Zhuan Falun Li Hongzhi
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Buddhist Revivalist Movements Comparing Zen Buddhism and the Thai Forest Movement Buddhist Revivalist Movements Alan Robert Lopez Buddhist Revivalist Movements
Alan Robert Lopez Buddhist Revivalist Movements Comparing Zen Buddhism and the Thai Forest Movement Buddhist Revivalist Movements Alan Robert Lopez Buddhist Revivalist Movements Comparing Zen Buddhism and the Thai Forest Movement Alan Robert Lopez Chiang Mai , Thailand ISBN 978-1-137-54349-3 ISBN 978-1-137-54086-7 (eBook) DOI 10.1057/978-1-137-54086-7 Library of Congress Control Number: 2016956808 © The Editor(s) (if applicable) and The Author(s) 2016 This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifi cally the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfi lms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specifi c statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made. Cover image © Nickolay Khoroshkov / Alamy Stock Photo Printed on acid-free paper This Palgrave Macmillan imprint is published by Springer Nature The registered company is Nature America Inc. -
Johnnie to Kei-Fung's
JOHNNIE TO KEI-FUNG’S PTU Michael Ingham Hong Kong University Press The University of Hong Kong Pokfulam Road Hong Kong www.hkupress.org © 2009 Michael Ingham ISBN 978-962-209-919-7 All rights reserved. No portion of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage or retrieval system, without prior permission in writing from the publisher. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. 10 9 8 7 6 5 4 3 2 1 Printed and bound by Pre-Press Ltd. in Hong Kong, China Contents Series Preface vii Acknowledgements xi 1 Introducing the Film; Introducing Johnnie — 1 ‘One of Our Own’ 2 ‘Into the Perilous Night’ — Police and Gangsters 35 in the Hong Kong Mean Streets 3 ‘Expect the Unexpected’ — PTU’s Narrative and Aesthetics 65 4 The Coda: What’s the Story? — Morning Glory! 107 Notes 127 Appendix 131 Credits 143 Bibliography 147 ●1 Introducing the Film; Introducing Johnnie — ‘One of Our Own’ ‘It is not enough to think about Hong Kong cinema simply in terms of a tight commercial space occasionally opened up by individual talent, on the model of auteurs in Hollywood. The situation is both more interesting and more complicated.’ — Ackbar Abbas, Hong Kong Culture and the Politics of Disappearance ‘Yet many of Hong Kong’s most accomplished fi lms were made in the years after the 1993 downturn. Directors had become more sophisticated, and perhaps fi nancial desperation freed them to experiment … The golden age is over; like most local cinemas, Hong Kong’s will probably consist of a small annual output and a handful of fi lms of artistic interest. -
Written & Directed by and Starring Stephen Chow
CJ7 Written & Directed by and Starring Stephen Chow East Coast Publicity West Coast Publicity Distributor IHOP Public Relations Block Korenbrot PR Sony Pictures Classics Jeff Hill Melody Korenbrot Carmelo Pirrone Jessica Uzzan Judy Chang Leila Guenancia 853 7th Ave, 3C 110 S. Fairfax Ave, #310 550 Madison Ave New York, NY 10019 Los Angeles, CA 90036 New York, NY 10022 212-265-4373 tel 323-634-7001 tel 212-833-8833 tel 212-247-2948 fax 323-634-7030 fax 212-833-8844 fax 1 Short Synopsis: From Stephen Chow, the director and star of Kung Fu Hustle, comes CJ7, a new comedy featuring Chow’s trademark slapstick antics. Ti (Stephen Chow) is a poor father who works all day, everyday at a construction site to make sure his son Dicky Chow (Xu Jian) can attend an elite private school. Despite his father’s good intentions to give his son the opportunities he never had, Dicky, with his dirty and tattered clothes and none of the “cool” toys stands out from his schoolmates like a sore thumb. Ti can’t afford to buy Dicky any expensive toys and goes to the best place he knows to get new stuff for Dicky – the junk yard! While out “shopping” for a new toy for his son, Ti finds a mysterious orb and brings it home for Dicky to play with. To his surprise and disbelief, the orb reveals itself to Dicky as a bizarre “pet” with extraordinary powers. Armed with his “CJ7” Dicky seizes this chance to overcome his poor background and shabby clothes and impress his fellow schoolmates for the first time in his life. -
Zen Painting & Calligraphy
SAN FRANCISCO PUBLIC LIBRARY 1223 02649 4907 amiEDUE [ SEPT 2 1997, 1I- —g—' 1» "> f ^ ' Bk Printed in USA . /30 CT - 8 1991 'painting £*- Calligraphy An exhibition of works of art lent by temples, private collectors, and public and private museums in Japan, organized in collaboration with the Agency for Cultural Affairs of the Japanese Government. Jan Fontein & Money L. Hickman of fine Arti, Boston Distributed by New York Graphic Society, Greenwich, Connecticut Copyright © 1970 by Museum of Fine Arts, Boston, Massachusetts All rights reserved ISBN 0-87846-001-2 Library of Congress Catalogue Card No. 76-127853 Typeset in Linofilm Palatino by Wrightson Typographers, Boston Printed by The Meriden Gravure Co., Meriden, Conn. Designed by Carl F. Zahn Dates of the Exhibition: November 5-December 20,1970 709-5,F737z Fontein, Jan Zen painting et v calligraphy Cover illustration: 20. "Red-Robed" Bodhidharma, artist, unknown, ca. 1271 Title page illustration: 48. Kanzan and Jittoku, traditionally attributed to Shubun (active second quarter of 15th century) (detail) S.F. PUBLIC LIBRARY 3 1223 02649 4907 I Contents Foreword vii Preface ix Acknowledgments xi Chronology xii Introduction xiii The Beginnings of Ch'an Buddhism, xiii Chinese and Indian Thought in Ch'an Buddhism, xiv The Northern and Southern Schools, xvi The Earliest Form of Ch'an Art, xvi The Consolidation and Expansion of the Ch'an Sect, xvii Kuan-hsiu (832-912): The Birth of Ch'an Art, xix Ch'an Literature and Koan, xxi Ch'an Art during the Northern Sung Period (960-1126), XXII Ch'an -
World History--Part 2: Teacher's Guide [And Student Guide]. Parallel Alternative ,Strategies for Students (PASS)
DOCUMENT RESUME ED 462 785 EC 308 849 AUTHOR Schaap, Eileen, Ed.; Fresen, Sue, Ed. TITLE World History--Part 2: Teacher's Guide [and Student Guide]. Parallel Alternative ,Strategies for Students (PASS). INSTITUTION Leon County Schools, Tallahassee, FL. Exceptional Student Education. SPONS AGENCY Florida State Dept. of Education, Tallahassee. Bureau of Instructional Support and Community Services. PUB DATE 2000-00-00 NOTE 900p.; Course No. 2109310. Part of the Curriculum Improvement Project funded under the Individuals with Disabilities Education Act (IDEA), Part B. AVAILABLE FROM Florida State Dept. of Education, Div. of Public Schools and Community Education, Bureau of Instructional Support and Community Services, Turlington Bldg., Room 628, 325 West Gaines St., Tallahassee, FL 32399-0400. Tel: 850-488-1879; Fax: 850-487-2679; e-mail: [email protected]; Web site: http://www.leon.k12.fl.us/public/pass. PUB TYPE Guides Classroom Learner (051)-- Guides Classroom Teacher (052) EDRS PRICE MF06/PC36 Plus Postage. DESCRIPTORS *Academic Accommodations (Disabilities); Academic Standards; Curriculum; *Disabilities; Educational Strategies; Enrichment Activities; *European History; Inclusive Schools; Instructional Materials; Latin American History; Secondary Education; Social Studies; Teaching Guides; *Teaching Methods; Textbooks; Units of Study; World Affairs; *World History; World War I; World War II IDENTIFIERS *Florida; Holocaust; Russia ABSTRACT This teacher's guide and student guide unit contains supplemental readings, activities, and methods adapted for secondary students who have disabilities and other students with diverse learning needs. The materials differ from standard textbooks and workbooks in several ways: simplified text; smaller units of study; reduced vocabulary level; increased frequency of drill and practice; concise directions; and presentation of skills in small, sequential steps. -
Da Zhi Lao Running on Karma
50 Da zhi lao Running on Karma Regie: Johnnie To, Wai Ka Fai Land: Hong Kong, China 2003. Produktion: Milkyway Image Ltd. (Hong Note Kong), Youth Film Studio (Beijing). Regie: Johnnie To, Wai Ka Fai. The Cantonese title of the film is ‘Daai chek liu’. The Eng- Buch: Wai Ka Fai, Yau Nai Hoi, Au Kin Yee, Yip Tin Shing. Regieassi- lish translation of the original title means ”Big Guy”. stenz: Albert Mak. Kamera: Cheng Siu Keung (H.K.S.C.). Visual Effects: Stephen Ma. Ton: Lee Sin Kwok. Tonschnitt, Mischung: Martin Chappell. Synopsis Musik: Cacine Wong. Ausstattung: Raymond Chan. Kostüme: Stepha- Cop Yee arrests Biggie because of his public striptease nie Wong. Martial-Arts-Choreographie: Yuen Bun. Schnitt: Law Wing show. During his escape, Biggie accidentally hinders the Cheong. Produzenten: Johnnie To, Wai Ka Fai. Administrative Produ- police in arresting a murderer. Thus, Biggie is said to be zentin: Tiffany Chen. involved in the murder and is arrested. Yee helps Biggie Darsteller: Andy Lau (Biggie), Cecilia Cheung (Lee Fung Yee), Cheung since she believes that he has no connection with the murder. Siu Fai, Chun Wong, Karen Tong, Yu Wen Zhong, Hou Lian Sheng, He Yee discovers from police records that Biggie is from main- Sheng Wei, Zhang Meng. land China and was formerly a Buddhist monk. Biggie thinks Format: 35mm, 1:1.85, Farbe. Länge: 93 Minuten, 24 Bilder/Sek. that Yee is a kind person, so he tells her that he would be Sprache: Chinesisch (Kantonesisch). able to arrest the murderer in exchange for his release. Uraufführung: 27. -
Asian Decorative Works of Art of Works Decorative Asian
Tuesday December 19, 2017 Tuesday San Francisco ASIAN DECORATIVE WORKS OF ART ASIAN DECORATIVE ASIAN DECORATIVE WORKS OF ART | San Francisco | Tuesday December 19, 2017 24266 ASIAN DECORATIVE WORKS OF ART Tuesday December 19, 2017 at 11am San Francisco BONHAMS BIDS INQUIRIES 220 San Bruno Avenue +1 415 861 7500 San Francisco New York San Francisco, California 94103 +1 415 861 8951 fax Dessa Goddard, Director Jeff Olson, Director bonhams.com [email protected] +1 (415) 503 3333 Japanese Art [email protected] +1 (212) 461 6516 PREVIEW To bid via the internet please visit [email protected] San Francisco www.bonhams.com/24266 Joyce Chu, Business Manager Friday December 15, 2017 +1 (415) 503 3358 Bruce MacLaren, Specialist 10am – 5pm Please note that bids should be [email protected] Chinese Art Saturday December 16, 2017 summited no later than 24hrs +1 (917) 206 1677 10am – 5pm prior to the sale. New Bidders Dick Lin, Head of Sale [email protected] Sunday December 17, 2017 must also provide proof of +1(415) 503 3264 10am – 5pm identity when submitting bids. [email protected] Failure to do this may result in SALE NUMBER: 24266 your bid not being processed. Henry Kleinhenz, Specialist Lots 6001 - 6503 +1 (415) 503 3336 LIVE ONLINE BIDDING IS [email protected] CATALOG: $35 AVAILABLE FOR THIS SALE Please email Dan Herskee, Specialist ILLUSTRATIONS [email protected] +1 (415) 503 3271 Front cover: Lot 6369 with “Live bidding” in the subject [email protected] Back cover: Lot 6281 line 48hrs before the auction to First session page: Lot 6004 register for this service. -
Lotus and Birds in the Cincinnati Art Museum: Philosophical Syncretism in The
Lotus and Birds in the Cincinnati Art Museum: Philosophical Syncretism in the Transitional Work of Bada Shanren THESIS Presented in Partial Fulfillment of the Requirements for the Degree Master of Arts in the Graduate School of The Ohio State University By Mina Kim, B.A. * * * * * Graduate Program in History of Art The Ohio State University 2012 Master’s Examination Committee: Professor Julia F. Andrews, Advisor Professor Youn-mi Kim Copyright by Mina Kim © 2012 Abstract This thesis, which focuses on the late Ming and early Qing dynasty Chinese artist Bada Shanren (Zhu Da, 1626-1705), explores three facets of his painting: his gradual artistic development through his bird and flower paintings; his syncretic philosophical references to Buddhism, Daoism, and Confucianism in his art; and the artistic conversation that occurs between Bada Shanren and later generations. A descendent of the Ming dynasty Prince of Yiyang, Bada was raised and educated in an aristocratic family of collectors, artists, and poets in Jiangxi. He entered the priesthood after the fall of the Ming dynasty, rising to become temple abbot. At the age of 50 he left the temple, but was soon pressured from all directions--to collaborate with the Qing, to serve a Ming revival, and to produce heirs. Feigning insanity, or perhaps temporarily mad, he apparently lived as a hermit for a decade, and then became a professional painter. In the absence of detailed contemporary records, his paintings and cryptic poems survive as the only primary documents of his life. This thesis takes as its subject a little-studied handscroll painting, Lotus and Birds, painted in 1690 and currently held in the Cincinnati Art Museum. -
Johnnie to and the Hong Kong Action Film
Director in Action Johnnie To and the Hong Kong Action Film Stephen Teo Hong Kong University Press 14/F Hing Wai Centre 7 Tin Wan Praya Road Aberdeen Hong Kong © Stephen Teo 2007 Hardback ISBN 978-962-209-839-8 Paperback ISBN 978-962-209-840-4 All rights reserved. No portion of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage or retrieval system, without prior permission in writing from the publisher. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. Secure On-line Ordering http://www.hkupress.org Cover image: Photograph by Jupiter Wong Printed and bound by Lammar Offset Printing Ltd., Hong Kong, China. Hong Kong University Press is honoured that Xu Bing, whose art explores the complex themes of language across cultures, has written the Press’s name in his Square Word Calligraphy. This signals our commitment to cross-cultural thinking and the distinctive nature of our English-language books published in China. “At first glance, Square Word Calligraphy appears to be nothing more unusual than Chinese characters, but in fact it is a new way of rendering English words in the format of a square so they resemble Chinese characters. Chinese viewers expect to be able to read Square Word Calligraphy but cannot. Western viewers, however are surprised to find they can read it. Delight erupts when meaning is unexpectedly revealed.” — Britta Erickson, The Art of Xu Bing Contents List of Illustrations vii Acknowledgements xi 1. -
Hong Kong Filmmakers Search: Johnnie TO
Johnnie TO 杜琪峯(b. 1955.4.22) Producer, Director A native of Puning, Guangdong, To was born in Hong Kong. At 17, he was a messenger at Television Broadcasts Limited (TVB); he later joined its drama unit and mentored under Chung King-fai. By Chung’s recommendation, To enrolled in TVB’s performing artist training programme in 1974. Upon graduation, he became a production assistant and was later being promoted to director. He worked closely with producer Wong Tin-lam, creating drama series such as Book and Sword (1976), Luk Siu Fung (1976), Romantic Swordsman (1978), and Young's Female Warrior (1981). His first TV directing debut was Vanity Fair (1978). In 1980, To directed his first film feature The Enigmatic Case (1980), yet he continued to work in television afterwards. In the late 1980s, he was mainly producing films for television. To later returned to film and joined Cinema City in 1986, where he served as executive director on Happy Ghost III (1986) and directed Seven Years Itch (1987), The Fun, the Luck & the Tycoon (1990) as well as the box-office record breaker Eighth Happiness (1988). While his work in Cinema City was mainly comedy, he also directed the romantic flick All About Ah-Long in 1989, demonstrating his ability in mastering multiple film genres including drama genre films. In 1990, he founded Paka Hill Film Production Co. with Raymond Wong and Catherine Hun, directing such films as Casino Raiders II (1991) and The Heroic Trio (1993). To joined Cosmopolitan Film Productions Co., Ltd. in the early 1990s, and directed The Story of My Son (1990), The Mad Monk (1993), Loving You (1995) and Lifeline (1997), etc. -
Download Detailseite
W_4390:W_ 25.01.2008 20:10 Uhr Seite 66 Berlinale 2008 MAN JEUK Wettbewerb SPARROW SPARROW SPARROW Regie: Johnnie To Hongkong, China 2008 Darsteller Kei Simon Yam Länge 87 Min. Chun Lei Kelly Lin Format 35 mm, und Lam Ka Tung Cinemascope Lo Hoi Pang Farbe Law Wing Cheong Kenneth Cheung Stabliste Buch Chan Kin Chung Fung Chih Chiang Kamera Cheng Siu Keung Schnitt David Richardson Ton Martin Chappell Musik Xavier Jamaux; Fred Avril Ausstattung Tony Yu Kostüm Stanley Cheung Herstellungsltg. Ding Yuin Shan Produktionsltg. Jackson Ha Produzent Johnnie To Executive Producers Daneil Lam Chiu Suet Ying Produktion Milkyway Image (Hong Kong) Ltd. 1/F, Milkyway Bldg., 77 Hung To Road, Kwun Tong HK-Hong Kong Tel.: +852 27188929 Fax: +852 23431271 [email protected] Weltvertrieb Universe Films Distribution 18/F, Wyler Centre Phase 2 200 Tai Lin Pai Road, Kwai Chung HK-Hong Kong Tel.: +852 24163008 Fax: +852 24147207 [email protected] SPARROW „Sparrow“, Spatz, ist ein geläufiges Wort im Hongkonger Straßenslang – so werden dort die Taschendiebe genannt. Der Ausdruck spielt an auf die besondere Fingerfertigkeit, die man benötigt, um sich Portemonnaies aus fremder Leute Taschen herauszupicken … und möglicherweise auch auf die Notwendigkeit, im Falle der Entdeckung rasch auf und davon zu fliegen. 66 W_4390:W_ 25.01.2008 20:10 Uhr Seite 67 Kei ist einer dieser „Spatzen“, und ein sehr professioneller. Zusammen mit Filmografie drei Partnern lebt er ganz gut davon, im Straßengewühl von Hongkong tief Auswahl (Internationale Titel) in die Taschen ahnungsloser Passanten zu greifen. Für Kei reicht es jeden- 1978 THE ENIGMATIC CASE falls zu einem sorgenfreien Leben. -
Motion Picture Lobby Cards, 1913-1999
http://oac.cdlib.org/findaid/ark:/13030/kt700021m7 No online items Motion Picture Lobby Cards, 1913-1999 Finding aid prepared by UCLA Library Special Collections Staff; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA, 90095-1575 (310) 825-4988 [email protected] © 2004 The Regents of the University of California. All rights reserved. Motion Picture Lobby Cards, PASC 65 1 1913-1999 Title: Motion picture lobby cards Collection number: PASC 65 Contributing Institution: UCLA Library Special Collections Language of Material: English Physical Description: 55.5 linear ft.(111 boxes) Date (inclusive): 1913-1999 Abstract: The collection consists of primarily of American motion picture lobby cards dating from 1913 to ca 1980s. Language of Materials: Materials are in English. Physical Location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library Special Collections Reference Desk for paging information. Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. Advance notice required for access. Contact the UCLA Library Special Collections Reference Desk for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UC Regents. Literary rights, including copyright, are retained by the creators and their heirs. It is the responsibility of the researcher to determine who holds the copyright and pursue the copyright owner or his or her heir for permission to publish where The UC Regents do not hold the copyright. Preferred Citation [Identification of item], Motion Picture Lobby Cards (Collection PASC 65).