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Lab Assignment 1
CS181: Programming Languages Vladimir Vacic, Christos Koufogiannakis University of California, Riverside Lab Assignment 1 1. Given the following graph of possible flights between seven US cities: (graph taken from the web site of the American Mathematical Society, http://www.ams.org) a) Write a Prolog program that would check if there is a route from Fresno to Dallas, from Seattle to Boston, and from Atlanta to Fresno. b) Write a C program that does the same thing. Note: you have to write complete, working programs, run them and show the results. As far as C goes, the choice of data structure to store the relations between cities is yours. Warning: if there are cycles in the graph, Prolog might never find a solution and may never say that there are no solutions. If this happens in your assignment, make a note of that. 2. Given the partial family tree of the gods of the ancient Greeks encoded as a Prolog database: parent(chaos, gaea). parent(gaea, cyclope). parent(gaea, chronos). parent(gaea, coeus). parent(gaea, oceanus). parent(uranus, cyclope). parent(uranus, chronos). parent(uranus, coeus). parent(uranus, oceanus). parent(chronos, hades). parent(chronos, poseidon). parent(chronos, zeus). parent(rhea, hades). parent(rhea, poseidon). parent(rhea, zeus). parent(coeus, leto). parent(phoebe, leto). parent(leto, apollo). parent(leto, artemis). parent(zeus, apollo). parent(zeus, artemis). parent(oceanus, iapetus). parent(tethys, iapetus). parent(hera, ares). parent(zeus, ares). male(chaos). male(cyclope). male(uranus). male(chronos). male(coeus). male(oceanus). male(hades). male(poseidon). male(zeus). male(ares). male(apollo). male(iapetus). -
The Children of Earth and Starry Heaven: The
Bryn Mawr College Scholarship, Research, and Creative Work at Bryn Mawr College Greek, Latin, and Classical Studies Faculty Research Greek, Latin, and Classical Studies and Scholarship 2010 The hiC ldren of Earth and Starry Heaven: The Meaning and Function of the Formula in the 'Orphic' Gold Tablets Radcliffe .G Edmonds III Bryn Mawr College, [email protected] Let us know how access to this document benefits ouy . Follow this and additional works at: http://repository.brynmawr.edu/classics_pubs Part of the Classics Commons, and the Religion Commons Custom Citation R. G. Edmonds III, “The hiC ldren of Earth and Starry Heaven: The eM aning and Function of the Formula in the 'Orphic' Gold Tablets,” in Orfeo y el orfismo: nuevas perspectivas, Alberto Bernabé, Francesc Casadesús y Marco Antonio Santamaría (eds.), Alicante : Biblioteca Virtual Miguel de Cervantes (2010), pp. 98-121. This paper is posted at Scholarship, Research, and Creative Work at Bryn Mawr College. http://repository.brynmawr.edu/classics_pubs/98 For more information, please contact [email protected]. 4 THE CHILDREN OF EARTH AND STARRY HEAVEN: THE MEANING AND FUNCTION OF THE FORMULA IN THE ʹORPHICʹ GOLD TABLETS Radcliffe G. Edmonds III Bryn Mawr University The most striking aspect of the tiny gold tablets often known as the Orphic gold leaves is undoubtedly the enigmatic declaration: ʺI am the child of Earth and starry Heavenʺ. All of the tablets which, following Zuntzʹs classification, have been labelled B tablets, contain this mysterious formula, whether the scenario of the deceasedʹs journey through the underworld is described in greater or lesser detail1. The statement captures the imagination with its imagery and its simplicity, but also with its mysterious nature. -
Zeus in the Greek Mysteries) and Was Thought of As the Personification of Cyclic Law, the Causal Power of Expansion, and the Angel of Miracles
Ζεύς The Angel of Cycles and Solutions will help us get back on track. In the old schools this angel was known as Jupiter (Zeus in the Greek Mysteries) and was thought of as the personification of cyclic law, the Causal Power of expansion, and the angel of miracles. Price, John Randolph (2010-11-24). Angels Within Us: A Spiritual Guide to the Twenty-Two Angels That Govern Our Everyday Lives (p. 151). Random House Publishing Group. Kindle Edition. Zeus 1 Zeus For other uses, see Zeus (disambiguation). Zeus God of the sky, lightning, thunder, law, order, justice [1] The Jupiter de Smyrne, discovered in Smyrna in 1680 Abode Mount Olympus Symbol Thunderbolt, eagle, bull, and oak Consort Hera and various others Parents Cronus and Rhea Siblings Hestia, Hades, Hera, Poseidon, Demeter Children Aeacus, Ares, Athena, Apollo, Artemis, Aphrodite, Dardanus, Dionysus, Hebe, Hermes, Heracles, Helen of Troy, Hephaestus, Perseus, Minos, the Muses, the Graces [2] Roman equivalent Jupiter Zeus (Ancient Greek: Ζεύς, Zeús; Modern Greek: Δίας, Días; English pronunciation /ˈzjuːs/[3] or /ˈzuːs/) is the "Father of Gods and men" (πατὴρ ἀνδρῶν τε θεῶν τε, patḕr andrōn te theōn te)[4] who rules the Olympians of Mount Olympus as a father rules the family according to the ancient Greek religion. He is the god of sky and thunder in Greek mythology. Zeus is etymologically cognate with and, under Hellenic influence, became particularly closely identified with Roman Jupiter. Zeus is the child of Cronus and Rhea, and the youngest of his siblings. In most traditions he is married to Hera, although, at the oracle of Dodona, his consort is Dione: according to the Iliad, he is the father of Aphrodite by Dione.[5] He is known for his erotic escapades. -
The Project Gutenberg Ebook of Bulfinch's Mythology: the Age of Fable, by Thomas Bulfinch
The Project Gutenberg EBook of Bulfinch's Mythology: The Age of Fable, by Thomas Bulfinch This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: Bulfinch's Mythology: The Age of Fable Author: Thomas Bulfinch Posting Date: February 4, 2012 [EBook #3327] Release Date: July 2002 First Posted: April 2, 2001 Language: English Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK BULFINCH'S MYTHOLOGY: AGE OF FABLE *** Produced by an anonymous Project Gutenberg volunteer. BULFINCH'S MYTHOLOGY THE AGE OF FABLE Revised by Rev. E. E. Hale CONTENTS Chapter I Origin of Greeks and Romans. The Aryan Family. The Divinities of these Nations. Character of the Romans. Greek notion of the World. Dawn, Sun, and Moon. Jupiter and the gods of Olympus. Foreign gods. Latin Names.-- Saturn or Kronos. Titans. Juno, Vulcan, Mars, Phoebus-Apollo, Venus, Cupid, Minerva, Mercury, Ceres, Bacchus. The Muses. The Graces. The Fates. The Furies. Pan. The Satyrs. Momus. Plutus. Roman gods. Chapter II Roman Idea of Creation. Golden Age. Milky Way. Parnassus. The Deluge. Deucalion and Pyrrha. Pandora. Prometheus. Apollo and Daphne. Pyramus and Thisbe. Davy's Safety Lamp. Cephalus and Procris Chapter III Juno. Syrinx, or Pandean Pipes. Argus's Eyes. Io. Callisto Constellations of Great and Little Bear. Pole-star. Diana. Actaeon. Latona. Rustics turned to Frogs. Isle of Delos. Phaeton. -
A Dictionary of Mythology —
Ex-libris Ernest Rudge 22500629148 CASSELL’S POCKET REFERENCE LIBRARY A Dictionary of Mythology — Cassell’s Pocket Reference Library The first Six Volumes are : English Dictionary Poetical Quotations Proverbs and Maxims Dictionary of Mythology Gazetteer of the British Isles The Pocket Doctor Others are in active preparation In two Bindings—Cloth and Leather A DICTIONARY MYTHOLOGYOF BEING A CONCISE GUIDE TO THE MYTHS OF GREECE AND ROME, BABYLONIA, EGYPT, AMERICA, SCANDINAVIA, & GREAT BRITAIN BY LEWIS SPENCE, M.A. Author of “ The Mythologies of Ancient Mexico and Peru,” etc. i CASSELL AND COMPANY, LTD. London, New York, Toronto and Melbourne 1910 ca') zz-^y . a k. WELLCOME INS77Tint \ LIBRARY Coll. W^iMOmeo Coll. No. _Zv_^ _ii ALL RIGHTS RESERVED INTRODUCTION Our grandfathers regarded the study of mythology as a necessary adjunct to a polite education, without a knowledge of which neither the classical nor the more modem poets could be read with understanding. But it is now recognised that upon mythology and folklore rests the basis of the new science of Comparative Religion. The evolution of religion from mythology has now been made plain. It is a law of evolution that, though the parent types which precede certain forms are doomed to perish, they yet bequeath to their descendants certain of their characteristics ; and although mythology has perished (in the civilised world, at least), it has left an indelible stamp not only upon modem religions, but also upon local and national custom. The work of Fruger, Lang, Immerwahr, and others has revolutionised mythology, and has evolved from the unexplained mass of tales of forty years ago a definite and systematic science. -
Read Book Fate
FATE PDF, EPUB, EBOOK Jennifer Lynn Barnes | 355 pages | 10 Mar 2009 | Bantam Doubleday Dell Publishing Group Inc | 9780385735377 | English | New York, United States Moirai - Wikipedia Pausanias mentions an ancient role of Eileythia as "the clever spinner", relating her with destiny too. The Moirai assigned to the terrible chthonic goddesses Erinyes who inflicted the punishment for evil deeds their proper functions, and with them directed fate according to necessity. As goddesses of death they appeared together with the daemons of death Keres and the infernal Erinyes. In earlier times they were represented as only a few—perhaps only one—individual goddess. Homer's Iliad xxiv. In the Odyssey vii. At Delphi, only the Fates of Birth and Death were revered. Some Greek mythographers went so far as to claim that the Moirai were the daughters of Zeus —paired with Themis "fundament" , as Hesiod had it in one passage. Whether or not providing a father even for the Moirai was a symptom of how far Greek mythographers were willing to go, in order to modify the old myths to suit the patrilineal Olympic order, [56] the claim of a paternity was certainly not acceptable to Aeschylus , Herodotus , or Plato. Despite their forbidding reputation, the Moirai could be placated as goddesses. Brides in Athens offered them locks of hair, and women swore by them. They may have originated as birth goddesses and only later acquired their reputation as the agents of destiny. According to the mythographer Apollodorus , in the Gigantomachy , the war between the Giants and Olympians, the Moirai killed the Giants Agrios and Thoon with their bronze clubs. -
The Classical Mythology of Milton's English Poems
YALE STUDIES IN ENGLISH ALBERT S. COOK, Editor VIII THE CLASSICAL MYTHOLOGY OF Milton's English poems CHARLES GROSVENOR OSGOOD, Ph.D. NEW YORK HENRY HOLT AND COMPANY igoo Ss9a Copyright, igoo, BY CHARLES GROSVENOR OSGOOD, Ph.D. J^ 7/SS TO PROFESSQR ALBERT S. COOK AND PROFESSOR THOMAS D. SEYMOUR — PREFACE The student who diligently peruses the lines of a great poem may go far toward a realization of its char- acter. He may appreciate, in a degree, its loveliness, strength, and direct hold upon the catholic truth of life. But he will be more sensitive to these appeals, and receive gifts that are richer and less perishable, accord- ing as he comprehends the forces by whose interaction the poem was produced. These are of two kinds the innate forces of the poet's character, and certain more external forces, such as, in the case of Milton, are represented by Hellenism and Hebraism. Their activ- ity is greatest where they meet and touch, and at this point their nature and measure are most easily dis- cerned. From a contemplation of the poem in its gene- sis one returns to a deeper understanding and enjoyment of it as a completed whole. The present study, though it deals with but one of the important cultural influ- ences affecting Milton, and with it but in part, endeav- ors by this method to deepen and clarify the apprecia- tion of his art and teaching. My interest in the present work has found support and encouragement in the opinions of Mr. Churton Collins, as expressed in his valuable book. -
Deviant Origins: Hesiodic Theogony and the Orphica Radcliffe .G Edmonds III Bryn Mawr College, [email protected]
Bryn Mawr College Scholarship, Research, and Creative Work at Bryn Mawr College Greek, Latin, and Classical Studies Faculty Research Greek, Latin, and Classical Studies and Scholarship 2018 Deviant Origins: Hesiodic Theogony and the Orphica Radcliffe .G Edmonds III Bryn Mawr College, [email protected] Let us know how access to this document benefits ouy . Follow this and additional works at: https://repository.brynmawr.edu/classics_pubs Part of the Classics Commons Custom Citation Edmonds, Radcliffe .G 2018. "Deviant Origins: Hesiodic Theogony and the Orphica." In In Oxford Handbook of Hesiod, edited by A. Loney & S. Scully, 225-242. New York/Oxford: Oxford University Press. This paper is posted at Scholarship, Research, and Creative Work at Bryn Mawr College. https://repository.brynmawr.edu/classics_pubs/125 For more information, please contact [email protected]. Deviant Origins: Hesiod’s Theogony and the Orphica Oxford Handbooks Online Deviant Origins: Hesiod’s Theogony and the Orphica Radcliffe G. Edmonds III The Oxford Handbook of Hesiod Edited by Alexander C. Loney and Stephen Scully Print Publication Date: Sep 2018 Subject: Classical Studies, Classical Poetry, Classical Religions and Mythologies Online Publication Date: Aug 2018 DOI: 10.1093/oxfordhb/9780190209032.013.43 Abstract and Keywords Hesiod’s Theogony provides one of the most widely authoritative accounts of the origin of the cosmos, but his account has always been challenged by rivals claiming to be older, wiser, and better, and the name of Orpheus has always been privileged in the evidence for ancient rivals to Hesiod. The Orphic accounts play their variations on the Hesiodic themes, riffing in different ways on the idea of the ultimate origin of the cosmos; the processes of reproduction by which subsequent entities were generated; the conflicts between these divinities that created the changes from the original state to the current one; the way in which humans entered the story; and the final resolution of the conflicts and changes that created the current, normal order of Zeus. -
Pan's Labyrinth
Southey, 2016 Pan’s Labyrinth: A Critical Analysis by Safia Southey Table of Contents: Eyes and Obedience………………………………………………………….…….… 2 Stories, Fantasy and Reality……………………………………………………….…. 8 Hamlet Connections…………………………………………………………..……….14 Cinematography and Sound…………………………………………………….……..19 Good vs. Evil……………………………………………………………….……….…26 Folklore and Religion………………………………………………………….….…...31 Time………………………………………………………………………….…….…..41 Femininity…………………………………………………………………….…….….45 Appendix…………………………………………………………………….…….…...51 Works Cited……………………………………………………………………..….….79 1 Southey, 2016 Eyes and Obedience Guillermo del Toro’s Pan’s Labyrinth is an exploration into the life of a young girl, Ofelia. Ripped from her home and forced into the world of her stepfather, Captain Vidal and the Spanish Civil War, she hides herself away in her books and fairytales. When she is told by a Faun that she is the Princess of the Underworld, she immediately leaps at the chance to prove that she’s not mortal in order to distract herself from the patriarchal and violent world around her. Every character in the film must decide what part they play in her story, whether they will obey their superiors or create their own path, whether they will see beyond their instructions or blindly follow orders. Symbolism of eyes and sight appear everywhere, posing as a theme to guide the audience through the story and raise questions about what it really means to see. In Pan’s Labyrinth, only those who are able to open their eyes and not blind themselves with rage and make decisions beyond what they are expressly instructed to do are able to succeed. The film begins with a fantastical story about a Princess who lives in the Underworld realm who dreams of joining the human world. -
Constellation Legends
Constellation Legends by Norm McCarter Naturalist and Astronomy Intern SCICON Andromeda – The Chained Lady Cassiopeia, Andromeda’s mother, boasted that she was the most beautiful woman in the world, even more beautiful than the gods. Poseidon, the brother of Zeus and the god of the seas, took great offense at this statement, for he had created the most beautiful beings ever in the form of his sea nymphs. In his anger, he created a great sea monster, Cetus (pictured as a whale) to ravage the seas and sea coast. Since Cassiopeia would not recant her claim of beauty, it was decreed that she must sacrifice her only daughter, the beautiful Andromeda, to this sea monster. So Andromeda was chained to a large rock projecting out into the sea and was left there to await the arrival of the great sea monster Cetus. As Cetus approached Andromeda, Perseus arrived (some say on the winged sandals given to him by Hermes). He had just killed the gorgon Medusa and was carrying her severed head in a special bag. When Perseus saw the beautiful maiden in distress, like a true champion he went to her aid. Facing the terrible sea monster, he drew the head of Medusa from the bag and held it so that the sea monster would see it. Immediately, the sea monster turned to stone. Perseus then freed the beautiful Andromeda and, claiming her as his bride, took her home with him as his queen to rule. Aquarius – The Water Bearer The name most often associated with the constellation Aquarius is that of Ganymede, son of Tros, King of Troy. -
Copper Pollution in Lesser Caucasus at the Origin of the Greatest History
EDDA How H2a1 MtDNA Lineages in Lesser Caucasus have recorded and transmitted the most ancient and longest lasting Human Testimony, describing the Transition between Neolithic and Eneolithic on the Kura-Araxes Rivers, the Rise of R1a Y- Chromosome lineages who triggered a Military pendular Migration in Eurasia and the founding Events of the Achaemenid Empire Marc-Olivier Rondu To Gloria, my grandmother, the little shepherdess of Pandoses who drove the cattle in the mountain Cover Picture: Noble Woman from Shushi, early 20th century Legal deposit: July 2017 Copyright © 2017 Marc-Olivier Rondu all rights reserved 2 The modern phylogeography of H2a1 MtDNA questioned us about the origin of the haplogroup and why it has spread worldwide in a star like shape pattern whose symmetric centre is located in Lesser Caucasus. Our research led us back to the Lesser Caucasus during Holocene where the obsidian and riches mining resources attracted foreign populations who settled among Hunter Gatherers in a narrow band of highlands. While the use of obsidian continued locally, metallurgy and trade at long distance dominated the global stakes, transforming the highlands formerly dominated by Farmers and Hunter Gatherers into a cosmopolitan hub of exchange. Pressure and competition between representatives of foreign communities who managed the providing of precious resources increased the social impact of ‘genetic incidents’ which occurred in a single brotherhood born from a ruling couple represented today by the young male found in the Areni-1 Bird’s Eye Cave (L1a/ H2a1 MtDNA). Thanks to ancient sources and ancient DNA, we demonstrate in that paper that recurrent metal pollution (copper) is suspected to be responsible of a Oculocutaneous Albinism in a brotherhood born in ruling family from the southern Lesser Caucasus. -
The Punishment of Atlas
The Myth of Tantalus (from Wikipedia.org) In mythology, Tantalus became one of the inhabitants of Tartarus, the deepest portion of the Underworld, reserved for the punishment of evildoers; there Odysseus saw him. Tantalus was initially known for having been welcomed to Zeus’ table in Olympus. There he is said to have misbehaved and stolen ambrosia and nectar to bring it back to his people, and revealed the secrets of the gods. Most famously, Tantalus offered up his son, Pelops, as sacrifice. He cut Pelops up, boiled him, and served him up in a banquet for the gods. The gods became aware of the gruesome nature of the menu, so they didn’t touch the offering; only Demeter, distraught by the loss of her daughter, Persephone, absentmindedly ate part of the boy’s shoulder. Clotho, one of the three Fates, ordered by Zeus, brought the boy to life again (she collected the parts of the body and boiled them in a sacred cauldron), rebuilding his shoulder with one wrought of ivory made by Hephaestus and presented by Demeter. The revived Pelops grew to be an extraordinarily handsome youth. The god Poseidon took him to Mount Olympus to teach him to use chariots. Later, Zeus threw Pelops out of Olympus due to his anger at Tantalus. The Greeks of classical times claimed to be horrified by Tantalus’s doings; cannibalism, human sacrifice and infanticide were atrocities and taboo. Tantalus’s punishment for his act, now a proverbial term for temptation without satisfaction (the source of the English word “tantalize”), was to stand in a pool of water beneath a fruit tree with low branches.