARGE SATSUMA EARTHENWARE VASE pulls in a large red sea bream with a slender bamboo fishing pole Meiji era held in his right hand, cast in three sections, the stern of the boat Decorated in polychrome enamels and gilt with a bearded Daoist sealed Shinko/Nobumitsu (some loss of patina). sage riding on cresting waves above a large white-hued dragon 15 1/4in (38.6cm) long and accompanied by numerous Buddhist rakan in an imaginary landscape with pavilions and temple buildings, a pair of smaller $800 - 1,200 dragons encircling the shoulder, portions of the design rendered in high relief, the cartouche on the base with a Shimizu family crest and 6002 inscribed Dai Nihon moto Satsuma-yaki Yoshiyama kore [o] tsukuru (wear to gilt). A LARGE BRONZE SUIBAN WITH HO-O DECORATION 24 3/8in (62cm) high Meiji/Taisho era The low set body rendered in the form of an archaic Chinese bronze basin (pan) and raised on three low feet in the form of scudding $3,000 - 5,000 waves, the exterior walls cast with alternating phoenix motifs set against a scroll-filled ground (solder repairs). PROPERTY FROM THE PORTLAND ART MUSEUM, 11in (28cm) high PORTLAND, OREGON, SOLD TO BENEFIT THE MUSEUM 23 1/4in (59cm) diameter ACQUISITION FUND $3,000 - 5,000 6006 A GROUP OF SEVEN IMARI PORCELAIN CONTAINERS 6003 Taisho/Showa era A SMALL BRONZE URN Comprising a pair of chrysanthemum flower-shaped dishes with Edo period lobed rims and ribbon patterns converging on a phoenix and Of baluster form supported on a pedestal foot, the neck flanked paulownia blossom roundel; a large bowl with incised ribs to the by stylized dragon handles, cast with four recessed panels each exterior walls; a small deep bowl; a large bowl molded in twelve enclosing depictions of the Four Mythical Creatures (dragon, kirin, lobes; an octagonal bowl with openwork panels; and a small deep phoenix and ‘tortoise’) silhouetted against a bronze patinated ground bowl (wear to enamels). (wear, dent to rim). 12 5/8 to 7 1/4in (32 to 18.5cm) diameters 8 3/8in (21.3cm) high $500 - 750 $1,000 - 1,500 6007 6004 A GROUP OF FOUR CERAMICS A LARGE BLUE AND WHITE URN AND MATCHING STAND 18th century and later Meiji era The first an Arita jar with underglaze blue decoration and later The globular urn with a wide trumpet mouth, cloud-form handles overglaze enamel decoration (losses, altered); the second an Imari and high splayed foot resting on a separately fashioned rectangular style double gourd bottle with raised chrysanthemum flower heads plinth with slightly rounded sides and pierced cloud-form apertures (chipped); the third a camellia leaf green oil dish stamped Bunzan to the short sides, the exterior of each piece molded in low-relief with (chipped, wear); the fourth a Kakiemon style enameled lozenge- numerous cranes flying amid stylized clouds, the celadon-glazed shape dish centered with a fruiting pomegranate branch. motifs reserved on a dark cobalt-blue ground (restorations to rim and 9 5/8in (24.5cm) height of gourd bottle foot). 15in (38cm) height of vase $300 - 500 4 7/8 x 19 7/8 x 15in (12.5 x 50.5 x 38cm) dimensions of stand $1,500 - 2,500 4 | BONHAMS 6001 6002 6003 6004 6005 6006 6007 ASIAN DECORATIVE WORKS OF ART | 5 6008 6010 PROPERTY FROM A SAN FRANCISCO FOUNDATION 6009 A GROUP OF FOUR CERAMICS Comprising a large Imari charger decorated with foliate panels in gilt, underglaze blue and polychrome enamels; a small Kutani saucer with a kinrande design of Chinese sages in a landscape, marked Kutani; a small prunus decorated teabowl bearing the signature Kenzan (repair); and a grey-glazed teabowl of irregular contour (glaze degradation, chip). 18 3/8in (46.8cm) diameter of first $400 - 600 6010 A BAMBOO FLOWER ARRANGING BASKET 20th century Woven in an overlapping diagonal pattern of thick strips of bamboo issuing from a circular base and terminating in a rim band of knotted loops securing a tall loop handle fashioned from a section of grape vine, with a wide insert of lacquered bamboo (wear). 18in (45.7cm) high 6009 $500 - 700 PROPERTY FROM ANOTHER OWNER PROPERTY FROM ANOTHER OWNER 6011 6008 A GILT WOOD FIGURE OF THE AMIDA BUDDHA A GILT AND IRON-RED ENAMELED CERAMIC TOKKURI Edo period Of elegant silhouette with a matte ivory colored glaze, an iron red ring The deity standing with his hands displaying the Amida mudra, the drawn around the join between the two lobes and a gilt ring painted face and chest applied with flat gold pigment, with an inlaid urna, over the shiny colorless glaze covering the concave base within the all supported on a lotus pedestal raised on an elaborate plinth unglazed foot pad. (restorations, losses). 5 1/4in (13.5cm) high 18 1/8in (46cm) high $1,000 - 1,500 $1,000 - 1,500 6 | BONHAMS 6011 6012 6013 6014 PROPERTY FROM A LADY PROPERTY FROM THE COLLECTIONS OF HERBERT EVANS AND MIRIAM SIMPSON 6012 A WOVEN SILK BUDDHIST PRIEST’S ROBE, KESA 6013 Late Meiji era A LARGE GROUP OF WOODBLOCK PRINT REPRODUCTIONS Sewn from cut patches of light tan ground silk woven with dragons Comprising a facsimile volume of a work by Kitao Masanobu, and cloud scrolls in subdued colors, framed by long border bands, entitled Yoshiwara keisei shin bijin awase jihitsu kagami (Yoshiwara with four applied squares at the corners, all of the same brocade Courtesans: A New Mirror Comparing the Calligraphy of Beauties), fabric, the reverse lined with blue silk (wear, color fading). Tokyo: Custom Emaki Image Publishing Society, 1916; together with 72 x 42in (183 x 106.8cm) thirty-three oban size works after Sharaku (10), Utamaro (8), Eiri (3), Choki (2), Kunichika (1), and Hiroshige (10) [includes one fan print, $800 - 1,200 eight in folio Edo kinko hakkei]; and thirteen shikishi format surimono reproductions after Hokusai (5), Hokkei (2), Gakutei (1), Shigenobu (1), Toyohiro (1), Shozo Ittei (1), Oishi Matora (1), and one unsigned (1). [47] 15 1/2 x 10in (39.5 x 45.8cm) dimensions of facsimile volume $800 - 1,200 ASIAN DECORATIVE WORKS OF ART | 7 6015 6016 PROPERTY FROM ANOTHER OWNER KOREAN WORKS OF ART 6014 6015 VARIOUS ARTISTS: WOODBLOCK PRINTS A
Load more

Recommended publications
  • Timely Timeless.Indd 1 2/12/19 10:26 PM Published by the Trout Gallery, the Art Museum of Dickinson College, Carlisle, Pennsylvania 17013
    Timely and Timeless Timely Timely and Timeless Japan’s Modern Transformation in Woodblock Prints THE TROUT GALLERY G38636_SR EXH ArtH407_TimelyTimelessCover.indd 1 2/18/19 2:32 PM March 1–April 13, 2019 Fiona Clarke Isabel Figueroa Mary Emma Heald Chelsea Parke Kramer Lilly Middleton Cece Witherspoon Adrian Zhang Carlisle, Pennsylvania G38636_SR EXH ArtH407_Timely Timeless.indd 1 2/12/19 10:26 PM Published by The Trout Gallery, The Art Museum of Dickinson College, Carlisle, Pennsylvania 17013 Copyright © 2019 The Trout Gallery. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without written permission from The Trout Gallery. This publication was produced in part through the generous support of the Helen Trout Memorial Fund and the Ruth Trout Endowment at Dickinson College. First Published 2019 by The Trout Gallery, Carlisle, Pennsylvania www.trougallery.org Editor-in-Chief: Phillip Earenfight Design: Neil Mills, Design Services, Dickinson College Photography: Andrew Bale, unless otherwise noted Printing: Brilliant Printing, Exton, Pennsylvania Typography: (Title Block) D-DIN Condensed, Brandon Text, (Interior) Adobe Garamond Pro ISBN: 978-0-9861263-8-3 Printed in the United States COVER: Utagawa Hiroshige, Night View of Saruwaka-machi, from the series One Hundred Famous Views of Edo (detail), 1856. Woodblock print, ink and color on paper. The Trout Gallery, Dickinson College, Carlisle, PA. 2018.3.14 (cat. 7). BACK COVER: Utagawa Hiroshige, Night View of Saruwaka-machi, from the series One Hundred Famous Views of Edo (detail), 1856.
    [Show full text]
  • Collection De Porcelaines Chinoises De Monsieur Et Madame Robert De Strycker
    Collection de porcelaines chinoises de Monsieur et Madame Robert de strycker Lundi 9 décembre 2013 HÔTEL DROUOT Henri-Pierre TEISSÈDRE Delphine de COURTRY Commissaires-priseurs PIASA 5, rue Drouot 75009 Paris Tél. : +33 (0)1 53 34 10 10 Fax : +33 (0)1 53 34 10 11 ESTIMATIONS GRATUITES [email protected] ET CONFIDENTIELLES www.piasa.fr Piasa SA Ventes volontaires aux enchères publiques - agrément n° 2001-020 ART D'ASIE COLLECTION DE PORCELAINES CHINOISES DE MONSIEUR ET MADAME ROBERT DE STRYCKER PARTIE II Lundi 9 décembre 2013 à 13h30 Hôtel Drouot, salle 2 9 rue Drouot 75009 Paris Tél. : + 33 (0)1 48 00 20 02 EXPOSITION PUBLIQUE Hôtel Drouot, salle 2 Samedi 7 décembre de 11h à 18h Dimanche 8 décembre de 11h à 18h Lundi 9 décembre de 11h à 12h EXPERTS Thierry Portier RESPONSABLE DE VENTE Expert SFEP Anne-Caroline Germaine-Le Mintier Alice Jossaume Buhlmann Tél. : +33 (0)1 53 34 10 12 Expert SFEP [email protected] 26 bd Poissonière 75009 Paris Tél : +33 (0)1 48 00 03 41 CONTACT PRESSE PIASA Fax : +33 (0)1 48 00 02 64 Isabelle de Puysegur www.portier-asianart.com Tél. : +33 (0)1 53 34 10 10 [email protected] [email protected] ENCHÉRISSEZ EN DIRECT SUR WWW.PIASA.FR SUIVEZ NOTRE ACTUALITÉ SUR FACEBOOK 2 COLLECTION DE PORCELAINES CHINOISES DE MONSIEUR ET MADAME ROBERT DE STRYCKER Grands amateurs d’art, le professeur Robert de Strycker et son épouse découvrirent l’art chinois lors d’un voyage à Londres à la fin des années 1930, au British Museum.
    [Show full text]
  • Zhuan Falun Li Hongzhi
    Zhuan Falun Li Hongzhi (Pre-publication Version) 2018 English Version Online edition, version 1.1 Last updated: August 27, 2018 1 On Dafa* (Lunyu) Dafa is the wisdom of the Creator. It is the bedrock of creation, what the heavens, earth, and universe are built upon. It encompasses all things, from the utmost minuscule to the vastest of the vast, while manifesting differently at each of the cosmic body’s planes of existence. Out of the depths of the cosmic body, the tiniest of particles first appear, with layers upon layers of countless particles following, ranging in size from small to great, reaching all the way to the outer planes that humankind knows— those of atoms, molecules, planets, and galaxies—and beyond, to what is still larger. Particles of varying sizes make up lives of varying sizes as well as the worlds of varying sizes that permeate the cosmic body. Lives at any of the various planes of particles perceive the particles of the next larger plane to be planets in their skies, and this is true at each and every plane. To the lives at each plane of the universe, it seems to go on infinite- ly. It was Dafa that created time and space, the multitude of lives and spe- cies, and all of creation; all that exists owes to it, with nothing outside of it. All of these are the tangible expressions, at different planes, of Dafa’s qualities: zhen, shan, and ren.* However advanced people’s means of exploring space and probing life may be, the knowledge gained is limited to certain parts of this one dimen- sion, where human beings reside, at a low plane of the universe.
    [Show full text]
  • Buddhist Revivalist Movements Comparing Zen Buddhism and the Thai Forest Movement Buddhist Revivalist Movements Alan Robert Lopez Buddhist Revivalist Movements
    Alan Robert Lopez Buddhist Revivalist Movements Comparing Zen Buddhism and the Thai Forest Movement Buddhist Revivalist Movements Alan Robert Lopez Buddhist Revivalist Movements Comparing Zen Buddhism and the Thai Forest Movement Alan Robert Lopez Chiang Mai , Thailand ISBN 978-1-137-54349-3 ISBN 978-1-137-54086-7 (eBook) DOI 10.1057/978-1-137-54086-7 Library of Congress Control Number: 2016956808 © The Editor(s) (if applicable) and The Author(s) 2016 This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifi cally the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfi lms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specifi c statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made. Cover image © Nickolay Khoroshkov / Alamy Stock Photo Printed on acid-free paper This Palgrave Macmillan imprint is published by Springer Nature The registered company is Nature America Inc.
    [Show full text]
  • Johnnie to Kei-Fung's
    JOHNNIE TO KEI-FUNG’S PTU Michael Ingham Hong Kong University Press The University of Hong Kong Pokfulam Road Hong Kong www.hkupress.org © 2009 Michael Ingham ISBN 978-962-209-919-7 All rights reserved. No portion of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage or retrieval system, without prior permission in writing from the publisher. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. 10 9 8 7 6 5 4 3 2 1 Printed and bound by Pre-Press Ltd. in Hong Kong, China Contents Series Preface vii Acknowledgements xi 1 Introducing the Film; Introducing Johnnie — 1 ‘One of Our Own’ 2 ‘Into the Perilous Night’ — Police and Gangsters 35 in the Hong Kong Mean Streets 3 ‘Expect the Unexpected’ — PTU’s Narrative and Aesthetics 65 4 The Coda: What’s the Story? — Morning Glory! 107 Notes 127 Appendix 131 Credits 143 Bibliography 147 ●1 Introducing the Film; Introducing Johnnie — ‘One of Our Own’ ‘It is not enough to think about Hong Kong cinema simply in terms of a tight commercial space occasionally opened up by individual talent, on the model of auteurs in Hollywood. The situation is both more interesting and more complicated.’ — Ackbar Abbas, Hong Kong Culture and the Politics of Disappearance ‘Yet many of Hong Kong’s most accomplished fi lms were made in the years after the 1993 downturn. Directors had become more sophisticated, and perhaps fi nancial desperation freed them to experiment … The golden age is over; like most local cinemas, Hong Kong’s will probably consist of a small annual output and a handful of fi lms of artistic interest.
    [Show full text]
  • 1 Addition Eng 20170630.Pdf
    ADDITIONS OF LICENSED PERSONS/REGISTERED INSTITUTIONS DURING 06/2017 CE Name CE No. Licence Type Types of Regulated Activity Aesop Asset Management Limited BJB903 Licensed Corporation 4, 9 AMTD Wealth Management Solutions Group Limited BIJ009 Licensed Corporation 1, 4, 9 BMP Wealth Limited BIO512 Licensed Corporation 4, 9 BOCOM International Futures Limited BGZ962 Licensed Corporation 2, 5 Cogito Investments Limited BIQ909 Licensed Corporation 4, 9 Deep Data Capital Management Limited BJG759 Licensed Corporation 9 East Purple Capital Company Limited BIV166 Licensed Corporation 4, 9 Ever-Long Futures Limited BIL619 Licensed Corporation 2 Fairy Ambition Limited BIE318 Licensed Corporation 4, 9 Great Honour Capital Limited BJI417 Licensed Corporation 4, 9 Heavenly Wealth Management Limited BJC173 Licensed Corporation 1, 4, 9 Innovation Asset Management Co., Limited BIJ878 Licensed Corporation 4, 9 Inter Capital Resources Limited BJF121 Licensed Corporation 1, 4, 9 Paragon Securities Limited BIC431 Licensed Corporation 1 Pinerion Investment Advisory Limited BJI194 Licensed Corporation 4 Pixiu Asset Management Limited BJI787 Licensed Corporation 4, 9 Right Time Asset Management Company Limited BIX929 Licensed Corporation 4, 9 Rock Hill Asset Management Limited BJD184 Licensed Corporation 4, 9 RUIFENG SECURITIES LIMITED BJG526 Licensed Corporation 1, 4 SAR Pine Asset Management Limited BIT424 Licensed Corporation 9 Shanggu Asset Management (Asia) Limited BJD133 Licensed Corporation 1, 4, 9 Silk Road Finance Asia Limited BIR392 Licensed Corporation
    [Show full text]
  • Inscriptional Records of the Western Zhou
    INSCRIPTIONAL RECORDS OF THE WESTERN ZHOU Robert Eno Fall 2012 Note to Readers The translations in these pages cannot be considered scholarly. They were originally prepared in early 1988, under stringent time pressures, specifically for teaching use that term. Although I modified them sporadically between that time and 2012, my final year of teaching, their purpose as course materials, used in a week-long classroom exercise for undergraduate students in an early China history survey, did not warrant the type of robust academic apparatus that a scholarly edition would have required. Since no broad anthology of translations of bronze inscriptions was generally available, I have, since the late 1990s, made updated versions of this resource available online for use by teachers and students generally. As freely available materials, they may still be of use. However, as specialists have been aware all along, there are many imperfections in these translations, and I want to make sure that readers are aware that there is now a scholarly alternative, published last month: A Source Book of Ancient Chinese Bronze Inscriptions, edited by Constance Cook and Paul Goldin (Berkeley: Society for the Study of Early China, 2016). The “Source Book” includes translations of over one hundred inscriptions, prepared by ten contributors. I have chosen not to revise the materials here in light of this new resource, even in the case of a few items in the “Source Book” that were contributed by me, because a piecemeal revision seemed unhelpful, and I am now too distant from research on Western Zhou bronzes to undertake a more extensive one.
    [Show full text]
  • The Rise of Agricultural Civilization in China: the Disparity Between Archeological Discovery and the Documentary Record and Its Explanation
    SINO-PLATONIC PAPERS Number 175 December, 2006 The Rise of Agricultural Civilization in China: The Disparity between Archeological Discovery and the Documentary Record and Its Explanation by Zhou Jixu Center for East Asian Studies, University of Pennsylvania, Philadelphia, Pennsylvania Chinese Department, Sichuan Normal University, Chengdu, Sichuan Victor H. Mair, Editor Sino-Platonic Papers Department of East Asian Languages and Civilizations University of Pennsylvania Philadelphia, PA 19104-6305 USA [email protected] www.sino-platonic.org SINO-PLATONIC PAPERS is an occasional series edited by Victor H. Mair. The purpose of the series is to make available to specialists and the interested public the results of research that, because of its unconventional or controversial nature, might otherwise go unpublished. The editor actively encourages younger, not yet well established, scholars and independent authors to submit manuscripts for consideration. Contributions in any of the major scholarly languages of the world, including Romanized Modern Standard Mandarin (MSM) and Japanese, are acceptable. In special circumstances, papers written in one of the Sinitic topolects (fangyan) may be considered for publication. Although the chief focus of Sino-Platonic Papers is on the intercultural relations of China with other peoples, challenging and creative studies on a wide variety of philological subjects will be entertained. This series is not the place for safe, sober, and stodgy presentations. Sino-Platonic Papers prefers lively work that, while taking reasonable risks to advance the field, capitalizes on brilliant new insights into the development of civilization. The only style-sheet we honor is that of consistency. Where possible, we prefer the usages of the Journal of Asian Studies.
    [Show full text]
  • Pharmacokinetics of Florfenicol in Crucian Carp (Carassius Auratus Cuvieri) After a Single Intramuscular Or Oral Administration
    J. vet. Pharmacol. Therap. 34, 460–463. doi: 10.1111/j.1365-2885.2011.01273.x. Pharmacokinetics of florfenicol in crucian carp (Carassius auratus cuvieri) after a single intramuscular or oral administration H.-Y. ZHAO*,1 Zhao, H.-Y., Zhang, G.-H., Bai, L., Zhu, S., Shan, Q., Zeng, D.-P., Sun Y.-X. G.-H. ZHANG ,1 Pharmacokinetics of florfenicol in crucian carp (Carassius auratus cuvieri) after a single intramuscular or oral administration. J. vet. Pharmacol. Therap. 34, L. BAI* 460–463. S. ZHU* Q. SHAN* The pharmacokinetics of florfenicol (FF) was studied in plasma after a single D.-P. ZENG* & dose (40 mg ⁄ kg) of intramuscular (i.m.) or oral gavage (p.o.) administration to crucian carp (Carassius auratus cuvieri) in freshwater at 25 °C. Ten fish per Y.-X. SUN* sampling point were examined after treatment. The data were fitted to two- *Laboratory of Veterinary Pharmacology, compartment open models follow both routes of administration. The estimates College of Veterinary Medicine, South China of total body clearance (CLb), volume of distribution (Vd ⁄ F), and absorption Agricultural University, Guangzhou, China; half-life (T1 ⁄ 2(ka)) were 0.067 L ⁄ h ⁄ kg and 0.145 L ⁄ h ⁄ kg, 2.21 L ⁄ kg and College of Animal Science and Veterinary 1.04 L ⁄ kg, 2.75 and 1.54 ⁄ h following i.m. and p.o. administration, respec- Medicine, Henan Agricultural University, tively. After i.m. injection, the elimination half-life (T1 ⁄ 2(b)) was calculated to be Zhengzhou, China 38.2h, the maximum plasma concentration (Cmax) to be 16.82 lg ⁄ mL, the time to peak plasma FF concentration (Tmax) to be 1.50 h, and the area under the plasma concentration–time curve (AUC) to be 597.4 lg ⁄ mLÆh.
    [Show full text]
  • I Ideology of Power and Power of Ideology in Early China
    i Ideology of Power and Power of Ideology in Early China © koninklijke brill nv, leiden, 2015 | doi 10.1163/9789004299337_001 ii Sinica Leidensia Edited by Barend J. ter Haar Maghiel van Crevel In co-operation with P.K. Bol, D.R. Knechtges, E.S. Rawski, W.L. Idema, H.T. Zurndorfer VOLUME 124 The titles published in this series are listed at brill.com/sinl iii Ideology of Power and Power of Ideology in Early China Edited by Yuri Pines Paul R. Goldin Martin Kern LEIDEN | BOSTON iv Cover illustration: Tripod cooking vessel with lid (ding), late 6th century bc, (Eastern Zhou dynasty, Spring and Autumn period, 770–ca. 470 bc) Bronze, h. 23.0 cm., w. 27.0 cm., d. 21.0 cm. (9 1/16 × 10 5/8 × 8 1/4 in.). Museum purchase from the C.D. Carter Collection, by subscription. y1965-24 a-b. Photo: © Princeton University Art Museum, Image courtesy of Princeton University Art Museum. Library of Congress Cataloging-in-Publication Data Ideology of power and power of ideology in early China / edited by Yuri Pines, Paul R. Goldin, Martin Kern. pages cm. -- (Sinica Leidensia, ISSN 0169-9563 ; volume 124) Includes bibliographical references and index. ISBN 978-90-04-29929-0 (hardback : acid-free paper) -- ISBN 978-90-04-29933-7 (e-book) 1. Political science--China--History--To 1500. 2. Power (Social sciences)--China--History-- To 1500. 3. Ideology--Political aspects--China--History--To 1500. 4. Political culture--China-- History--To 1500. 5. China--Politics and government--To 221 B.C. 6. China--Politics and government--221 B.C.-960 A.D.
    [Show full text]
  • Out of the Shadows: Socially Engaged Buddhist Women
    University of San Diego Digital USD Theology and Religious Studies: Faculty Scholarship Department of Theology and Religious Studies 2019 Out of the Shadows: Socially Engaged Buddhist Women Karma Lekshe Tsomo PhD University of San Diego, [email protected] Follow this and additional works at: https://digital.sandiego.edu/thrs-faculty Part of the Buddhist Studies Commons, and the Religious Thought, Theology and Philosophy of Religion Commons Digital USD Citation Tsomo, Karma Lekshe PhD, "Out of the Shadows: Socially Engaged Buddhist Women" (2019). Theology and Religious Studies: Faculty Scholarship. 25. https://digital.sandiego.edu/thrs-faculty/25 This Book is brought to you for free and open access by the Department of Theology and Religious Studies at Digital USD. It has been accepted for inclusion in Theology and Religious Studies: Faculty Scholarship by an authorized administrator of Digital USD. For more information, please contact [email protected]. Section Titles Placed Here | I Out of the Shadows Socially Engaged Buddhist Women Edited by Karma Lekshe Tsomo SAKYADHITA | HONOLULU First Edition: Sri Satguru Publications 2006 Second Edition: Sakyadhita 2019 Copyright © 2019 Karma Lekshe Tsomo All rights reserved No part of this book may not be reproduced or utilized in any form or by any means, electronic or mechanical, or by any information storage or retreival system, without the prior written permission from the publisher, except in the case of brief quotations. Cover design Copyright © 2006 Allen Wynar Sakyadhita Conference Poster
    [Show full text]
  • Utagawa Hiroshige
    Utagawa Hiroshige Contemporary Landscapes Utagawa Hiroshige (Japanese: 歌川 広重), also Andō Hiroshige (Japanese: 安藤 広重; 1797 – 12 October 1858) was a Japanese ukiyo-e artist, considered the last great master of that tradition. Hiroshige is best known for his landscapes, such as the series The Fifty-three Stations of the Tōkaidō and The Sixty-nine Stations of the Kiso Kaidō; and for his depictions of birds and flowers. The subjects of his work were atypical of the ukiyo-e genre, whose typical focus was on beautiful women, popular actors, and other scenes of the urban pleasure districts of Japan's Edo period (1603–1868). The popular Thirty-six Views of Mount Fuji series by Hokusai was a strong influence on Hiroshige's choice of subject, though Hiroshige's approach was more poetic and ambient than Hokusai's bolder, more formal prints. For scholars and collectors, Hiroshige's death marked the beginning of a rapid decline in the ukiyo-e genre, especially in the face of the westernization that followed the Meiji Restoration of 1868. Hiroshige's work came to have a marked influence on Western painting towards the close of the 19th century as a part of the trend in Japonism. Western artists closely studied Hiroshige's compositions, and some, such as van Gogh, painted copies of Hiroshige's prints. Hiroshige was born in 1797 in the Yayosu Quay section of the Yaesu area in Edo (modern Tokyo).[1] He was of a samurai background,[1] and was the great-grandson of Tanaka Tokuemon, who held a position of power under the Tsugaru clan in the northern province of Mutsu.
    [Show full text]