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234 Index Index Note: Film/DVD titles are in italics; album titles are italic, with ‘album’ in parentheses; song titles are in quotation marks; book titles are italic; musical works are either in italics or quotation marks, with composer’s name in parentheses. A Rebours (Huysmans) 61 Asimov, Isaac 130 Abducted by the Daleks/Daloids 135 Assault on Precinct 13 228 Abe, Sada 91–101 Astaire, Fred 131 Abrams, J. 174 Astley, Edwin 104 Abu Ghraib 225, 233 ‘Astronomy Domine’ 81, 82 acousmêtre 6 Atkins, Michael 222 Acre, Billy White, see White Acre, Billy Augoyard, J.-F. 10 Adamson, Al 116 Aury, Dominique (aka Pauline Reage) 86 affect 2, 67, 76 Austin, Billy 215 African music 58 Austin Powers movies 46 Age of Innocence, The 64 Australian Classification Board 170 Ai no borei (‘Empire of Passion’) 100–1 Avon Science Fiction Reader (magazine) 104 Ai no korida (In the Realm of the Senses) 1, 4, Avon Theater, New York 78 7, 89–101 Aihara, Kyoko 100 ‘Baby Did A Bad Bad Thing’ 181–2 Algar, James 20 Bacchus, John 120, 128, 137 Alice in Wonderland (Lewis Carroll) 5, 70, 71, Bach, Johann Sebastian 62 74, 76, 84, 116 Bachelet, Pierre 68, 71, 72, 74 Alien 102 Bacon, Francis 54 Alien Probe 129 Bailey, Fenton 122, 136 Alien Probe II 129 Baker, Jack 143, 150 Alpha Blue 117–19, 120 Baker, Rick 114 Also sprach Zarathustra (Richard Strauss) 46, 112, Ballard, Hank, and the Midnighters 164 113 Band, Charles 126 Altman, Rick 2, 9, 194, 199 Bangs, Lester 141 Amateur Porn Star Killer 231 banjo 47 Amazing Stories (magazine) 103, 104 Barbano, Nicolas 35, 36 Amelie 86 Barbarella 5, 107–11, 113, 115, 119, 120, American National Parent/Teacher Association 147 122, 127, 134, 135, 136 Ampeauty (album) 233 Barbato, Randy 122, 136 Anal Cunt 219 Barbieri, Gato 54, 55, 57 … And God Created Woman, see Et Dieu créa Bardot, Brigitte 68, 107–8 la femme Barker, Raphael 204 Andersen, Gotha 32 Baron, Red 79 Anderson, Paul Thomas 153, 158 Barr, M. 145 Anderson, Paul W. S. 137 Barrington, Kristara 146, 151 Andrews, David 66, 72, 85, 122, 126, 127, 171 Barron, Bebe 109 Angel, Joanna 220, 221, 230, 232 Barron, Louis 109 Animal Collective 205, 207, 210, 211 Barthes, Roland 90, 100, 169 Antonioni, Michelangelo 83 bass (instrument) 26, 27, 41, 48, 63, 71, 75, Apatow, Judd 137 134, 208 Arab music 24 Bataille, Georges 83, 87 Argento, Dario 218 Báthory, Elizabeth 219 Armstrong, Neil 121 Batman (TV series) 41 Armstrong, S. 39, 46, 49 Batman Forever 137 Armstrong, Samuel 20 Bauer, Chris 164 Arnaldi, Stefano 63 Bava, Mario 107, 217 Arsan, Emmanuelle, see Marayat Rollet-Andriane Baxter, Les 106, 107, 121 Art School Sluts 232 Bazelon, Irwin 191, 195 arthouse films 6, 80, 84, 226 Beamish, Lindsay 204 Asian cinema 89, 90 Beatles, the 21 Index 235 ‘Beautiful’ 205, 210 Brasso, Tinto 120 Behind the Green Door 85, 113–14, 117 Brecht, Bertolt 118 Beneath the Valley of the Ultravixens 42 Bride of Frankenstein 114, 221 Benveniste, Michael 122, 127 Brigman, W. E. 170 Bergson, Henri 153 British Sound 123 Bergstrom, J. 154, 155 Brooks, Anthony, see Raymond Phelan Berkeley, Busby 143 Brooks, Mel 132, 133 Bernds, Edward 121 Brooks, Richard 159 Bernstein, Charles 111–12 Brophy, P. 67, 83 Bernstein, Elmer 104, 121 Brown, Clifford 167 Bertolucci, Bernardo 4, 54–65 Brusendorff, Ove 15, 16 Besieged 57, 62 brutality 219 ‘Best Of My Love’ 161 Buchanan, Larry 121 bestiality 20, 21, 22, 36 Buckalew, Bethel (aka Seymour Touchus) 106 Better Luck (album) 144 Buhler, J. 175 Beyond the Valley of the Dolls 46, 50, 51 Bukowski, Charles 217 Big Chill, The 171 burlesque films/music 5, 40, 105, 106, 120, 121 Billen, Andrew 36 BurningAngel.com: The Movie 231, 232 Bimbo Cheerleaders from Outer Space 126 Bush, George W. 225, 226 Bitch (poet/actor) 206, 209, 210 Butkus, Clarice 4 biwa 96 Buttgereit, Jörg 217 Black, Robert 231 Byrd, Thomas 10 Black Rebel Motorcycle Club 192 Byrne, David 60 Black Sabbath 138, 219 Black Throat 150 Cabaret 117, 118, 123 Black Widow 219 Café Flesh 117–19, 125 ‘Blackacidevil’ 222 Califia, Pat 87 Blacklode 126 Camison, Matt 71, 72 Blackouts, the 227 Campanile, Pasquale Festa 120 Blade Runner 102, 145 Campion, Jane 171 Blair Witch Project, The 137, 231 Candy Goes to Hollywood 154 Blondie 141, 155 Cannibal Corpse 230 Blood Red Throne 225 Canterbury, Stewart 129 ‘Blue Danube, The’ 31, 132 ‘Careful With That Axe, Eugene’ (aka ‘Murderistic Blue Lines (album) 131 Women’ and ‘Come In Number 51, Your Time ‘Blue Sofa’ 144, 151, 152 Is Up’) 81, 82, 83 bluegrass music 47 Carell, Andy 137 blues 131, 151 Carey, Lynn 49 ‘Blues In’ 169 Carlisle, Una Mae 208 Body Double 8 Carlos, Walter (aka Mister K.) 72 ‘Bolero’ (Ravel) 133 Carlton Cinema, Copenhagen 15 Bond, James 5, 14, 86, 106 Carmassi, Denny 119 Bond, Justin 205, 207, 209, 211, 231 Carpenter, John 228 Bone, John T. 126 Carrie Nations, the 48–9 Boogie Nights 154, 158–73 Carroll, Lewis 116 ‘Boogie Shoes’ 167 Carson, Shanti 206 Bordellet 12, 15, 16, 17, 29–33 Casablanca 3 Bordello, see Bordellet Castleman, William Allen 114 Bormann, Martin 44, 45 Cat Ballou 108 Bornoff, Nicholas 100 Cat on a Hot Tin Roof 159 Borodin, Alexander 31, 121 Cat-Women of the Moon 104 Bowles, Paul 60 Catholic League of Decency 122 ‘Boys Of Melody’ 205 Caton-Jones, Michael 137 Bradby, Barbara 155 celesta 121 ‘Brand New Key’ 162 censorship 13, 17, 69, 99, 107, 113, 115, Brando, Marlon 54 127, 159, 170 Brannan, Jay 207, 210 Centre de recherche sur l’espace sonore et Brasher, John 115 l’environnement urbain (Cresson) 3 brass instruments 41, 42, 44, 46, 47, 48, 55, ‘Champagne Galop’ (Lumbye) 23, 36 58, 109, 110, 131, 133, 161, 214 Chandon, Alex 219 236 Index Chant d’amour, Un 36 cunnilingus 79, 82, 90, 96, 118, 128, 150, Charlie’s Angels 137 208, 221 Chastagner, C. 147, 149 Cuny, Alain, 68 Chen, Joan 61 Curtiz, Michael 73 Cheung, Tequila 80 Cyborgasm 4 Chevalier, Maurice 32, 36, 37 Chibnal, S. 121 daiko drum 96 Chinese Mask, The 15, 16, 17, 19–20, 33, 34 Dalby, Liza 100 Chinese music 19, 20, 60, 61 D’Amato, Joe (aka Aristide Massaccesi) 219, 231 Chinn, Bob 113 Damiano, Gerard 85, 87, 114, 117, 136 Chion, Michel 2, 9, 67, 72, 73, 174, 199 Dammit, Tommy 220 Chopper 171 D’Andrea, Franco 55 Christine, Henri 37 Dandy Warhols, the 192 Cinderella (children’s story) 86, 116 Danforth, Jim 114 Cinderella 2000 116 Daniels, Stormy 132, 137, 138 Claim, The 64 Danzig, Glenn 222, 223 Clarida, Bob 6, 9, 10 Dargis, Manohla 204 Clary, Corinne 86 Dark, Gregory 140, 142, 144, 154, 232 Clash, the 155 Dark Brothers, the 140, 142, 150, 153 classical music 18, 21, 47, 60, 79, 89, 112, Dark Victory 56 205, 221 Davian, Joe 66, 67, 78–85, 217 Clean Breast: The Life and Loves of Russ Meyer, Davis, Bette 56 A (autobiography) 39 Davis, Julienne 181 Cleland, John 29 Dawn of the Dead 218, 228 Clifford, M. 78, 79, 82, 87 Dawn Of The Dead – Unreleased Soundtrack Clifton, Kevin 51 Music (album) 232 ‘Climb Every Mountain’ 138 Dawson, Paul 204 Clockwork Orange, A 10, 72 Day of the Dead 218 Cloonan, Martin 8, 10 Day the Earth Caught Fire, The 102 Clover, C. 148 de Berg, Jean 70 Clown Porn 51 de Lauretis, Teresa 194 ‘C’mon C’mon’ 192 de Mandiargues, André Pieyre 69–70 Cobb, Jodi 100 de Palma, Brian 8 Coe, Frank 106 de Sade, Marquis 81, 84 Coltrane, John 63 Dead World 219 ‘Come In Number 51, Your Time Is Up’, see Death 219 ‘Careful With That Axe, Eugene’ Death Metal Zombies 218 ‘Come With The Gentle People’ 49 ‘Debbie’ 195 comedy films 8, 29, 32, 33, 42–4, 132 DeBoy, PJ 204 Commodores, the 167 Decapitated 224, 225 Conformist, The 58, 62 Deep Throat 114, 117, 136 Conviene far bene l’amore 120 Deep Throat This series 222 Cook, J. R. 138 Deicide 224, 225 Cook, Todd Mason 218 Del Naja, Robert (‘3D’) 131–3, 134, 137 Corbett, John 3, 7 Del Rio, Vanessa 79, 82, 83, 84, 87 Cornelius, Henry 123 Delerue, Georges 58, 62 Costello, Elvis 119 ‘Den grimme dreng’ (‘The Naughty Boy’) 12 Countess Dracula 231 Denis, Kay 116 country and western music 89 Denny, Martin 105 Cox, Alex 154, 174–5 Deruddere, Dominique 217 Coyle, Rebecca 113 Dery, M. 145 Cradle of Filth 219, 231 Desperate Housewives (TV series) 73 Crazy Love 217 Det erotiske museum, see Museum Erotica, Crewe, Bob 110, 122 Copenhagen Crowded House 119 Det tossede paradis (‘Goat in Paradise’) 13, 36 Cruelty And The Beast (album) 219 Deutsch, S. 41 Cruise, Tom 174, 177, 178 Devil Girl from Mars 104, 110 Cruzados, the 154 Devil in Miss Jones, The 114, 117 Cugat, Xavier 218 Diary of the Dead 218 Cumming, Alan 183 Index 237 diegetic music/sound 2, 6, 32, 47, 58, 59, Erotic Witch Project film series 120, 128, 137 68, 73, 76, 79, 81, 92, 93–5, 96, 98, erotica (films) 1, 2, 5, 6, 7, 8, 12, 26, 29, 33, 99, 109, 110, 127, 128, 148, 160, 161, 34, 35, 38, 49, 67, 68, 69, 70, 114, 121 164, 167, 168, 169, 175, 181, 183, 184, Erotica 2000 16 192–3, 200, 205, 206, 207, 209, 210, Erotiske drømme (Ole Ege) 16 213, 214, 218, 228, 230 Escort (magazine) 16 Dillon, Dan 115 Esquivel, Juan Garcia 164 Dines, Gordon 231 Esturaku (‘Pleasures of the Flesh’) 100 Dirt Bombs, the 232 Et Dieu créa la femme 107–8 Dirty Sanchez 232 Eurythmics 108, 154 Disco volante, Il 120 Evans, Mark 4, 10, 35, 36, 171, 214 Disney, Walt 20 Event Horizon 137 Doane, Mary Anne 194, 195, 201 Exmortem 225 Doctor Who (TV series) 120, 135, 138 Exorcist, The 232 Dole, Bob 230, 231 extra-diegetic music/sound, see non-diegetic music/ Domination Blue 78, 82 sound Dominik, Andrew 171 Eyes Wide Shut 2, 174–89 ‘Don’t Kill The Star’ 228 Doublin, Anthony 231 Fairuz (singer) 23, 36 Douglas, Gordon 231 Falsetto, Mario 174 Dr.
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  • Diplomarbeit

    Diplomarbeit

    DIPLOMARBEIT Titel der Diplomarbeit Exploiting Exploitation Die Entwicklung des Exploitation-Genres und die Möglichkeit seiner weiblichen Aneignung Verfasserin Magdalena Eder angestrebter akademischer Grad Magistra der Philosophie (Maga.Phil.) Wien, im September 2010 Studienkennzahl lt. Studienblatt: A 317 Studienrichtung lt. Studienblatt: Thetaer-, Film- und Medienwissenschaft Betreuerin: Maga. Drin. Andrea B. Braidt, Mlitt 1 Einleitung..............................................................................................................6 1.1 Problemstellung und Zielsetzung..................................................................6 1.1.1 Vorgehensweise.....................................................................................10 2 Das Exploitationgenre.........................................................................................12 2.1 Einführung...................................................................................................12 2.2 60er und 70er: Filmhistorischer Hintergrund...........................................17 2.2.1 Produktion: Aus der Not eine Tugend.................................................21 2.2.2 Vermarktung: 'Gotta tell ´em to sell ´em'...........................................27 2.2.3 Darstellung: Frauen als Spektakel und Bedrohung...........................30 2.3 Space and Opportunity: Raum zur Aneignung..........................................39 2.3.1 A fine Line: Zwischen Kunst und Pornografie.....................................41 2.3.2 Sex durch Gewalt vs.