The Learned Gardeners of the Botanical Gardens of the University of Tartu and Their Activities (1803–1918)
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Ruínas E Urubus: História Da Ornitologia No Paraná. Período De Natterer, 1 (1820 a 1834) ; Por Fernando C
Hori Cadernos Técnicos 5 RUÍNAS E URUBUS: HISTÓRIA DA ORNITOLOGIA NO PARANÁ PERÍODO DE NATTERER, 1 (1820 a 1834) 1a Edição Fernando C. Straube Hori Consultoria Ambiental Curitiba, Paraná, Brasil Setembro de 2012 © URBEN-FILHO & STRAUBE CONSULTORES S/S LTDA. Ficha catalográfica preparada por DIONE SERIPIERRI (Museu de Zoologia, USP) Straube, Fernando C. Ruínas e urubus: história da ornitologia no Paraná. Período de Natterer, 1 (1820 a 1834) ; por Fernando C. Straube, apresentação de Renato S. Bérnils. – Curitiba, Pr: Hori Consultoria Ambiental, 2012. 241p. (Hori Cadernos Técnicos n. 5) ISBN 978-85-62546-05-1 1. Aves - Paraná. 2. Paraná - Ornitologia. 3. Ornitologia – História. I. Straube, Fernando C. II. Bérnils, Renato S., apresent. II. Título. III. Série. Depósito Legal na Biblioteca Nacional, conforme Decreto n1825, de 20 de dezembro de 1907. Dados internacionais de Catalogação da Publicação (Câmara Brasileira do Livro, São Paulo, Brasil) Capa: Composição com mata de araucária na Lapa (Paraná) (Foto: F.C.Straube), documentos e imagens de autoria de Aimée Adrien Taunay, Michael Sandler, Auguste de Saint-Hilaire e Jean Baptiste Debret, citados no texto. Foto em destaque: urubu-rei (Sarcoramphus papa) de Cassiano “Zapa” Zaparoli Zaniboni (www.zapa.photoshelter.com). 2012 http://www.hori.bio.br HORI CADERNOS TÉCNICOS n° 5 ISBN: 978-85-62546-05-1 CURITIBA, SETEMBRO DE 2012 CITAÇÃO RECOMENDADA Straube, F.C. 2012. Ruínas e urubus: História da Ornitologia no Paraná. Período de Natterer, 1 (1820 a 1834). Curitiba, Hori Consultoria Ambiental. Hori Cadernos Técnicos n° 5, 241+xiii pp. ABERTURA O CENTENÁRIO DA ORNITOLOGIA PARANAENSE “Às minhas viagens ao Paraná, atribuo a importância para que a continuidade do trabalho polonês na América do Sul não seja interrompida. -
Cavi 8553319 Booklet Neu Online
ARMIDA QUARTETT Beethove n · Shostakovich LUDWIG VAN BEETHOVEN (1770-1828) Streichquartett F-Dur / String Quartet in F Major Op. 59 No. 1 “Rasumowsky Quartet No. 1” (1805/06) 1 Allegro 09:36 2 Allegretto vivace e sempre scherzando 08:30 3 Adagio molto e mesto 12:44 4 Allegro 07:51 DMITRI SHOSTAKOVICH (1906-1975) Streichquartett As-Dur / String Quartet in A Flat Major Op. 118 (1964) 5 Andante 04:22 Recording: XII 2015, Studio No. 2, Bayerischer Rundfunk 6 Allegretto furioso 03:42 Executive Producer: Falk Häfner · Recording Producer & Editing: Sebastian Braun 7 Adagio 04:21 Recording Engineer: Gerhard Wicho · Recording Technician: Ruth-Maria Ostermann 8 Allegretto 09:15 P & g 2016 Bayerischer Rundfunk / Avi-Service for music, Cologne/Germany · All rights reserved LC 15080 · STEREO · DDD · GEMA · Made in Germany · 42 6008553368 8 · www.armidaquartett.com Total Time 60:24 www.avi-music.de · Photos: © Felix Broede · Design: www.BABELgum.de · Translations: Stanley Hanks Johanna Staemmler Violin Teresa Schwamm Viola Peter-Philipp Staemmler Cello Martin Funda Violin STREICHQUARTETTE VON BEETHOVEN UND SCHOSTAKOWITSCH Ratlos schüttelten die Zeitgenossen den Kopf angesichts der Streichquartette, die Ludwig van Beethoven Verarbeitungsprozess; „Zeit und Ziel scheinen vergessen“, wie Gerd Indorf in seiner lesenswerten im Jahre 1806 herausbrachte. Graf Rasumowsky hatte sie in Auftrag gegeben, seinerzeit russischer Monographie „Beethovens Streichquartette“ formuliert. Gesandter in Wien und selbst ein fingerfertiger Geiger. Ob der Graf die Quartette auf Anhieb zu schätzen Der Beginn des Scherzos soll seinerzeit den Cellisten Bernhard Romberg derart erzürnt haben, dass er wusste, ist nicht überliefert, die Öffentlichkeit jedenfalls war irritiert. „Tief gedacht und trefflich gearbeitet, die Noten zu Boden warf und darauf herumtrampelte: ein an Landsknechtstrommeln erinnernder aber nicht allgemeinfasslich“, urteilte die Allgemeine musikalische Zeitung . -
PACE NSC 2016 - Round 21 - Page 1 of 14
2016 NSC - Official Scoresheet Round 21 Room Bracket Reader Tiebreaker Leg One Team Team Player Names Ques. Run. Ques. Run. Bonus Steals Bonus Steals Q# Total Score Total score 1 2 3 4 5 6 7 8 9 10 OT Final Tiebreaker Leg Two Team Team Player Names Ques. Run. Ques. Run. Bonus Steals Bonus Steals Q# Total Score Total score 1 2 3 4 5 6 7 8 9 10 OT Final No substitutions, except for between tossup 10 and overtime. Start Leg Two with TU 11 and Bonus 11. Individual performance in tiebreaker games is not tracked. PACE NSC 2016 - Round 21 - Page 1 of 14 PACE NSC 2016 - Round 21 - Tossups 1. This person began his career repairing North Sea coal ships under James Walker of Whitby. He was awarded fifty pounds for mapping the dangerous Traverses of the St. Lawrence River for General Wolfe in the Seven Years' War. This captain was joined by the Swedish botanist Daniel Solander on a voyage where no crewmen died of scurvy. Joseph Banks accompanied this man on a voyage to observe the (*) transit of Venus from Tahiti. On a mission to find a missing southern continent, this explorer coined the name Sting Ray Harbor, but soon changed its name to Botany Bay. He unsuccessfully searched for the Northwest Passage on the Discovery. For 10 points, name this captain of the Endeavour who circumnavigated New Zealand and died in Hawaii. ANSWER: Captain James Cook <Bentley> 2. The central atom of a molecule in this protein is usually coordinated to a histidine residue and not in plane, but the central atom moves in plane when its sixth coordination site is occupied. -
Romanov News Новости Романовых
Romanov News Новости Романовых By Ludmila & Paul Kulikovsky №138 September 2019 New Bust to Emperor Alexander III at St. Nicholas Church in Polyarny City A monument to Emperor Alexander III was solemnly opened and consecrated in Polyarny city On the occasion of the 120th anniversary of Polyarny, a solemn opening ceremony of the bust of Emperor Alexander III took place on the territory of St. Nicholas Church. Polyarny is a city in the Murmansk region, located on the shores of the Catherine’s harbour of the Kola Bay of the Barents Sea, about 30 km from Murmansk. The city is home to the Northern Fleet and as such is a closed city. The port was laid down in the summer of 1899 and named Alexandrovsk in honour of Emperor Alexander III. In 1931 it was renamed Polyarny., Parishioners of the church of St. Nicholas the Miracle Worker and Rector Archpriest Sergei Mishchenko, initiated and sponsored the bronze bust of the great Russian Emperor Alexander III. The monument was made with donations from parishioners and in February 2019 was delivered from the workshop of Simferopol to Polyarny. The opening and consecration ceremony was conducted by Bishop Tarasiy of the North Sea and Umba. The St. Nicholas Church, with the bust of Emperor Alexander III standing under the bell tower. Stories from Crimea In 2019, there were two extraordinaire reasons to visit Crimea and Yalta in particular - the 100 years anniversary of several members of the Imperial Romanov family, including Dowager Empress Maria Feodorovna, leaving Russia from Yalta - and 125 years since the repose of Emperor Alexander III in Livadia. -
Diplomats As Musical Agents in the Age of Haydn
HAYDN: The Online Journal of the Haydn Society of North America Volume 5 Number 2 Fall 2015 Article 2 November 2015 Diplomats as Musical Agents in the Age of Haydn Mark Ferraguto Follow this and additional works at: https://remix.berklee.edu/haydn-journal Recommended Citation Ferraguto, Mark (2015) "Diplomats as Musical Agents in the Age of Haydn," HAYDN: The Online Journal of the Haydn Society of North America: Vol. 5 : No. 2 , Article 2. Available at: https://remix.berklee.edu/haydn-journal/vol5/iss2/2 This Work in Progress is brought to you for free and open access by Research Media and Information Exchange. It has been accepted for inclusion in HAYDN: The Online Journal of the Haydn Society of North America by an authorized editor of Research Media and Information Exchange. For more information, please contact [email protected]. 1 Ferraguto, Mark "Diplomats as Musical Agents in the Age of Haydn." HAYDN: Online Journal of the Haydn Society of North America 5.2 (Fall 2015), http://haydnjournal.org. © RIT Press and Haydn Society of North America, 2015. Duplication without the express permission of the author, RIT Press, and/or the Haydn Society of North America is prohibited. Diplomats as Musical Agents in the Age of Haydn by Mark Ferraguto Abstract Vienna’s embassies were major centers of musical activity throughout the eighteenth and early nineteenth centuries. Resident diplomats, in addition to being patrons and performers, often acted as musical agents, facilitating musical interactions within and between courts, among individuals and firms, and in their private salons. Through these varied activities, they played a vital role in shaping a transnational European musical culture. -
MALVERN CONCERT CLUB FOUNDED 1903 by SIR EDWARD ELGAR OM 117Th Season 2019-20
MALVERN CONCERT CLUB FOUNDED 1903 BY SIR EDWARD ELGAR OM 117th Season 2019-20 Frith Piano Quartet Pavel Haas Quartet Pavel Kolesnikov Tasmin Little Martin Roscoe The Gesualdo Six Iestyn Davies Thomas Dunford Ruisi Quartet New London Chamber Ensemble Correct as at 7 March 2019 Please check website for updated information malvern-concert-club.co.uk MALVERN CONCERT CLUB 117TH SEASON AT A GLANCE 2019 26 September Frith Piano Quartet 31 October Pavel Haas Quartet 28 November Pavel Kolesnikov 2020 23 January Tasmin Little & Martin Roscoe 16 February The Gesualdo Six 19 March Iestyn Davies & Thomas Dunford 17 April Ruisi Quartet 30 April New London Chamber Ensemble Concerts in YELLOW are daytime concerts, not part of Subscription Series FINAL dates from OUR 116TH Season, 2018-19: Friday 12 April 2019, 10.30 for 11.15am, Elmslie House, Malvern Elizabeth Bass harp D Scarlatti, Jean Cras, Hindemith, Albéniz, Andy Scott and Fauré COFFEE & CAKE CONCERT £12, Students £3 including refreshments from malvern-concert-club.co.uk or Simon Payton, Treasurer; no booking fee Thursday 2 May 2019, 7.30pm, Malvern Theatres Brodsky Quartet . Daniel Rowland . Martin Roscoe FOUNDER’S Chamber MUSIC CENTENARY CONCERT Elgar String Quartet · Violin Sonata · Piano Quintet £21, Students £6 plus 12% booking fee from malvern-theatres.co.uk or Malvern Theatres Box Office Malvern Concert Club also organises coach visits from Malvern to selected concerts by the CBSO and other orchestras at Symphony Hall, Birmingham. Participation is open to all, whether Club members or not. Members will automatically receive details; non-members can be added to the emailing list by contacting Simon Payton at [email protected] 2 MALVERN 117th Season CONCERT CLUB 2019-20 FOUNDED 1903 BY SIR EDWARD ELGAR OM Ever since its first concert on 31 October 1903, MALVERN CONCERT CLUB has been a cornerstone of musical life in Worcestershire. -
FRIEDRICH SELLOW (1789-1831) Skizzen Einer Unvollendeten Reise Durch Südamerika 215-228 Fauna Flora Rhld.-Pf
ZOBODAT - www.zobodat.at Zoologisch-Botanische Datenbank/Zoological-Botanical Database Digitale Literatur/Digital Literature Zeitschrift/Journal: Fauna und Flora in Rheinland-Pfalz, Beihefte Jahr/Year: 1995 Band/Volume: 17 Autor(en)/Author(s): Hackethal Sabine Artikel/Article: FRIEDRICH SELLOW (1789-1831) Skizzen einer unvollendeten Reise durch Südamerika 215-228 Fauna Flora Rhld.-Pf. Beiheft 17 215-228 Landau 1995 FRIEDRICH SELLOW (1789-1831) Skizzen einer unvollendeten Reise durch Südamerika von Sabine Hackethal Inhaltsübersicht Abstract 1. Einleitung 2. Erste naturwissenschaftliche Studien 3. FRiEDRiCH Sellows Aufenthalt in Brasilien (1814-31) 4. Sellows Forschungen und ihre Bedeutung für die Wissenschaft 5. Der zeichnerische Nachlaß 6. Danksagung 7. Zusammenfassung 8. Literatur Abstract Friedrich Sellow (1789-1831) - Sketches of an Unfinished Journey through South America The naturalist Friedrich Sellow (1789-1831) from Potsdam traveled over Brazil and Uru guay between 1814 and 1831. Most of his botanical, zoological, palaeontological, mine- ralogical and ethnographical collections came to Berlin. After Sellow 's death, the papers with diaries and drawings he had left also came to the Museum of Natural History of the University of Berlin, and they have remained almost unknown to the present day. This paper points out the diverse sources. 1. Einleitung Bereits ein Jahr vor Ankunft des Prinzen Maximilian zu Wied -Neuwied (1782-1867) traf in Rio de Janeiro ein junger deutscher Naturforscher ein, der über 17 Jahre lang verschiedene Provinzen Brasiliens bis nach Uruguay bereisen und in dieser Zeit die naturhistorischen Museen seiner Heimat um Tausende von Sammlungsstücken - zoologische Objekte, Herbarmaterial und Gesteinsproben - bereichern sollte. Doch trotz dieser immensen Menge Materials, die einen wesentlichen Grundstock der Berliner Südamerika-Sammlungen 216 Fauna Flora Rheinland-Pfalz, Beiheft 11, 1995 ausmachte und später zum Teil über ganz Europa verstreut wurde, blieben sein Name und seine Leistungen weithin unbekannt. -
By Oscar Vázquez Medrano a REPORT Submitted in Partial
A study of L. Van Beethoven’s Sonata Op. 31, No.1; Chopin’s Nocturne Op. 55, No. 2 and Ballade Op. 23; Ponce’s Prelude and Fugue on a theme by Handel; and Larregla’s ¡Viva Navarra! Jota de Concierto: Historical, theoretical and stylistic implications by Oscar Vázquez Medrano B.M., Universidad Nacional Autónoma de México, 2014 A REPORT submitted in partial fulfillment of the requirements for the degree MASTER OF MUSIC School of Music, Theatre, and Dance College of Arts and Sciences KANSAS STATE UNIVERSITY Manhattan, Kansas 2018 Approved by: Major Professor Dr. Slawomir Dobrzanski Copyright © Oscar Vázquez Medrano 2018. Abstract The purpose of this Master’s report is to analyze the five-piano works at the author’s piano recital on April 8, 2018. The discussed pieces are Ludwig van Beethoven’s Sonata in G major Op. 31, No.1; Fryderyk Franciszek Chopin’s Nocturne Op. 55, No. 2 and Ballade in G minor, Op. 23; Manuel M. Ponce’s Prelude and Fugue on a theme by Handel; and Joaquín Larregla Urbieta’s ¡Viva Navarra! Jota de Concierto. The author approaches the analysis and study of the pieces from the historical, theoretical, and stylistic perspectives. Table of Contents List of Examples .........................................................................................................................v Acknowledgements .................................................................................................................. vii Chapter 1 – Ludwig van Beethoven’s Sonata in G major, Op. 31, No.1 Biographical Information on the Composer -
46Th SEASON PROGRAM NOTES Week 1 July 15-July 21, 2018
th SEASON PROGRAM NOTES 46 Week 1 July 15-July 21, 2018 Sunday, July 15, 6 pm or the interplay of the two instruments in done in eight days “and three sleepless Monday, July 16, 6 pm L’aube enchantée. The flute and harp have nights” of work. And then there was the distinctive roles here. The harp introduces matter of proper clothing. Ravel was the RAVI SHANKAR (1920 – 2012) the piece and often functions as a drone as most fastidiously dressed composer who L’aube enchantée (The Enchanted Dawn) it accompanies the melodic instrument, the ever lived (for his American tour of 1928, (1976) flute. But it would be a mistake to regard he would take along 20 pairs of pajamas the harp purely as an “accompanying” and 50 pastel shirts); now he hurried to his Ravi Shankar had a profound impact on instrument—it introduces a series of complex tailor to order the proper clothes for a yacht Western music in the 1960s, and musicians rhythmic patterns, often plays by itself, and trip. In his haste, Ravel left the manuscript as diverse as Philip Glass and George is an equal partner in the musical enterprise. of the new harp piece sitting on the tailor’s Harrison have expressed how greatly The flute, the “melodic” instrument, may counter. Fearing the worst, he returned from Shankar impacted their own music. But have a simple melody at first, but its part the trip several weeks later to find that the Shankar was, in turn, just as interested in takes on a complexity of its own as the tailor had carefully saved it for him. -
Friedrich Sellows Abenteuerliche Reise in Brasilien – »Eine Beschäftigung, Worin Ich Das Glück Meines Lebens Finde«
Friedrich Sellows abenteuerliche Reise in Brasilien – »Eine Beschäftigung, worin ich das Glück meines Lebens finde« Brasilien am Beginn des 19. Jahrhunderts: Für die fast unerschlossene Kolonie beginnt ein neues Zeitalter. Anfang des Jahres 1808 flüchtet der portugiesische Hof vor der Invasion Napoleons über den Atlantik und richtet seinen Regierungssitz in Rio de Janeiro ein. Der Bruch mit dem Mutterland zwingt die Kolonialherren, die über einhundert Jahre währende Isolationspolitik, mit der die Reichtümer Brasiliens vor fremden Zugriff geschützt wurden, aufzugeben. Die Grenzen und Handelshäfen Brasiliens öffnen sich der modernen Welt. Im Gefolge von Diplomaten, Militärs, Kaufleuten, Glücksrittern und Auswanderern kommen auch Naturforscher aus den verschiedensten Nationen in die bis dahin verschlossenen Gebiete zwischen Detailansicht von »Les vues du Brésil«. Gouache- Entwurf einer Panoramatapete von Jean Julien Deltil, Amazonas und Rio de la Plata. 1829. Dem in Potsdam geborenen Hofgärtnersohn Friedrich Sellow bietet sich die Chance seines Lebens – er kann beginnen, was seinem großen Förderer Alexander von Humboldt während dessen Südamerikareise versagt geblieben war: Die Erkundung Brasiliens. Vorbereitet durch Studien in Berlin, Paris und London erreicht er nach wochenlanger Schiffsreise im August 1814 Rio de Janeiro. Vor Ort hatte der 25-Jährige mit zahlreichen Herausforderungen zu kämpfen – die Erlernung des Portugiesischen und der unbekannten Stammessprachen, die Gewöhnung an das tropische Klima,das unwegsame Gelände und die nicht zu unterschätzende Konkurrenz der anderen Sammler und Reisenden. Dennoch streifte er 17 Jahre lang als einer der Ersten durch den kargen brasilianischen Campo und die dunklen Regenwälder der Ostküste, oftmals im Alleingang. Kaum ein anderer Forscher seiner Zeit war länger als er unterwegs, kein anderer trug einen solch reichhaltigen Schatz an naturkundlichen Objekten zusammen. -
History of Antarctica - Wikipedia, the Free Encyclopedia Page 1 of 13
History of Antarctica - Wikipedia, the free encyclopedia Page 1 of 13 Coordinates: 67°15′S 39°35′E History of Antarctica From Wikipedia, the free encyclopedia For the natural history of the Antarctic continent, see Antarctica. The history of Antarctica emerges from early Western theories of a vast continent, known as Terra Australis, believed to exist in the far south of the globe. The term Antarctic, referring to the opposite of the Arctic Circle, was coined by Marinus of Tyre in the 2nd century AD. The rounding of the Cape of Good Hope and Cape Horn in the 15th and 16th centuries proved that Terra Australis Incognita ("Unknown Southern Land"), if it existed, was a continent in its own right. In 1773 James Cook and his crew crossed the Antarctic Circle for the first time but although they discovered nearby islands, they did not catch sight of Antarctica itself. It is believed he was as close as 150 miles from the mainland. In 1820, several expeditions claimed to have been the first to have sighted the ice shelf or the continent. A Russian expedition was led by Fabian Gottlieb von Bellingshausen and Mikhail Lazarev, a British expedition was captained by Edward Bransfield and an American sealer Nathaniel Palmer participated. The first landing was probably just over a year later when American Captain John Davis, a sealer, set foot on the ice. Several expeditions attempted to reach the South Pole in the early 20th century, during the 'Heroic Age of Antarctic Exploration'. Many resulted in injury and death. Norwegian Roald Amundsen finally reached the Pole on December 14, 1911, following a dramatic race with the Englishman Robert Falcon Scott. -
Appendix 1 – Crew Lists of HIMS Vostok and Mirnyi
Appendix 1 – Crew Lists of HIMS Vostok and Mirnyi The crew lists were translated from (CL) but without the pay rates. Five names added from Two Seasons or the post-voyage report on crew status (Moller, 1821) are marked with asterisks. The lists do not give patro- nymics and do not identify any cooks. The statement that Nikita Il’in was of ‘officer rank’ (TS, 1: 9) may simply mean that he was a gentleman but not yet a commissioned officer. The crew status report confirms the presence of a third, unidentified servant on Vostok and so corroborates Bellingshausen’s tally of 189 people without the chaplain (TS, 1: 7–9), in short 190 people. Crew of HIMS Vostok Commanding officer: Junior Captain Bellingshausen Captain Lieutenant: Ivan Zavodovskii Lieutenants: Ivan Ignat’ev; Konstantin Torson; Arkadii Leskov Midshipman: Dmitrii Demidov Astronomer: Ivan Simonov* Artist: Pavel Mikhailov* Clerk: Ivan Rezanov Gardemarine: Roman Adams* Navigator: Yakov Paryadin Warrant officers: Andrei Sherkunov; Pëtr Kryukov Master’s mate: Fëdor Vasil’ev Staff surgeon: Yakov Berkh Surgeon’s mate: Ivan Stepanov Quartermasters: Sandash Aneyev; Aleksei Aldygin; Martyn Stepanov; Aleksei Stepanov Butcher: Grigorii Diyakov Drummer: Leontii Churkin Seamen, 1st Class: Semën Trofimov (helmsman); Gubei Abdulov; Stepan Sazanov; Pëtr Maksimov; Kondratii Petrov; Olav Rangoil’; Paul Yakobson; Leon Dubovskii; Semën 214 Crew Lists 215 Gulyayev; Grigorii Anan’in; Grigorii Yelsukov; Stepan Filipov; Sidor Lukin; Matvei Khandukov; Kondratii Borisov; Yeremei Andreyev; Danil Kornev; Sidor