Earogenous Zones
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Masarykova Univerzita Filozofická Fakulta Ústav Filmu a Audiovizuální Kultury
Masarykova univerzita Filozofická fakulta Ústav filmu a audiovizuální kultury Bc. Jiří Kovanda (FAV, magisterské navazující prezenční studium) Od pirátského k legálnímu videotrhu. Transformace českého videotrhu v letech 1989 – 1993 (Magisterská diplomová práce) Vedoucí práce: PhDr. Jaromír Blažejovský, Ph.D. Brno 2014 Poděkování Na tomto místě bych velice rád poděkoval vedoucímu své práce PhDr. Jaromíru Blažejovskému, Ph.D., za poskytnuté cenné rady, nasměrování a vstřícný přístup v průběhu psaní, a neméně i za předávání svých zkušeností v průběhu celého mého studia prostřednictvím nadmíru inspirativních přednášek a seminářů. Dále děkuji Barboře Plškové za neocenitelnou pomoc při shromažďování podkladů a statistických videodistribučních dat. Mgr. Martině Veliké a Mgr. Janu Morkesovi děkuji za korektury a připomínky. Děkuji taktéž Michaelu Málkovi za poskytnutí osobních vzpomínek na události, které jsou předmětem této práce. Prohlašuji, že jsem pracoval samostatně a použil jen uvedených zdrojů. V Brně 14. prosince 2014 ..................................................... Jiří Kovanda 2 1. ÚVOD ...................................................................................................................................................... 5 1.1 PROČ ZKOUMAT VIDEODISTRIBUCI .................................................................................................................... 5 1.2 ČASOPROSTOROVÉ VYMEZENÍ ......................................................................................................................... -
Science Fiction Films of the 1950S Bonnie Noonan Louisiana State University and Agricultural and Mechanical College, [email protected]
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2003 "Science in skirts": representations of women in science in the "B" science fiction films of the 1950s Bonnie Noonan Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the English Language and Literature Commons Recommended Citation Noonan, Bonnie, ""Science in skirts": representations of women in science in the "B" science fiction films of the 1950s" (2003). LSU Doctoral Dissertations. 3653. https://digitalcommons.lsu.edu/gradschool_dissertations/3653 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. “SCIENCE IN SKIRTS”: REPRESENTATIONS OF WOMEN IN SCIENCE IN THE “B” SCIENCE FICTION FILMS OF THE 1950S A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of English By Bonnie Noonan B.G.S., University of New Orleans, 1984 M.A., University of New Orleans, 1991 May 2003 Copyright 2003 Bonnie Noonan All rights reserved ii This dissertation is “one small step” for my cousin Timm Madden iii Acknowledgements Thank you to my dissertation director Elsie Michie, who was as demanding as she was supportive. Thank you to my brilliant committee: Carl Freedman, John May, Gerilyn Tandberg, and Sharon Weltman. -
WHYTE's Movie Posters 31 May 2014 Results
, WHYTE S SINCE 1783 MOVIE POSTERS SATURDAY 31 MAY 2014 MOVIEA SinglePOST Owner CollectionERS SATURDAY 31 MAY 2014 VIEWING At our galleries 38 Molesworth Street, Dublin 2 Wednesday 28 May 10am to 5pm Thursday 29 May 10am to 7pm Friday 30 May 10am to 7pm Saturday 31 May 10am to 12 noon AUCTION Saturday 31 May at 12 noon The Freemasons Hall, 17 Molesworth Street, Dublin 2 ENQUIRIES Whyte's 38 Molesworth Street Dublin 2 Tel: 01 676 2888 Fax: 01 676 2880 E-mail: [email protected] BIDS Whyte's 38 Molesworth Street Dublin 2 Tel: 01 676 2888 Fax: 01 676 2880 E-mail: [email protected] Live bidding and on-line bids: www.whytes.ie Whyte’s Auction App WEBSITES now available for free download whytes.ie whytes.com Opposite: Ex lot 5, Gone With The Wind (detail) DESIGN: DES KIELY DESIGN PHOTOGRAPHY: GILLIAN BUCKLEY PRINTING: BRUNSWICK PRESS LTD. , © COPYRIGHT 2014 WHYTE AND SONS AUCTIONEERS LTD. WHYTE S ALL RIGHTS RESERVED SINCE 1783 TERMS AND CONDITIONS OF SALE NOTICE Whyte & Sons Auctioneers Limited, trading as Whyte’s, exercises all (c) If any lot sold at this auction is subsequently proved to be a reasonable care to ensure that all descriptions are reliable and accurate, “deliberate forgery”, Whyte’s will cancel the sale and refund to the buyer and that each item is genuine unless the contrary is indicated. However, the total amount paid by the buyer for the item, in the currency of the the descriptions are not intended to be, are not and are not to be taken original sale. -
Scriptedpifc-01 Banijay Aprmay20.Indd 2 10/03/2020 16:54 Banijay Rights Presents… Bäckström the Hunt for a Killer We Got This Thin Ice
Insight on screen TBIvision.com | April/May 2020 Television e Interview Virtual thinking The Crown's Andy Online rights Business Harries on what's companies eye next for drama digital disruption TBI International Page 10 Page 12 pOFC TBI AprMay20.indd 1 20/03/2020 20:25 Banijay Rights presents… Bäckström The Hunt For A Killer We Got This Thin Ice Crime drama series based on the books by Leif GW Persson Based on a true story, a team of police officers set out to solve a How hard can it be to solve the world’s Suspense thriller dramatising the burning issues of following the rebellious murder detective Evert Bäckström. sadistic murder case that had remained unsolved for 16 years. most infamous unsolved murder case? climate change, geo-politics and Arctic exploitation. Bang The Gulf GR5: Into The Wilderness Rebecka Martinsson When a young woman vanishes without a trace In a brand new second season, a serial killer targets Set on New Zealand’s Waiheke Island, Detective Jess Savage hiking the famous GR5 trail, her friends set out to Return of the riveting crime thriller based on a group of men connected to a historic sexual assault. investigates cases while battling her own inner demons. solve the mystery of her disappearance. the best-selling novels by Asa Larsson. banijayrights.com ScriptedpIFC-01 Banijay AprMay20.indd 2 10/03/2020 16:54 Banijay Rights presents… Bäckström The Hunt For A Killer We Got This Thin Ice Crime drama series based on the books by Leif GW Persson Based on a true story, a team of police officers set out to solve a How hard can it be to solve the world’s Suspense thriller dramatising the burning issues of following the rebellious murder detective Evert Bäckström. -
X49.5 Listmania
XXeennoollii((ss))tt 4499..55 Bill Bowers 4651 Glenway Avenue Cincinnati OH 45238-4503 <[email protected]> --- published in a Vast Variety of Formats, mostly electronic, Publication Date: 07/28/03 This is My Publication #223 Copyright © 2003 by Bill Bowers <-> <-> <-> <-> <-> <-> <-> <-> <-> <-> <-> <-> <-> <-> <-> <-> <-> <-> <-> <-> <-> What Has Gone Before… <-> <-> <-> <-> <-> <-> <-> <-> <-> <-> <-> <-> <-> <-> <-> <-> <-> <-> <-> <-> <-> 4 conventions attended "LISTmania" [Outworlds 39 * 7/10/84] 4 fanzines published 1982 : 43 films viewed 1994 : 18 films viewed 1983 : 139 104 books read 1984 : (first half) 112 4 conventions attended "LISTmania Strikes Back" 1995 : 106 films viewed [Outworlds 43 * 01/24/85] 67 books read 3 conventions attended 1984 : (second half) 113 - 216 "LISTmania: - Release.96 - " "The Revenge of LISTmania" [Xenolith 39 * 3/1/97] [Outworlds 55 * 03/25/88] 138 films viewed 1985 : 160 51 books read 1986 : 177 3 conventions attended 1987 : 163 3 fanzines published "Again, LISTmania" "ListMania-ania '97" [Outworlds 60 * 04/16/91] [Outworlds 69 * 5/5/98] 1988 : 124 28 films viewed 1989 : 69 48 books read 1990 : 104 (w/o a month + gap) 3 conventions attended 5 fanzines published "LISTmania: The 1991 Spreadsheet" [Outworlds 63 * 10/18/92] "LISTmania | 1998 thru 2001" [also in: flaf ¢ 5 * 7/27/92 [Xenolith 47 * 04/15/2002] & Outworlds 66 * 5/18/93] 1998 : 46 books read 35 films viewed 15 films viewed 48 books read 2 conventions attended 7 conventions attended 5 fanzines published 9 fanzines published 1999 : 10 books -
Production Perspectives of Heavy Metal Record Producers
This article has been accepted for publication in a revised form by Popular Music and end- users may view and download the material for private research and study only. Production Perspectives of Heavy Metal Record Producers Dr Niall Thomas University of Winchester Dr Andrew King University of Hull Abstract The study of the recorded artefact from a musicological perspective continues to unfold through contemporary research. Whilst an understanding of the scientific elements of recorded sound is well documented the exploration of the artistic nature of this endeavour from a production viewpoint is still developing. This study presents an understanding of the phenomenological aspects of Heavy Metal music from the perspective of seven renowned producers working within this genre. Through a series of interviews and subsequent in-depth analysis particular sonic qualities are identified as key within the production of this work: impact; energy; precision; and extremity. A framework is then put forward for understanding sonic elements of recorded Heavy Metal Music. Keywords: recording; Heavy Metal; production; producers; phenomenology Introduction The twenty-first century provides a rich source of creative opportunity through digital technology for practicing musicians to record music. The affordances of the digital revolution have subsequently changed the opportunities for those involved in the creation of such works. Technology enables those who could be described as amateur music makers the opportunity to record music with relative ease. The democratisation of technology has meant that mobile devices can become pocket sized recording studios (Leyshon, 2009), whilst affordable solutions and emulations of previously prohibitively expensive computing and recording technology are readily available via the Internet. -
Bodies of Desire and Bodies in Distress
Bodies of Desire and Bodies in Distress Bodies of Desire and Bodies in Distress: The Golden Age of Italian Cult Cinema 1970-1985 By Xavier Mendik Bodies of Desire and Bodies in Distress: The Golden Age of Italian Cult Cinema 1970-1985, By Xavier Mendik This book first published 2015 Cambridge Scholars Publishing 12 Back Chapman Street, Newcastle upon Tyne, NE6 2XX, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2015 by Xavier Mendik All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-5954-0, ISBN (13): 978-1-4438-5954-7 This book is dedicated with much love to Caroline and Zena CONTENTS Acknowledgements .................................................................................... ix Foreword ................................................................................................... xii Enzo G. Castellari Introduction ................................................................................................ 1 Bodies of Desire and Bodies of Distress beyond the ‘Argento Effect’ Chapter One .............................................................................................. 21 “There is Something Wrong with that Scene”: The Return of the Repressed in 1970s Giallo Cinema Chapter Two ............................................................................................ -
2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS
2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS BEST FIRST SCREENPLAY 2012 NOMINEES (Winners in bold) *Will Reiser 50/50 BEST FEATURE (Award given to the producer(s)) Mike Cahill & Brit Marling Another Earth *The Artist Thomas Langmann J.C. Chandor Margin Call 50/50 Evan Goldberg, Ben Karlin, Seth Rogen Patrick DeWitt Terri Beginners Miranda de Pencier, Lars Knudsen, Phil Johnston Cedar Rapids Leslie Urdang, Dean Vanech, Jay Van Hoy Drive Michel Litvak, John Palermo, BEST FEMALE LEAD Marc Platt, Gigi Pritzker, Adam Siegel *Michelle Williams My Week with Marilyn Take Shelter Tyler Davidson, Sophia Lin Lauren Ambrose Think of Me The Descendants Jim Burke, Alexander Payne, Jim Taylor Rachael Harris Natural Selection Adepero Oduye Pariah BEST FIRST FEATURE (Award given to the director and producer) Elizabeth Olsen Martha Marcy May Marlene *Margin Call Director: J.C. Chandor Producers: Robert Ogden Barnum, BEST MALE LEAD Michael Benaroya, Neal Dodson, Joe Jenckes, Corey Moosa, Zachary Quinto *Jean Dujardin The Artist Another Earth Director: Mike Cahill Demián Bichir A Better Life Producers: Mike Cahill, Hunter Gray, Brit Marling, Ryan Gosling Drive Nicholas Shumaker Woody Harrelson Rampart In The Family Director: Patrick Wang Michael Shannon Take Shelter Producers: Robert Tonino, Andrew van den Houten, Patrick Wang BEST SUPPORTING FEMALE Martha Marcy May Marlene Director: Sean Durkin Producers: Antonio Campos, Patrick Cunningham, *Shailene Woodley The Descendants Chris Maybach, Josh Mond Jessica Chastain Take Shelter -
Production Perspectives of Heavy Metal Record Producers Abstract
Production Perspectives of Heavy Metal Record Producers Dr Niall Thomas University of Winchester – [email protected] Dr Andrew King University of Hull – [email protected] Abstract The study of the recorded artefact from a musicological perspective continues to unfold through contemporary research. Whilst an understanding of the scientific elements of recorded sound is well documented the exploration of the production and the artistic nature of this endeavour is still developing. This article explores phenomenological aspects of producing Heavy Metal music from the perspective of seven renowned producers working within the genre. Through a series of interviews and subsequent in-depth analysis particular sonic qualities are identified as key within the production of this work: impact; energy; precision; and extremity. A conceptual framework is then put forward for understanding the production methodology of recorded Heavy Metal Music, and, how developing technology has influenced the production of the genre. Keywords: recording; Heavy Metal; production; producers; phenomenology Introduction The affordances of digital technology have significantly changed the opportunities for practicing musicians to record music. Technology enables even amateur music makers the opportunity to record music with relative ease. The democratisation of technology has meant that mobile devices can become pocket sized recording studios (Leyshon, 2009), whilst affordable solutions and emulations of prohibitively expensive computing and recording technology are readily available via the Internet. The technology associated with certain aspects of music making is now more widespread and enables a new sense of creative musical freedom; music producers command a limitless array of technological choices. Despite the benefits of the ever-increasing rate of technological development, the recording industry is changing dramatically, and with it, the production perspectives of record producers. -
Smart Cinema As Trans-Generic Mode: a Study of Industrial Transgression and Assimilation 1990-2005
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by DCU Online Research Access Service Smart cinema as trans-generic mode: a study of industrial transgression and assimilation 1990-2005 Laura Canning B.A., M.A. (Hons) This thesis is submitted to Dublin City University for the award of Ph.D in the Faculty of Humanities and Social Sciences. November 2013 School of Communications Supervisor: Dr. Pat Brereton 1 I hereby certify that that this material, which I now submit for assessment on the programme of study leading to the award of Ph.D is entirely my own work, and that I have exercised reasonable care to ensure that the work is original, and does not to the best of my knowledge breach any law of copyright, and has not been taken from the work of others save and to the extent that such work has been cited and acknowledged within the text of my work. Signed:_________________________________ (Candidate) ID No.: 58118276 Date: ________________ 2 Table of Contents Chapter One: Introduction p.6 Chapter Two: Literature Review p.27 Chapter Three: The industrial history of Smart cinema p.53 Chapter Four: Smart cinema, the auteur as commodity, and cult film p.82 Chapter Five: The Smart film, prestige, and ‘indie’ culture p.105 Chapter Six: Smart cinema and industrial categorisations p.137 Chapter Seven: ‘Double Coding’ and the Smart canon p.159 Chapter Eight: Smart inside and outside the system – two case studies p.210 Chapter Nine: Conclusions p.236 References and Bibliography p.259 3 Abstract Following from Sconce’s “Irony, nihilism, and the new American ‘smart’ film”, describing an American school of filmmaking that “survives (and at times thrives) at the symbolic and material intersection of ‘Hollywood’, the ‘indie’ scene and the vestiges of what cinephiles used to call ‘art films’” (Sconce, 2002, 351), I seek to link industrial and textual studies in order to explore Smart cinema as a transgeneric mode. -
Single Picks of the Week
record Dedicated To Servira The Needs O/ The Mruic & Retord Industry 0 CD >- 0 Vol. 22, No. 1073 December 30, 1967 u)JC JQ1 cl'SiG In the opinion of the Culturs, mis week the following records are the SINGLE PICKS OF THE WEEK etc ror WITHOUT LOVE (Thom Is Ronde OSCAR TONEY JR. aMs'm Ìl\ Spanky and Our Gang have Humorous, biting ditty Oscar Toney Jr. details the a cleverly - written (by about the superficial power deep meaning of love on Margo Guryan) jazz-rock of "Money" (Faithful Virtue, this new gospel - tinged song called "Sunday Morn - BMI) by John Sebastian will "Without Love (There is in' " (Blackwood, BMI) kids make bundles and pots of Nothing)" (Progressive -Suf- will love (Mercury 72765). the green stuff (Kama Sutra folk, BMI) (Bell 699). 241). The Cream could catch on Neil Diamond travels down Jean-Paul Vignon paints the way they deserve with to "New Orleans" (Rock pretty portrait of adoles- this beat, beat "Sunshine Masters, BMI) on this new cent girl on moody "Good - of Your Love" (Dratleaf, track and should cause bye, G o o d b y e, Colette" BMI). From their album, party -giving teens great re- (Bikini, ASCAP) for his im- "Disrael Gears" (Atco joicing (Bang 554). pressive Philips bow 6544). (40502). CALBUM PICKS OF THE WEEK "Al Hirt Plays Bert Kaemp- "Fowl Play," the new al- Kenny O'Dell, clicking with fert" delivers just what bum from Julius Wechter his "Beautiful People" 4,42 4e4tGrin 01,- the title promises-a col- and the Baja Marimba single, makes a likeable lection of sleekly played Band, will get lots of play. -
Diplomarbeit
DIPLOMARBEIT Titel der Diplomarbeit Exploiting Exploitation Die Entwicklung des Exploitation-Genres und die Möglichkeit seiner weiblichen Aneignung Verfasserin Magdalena Eder angestrebter akademischer Grad Magistra der Philosophie (Maga.Phil.) Wien, im September 2010 Studienkennzahl lt. Studienblatt: A 317 Studienrichtung lt. Studienblatt: Thetaer-, Film- und Medienwissenschaft Betreuerin: Maga. Drin. Andrea B. Braidt, Mlitt 1 Einleitung..............................................................................................................6 1.1 Problemstellung und Zielsetzung..................................................................6 1.1.1 Vorgehensweise.....................................................................................10 2 Das Exploitationgenre.........................................................................................12 2.1 Einführung...................................................................................................12 2.2 60er und 70er: Filmhistorischer Hintergrund...........................................17 2.2.1 Produktion: Aus der Not eine Tugend.................................................21 2.2.2 Vermarktung: 'Gotta tell ´em to sell ´em'...........................................27 2.2.3 Darstellung: Frauen als Spektakel und Bedrohung...........................30 2.3 Space and Opportunity: Raum zur Aneignung..........................................39 2.3.1 A fine Line: Zwischen Kunst und Pornografie.....................................41 2.3.2 Sex durch Gewalt vs.