DOCSLIB.ORG

37 Key Digital Keyboard INSTRUCTION MANUAL

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
37 Key Digital Keyboard INSTRUCTION MANUAL ages: 3+ BATTERY COMPARTMENT Battery Compartment Door 37 Key Digital Keyboard INSTRUCTION MANUAL Phillips head screw Insert 4X AA Size Batteries 5 6 7 10 14 13 1 2 4 8 9 11 12 100 SOUNDS 100 RHYTHMS T00 Acoustic Grand Piano T50 Synth Strings 2 R00 Fusion R50 Disco T01 Bright Acoustic Piano T51 Choir Aahs R01 Clup Pop R51 Electro Pop T02 Electric Grand Piano T52 Voice Oohs R02 16 Beat Pop R52 Hip Hop T03 Honky-Tonk Piano T53 Synth Voice R03 8 Beat Pop R53 Rap Pop T04 Rhodes Piano T54 Orchestra Hit R04 8 Beat Soul R54 Techno T05 Chorused Piano T55 Trumpet R05 Pop Rock R55 Trance T06 Harpsichord T56 Trombone R06 60's Soul R56 Funky Disco T07 Clavi T57 Tuba R07 8 Beat Rock R57 Disco Party T08 Celesta T58 Muted Trumpet R08 Funk R58 Disco Samba T09 Glockenspiel T59 French Horn R09 Twist R59 Club Latin T10 Music Box T60 Brass Section R10 British Pop R60 Club Dance T11 Vibraphone T61 Synth Brass 1 R11 Rock Ballad R61 Disco Funk T12 Marimba T62 Synth Brass 2 R12 Limbo Rock R62 Disco Hands T13 Xylophone T63 Soprano Sax R13 Hard Rock R63 Disco Alt T14 Tubular Bells T64 Alto Sax R14 Rock & Roll R64 Saturday Night T15 Dulcimer T65 Tenor Sax R15 Straight Rock R65 Hip Shuffle T16 Drawbar Organ T66 Baritone Sax R16 Jazz Rock R66 Garage T17 Percussive Organ T67 Oboe R17 Schlager Rock R67 UK Pop T18 Rock Organ T68 English Horn R18 Waltz R68 Slow & Easy T19 Church Organ T69 Bassoon R19 Samba R69 Modern Country Pop T20 Reed Organ T70 Clarinet R20 Tango R70 Country Ballad T21 Accordion T71 Piccolo R21 Cha Cha R71 Schlager T22 Harmonica T72 Flute R22 Paso Doble R72 Country 1 3 15 T23 Tango Accordion T73 Recorder R23 Rumba R73 Boogie 16 17 18 T24 Acoustic Guitar (Nylon) T74 Pan Flute R24 Disco Fox R74 Country 2 T25 Acoustic Guitar (Steel) T75 Blown Bottle R25 Latin Rock R75 Jazz Big Band T26 Electric Guitar (Jazz) T76 Shakuhachi R26 Reggae R76 16 Beat Shuffle T27 Electric Guitar (Clean) T77 Whistle R27 Bossanova R77 Jive T28 Electric Guitar (Muted) T78 Ocarina R28 Mambo 1 R78 Big Band Fast 1 T29 Overdriven Guitar T79 Square Wave R29 Mambo 2 R79 Big Band Fast 2 T30 Distortion Guitar T80 Sawtooth Wave R30 Bolero R80 Big Band Middle 1 T31 Acoustic Bass T81 Calliope R31 Cumbia R81 Big Band Middle 2 1. Power On/Off 10. All Demo Songs T32 Electric Bass T82 Bass + Lead R32 Latin Disco R82 Dixie Jazz T33 Rock Bass T83 Warm Pad R33 Salsa R83 Big Band Shuffle 2. Manual Entry 11. Tempo Up (+) T34 Fretless Bass T84 Sitar R34 Tijuana R84 Medium Jazz T35 Slap Bass 1 T85 Banjo R35 Slow Soul R85 Jazz Club Sounds & Rhythms (0-9) T36 Slap Bass 2 T86 Shamisen R36 Slow Rock 1 R86 Cat Groove 12. Tempo Down (-) T37 Synth Bass 1 T87 Koto R37 Slow Rock 2 R87 Jazz Waltz 3. Scroll Up/Down T38 Synth Bass 2 T88 Kalimba R38 8 Beat Modern R88 Bluegrass 13. Select Learning T39 Violin T89 Bag Pipe R39 8 Beat Adria R89 Bluegrass 1 (Sounds & Rhythms) T40 Viola T90 Fiddle R40 Love Song R90 Bluegrass 2 Mode On/Off T41 Cello T91 Shanai R41 Pop Ballad R91 Hully Gully 4. Volume Up/Down T42 Contrabass T92 Tinkle Bell R42 Classic Piano Ballad R92 Ober Polka 14. Transpose Up T43 Tremolo Strings T93 Agogo R43 Piano Ballad R93 Polka Pop T44 Pizzicato Strings T94 Steel Drums R44 Acoustic Ballad R94 Pop Waltz 5. Sustain Effect On/Off T45 Orchestral Harp T95 Woodblock R45 Analog Ballad R95 Pub Piano 15. Transpose Down T46 Timpani T96 Melodic Tom R46 R&B Ballad R96 Show Tune 6. Vibrato Effect On/Off T47 String Ensemble 1 T97 Breath Noise R47 Unplugged R97 Swing Waltz 16. Play/Stop T48 String Ensemble 2 T98 Bird Tweet R48 Pop New Age R98 Tarantella 7. One Demo Song T49 Synth Strings 1 T99 Telephone Ring R49 Modern R&B R99 USA March 17. Select “Sounds” Mode Record Mode 8. Select “Rhythms” Mode Customer Assistance: 18. Phone: 888-551-1115 • Email: [email protected] 9. Play First Act, LLC. Sunrise, FL 33326 USA Colors and specifications depicted on this guide may vary slightly from your product. No part of this publication may be reproduced in any form or by any means without the prior written permission of First Act, LLC. Please read all information in this manual thoroughly for First Act, First Act Discovery, and the First Act Discovery logo are trademarks of First Act, LLC. usage instructions. © 2018 First Act, LLC. All rights reserved. INSTRUCTIONS FOR USE INTENDED USE: The appliance is used as an electronical musical instrument. It is SELECTING YOUR RHYTHM: Push the SOUND/ RHYTHM selector button again [17] intended for indoor use only. and enter the two-digit number of the intended rhythm using the numerical keys [2]. PLEASE NOTE: IMPORTANT SAFETY GUIDELINES You can also use the SCROLL UP/DOWN selector buttons [3] to choose your rhythm . • To avoid short circuit, electric shock, or malfunction of the keyboard, DO NOT Start the rhythm by pressing the PLAY/STOP button [16]. Stop the rhythm by take it apart. Do not expose the keyboard to high temperatures and damp pressing the PLAY/STOP button again. conditions (e.g., direct sunlight, heating vents, damp rooms, etc.), and do not Use the piano keys to play along with your selected rhythm. use it with wet hands. Extreme vibrations, dust, and dirt can also damage the keyboard. SETTING YOUR TEMPO: • To avoid physical damage, do not use unnecessary force on the controls. 1. To increase the tempo, use the TEMPO UP (+) button [11] . • Do not drop the keyboard. 2. To slow the tempo, use the TEMPO DOWN ( - ) button [12] • Keep keyboard away from sources of open fire, e.g., such as a candle SELECTING A DEMO SONG: Press the ONE DEMO button [7] to start the first or fireplace. demo song. Pressing again will play the next demo song. You can also use the • WARNING! To avoid the risk of suffocation, keep plastic poly bags away SCROLL UP/DOWN buttons [3] to choose the previous or the next demo song. To stop from infants and children! playing the song, press the PLAY/STOP button [16]. INSERTING AND CHANGING BATTERIES SUSTAIN EFFECT: Press the SUSTAIN effect button [5] to engage this effect . When 1. Open the battery compartment lid, using a Phillips screwdriver. on, your sounds will sustain longer. Pressing this button again turns the effect off. 2. Insert batteries and ensure that they are connected to the correct terminal VIBRATO EFFECT: Press the VIBRATO effect button [ 6 ] to engage this effect . When contact (+/-). on, y ou will hear a pulsating effect added to your sound. Pressing this button again 3. Replace compartment lid and fasten screw. turns the effect off. IMPORTANT: To record a melody, p ress the RECORD button [8] . • The battery life is dependent on how frequently the keyboard is used, volume, RECORDING AND PLAYBACK: The recording will start with the first pressed key on the keyboard. You can record and quality of the batteries. Replace batteries if volume is reduced or up to 92 notes. keyboard does not work. To play back your recorded melody , press the PLAY button [9] . • Batteries: when replacing batteries use the same type: 4X 1.5V AA. If the keyboard will not be used for a long time or the batteries are no longer TRANSPOSING: Use this button to raise or lower the pitch of the keyboard keys by working, remove them from the keyboard to avoid damage from battery 1/2 step. This is useful when needing to "tune" the keyboard to a recording or other leakage. instruments. You can shift the pitch up or and down a total of f six 1/2 steps . ENVIRONMENTAL PROTECTION GUIDELINES FOR DISPOSAL: 1. Press the TRANSPOSE UP (+) button once to transpose up 1/2 step. • Batteries should not be disposed of in ordinary household waste but must be Press the TRANSPOSE DOWN ( - ) button once to transpose down 1/2 step taken to appropriate local waste management facilities. 2. • The keyboard should be disposed of in a manner required by local waste LEARNING MODE: C hoose one of the demo songs (see SELECTING A DEMO SONG). management facilities. Now press the SELECT LEARNING MODE ON/OFF button [13] and play any keys on the keyboard to start the learning mode. In this mode you always play the right note, PREPARING TO PLAY YOUR KEYBOARD: no matter which key is press ed . Use this mode to focus on the song's rhythm without Place the keyboard on a firm, plain surface such as a table, or a keyboard stand and having to worry abouth the right notes. keep in a safe position. CLEANING: Clean only with a dry, dust-free cloth. SWITCHING THE INSTRUMENT ON AND OFF: 1. To turn on, move POWER selector [1] to ON. AC ADAPTER INPUT 2. To turn off, move POWER selector [1] to OFF . (NOTE: AC ADAPTER NOT INCLUDED) Connect AC adapter SETTING VOLUME: To set your volume, move the volume control [4] to the right to Use only output 5Vdc, 500mA AC adapter increase volume, or to the left to decrease volume . MICROPHONE INPUT (select models) Push the SOUND/RHYTHM selector button [17] and SELECTING YOUR SOUND: • Insert the microphone plug into MIC jack. enter the two-digit number of the intended sound using the Manual Entry numerical keys buttons [2].
Load more

Recommended publications
  • Tyrone Jackson, Jazz Piano
    KENNESAW STATE UNIVERSITY SCHOOL OF MUSIC Tyrone Jackson Faculty Recital "Tribute to The Fender Rhodes in Jazz" Tyrone Jackson, fender rhodes Karla Harris, vocals Patrick Arthur, electric guitar Brandon Boone, upright and electric bass Chris Burroughs, drums Frankie Quinones, percussion Wednesday, October 18, 2017 at 8 pm Dr. Bobbie Bailey & Family Performance Center, Morgan Hall Twenty-eighth Concert of the 2017-18 Concert Season program This concert is a tribute to the iconic instrument, the Fender Rhodes. The Rhodes piano (also known as the Fender Rhodes piano or simply Fender Rhodes or Rhodes) is an electric piano invented by Harold Rhodes, which became particularly popular throughout the 1970s. CBS oversaw mass production of the Rhodes piano in the 1970s, and it was used extensively through the decade, particularly in jazz, pop, and soul music. The Rhodes became a staple in recordings and live performances for renown keyboard artists Herbie Hancock and Chick Corea. A resurgence of the instrument recently has been realized through jazz musicians Nicholas Payton and Christian Scott. "Tribute to The Fender Rhodes in Jazz" The Backwards Step / Nicholas Payton Scenario / Tyrone Jackson Come Together / Lennon-McCartney Cry Me A River / Arthur Hamilton Benin / Tyrone Jackson By Chance / Tyrone Jackson Take 5 / Desmond-Brubeck Sound of Music / Rodgers-Hammerstein Butterfly / Herbie Hancock Song for Bilbao / Pat Methany Lecturer in Jazz Studies and Jazz Piano yrone Jackson – the name is quickly becoming synonymous with the quintessential jazz piano player. His boundless creativity coupled with subtle accompaniments has Tyrone poised for national recognition. TBorn in the New Orleans cradle of jazz, Jackson embodies the spirit of the Crescent City.
    [Show full text]
  • Real-Time Physical Model of a Wurlitzer and Rhodes Electric Piano
    Proceedings of the 20th International Conference on Digital Audio Effects (DAFx-17), Edinburgh, UK, September 5–9, 2017 REAL-TIME PHYSICAL MODEL OF A WURLITZER AND RHODES ELECTRIC PIANO Florian Pfeifle Systematic Musicology, University of Hamburg Hamburg, DE [email protected] ABSTRACT tation methodology as is published in [21]. This work aims at extending the existing physical models of mentioned publications Two well known examples of electro-acoustical keyboards played in two regards by (1) implementing them on a FPGA for real-time since the 60s to the present day are the Wurlitzer electric piano synthesis and (2) making the physical model more accurate when and the Rhodes piano. They are used in such diverse musical gen- compared to physical measurements as is discussed in more detail res as Jazz, Funk, Fusion or Pop as well as in modern Electronic in section 4 and 5. and Dance music. Due to the popularity of their unique sound and timbre, there exist various hardware and software emulations which are either based on a physical model or consist of a sample 2. RELATED WORK based method for sound generation. In this paper, a real-time phys- ical model implementation of both instruments using field pro- Scientific research regarding acoustic and electro-mechanic prop- grammable gate array (FPGA) hardware is presented. The work erties of both instruments is comparably sparse. Freely available presented herein is an extension of simplified models published user manuals as well as patents surrounding the tone production before. Both implementations consist of a physical model of the of the instruments give an overview of basic physical properties of main acoustic sound production parts as well as a model for the both instrument [5]; [7]; [8]; [13]; [4].
    [Show full text]
  • Passive Simulation of the Nonlinear Port-Hamiltonian Modeling of a Rhodes Piano Antoine Falaize, Thomas Hélie
    Passive simulation of the nonlinear port-Hamiltonian modeling of a Rhodes Piano Antoine Falaize, Thomas Hélie To cite this version: Antoine Falaize, Thomas Hélie. Passive simulation of the nonlinear port-Hamiltonian modeling of a Rhodes Piano. 2016. hal-01390534 HAL Id: hal-01390534 https://hal.archives-ouvertes.fr/hal-01390534 Preprint submitted on 2 Nov 2016 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Passive simulation of the nonlinear port-Hamiltonian modeling of a Rhodes Piano Antoine Falaize1,∗, Thomas H´elie1,∗ Project-Team S3 (Sound Signals and Systems) and Analysis/Synthesis team, Laboratory of Sciences and Technologies of Music and Sound (UMR 9912), IRCAM-CNRS-UPMC, 1 place Igor Stravinsky, F-75004 Paris Abstract This paper deals with the time-domain simulation of an electro-mechanical pi- ano: the Fender Rhodes. A simplified description of this multi-physical system is considered. It is composed of a hammer (nonlinear mechanical component), a cantilever beam (linear damped vibrating component) and a pickup (nonlinear magneto-electronic transducer). The approach is to propose a power-balanced formulation of the complete system, from which a guaranteed-passive simulation is derived to generate physically-based realistic sound synthesis.
    [Show full text]
  • 0Hthl\L ,'A' L F:,1;Jjj:,',,1
    DEEP BLUh E}OBEIY BFIOOM GREG ROCKINGHAM CHRIS FOFIEMAN 0HtHl\l ,'a' L f:,1;jjJ:,',,1 The music of Stevie Wonder left an indelible imprint on the minds of Bobby Broom, Chris Foreman, and Greg Rockingham while they were growing in the 1960s and '70s. Although all three musicians would come to focus on jazz as adults, ratherthan on pop and R&8, Wonder's songs were simply too sophisticated, melodically and harmonically, to forget. With Wondertul!, the Chicago-based Deep Blue Organ Trio's fourth CD and second for Origin Records, guitarist Broom, organist Foreman, and drummer Rockingham pay homage to Wonder with nine of his compositions rendered anew in the jazz organ trio tradition of which they have become among the world's most prominent purveyors. "Stevie was a huge influence on all of us," Broom states. "Most of my close friends were really into music long before I became a musician. I just remember anticipating his next release and everybody running and grabbing them up. Every Stevie release was an event, from Talking Book to Innervisions to Fullfíllingness' First Finale. That period in the early Seventies was monumental in terms of what he gave to us in that generation." Five of the selections on Wonderfull are drawn from the three aforementioned albums: "You've Got It Bad Girl" from L972's Talking Book, "Jesus Children of America" and "Golden Lady" from 1973's Innervisions, and "You Havent Done Nothin"'and "Ain't No Use" from L974's Fullfillingness' First Finale. "As" first appeared on the 1976 album Songs in the Key of Life.
    [Show full text]
  • A Brief History of Piano Action Mechanisms*
    Advances in Historical Studies, 2020, 9, 312-329 https://www.scirp.org/journal/ahs ISSN Online: 2327-0446 ISSN Print: 2327-0438 A Brief History of Piano Action Mechanisms* Matteo Russo, Jose A. Robles-Linares Faculty of Engineering, University of Nottingham, Nottingham, UK How to cite this paper: Russo, M., & Ro- Abstract bles-Linares, J. A. (2020). A Brief History of Piano Action Mechanisms. Advances in His- The action mechanism of keyboard musical instruments with strings, such as torical Studies, 9, 312-329. pianos, transforms the motion of a depressed key into hammer swing or jack https://doi.org/10.4236/ahs.2020.95024 lift, which generates sound by striking the string of the instrument. The me- Received: October 30, 2020 chanical design of the key action influences many characteristics of the musi- Accepted: December 5, 2020 cal instrument, such as keyboard responsiveness, heaviness, or lightness, which Published: December 8, 2020 are critical playability parameters that can “make or break” an instrument for a pianist. Furthermore, the color of the sound, as well as its volume, given by Copyright © 2020 by author(s) and Scientific Research Publishing Inc. the shape and amplitude of the sound wave respectively, are both influenced This work is licensed under the Creative by the key action. The importance of these mechanisms is highlighted by Commons Attribution International centuries of studies and efforts to improve them, from the simple rigid lever License (CC BY 4.0). mechanism of 14th-century clavichords to the modern key action that can be http://creativecommons.org/licenses/by/4.0/ found in concert grand pianos, with dozens of bodies and compliant elements.
    [Show full text]
  • EVP88 User Manual
    User Manual EVP88 Emagic Vintage Piano 88 March 2001 Software Instruments >> Version 1.0, April 2001 User Manual English >> English Edition E Soft- und Hardware GmbH License Agreement Important! Please read this licence agreement carefully before opening the disk seal! Opening of the disk seal and use of this package indicates your agreement to the following terms and conditions. Emagic grants you a non-exclusive, non-transferable license to use the software in this package. You may: 1. use the software on a single machine. 2. make one copy of the software solely for back-up purposes. You may not: 1. make copies of the user manual or the software except as expressly provided for in this agreement. 2. make alterations or modifications to the software or any copy, or otherwise attempt to discover the source code of the software. 3. sub-license, lease, lend, rent or grant other rights in all or any copy to others. Except to the extent prohibited by applicable law, all implied warranties made by Emagic in connection with this manual and software are limited in duration to the minimum statutory guarantee period in your state or country from the date of original purchase, and no warranties, whether express or implied, shall apply to this product after said period. This warranty is not transferable-it applies only to the original purchaser of the software. Emagic makes no warranty, either express or implied, with respect to this software, its quality, performance, merchantability or fitness for a particular purpose. As a result, this software is sold “as is”, and you, the purchaser, are assuming the entire risk as to quality and performance.
    [Show full text]
  • MUNI 2017-2 – Piano 2 (Women, Electric Piano Etc) 01 Tea for Two
    MUNI 2017-2 – Piano 2 (Women, electric piano etc) 01 Tea for Two (Vincent Youmans) 3:14 Art Tatum-solo piano March 21, 1933 78 Brunswick 6553, matrix number B-13162-A / CD Affinity AFS 1035-3 02 Tea for Two (Vincent Youmans) 4:17 Bud Powell-p; Ray Brown-b; Buddy Rich-dr New York City, July 1, 1950 LP Mercury MGC 610, matr. 436-6 / CD Verve 827 901-2 (1988) 03 Oleo (Sonny Rollins) 4:08 Bill Evans-p; Sam Jones-b; Philly Joe Jones-dr New York City, December 15, 1958 LP Riverside RLP 291/1129 / CD Riverside RCD-018-2987) 04 A Night in Tunisia (Dizzy Gillespie) 8:00 Martial Solal-solo piano live at Les Arcs, January 13, 1976 LP 4-Stefanotis PAM 963 (1985) / CD Flat & Sharp 239963 (1986) 05 Liza (George Gershwin) 8:54 Herbie Hancock & Chick Corea-pianos live at Masonic Auditorium, San Francisco / Dorothy Chandler Pavillion, Los Angeles / Golden Hall, San Diego / Hill Auditorium, Ann Arbor, February 1978 LP Columbia PC2 35663 / CD Columbia/Legacy C2K 65551 (1998) 06 The Pearls (Jelly Roll Morton) 1:42 Lil Hardin Armstrong-p; Mae Barnes-snare drum November 26, 1961 NBC-TV, Chicago & All that Jazz youtube 07 The Man I Love (George Gershwin) 3:25 Mary Lou Williams-solo piano live at the Montreux Jazz Festival, Switzerland, July 16, 1978 LP Pablo Live 2308-218 08 Ambiance (Marian McPartland) 4:13 Marian McPartland-p; Christian McBride-b; Jack DeJohnette-dr Nationa Public Radio, December 11, 1992 CD Jazz Alliance TJA-12018 09 Collard Greens and Black-Eyed Peas (Oscar Pettiford) 3:31 Pat Moran (Helen Mudgett)-p; Scott LaFaro-b; Johnny Whited-dr Chicago, December 1957 LP Audio Fidelity AFLP 1875 / CD Fresh Sound FSR-CD 440 (2007) 10 Walking Batteriewoman (Carla Bley) 4:00 Carla Bley-p; Steve Swallow-el.
    [Show full text]
  • Il-Fender-Rodhes.Pdf
    IL FENDER RODHES Il piano elettrico della Fender, il Rodhes è un pianoforte elettro-meccanico, inventato da Harold Rhodes nel corso del 1950 e in seguito prodotto in una serie di modelli, prima in collaborazione con Fender e dopo il 1965 dalla CBS. E' costituito da un piano simile a tastiera con martelli che colpiscono denti metallici di piccole dimensioni, amplificato con pickup elettromagnetici. Il piano Rhodes è stato ampiamente utilizzato in tutto il 1970 in tutti gli stili di musica. E' caduto in disuso per un po' nella seconda metà del 1980, principalmente per l'emergere dei sintetizzatori digitali; più tardi, ha goduto di una rinascita enorme e di popolarità dal 1990. Con artisti contemporanei, tra cui Radiohead, Portishead, D'Angelo, Erykah Badu, Chick Corea, Jamiroquai, Herbie Hancock, Steely Dan, The Doors e Stevie Wonder il Rhodes ha riconquistato la sua popolarità. L'ultimo modello, il MK V, è stato proposto sul mercato nel 1984, quando la fabbrica è stata chiusa a Fullerton. La Rhodes Music Corporation ha cercato di reintrodurre una versione dello strumento poi nel 2007. Storia 1946-1965: Harold Rhodes tecnico inventore fonda il Rhodes Piano Corporation e introduce il pre- Piano al NAMM (1946). Nel 1959, Rhodes entrò in una joint venture con Leo Fender per la fabbricazione degli strumenti in una società di nome Fender & Rhodes. La partnership è durata per sei anni con il modello commercializzato Fender Rhodes Piano Bass, a 32 tasti, versione con solo la gamma bassa del pianoforte, che ha rappresentato la maggior parte delle vendite. Il Fender Rhodes Celeste era una tastiera analoga che riguarda la fascia media del pianoforte.
    [Show full text]
  • Non-Linearities of the Mechano-Electrical Tonegenerator of the Hammond Organ ∗†
    ISMA 2019 Non-linearities of the mechano-electrical tonegenerator of the Hammond organ ∗y Malte Münster(1), Florian Pfeifle(2) (1)Institute for Systematic Musicology; University of Hamburg, Germany, [email protected] 1 (2)Institute for of Systematic Musicology; University of Hamburg, Germany, florian.pfeifl[email protected] 2 Abstract The Hammond Organ with its electro-magnetic generator is still a standard instrument in the western music world. The organ still fulfils musicians’ demand for a distinctive sonic identity with intuitive control of some arbitrary parameters. Bequeathed a heritage of some hundreds of thousands of tonewheel organs to the world, most of them still in service since the original manufacturer went out of business. The worldwide organ scene remains a vibrant community. A description of the tone production mechanism is presented based on measure- ments of a pre-war Model A. The survey includes high-speed camera measurement and tracking of the generator as well as oscilloscope recordings of single pickups. Some properties emerge due to the interaction of the me- chanical motion of interaction with the magnetic B-H-field. A FEM model of the geometry shows accordance with the proposed effects. A FDM-model is written and a more complex physical model having a special regard on the geometry and electronic parts of the sound production mechanism. Keywords: Sound, Music, Acoustics 1 INTRODUCTION Following the publication of the Wurlitzer and the Rhodes E-Pianos at ISMA 2014, we have a closer look at the unique Hammond Organ with electro-magnetic sound production. It is one of the remaining standard musical instruments in the western world of Jazz-, Rock-, Funk-, Soul-, Gospel-, Reggae-Music and related genres.
    [Show full text]
  • Records on Vinyl Catalogue 2019/2020 Even Today an Analog Recording Pressed in Vinyl Sounds Most Beautiful
    records on vinyl catalogue 2019/2020 Even today an analog recording pressed in vinyl sounds most beautiful. (Michael Fetscher) Flavoredtune transforms encounters between extraordinary artists into timeless sonic documents. Scherzinger Claudia by Photo Fried Dähn – Now & Then What is possible in the field of electronic music? What can you get out of a cut- ting-edge e-cello that he helped to develop, from the instrument itself? What possibilities do loop machines, samplers and many other technical innovations offer? The classically trained cellist, who embraces experiment, moves without gravity on his solo (in the true sense of the word) album into the pulsating core of a musical universe that has expanded exponentially in recent years. 12“ Vinyl, 180g | FTR361309 Grooves Kaffee & Kuchen – 11 / 2020 All live recordings at Studio WhiteFir! Featuring Alex Wignall – Joshua Roberts – Philipp van Endert – André Nendza – Christian Kappe – Hadar Noiberg – Olivia Trummer – Dannielle de Andrea – Martin Meixner – Lukas Pfeil – Felipe Silveira – Joel Locher – Eckhard Stromer – Gee Hye Lee – Martin Grünenwald. 12“ Vinyl, 180g | FTR361308 Olivia Trummer/Hadar Noiberg – The Hawk A surprising meeting in Berlin revealed to Hadar Noiberg and Olivia Trummer that they breath music similarly and like to mix their musical upbringing of jazz and classical music with various influences. With the flute and piano extending each other into one unified voice, they create passionate, mysterious and lyrical music which takes the listener on a voyage into their fantastical world. Olivia Trummer - Piano, Vocals Hadar Noiberg - Flutes, FX 12“ Vinyl, 180g / CD | FTR361306 Ulisses Rocha – White Wood Brazilian Artist Ulisses Rocha is one of these few special musicians who will leave a lasting impression on the listener.
    [Show full text]
  • Physical Modeling Organ and Electric Piano
    PHYSICAL MODELING ORGAN AND ELECTRIC PIANO USER'S MANUAL Firmware version 1.41 - Hardware rev. C www.Crumar.it CRUMAR MOJO 61 USER'S MANUAL - Page 1/32 Congratulations! You are now the lucky owner of a Crumar Mojo !1" one of the finest digital key#oards of the modern era. $he Mojo !1 is a high %uality instrument that was entirely conceived" develo&ed and #uilt in 'taly with &remium %uality &arts. $his instrument is the the result of years of research in sound design" %uality electronics and has #een assem#led with first class craftsmanshi&. (e wish you many years of enjoyment and good music with your new Mo o !1" and" if we may give you a small &iece of advice... you guessed it... please read this manual in its entirety and kee& it in a safe place for future reference! Have fun! $he Crumar Gang. SAFETY INFORMATION – Do not open the instr!ment. $he instr!ment %an &e opene' an' epai e' on() &y *!alifie' pe sonne(# Una!tho ize' opening -oids the wa ant)# – Do not e/pose the instr!ment to ain o "oistu e# – Do not e/pose the instr!ment to 'i e%t s!nlight# – 0e %a e+!( not to infiltrate po.'e s an' liq!ids inside the instr!ment. No on the o!tside# – 1+ liq!ids get inside the !nit, emo-e the po.e imme'iate() to p e-ent the is3 of ele%t ic sho%k an' %onta%t a se -ice %ente as soon as possible# – Do not %lean !sing a& asive %leane s as they may 'amage the s! fa%e# – Please 3eep a(( pa%3aging in %ase )o! nee' to t anspo t the instr!ment to a se -ice %ente # – $he instr!"ent %an &e !se' in an) Co!nt ) that has a mains -oltage &et.een 100 5a% an'
    [Show full text]
  • Rhodes Active Midi Finished Copy 6:3:10 Pages WORD
    Rhodes Mark 7 -73/88 AM Owners Manual Warranty Information Thank you for purchasing your new Rhodes Mark 7 piano! The Rhodes Mark 7 continues the legacy of this legendary American made instrument known for its unique design and tone. The Rhodes Mark 7 has reached a new level of quality and versatility never before seen in the history of Rhodes while still maintaining its purity of design and recognizable tone. The Rhodes piano has long been a favorite of musicians and recording artists worldwide. Our company is extremely proud of our products and guarantees the musician years of reliability and enjoyment. Rhodes Mark 7 Active MIDI Series The Active MIDI Series Rhodes Mark VII piano is available in 2 sizes, 73 and 88 key versions. The new Rhodes Active Midi Series pianos now provide the musician with a user friendly and versatile MIDI system that is state of the art. Combined with our new preamplifier circuitry and side panel connector system, this is the perfect marriage of analog and digital! Active MIDI Series features include: · Patented, highly accurate, sensing technology for exceptional capture of the slightest key movement and velocity · Class compliant USB MIDI – MIDI In, Out and Thru Jacks · Pitch Bend and Modulation Wheels · Polyphonic and Monophonic (Channel) Aftertouch · Continuous Data Pedal Sensoring · 2 X 20 Character Back-lit LCD and Pushbutton Encoder · Midi / USB device Volume Control Piano improvements include: · Ventilated molded case available in stylish colors · Improved action · Improved pedal design for ease of setup and portability · Heavy duty road case available · Powered Speaker Platforms in matching colors and sizes MIDI Side Panel Connections A B C D1 D2 E F G H A.
    [Show full text]