WHYTE's Movie Posters 31 May 2014 Results
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Sunday Morning Grid 1/12/20 Latimes.Com/Tv Times
SUNDAY MORNING GRID 1/12/20 LATIMES.COM/TV TIMES 7 am 7:30 8 am 8:30 9 am 9:30 10 am 10:30 11 am 11:30 12 pm 12:30 2 CBS CBS News Face the Nation (N) News College Basketball Michigan State at Purdue. (N) The NFL Today (N) Å Football 4 NBC Today in L.A. Weekend Meet the Press (N) Å NBC4 News Paid Program Saving Pets A New Leaf Champion Bensinger Monster 5 CW KTLA 5 Morning News at 7 (N) Å KTLA News at 9 KTLA 5 News at 10am In Touch Paid Program 7 ABC News This Week News Hearts of Rock-Park Jack Hanna News Ocean Paid 9 KCAL KCAL 9 News Sunday Joel Osteen Jeremiah Joel Osteen Jentzen Mike Webb Paid Program Icons The World’s 1 1 FOX Paid Program Fox News Sunday News The Issue Paid Program 1 3 MyNet Paid Program Fred Jordan Freethought Paid Program News The Issue 1 8 KSCI Paid Program Paid Program 2 2 KWHY Paid Program Paid Program 2 4 KVCR Paint Painting Joy of Paint Wyland’s Paint This Painting Kitchen Mexican Christina Joanne Simply Ming Food 50 2 8 KCET Kid Stew Curious Wunderkind Wunderkind Darwin’s Biz Kid$ Aging Backwards 3 Brain Secrets With Dr. Michael Merzenich Å 3 0 ION Jeremiah Youseff In Touch Paid NCIS: Los Angeles Å NCIS: Los Angeles Å NCIS: Los Angeles Å NCIS: Los Angeles Å 3 4 KMEX Conexión Paid Program Fútbol Fútbol Mexicano Primera División (N) República Deportiva (N) 4 0 KTBN Pathway Win Walk Prince Carpenter A Jackson In Touch PowerPoint It is Written Ed Young Bethel Kelinda Hagee 4 6 KFTR Paid Program Super Genios (TVY) El mundo es tuyo El mundo es tuyo Paid Program 5 0 KOCE Nature Cat Nature Cat Wild Kratts Wild Kratts Odd Squad Odd Squad Antiques Roadshow Antiques Nature (N) Å NOVA Å 5 2 KVEA Paid La Liga Fútbol Premier League La Liga Paid Program 5 6 KDOC Perry Stone In Search Lift Up Paid Cath. -
Download Night of the Hunter Free Ebook
NIGHT OF THE HUNTER DOWNLOAD FREE BOOK R A Salvatore | 459 pages | 01 Dec 2014 | Wizards of the Coast | 9780786965175 | English | Renton, United States The single flaw that stops The Night of the Hunter short of perfection Gish had gotten word of him watching these old movies, and when she asked him why, he replied, "When I first went to the movies, they sat in their seats straight and leaned forward. Chicago Sun-Times. Regal Coming Soon. The Night of the Hunter by Night of the Hunter Grubb. The Night of the Hunter —incredibly, the only film the great actor Charles Laughton ever directed—is truly a stand-alone masterwork. Frequently Asked Questions Q: How does the movie end? Release Dates. He chose to shoot certain scenes of this film on Tri-X because it had a sharp contrast that would help fulfill Laughton's vision. Black Mirror: Season 5. Rusher and Rushee - unseen. Preacher Harry Powell: Would you like me to tell you the little story of right hand, left hand? One of the things I like best about Night is the Hunter is the way Laughton graphically demonstrates the life and poverty of rural America during the Depression. Peter Graves Ben Harper. CJ Sheu. Trivia Robert Mitchum tried explaining to Billy Chapin that he needed to better understand his character and his relationship to the preacher. Repertory Picks. It's the Great Depression. Technical Specs. I Night of the Hunter them to sit up straight again. The Night of the Hunter By chance, Powell ends up sharing the same cell as Ben Harper, a local man who murdered two men in a bank robbery for ten thousand dollars. -
Earogenous Zones
234 Index Index Note: Film/DVD titles are in italics; album titles are italic, with ‘album’ in parentheses; song titles are in quotation marks; book titles are italic; musical works are either in italics or quotation marks, with composer’s name in parentheses. A Rebours (Huysmans) 61 Asimov, Isaac 130 Abducted by the Daleks/Daloids 135 Assault on Precinct 13 228 Abe, Sada 91–101 Astaire, Fred 131 Abrams, J. 174 Astley, Edwin 104 Abu Ghraib 225, 233 ‘Astronomy Domine’ 81, 82 acousmêtre 6 Atkins, Michael 222 Acre, Billy White, see White Acre, Billy Augoyard, J.-F. 10 Adamson, Al 116 Aury, Dominique (aka Pauline Reage) 86 affect 2, 67, 76 Austin, Billy 215 African music 58 Austin Powers movies 46 Age of Innocence, The 64 Australian Classification Board 170 Ai no borei (‘Empire of Passion’) 100–1 Avon Science Fiction Reader (magazine) 104 Ai no korida (In the Realm of the Senses) 1, 4, Avon Theater, New York 78 7, 89–101 Aihara, Kyoko 100 ‘Baby Did A Bad Bad Thing’ 181–2 Algar, James 20 Bacchus, John 120, 128, 137 Alice in Wonderland (Lewis Carroll) 5, 70, 71, Bach, Johann Sebastian 62 74, 76, 84, 116 Bachelet, Pierre 68, 71, 72, 74 Alien 102 Bacon, Francis 54 Alien Probe 129 Bailey, Fenton 122, 136 Alien Probe II 129 Baker, Jack 143, 150 Alpha Blue 117–19, 120 Baker, Rick 114 Also sprach Zarathustra (Richard Strauss) 46, 112, Ballard, Hank, and the Midnighters 164 113 Band, Charles 126 Altman, Rick 2, 9, 194, 199 Bangs, Lester 141 Amateur Porn Star Killer 231 banjo 47 Amazing Stories (magazine) 103, 104 Barbano, Nicolas 35, 36 Amelie 86 Barbarella 5, 107–11, 113, 115, 119, 120, American National Parent/Teacher Association 147 122, 127, 134, 135, 136 Ampeauty (album) 233 Barbato, Randy 122, 136 Anal Cunt 219 Barbieri, Gato 54, 55, 57 … And God Created Woman, see Et Dieu créa Bardot, Brigitte 68, 107–8 la femme Barker, Raphael 204 Andersen, Gotha 32 Baron, Red 79 Anderson, Paul Thomas 153, 158 Barr, M. -
Science Fiction Films of the 1950S Bonnie Noonan Louisiana State University and Agricultural and Mechanical College, [email protected]
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2003 "Science in skirts": representations of women in science in the "B" science fiction films of the 1950s Bonnie Noonan Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the English Language and Literature Commons Recommended Citation Noonan, Bonnie, ""Science in skirts": representations of women in science in the "B" science fiction films of the 1950s" (2003). LSU Doctoral Dissertations. 3653. https://digitalcommons.lsu.edu/gradschool_dissertations/3653 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. “SCIENCE IN SKIRTS”: REPRESENTATIONS OF WOMEN IN SCIENCE IN THE “B” SCIENCE FICTION FILMS OF THE 1950S A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of English By Bonnie Noonan B.G.S., University of New Orleans, 1984 M.A., University of New Orleans, 1991 May 2003 Copyright 2003 Bonnie Noonan All rights reserved ii This dissertation is “one small step” for my cousin Timm Madden iii Acknowledgements Thank you to my dissertation director Elsie Michie, who was as demanding as she was supportive. Thank you to my brilliant committee: Carl Freedman, John May, Gerilyn Tandberg, and Sharon Weltman. -
The Night of the Hunter: Noirish Or Film Noir?
The Night of the Hunter Noirish or film noir? Sigurd Enge A Thesis presented to the Department of Literature, Area Studies and European Languages, the University of Oslo, in Partial Fulfillment to the Requirements for the MA degree in North American Studies ENG4970 Masterspesialisering i engelsk, LAP Thesis advisor: Mark Luccarelli Autumn 2009 Table of Contents Introduction 3 Chapter 1: The Novel and the Film 6 A Short Synopsis of the Book 6 The Film as a Critical Text 7 The Film as Work of Art 11 Reception 13 Chapter 2: What Is Film Noir Anyway? 18 A Short Synopsis of the Film Noir Debate 20 The Noirish Aspects of the Night of the Hunter 25 The Malaise and Social Criticism of The Night of the Hunter 33 “A Faith Deformed” 35 Chapter 3: Further Analysis 44 The Stylistics of The Night of the Hunter 44 The Mixture of Expressionism and Realism in Hunter 53 Harry Powell – Urban psychopath, Frontiersman or Demon? 57 Conclusion 61 Bibliography 64 2 Introduction The first time I saw Charles Laughton’s The Night of the Hunter was at Riverside Studios in London in 2004. It was on a double bill with Jacques Tourneur’s acknowledged film noir classic Out of the Past, which I liked a lot more than Hunter. The latter seemed over acted and strange to me, and I found it much easier to enjoy a film about a private detective who was lured into violence and crime by a beautiful femme fatale. Out of the Past seemed more realistic and cooler, because it had people smoking cigarettes in dimly lit rooms and because it was full of banter with sexual innuendo. -
LOOKING BACK in HISTORY Happenings in the Cookeville Area As Recorded in the Pages of the Herald Citizen Newspaper, Cookeville, TN
WAY BACK WHEN: LOOKING BACK IN HISTORY Happenings in the Cookeville area as recorded in the pages of the Herald Citizen Newspaper, Cookeville, TN. By Bob McMillian 1940’s (Compiled by Audrey J. Lambert) http://www.ajlambert.com 1940 (January 3, 1940) The Cookeville City Commission has intentionally allowed the airport’s lease to run out because its location — in a cornfield — did not qualify it for a $150,000 federal grant needed to build a new facility. (January 11, 1940) Members of the Putnam County Court vowed to do better and begin collecting past due property taxes after local attorney Worth Bryant blasted the magistrates. He said some long past due taxes are not uncollectible due to the statute of limitations. The magistrates asked County Judge B. C. Huddleston and County Attorney W. K. Crawford to begin filing suites against landowners whose taxes are overdue. (January 11, 1940) There is no Cookeville Airport this week. The city commission let the lease run out. It was intentional. The city has been leasing a corn field two miles north of Cookeville for an airport, but there’s a move afoot to get a federal grant of up to $150,000 to build a full•fledged air facility with a first class runway. But the corn field doesn’t qualify for the grant, so the city commission decided to let it go while looking for a better site. Cookeville has high hopes for its airport. The city lies under the intersection of east•west and north•south air mail routes. “Planes fly over the city at frequent intervals during the day and night,” says the newspaper. -
Talking Pictures TV Highlights for Week Beginning Mon 21St December 2020 SKY 328 | FREEVIEW 81 FREESAT 306 | VIRGIN 445 Christmas Week
Talking Pictures TV Highlights for week beginning www.talkingpicturestv.co.uk Mon 21st December 2020 SKY 328 | FREEVIEW 81 FREESAT 306 | VIRGIN 445 Christmas Week Monday 21st December 7:25am Tuesday 22nd December 4:20pm Escape By Night (1953) Man on the Run (1949) Crime. Director: John Gilling. Crime Drama. Director: Lawrence Stars: Bonar Colleano, Sid James, Huntington. Stars: Valentine Dyall, Andrew Ray, Ted Ray, Simone Silva. Derek Farr and Leslie Perrins. Having An ace reporter with a drinking deserted the army, Peter Burdon is problem tracks a gangster on the run. continually on the run. Monday 21st December 9am and Tuesday 22nd December 6:50pm Wednesday 23rd December 4:30pm The Night My Number Came Up Stars, Cars & Guitars (1955) Talking Christmas – Mystery. Director: Leslie Norman. a Talking Pictures TV Exclusive! Stars: Michael Redgrave, Sheila Sim, Singer Tony Hadley, legendary Denholm Elliott and Alexander Knox. rock guitarist Jim Cregan and The fate of a military aircraft may broadcaster Alex Dyke bring their depend on a prophetic nightmare. Stars, Cars, Guitars show to Talking Tuesday 22nd December 9pm Pictures TV for a Christmas special. Shout at the Devil (1976) They’re joined by guests Marty and War. Director: Peter R. Hunt. Kim Wilde, Suzi Quatro and Mike Read Stars: Lee Marvin, Roger Moore, for a nostalgic look back at Christmas Barbara Parkins, Ian Holm, in the fifties and sixties as well as live Reinhard Kolldehoff. An American performances and festive fun. ex-military man and a British aristocrat are partners in the ivory Monday 21st December 12:15pm trade. On the eve of World War I, and Christmas Eve 6:10am they join battle against a German Scrooge (1935) Commander and his men. -
Dean Martin, La Voce Di “That’S Amore”
Dean Martin, la voce di “That’s amore” Dean Martin, pseudonimo di Dino Paul Crocetti (Martin deriva da Martino, cognome della madre molisana), nasce a Steubenville, nello stato dell'Ohio, il 7 giugno 1917. Abbandonata la scuola a sedici anni, compie diversi lavori, compreso il pugile e il benzinaio, fino a quando, con il nome d'arte di Dean Martin, s'impone come cantante a New York. E' il 25 luglio 1946 quando Dean Martin si esibisce per la prima volta in coppia con Jerry Lewis al "Club 500" di Atlantic City. I due artisti danno vita ad un duo comico di successo, che dura per un decennio esatto, realizzando anche quindici film di successo, da "La mia amica Irma" di George Marshall (1949) a "Hollywood o morte!" (1956), passando per "Irma va a Hollywood", "Il sergente di legno", "Quel fenomeno di mio figlio" e "Attente ai marinai", tutti di Hal Walker, tra il 1950 e il 1951, quindi "Il caporale Sam", "Il cantante matto", "Occhio alla palla", "Più vivo che morto", "Il nipote picchiatello" e "Mezzogiorno di fifa", tutti di Norman Taurog, tra il 1952 e il 1955. Ancora: "Morti di paura" e "I figli del secolo" di George Marshall (1953-54), "Il circo a tre piste" di Joseph Pevney (1954), "Artisti e modelle" e "Hollywood o morte!" di Frank Tashlin (1955-56). La coppia è legata anche a programmi televisivi, come il varietà di successo "The Colgate Comedy Hour" (1950), di cui diventano anche conduttori. Il sodalizio artistico s'interrompe il 24 luglio 1956. La carriera di Martin, nonostante la rottura della coppia, continua a mietere successi. -
Shail, Robert, British Film Directors
BRITISH FILM DIRECTORS INTERNATIONAL FILM DIRECTOrs Series Editor: Robert Shail This series of reference guides covers the key film directors of a particular nation or continent. Each volume introduces the work of 100 contemporary and historically important figures, with entries arranged in alphabetical order as an A–Z. The Introduction to each volume sets out the existing context in relation to the study of the national cinema in question, and the place of the film director within the given production/cultural context. Each entry includes both a select bibliography and a complete filmography, and an index of film titles is provided for easy cross-referencing. BRITISH FILM DIRECTORS A CRITI Robert Shail British national cinema has produced an exceptional track record of innovative, ca creative and internationally recognised filmmakers, amongst them Alfred Hitchcock, Michael Powell and David Lean. This tradition continues today with L GUIDE the work of directors as diverse as Neil Jordan, Stephen Frears, Mike Leigh and Ken Loach. This concise, authoritative volume analyses critically the work of 100 British directors, from the innovators of the silent period to contemporary auteurs. An introduction places the individual entries in context and examines the role and status of the director within British film production. Balancing academic rigour ROBE with accessibility, British Film Directors provides an indispensable reference source for film students at all levels, as well as for the general cinema enthusiast. R Key Features T SHAIL • A complete list of each director’s British feature films • Suggested further reading on each filmmaker • A comprehensive career overview, including biographical information and an assessment of the director’s current critical standing Robert Shail is a Lecturer in Film Studies at the University of Wales Lampeter. -
Fifty Years of Bond, James Bond: the Greatest Film Franchise’S Biggest Birthday | Vanity Fair
6/4/2017 Fifty Years of Bond, James Bond: The Greatest Film Franchise’s Biggest Birthday | Vanity Fair The Birth of Bond Fifty years ago, at the dawn of the commercial-jet age, James Bond strode into movie history, to show audiences how stylish and thrilling life could be. But creating the cinematic Bond was fraught with peril, as best-selling author Ian Fleming discovered when he first tried to take his hero to the screen. David Kamp recalls the unlikely team—two small-time producers, a journeyman director, and a “rough diamond” of a star—behind 007’s film debut, Dr. No, the beginning of a $5 billion franchise. BY DAVID KAMP | OCTOBER 2012 BOND. JAMES BOND. Right, Sean Connery on the set of Dr. No, 1962. Left, in the Alps during the filming of Goldfinger, 1964., left, from photofest, digital colorization by lorna clark; right, © 1962 Danjaq, L.L.C., and the United Artists Corporation, all rights reserved. nter Sean Connery, dark hair slicked with pomade, eyes locking hungrily upon a beautiful greeneyed girl. Her return glance leaves no doubt—the feeling is mutual. His slouch and casual banter exude languor and nonchalance, but there’s an undercurrent of coiled menace to this man, as though E he might, at any moment, spring into tableoverturning, crockeryshattering action. Except nothing of the sort happens. Instead, the other fellow in the scene cuts the tension by taking out his fiddle and favoring the room with a jaunty tune learned, he says in a stagy brogue, “in the old ruins on the top of Knocknasheega!” http://www.vanityfair.com/culture/2012/10/fiftyyearsofjamesbond 1/14 6/4/2017 Fifty Years of Bond, James Bond: The Greatest Film Franchise’s Biggest Birthday | Vanity Fair This isn’t a James Bond picture. -
Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room. -
O Elo Perdido Da Fotografia
“CONSCIÊNCIA DAS CORES”: NATALIE KALMUS E O TECHNICOLOR NA GRÃ-BRETANHA Sarah Street Quando o Technicolor foi visto pela primeira vez nos cinemas da Grã-Bretanha, ele foi recebido por uma onda de opiniões contraditórias, desde a queixa perplexa de que “com a tela em um ardente motim de cores é impossível se concentrar totalmente em qualquer indivíduo em particular” até a alegação de que “filmes em preto e branco em breve serão uma coisa do passado.”1 Os modos do discurso contemporâneo a respeito da cor frequentemente abordavam o impacto das cores no público que, temia-se, poderia ser distraído por sua aparência espetacular no contexto do cinema narrativo. Para muitos diretores, diretores de fotografia e diretores de arte, contudo, a escolha da cor demonstrava o seu fascínio como registro simbólico, como uma ferramenta para apoiar a narrativa e como técnica expressiva. Este ensaio discute a chegada do Technicolor na Grã-Bretanha e o impacto que teve sobre as práticas vigentes, bem como sobre os regimes estéticos. Filmes que demonstram notáveis, variados e por vezes extraordinários usos do Technicolor – Idílio cigano (Wings of the Morning, Harold D. Schuster, 1937), O ladrão de Bagdá (The Thief of Bagdad, Ludwig Berger et al., 1940) e Narciso negro (Black Narcissus, Michael Powell e Emeric Pressburger, 1947) – servirão como estudos de caso para demonstrar como concentrar-se na cor convida a uma combinação de perspectivas analíticas e teóricas que revelam os complexos desafios colocados por ela para os estudos de cinema. Apesar de a cor ter recebido certa atenção nos comentários contemporâneos, nas histórias da tecnologia do cinema, na teoria do cinema e na crítica, isso de maneira alguma formou um corpus extenso; este ensaio tem a intenção de contribuir para o renovado interesse na cor ao 1 SIMPSON, Shirley R.