Motion Picture Lobby Cards, 1913-1999
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2020 LEXSEL Update Booklet FINAL
2020 SELECTED YEARLING SALE CATALOG CORRECTIONS & UPDATES FIRST SESSION Monday, October 5, 2020 Hip # 1 SLAY (American Ideal - Hunger Games) 1st Dam HUNGER GAMES PRIMROSE $32,423 2nd Dam WESTERN MONTANA TERRITORY $47,567 Third in leg Pennsylvania Stallion Ser. 08/11/2020 at Pocono Third in leg Pennsylvania Stallion Ser. 08/22/2020 at The Meadows 3rd Dam INCREDIBLE MARGIE Producers: ALLAMERICAN INDIGO (dam of AVOGADRO HANOVER $281,597), Iowa Hanover (dam of ELEGANT VIRGIN p,2,1:54.4) Hip # 2 ROBERTSIN (Muscle Hill - Sina) 1st Dam SINA BEAUTIFUL SIN $406,289 Beautiful Mrs A $7,594 2nd Dam THIRD REEF HIGGS BOSON $113,557 Hip # 3 CAPTAIN COOK (Captaintreacherous - Fresh Look) 1st Dam FRESH LOOK LOOK AND SEA $8,256 2nd Dam LIFETIME SUCCESS Producers: Lifetime Gal (grandam of BETTOR'S WISH p,4,1:47.3-$2,124,783) 3rd Dam THREE DIAMONDS Producers: Sign Of Life (grandam of TRUE TO MACH $302,597, MCLUCKY $235,395, PRODIGAL $142,905, MECHANICAL ART $102,646, ADIOS MAN $102,545, *FOUR P MONZA p,1:59.4h, WUNDER SHADOW p,3,1:58h), Trilogy Lobell (grandam of MILKY WAY RAE $266,544, AMERICANATION $167,180, *TECHTOPIA HANOVER p,3,1:55f) Hip # 4 MIXED DRINK - WITHDRAWN Hip # 5 BOMB HUGGER (Chapter Seven - Stylemaker) 2nd Dam PERSONAL STYLE PATRIARCH HANOVER 5 wins $235,266 Winner Keystone Classic 09/18/2020 Third in Final Pennsylvania Sires S. 09/06/2020 at Philadelphia Third in leg Pennsylvania Sires S. 08/31/2020 at The Meadows CLASSY GUY $97,495 PIPER HANOVER BT1:54.1 $16,050 Third in leg Kentucky Sires S. -
Papéis Normativos E Práticas Sociais
Agnes Ayres (1898-194): Rodolfo Valentino e Agnes Ayres em “The Sheik” (1921) The Donovan Affair (1929) The Affairs of Anatol (1921) The Rubaiyat of a Scotch Highball Broken Hearted (1929) Cappy Ricks (1921) (1918) Bye, Bye, Buddy (1929) Too Much Speed (1921) Their Godson (1918) Into the Night (1928) The Love Special (1921) Sweets of the Sour (1918) The Lady of Victories (1928) Forbidden Fruit (1921) Coals for the Fire (1918) Eve's Love Letters (1927) The Furnace (1920) Their Anniversary Feast (1918) The Son of the Sheik (1926) Held by the Enemy (1920) A Four Cornered Triangle (1918) Morals for Men (1925) Go and Get It (1920) Seeking an Oversoul (1918) The Awful Truth (1925) The Inner Voice (1920) A Little Ouija Work (1918) Her Market Value (1925) A Modern Salome (1920) The Purple Dress (1918) Tomorrow's Love (1925) The Ghost of a Chance (1919) His Wife's Hero (1917) Worldly Goods (1924) Sacred Silence (1919) His Wife Got All the Credit (1917) The Story Without a Name (1924) The Gamblers (1919) He Had to Camouflage (1917) Detained (1924) In Honor's Web (1919) Paging Page Two (1917) The Guilty One (1924) The Buried Treasure (1919) A Family Flivver (1917) Bluff (1924) The Guardian of the Accolade (1919) The Renaissance at Charleroi (1917) When a Girl Loves (1924) A Stitch in Time (1919) The Bottom of the Well (1917) Don't Call It Love (1923) Shocks of Doom (1919) The Furnished Room (1917) The Ten Commandments (1923) The Girl Problem (1919) The Defeat of the City (1917) The Marriage Maker (1923) Transients in Arcadia (1918) Richard the Brazen (1917) Racing Hearts (1923) A Bird of Bagdad (1918) The Dazzling Miss Davison (1917) The Heart Raider (1923) Springtime à la Carte (1918) The Mirror (1917) A Daughter of Luxury (1922) Mammon and the Archer (1918) Hedda Gabler (1917) Clarence (1922) One Thousand Dollars (1918) The Debt (1917) Borderland (1922) The Girl and the Graft (1918) Mrs. -
De Havilland Technical School, Salisbury Hall .46 W
Last updated 1 July 2021 ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||| DeHAVILLAND DH.98 MOSQUITO ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||| 98001 • Mk. I W4050 (prototype E-0234): built Salisbury Hall, ff Hatfield 25.11.40 De Havilland Technical School, Salisbury Hall .46 W. J. S. Baird, Hatfield .46/59 (stored Hatfield, later Panshanger, Hatfield, Chester, Hatfield: moved to Salisbury Hall 9.58) Mosquito Aircraft Museum/ De Havilland Aircraft Heritage Centre, Salisbury Hall, London Colney 5.59/20 (complete static rest. 01/03, remained on display, one Merlin rest. to running condition) _______________________________________________________________________________________ - PR Mk. IV DK310 forced landing due engine trouble, Berne-Belpmoos, Switzerland: interned 24.8.43 (to Swiss Army as E-42) HB-IMO Swissair AG: pilot training 1.1.45 (to Swiss AF as B-4) 7.8.45/53 wfu 9.4.53, scrapped 4.12.53 _______________________________________________________________________________________ - PR Mk. IV DZ411 G-AGFV British Overseas Airways Corp, Leuchars 12.42/45 forced landing due Fw190 attack, Stockholm 23.4.43 dam. take-off, Stockholm-Bromma 4.7.44 (returned to RAF as DZ411) 6.1.45 _______________________________________________________________________________________ -
The Green Sheet and Opposition to American Motion Picture Classification in the 1960S
The Green Sheet and Opposition to American Motion Picture Classification in the 1960s By Zachary Saltz University of Kansas, Copyright 2011 Submitted to the graduate degree program in Film and Media Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Master of Arts. ________________________________ Chairperson Dr. John Tibbetts ________________________________ Dr. Michael Baskett ________________________________ Dr. Chuck Berg Date Defended: 19 April 2011 ii The Thesis Committee for Zachary Saltz certifies that this is the approved version of the following thesis: The Green Sheet and Opposition to American Motion Picture Classification in the 1960s ________________________________ Chairperson Dr. John Tibbetts Date approved: 19 April 2011 iii ABSTRACT The Green Sheet was a bulletin created by the Film Estimate Board of National Organizations, and featured the composite movie ratings of its ten member organizations, largely Protestant and represented by women. Between 1933 and 1969, the Green Sheet was offered as a service to civic, educational, and religious centers informing patrons which motion pictures contained potentially offensive and prurient content for younger viewers and families. When the Motion Picture Association of America began underwriting its costs of publication, the Green Sheet was used as a bartering device by the film industry to root out municipal censorship boards and legislative bills mandating state classification measures. The Green Sheet underscored tensions between film industry executives such as Eric Johnston and Jack Valenti, movie theater owners, politicians, and patrons demanding more integrity in monitoring changing film content in the rapidly progressive era of the 1960s. Using a system of symbolic advisory ratings, the Green Sheet set an early precedent for the age-based types of ratings the motion picture industry would adopt in its own rating system of 1968. -
The Story of Sid Bregman 80 Glorious Years
JANUARY/FEBRUARY 2019 CANADIAN WARPLANE HERITAGE MUSEUM 80 GLORIOUS YEARS Canadian Warplane Heritage’s DC-3 THE STORY OF SID BREGMAN And Spitfire MJ627 President & Chief Executive Officer David G. Rohrer Vice President – External Client Services Manager Controller Operations Cathy Dowd Brenda Shelley Sandra Price Curator Education Services Vice President – Finance Erin Napier Manager Ernie Doyle Howard McLean Flight Coordinator Chief Engineer Laura Hassard-Moran Donor Services Jim Van Dyk Manager Retail Manager Sally Melnyk Marketing Manager Shawn Perras Al Mickeloff Building Maintenance Volunteer Services Manager Food & Beverage Manager Administrator Jason Pascoe Anas Hasan Toni McFarlane Board of Directors Christopher Freeman, Chair David Ippolito Robert Fenn Sandy Thomson, Ex Officio John O’Dwyer Patrick Farrell Bruce MacRitchie, Ex Officio David G. Rohrer Art McCabe Nestor Yakimik, Ex Officio Barbara Maisonneuve David Williams Stay Connected Subscribe to our eFlyer Canadian Warplane warplane.com/mailing-list-signup.aspx Heritage Museum 9280 Airport Road Read Flightlines online warplane.com/about/flightlines.aspx Mount Hope, Ontario L0R 1W0 Like us on Facebook facebook.com/Canadian Phone 905-679-4183 WarplaneHeritageMuseum Toll free 1-877-347-3359 (FIREFLY) Fax 905-679-4186 Follow us on Twitter Email [email protected] @CWHM Web warplane.com Watch videos on YouTube youtube.com/CWHMuseum JANUARY/FEBRUARY 2019 Shop our Gift Shop warplane.com/gift-shop.aspx CANADIAN WARPLANE HERITAGE MUSEUM Follow Us on Instagram instagram.com/ canadianwarplaneheritagemuseum Volunteer Editor: Bill Cumming Flightlines is the official publication of the Canadian 80 GLORIOUS YEARS Canadian Warplane Heritage’s DC-3 Warplane Heritage Museum. It is a benefit of membership THE STORY OF SID BREGMAN And Spitfire MJ627 and is published six times per year (Jan/Feb, Mar/Apr, May/June, July/Aug, Sept/Oct, Nov/Dec). -
WHYTE's Movie Posters 31 May 2014 Results
, WHYTE S SINCE 1783 MOVIE POSTERS SATURDAY 31 MAY 2014 MOVIEA SinglePOST Owner CollectionERS SATURDAY 31 MAY 2014 VIEWING At our galleries 38 Molesworth Street, Dublin 2 Wednesday 28 May 10am to 5pm Thursday 29 May 10am to 7pm Friday 30 May 10am to 7pm Saturday 31 May 10am to 12 noon AUCTION Saturday 31 May at 12 noon The Freemasons Hall, 17 Molesworth Street, Dublin 2 ENQUIRIES Whyte's 38 Molesworth Street Dublin 2 Tel: 01 676 2888 Fax: 01 676 2880 E-mail: [email protected] BIDS Whyte's 38 Molesworth Street Dublin 2 Tel: 01 676 2888 Fax: 01 676 2880 E-mail: [email protected] Live bidding and on-line bids: www.whytes.ie Whyte’s Auction App WEBSITES now available for free download whytes.ie whytes.com Opposite: Ex lot 5, Gone With The Wind (detail) DESIGN: DES KIELY DESIGN PHOTOGRAPHY: GILLIAN BUCKLEY PRINTING: BRUNSWICK PRESS LTD. , © COPYRIGHT 2014 WHYTE AND SONS AUCTIONEERS LTD. WHYTE S ALL RIGHTS RESERVED SINCE 1783 TERMS AND CONDITIONS OF SALE NOTICE Whyte & Sons Auctioneers Limited, trading as Whyte’s, exercises all (c) If any lot sold at this auction is subsequently proved to be a reasonable care to ensure that all descriptions are reliable and accurate, “deliberate forgery”, Whyte’s will cancel the sale and refund to the buyer and that each item is genuine unless the contrary is indicated. However, the total amount paid by the buyer for the item, in the currency of the the descriptions are not intended to be, are not and are not to be taken original sale. -
Randolph Scott Ç”Μå½± ĸ²È¡Œ (Ť§Å…¨)
Randolph Scott 电影 串行 (大全) When the Daltons Rode https://zh.listvote.com/lists/film/movies/when-the-daltons-rode-3824790/actors The Bounty Hunter https://zh.listvote.com/lists/film/movies/the-bounty-hunter-3649340/actors Fort Worth https://zh.listvote.com/lists/film/movies/fort-worth-3819815/actors 20,000 Men a Year https://zh.listvote.com/lists/film/movies/20%2C000-men-a-year-21527422/actors Coroner Creek https://zh.listvote.com/lists/film/movies/coroner-creek-5172277/actors Heritage of the Desert https://zh.listvote.com/lists/film/movies/heritage-of-the-desert-3134021/actors Buchanan Rides Alone https://zh.listvote.com/lists/film/movies/buchanan-rides-alone-3202739/actors Man in the Saddle https://zh.listvote.com/lists/film/movies/man-in-the-saddle-3220902/actors Rebecca of Sunnybrook https://zh.listvote.com/lists/film/movies/rebecca-of-sunnybrook-farm-2205352/actors Farm Seven Men from Now https://zh.listvote.com/lists/film/movies/seven-men-from-now-677782/actors Ride Lonesome https://zh.listvote.com/lists/film/movies/ride-lonesome-759459/actors Coast Guard https://zh.listvote.com/lists/film/movies/coast-guard-15068453/actors And Sudden Death https://zh.listvote.com/lists/film/movies/and-sudden-death-19427390/actors The Texans https://zh.listvote.com/lists/film/movies/the-texans-3212557/actors Canadian Pacific https://zh.listvote.com/lists/film/movies/canadian-pacific-5030412/actors Decision at Sundown https://zh.listvote.com/lists/film/movies/decision-at-sundown-1392420/actors A Lawless Street https://zh.listvote.com/lists/film/movies/a-lawless-street-935254/actors -
Dictionary of Westerns in Cinema
PERFORMING ARTS • FILM HISTORICAL DICTIONARY OF Historical Dictionaries of Literature and the Arts, No. 26 VARNER When early filmgoers watched The Great Train Robbery in 1903, many shrieked in terror at the very last clip, when one of the outlaws turned toward the camera and seemingly fired a gun directly at the audience. The puff of WESTERNS smoke was sudden and hand-colored, and it looked real. Today we can look back at that primitive movie and see all the elements of what would evolve HISTORICAL into the Western genre. Perhaps the Western’s early origins—The Great Train DICTIONARY OF Robbery was the first narrative, commercial movie—or its formulaic yet enter- WESTERNS in Cinema taining structure has made the genre so popular. And with the recent success of films like 3:10 to Yuma and The Assassination of Jesse James by the Coward Robert Ford, the Western appears to be in no danger of disappearing. The story of the Western is told in this Historical Dictionary of Westerns in Cinema through a chronology, a bibliography, an introductory essay, and hundreds of cross-referenced dictionary entries on cinematographers; com- posers; producers; films like Butch Cassidy and the Sundance Kid, Dances with Wolves, The Good, the Bad, and the Ugly, High Noon, The Magnificent Seven, The Searchers, Tombstone, and Unforgiven; actors such as Gene Autry, in Cinema Cinema Kirk Douglas, Clint Eastwood, Henry Fonda, Jimmy Stewart, and John Wayne; and directors like John Ford and Sergio Leone. PAUL VARNER is professor of English at Abilene Christian University in Abilene, Texas. -
South Pacific
THE MUSICO-DRAMATIC EVOLUTION OF RODGERS AND HAMMERSTEIN’S SOUTH PACIFIC DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By James A. Lovensheimer, M.A. ***** The Ohio State University 2003 Dissertation Committee: Approved by Professor Arved Ashby, Adviser Professor Charles M. Atkinson ________________________ Adviser Professor Lois Rosow School of Music Graduate Program ABSTRACT Since its opening in 1949, Rodgers and Hammerstein’s Pulitzer Prize- winning musical South Pacific has been regarded as a masterpiece of the genre. Frequently revived, filmed for commercial release in 1958, and filmed again for television in 2000, it has reached audiences in the millions. It is based on selected stories from James A. Michener’s book, Tales of the South Pacific, also a Pulitzer Prize winner; the plots of these stories, and the musical, explore ethnic and cutural prejudice, a theme whose treatment underwent changes during the musical’s evolution. This study concerns the musico-dramatic evolution of South Pacific, a previously unexplored process revealing the collaborative interaction of two masters at the peak of their creative powers. It also demonstrates the authors’ gradual softening of the show’s social commentary. The structural changes, observable through sketches found in the papers of Rodgers and Hammerstein, show how the team developed their characterizations through musical styles, making changes that often indicate changes in characters’ psychological states; they also reveal changing approaches to the musicalization of the novel. Studying these changes provides intimate and, occasionally, unexpected insights into Rodgers and Hammerstein’s creative methods. -
Shail, Robert, British Film Directors
BRITISH FILM DIRECTORS INTERNATIONAL FILM DIRECTOrs Series Editor: Robert Shail This series of reference guides covers the key film directors of a particular nation or continent. Each volume introduces the work of 100 contemporary and historically important figures, with entries arranged in alphabetical order as an A–Z. The Introduction to each volume sets out the existing context in relation to the study of the national cinema in question, and the place of the film director within the given production/cultural context. Each entry includes both a select bibliography and a complete filmography, and an index of film titles is provided for easy cross-referencing. BRITISH FILM DIRECTORS A CRITI Robert Shail British national cinema has produced an exceptional track record of innovative, ca creative and internationally recognised filmmakers, amongst them Alfred Hitchcock, Michael Powell and David Lean. This tradition continues today with L GUIDE the work of directors as diverse as Neil Jordan, Stephen Frears, Mike Leigh and Ken Loach. This concise, authoritative volume analyses critically the work of 100 British directors, from the innovators of the silent period to contemporary auteurs. An introduction places the individual entries in context and examines the role and status of the director within British film production. Balancing academic rigour ROBE with accessibility, British Film Directors provides an indispensable reference source for film students at all levels, as well as for the general cinema enthusiast. R Key Features T SHAIL • A complete list of each director’s British feature films • Suggested further reading on each filmmaker • A comprehensive career overview, including biographical information and an assessment of the director’s current critical standing Robert Shail is a Lecturer in Film Studies at the University of Wales Lampeter. -
The Meaning of the Western Movie
sCott a. mCConnEll The Meaning of the Western Movie emember Shane, Bonanza and The Lone of the country. Ranger? In novel, film and television, west- For more than 150 years, especially since erns once ruled the range. Until the 1960s 1900 when the frontier period was ending, the Rwesterns were the most popular fiction genre and American West was revealed in the western novel. remained popular until the 1970s. In his book The Influential among these were Whispering Smith Searchers the western historian Glenn Frankel tells (Frank Spearman, 1906), Riders of the Purple Sage us that western novels “consistently outsold all gen- (Zane Grey, 1912), Destry Rides Again (Max Brand, res, including the closest competitor, the detective 1930) and True Grit (Charles Portis, 1968). With the story—whose protagonist was, after all, just another arrival of television in the United States in 1947, version of the Western hero”. Frankel notes that “of the western and its view of America dominated the 300 million paperbacks sold in 1956, one third the small screen for many years. Some of the most were westerns”. influential shows and stars during the television Western films were similarly popular. As Frankel western heyday included The Lone Ranger (star- reports, “Westerns by the mid-1950s accounted for ring Clayton Moore), Rawhide (Clint Eastwood), one third of the output of the major studios and half Bonanza (Michael Landon) and Gunsmoke (James the output of the smaller independents.” Incredibly, Arness). “well over seven thousand Westerns have been To most people, however, westerns are movies. made”. The American Film Institute (AFI) has defined Westerns were even more popular on television. -
WEB Amherst Sp18.Pdf
ALSO INSIDE Winter–Spring How Catherine 2018 Newman ’90 wrote her way out of a certain kind of stuckness in her novel, and Amherst in her life. HIS BLACK HISTORY The unfinished story of Harold Wade Jr. ’68 XXIN THIS ISSUE: WINTER–SPRING 2018XX 20 30 36 His Black History Start Them Up In Them, We See Our Heartbeat THE STORY OF HAROLD YOUNG, AMHERST- WADE JR. ’68, AUTHOR OF EDUCATED FOR JULI BERWALD ’89, BLACK MEN OF AMHERST ENTREPRENEURS ARE JELLYFISH ARE A SOURCE OF AND NAMESAKE OF FINDING AND CREATING WONDER—AND A REMINDER AN ENDURING OPPORTUNITIES IN THE OF OUR ECOLOGICAL FELLOWSHIP PROGRAM RAPIDLY CHANGING RESPONSIBILITIES. BY KATHARINE CHINESE ECONOMY. INTERVIEW BY WHITTEMORE BY ANJIE ZHENG ’10 MARGARET STOHL ’89 42 Art For Everyone HOW 10 STUDENTS AND DOZENS OF VOTERS CHOSE THREE NEW WORKS FOR THE MEAD ART MUSEUM’S PERMANENT COLLECTION BY MARY ELIZABETH STRUNK Attorney, activist and author Junius Williams ’65 was the second Amherst alum to hold the fellowship named for Harold Wade Jr. ’68. Photograph by BETH PERKINS 2 “We aim to change the First Words reigning paradigm from Catherine Newman ’90 writes what she knows—and what she doesn’t. one of exploiting the 4 Amazon for its resources Voices to taking care of it.” Winning Olympic bronze, leaving Amherst to serve in Vietnam, using an X-ray generator and other Foster “Butch” Brown ’73, about his collaborative reminiscences from readers environmental work in the rainforest. PAGE 18 6 College Row XX ONLINE: AMHERST.EDU/MAGAZINE XX Support for fi rst-generation students, the physics of a Slinky, migration to News Video & Audio Montana and more Poet and activist Sonia Sanchez, In its interdisciplinary exploration 14 the fi rst African-American of the Trump Administration, an The Big Picture woman to serve on the Amherst Amherst course taught by Ilan A contest-winning photo faculty, returned to campus to Stavans held a Trump Point/ from snow-covered Kyoto give the keynote address at the Counterpoint Series featuring Dr.