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Highly Recommended New Cds for 2018
Ed Love's Highly Recommended New CDs for 2018 Artist Title Label Dave Young and Terry Promane Octet Volume Two Modica Music Phil Parisot Creekside OA2 John Stowell And Ulf Bandgren Night Visitor Origin Eric Reed A Light In Darkness WJ3 Katharine McPhee I Fall In Love Too Easily BMG Takaaki Otomo New Kid In Town Troy Dr. Lonnie Smith All In My Mind Blue Note Clovis Nicolas Freedom Suite Ensuite Sunnyside Wayne Escoffery Vortex Sunnyside Steve Hobbs Tribute To Bobby Challenge Adam Shulman Full Tilt Cellar Live` Scott Hamilton Live At Pyat Hall Cellar Live Keith O’ Rourke Sketches From The Road Chronograph Jason Marsalis Melody Reimagined Book One Basin Street 1 Ed Love's Highly Recommended New CDs for 2018 Artist Title Label Dan Block Block Party High Michael Waldrop Origin Suite Origin Roberto Margris Live In Miami J Mood Dan Pugach Nonet Plus One Unit UTR Jeff Hamilton Live From San Pedro Capri Phil Stewart Melodious Drum Cellar Live Ben Paterson That Old Feeling Cellar Live Jemal Ramirez African Skies Joyful Beat Michael Dease Reaching Out Positone Ken Fowser Don’t Look Down Positone New Faces Straight Forward Positone Emmet Cohen With Ron Carter Masters Legacy Series Volume Two Cellar Live Bob Washut Journey To Knowhere N/C Mike Jones and Penn Jillette The Show Before The Show Capri 2 Ed Love's Highly Recommended New CDs for 2018 Artist Title Label Dave Tull Texting And Driving Toy Car Corcoran Holt The Mecca Holt House Music Bill Warfield For Lew Planet Arts Wynton Marsalis United We Swing Blue Engine Scott Reeves Without A Trace Origin -
Downbeat-2-19-Soul-Fingers-Pages
Jazz / BY DENISE SULLIVAN MAGNUS CONTZEN Draksler/Eldh/Lillinger Punkt.Vrt.Plastik INTAKT 318 ++++ Bobby Broom The lineup of any ensemble has an alchemical quality to it. The right combination of personal- A Personalized Perspective ities and styles can yield nothing less than gold. Three trios and a quartet—led by a drummer, guitarist John Chiodini (Natalie Cole, Tony But throw in one bad element and it quickly can a guitarist, a keyboardist and a bassist, re- Bennet) and organist Joe Bagg (Madeleine turn leaden. spectively—demonstrate an ability to cast a Peyroux, Larry Coryell) through two pieces That was the risk drummer Christian wide net and still remain within the jazz tradi- by Brazilian musician César Camargo Maria- Lillinger and bassist Petter Eldh took when they tion. From originals to classic rock standards, no, plus a samba, “Cascades Of The 7 Water- started working with pianist Kaja Draksler in a soul, blues and a touch of Brazil, these play- falls” by Alex Malheiros, as well as the Chiod- new trio. The pair already were familiar with ers rely on their deep love and knowledge of ini-penned “Cheetahs And Gazelles,” with its one another, having provided the backbone for modes and material, and a commitment to own Brazilian changes. Seiwell was a found- the marvelous free-jazz quartet Amok Amor. laying it down. ing member of Paul McCartney’s Wings and Draksler was the X-factor they brought into their Known for his work on the Hammond there’s a dramatic version of “Live & Let Die” creative partnership, a new source of heat that B-3 organ, Raphael Wressnig lets loose included here, plus a guest appearance by on Chicken Burrito (Pepper Cake 2110; rocker Edgar Winter, who hits the saxophone could bend their playing into new shapes. -
Tyrone Jackson, Jazz Piano
KENNESAW STATE UNIVERSITY SCHOOL OF MUSIC Tyrone Jackson Faculty Recital "Tribute to The Fender Rhodes in Jazz" Tyrone Jackson, fender rhodes Karla Harris, vocals Patrick Arthur, electric guitar Brandon Boone, upright and electric bass Chris Burroughs, drums Frankie Quinones, percussion Wednesday, October 18, 2017 at 8 pm Dr. Bobbie Bailey & Family Performance Center, Morgan Hall Twenty-eighth Concert of the 2017-18 Concert Season program This concert is a tribute to the iconic instrument, the Fender Rhodes. The Rhodes piano (also known as the Fender Rhodes piano or simply Fender Rhodes or Rhodes) is an electric piano invented by Harold Rhodes, which became particularly popular throughout the 1970s. CBS oversaw mass production of the Rhodes piano in the 1970s, and it was used extensively through the decade, particularly in jazz, pop, and soul music. The Rhodes became a staple in recordings and live performances for renown keyboard artists Herbie Hancock and Chick Corea. A resurgence of the instrument recently has been realized through jazz musicians Nicholas Payton and Christian Scott. "Tribute to The Fender Rhodes in Jazz" The Backwards Step / Nicholas Payton Scenario / Tyrone Jackson Come Together / Lennon-McCartney Cry Me A River / Arthur Hamilton Benin / Tyrone Jackson By Chance / Tyrone Jackson Take 5 / Desmond-Brubeck Sound of Music / Rodgers-Hammerstein Butterfly / Herbie Hancock Song for Bilbao / Pat Methany Lecturer in Jazz Studies and Jazz Piano yrone Jackson – the name is quickly becoming synonymous with the quintessential jazz piano player. His boundless creativity coupled with subtle accompaniments has Tyrone poised for national recognition. TBorn in the New Orleans cradle of jazz, Jackson embodies the spirit of the Crescent City. -
May-June 293-WEB
May-June 2007 Issue 293 jazz Free &blues report www.jazz-blues.com now in our 33rd year KOKO TAYLOR KOKO TAYLOR Old School Published by Martin Wahl A New CD... Communications On Tour... Editor & Founder Bill Wahl & Appearing at the Chicago Blues Festival Layout & Design Bill Wahl The last time I saw Koko Taylor Operations Jim Martin she was a member of the audience at Pilar Martin Buddy Guy’s Legends in Chicago. It’s Contributors been about 15 years now, and while I Michael Braxton, Mark Cole, no longer remember who was on Kelly Ferjutz, Dewey Forward, stage that night – I will never forget Chris Hovan, Nancy Ann Lee, Koko sitting at a table surrounded by Peanuts, Wanda Simpson, Mark fans standing about hoping to get an Smith, Dave Sunde, Duane Verh, autograph...or at least say hello. The Emily Wahl and Ron Weinstock. Queen of the Blues was in the house that night...and there was absolutely Check out our costantly updated no question as to who it was, or where website. Now you can search for CD Reviews by artists, titles, record she was sitting. Having seen her elec- labels, keyword or JBR Writers. 15 trifying live performances several years of reviews are up and we’ll be times, combined with her many fine going all the way back to 1974. Alligator releases, it was easy to un- derstand why she was engulfed by so Koko at the 2006 Pocono Blues Festival. Address all Correspondence to.... many devotees. Still trying, but I still Jazz & Blues Report Photo by Ron Weinstock. -
Notre Dame Collegiate Jazz Festival Program, 2005
Archives of the University of Notre Dame Archives of the University of Notre Dame ro WEDNESDAY, FEB. 23, 2005 Preview Night. LaFortune Ballroom. FREE .-> 8:00 p.m. University of Notre Dame Jazz Band II and Jazz Combo -I-J (J) FRIDAY, FEB. 25, 2005 Evening concert block. Washington Hall. FREE for Students; Non-students $3 for 1 night, $5 for both nights OJ U 6:00 p.m. Oberlin College Small Jazz Ensemble N N 6:45 p.m. Western Michigan UniversityCombo ro 7:30 p.m. University of Illinois Concert Jazz Band --, 8: 15 p.m. Oberlin College Jazz Ensemble 9:00 p.m. Western Michigan UniversityJazz Orchestra OJ 9:45 p.m. Judges' Jam ro-I-J :Jro Frank Catalano (saxophone) c· Andre Hayward (trombone) cO) Lynne Arriale (piano) <{OJ Jay Anderson (bass) ...c:= Steve Davis (drums) ~O ~U SATURDAY, FEB. 26, 2005 Clinic. Notre Dame Band Building. FREE 2-3:00 p.m. Meet in main rehearsal room. Evening concert block. Washington Hall. Free for Students; Non-students $3 for 1 night, $5 for both nights 6:00 p. m. University of Notre Dame Jazz Band I 6:45 p.m. Middle Tennessee State UniversityJazz Ensemble I 7:30 p.m. Jacksonville State UniversityJazz Ensemble I 8: 15 p.m. Carnegie Mellon University 6:30 Jazz Ensemble 9:00 p.m. University of Notre Dame Brass Band 9:45 p.m. Collegiate Jazz Festival Alumni Combo Archives of the University of Notre Dame Festival Director: Greg Salzler OJ Assistant to the Director: WillSeath OJ ~ Festival Graphic Designer: Melissa Martin ~ Student Union Board Advisor: Erin Byrne , Faculty advisorto the festival: Larry Dwyer E SUB E-Board: Jimmy Flaherty E Patrick Vassel e Lauren Hallemann u - HeatherKimmins ro John McCarthy > Caitlin Burns .- ~ MarkHealy (J) OJ (J) 1 Jazz Festival Committee Special Thanks to: Ourguests L.L. -
Real-Time Physical Model of a Wurlitzer and Rhodes Electric Piano
Proceedings of the 20th International Conference on Digital Audio Effects (DAFx-17), Edinburgh, UK, September 5–9, 2017 REAL-TIME PHYSICAL MODEL OF A WURLITZER AND RHODES ELECTRIC PIANO Florian Pfeifle Systematic Musicology, University of Hamburg Hamburg, DE [email protected] ABSTRACT tation methodology as is published in [21]. This work aims at extending the existing physical models of mentioned publications Two well known examples of electro-acoustical keyboards played in two regards by (1) implementing them on a FPGA for real-time since the 60s to the present day are the Wurlitzer electric piano synthesis and (2) making the physical model more accurate when and the Rhodes piano. They are used in such diverse musical gen- compared to physical measurements as is discussed in more detail res as Jazz, Funk, Fusion or Pop as well as in modern Electronic in section 4 and 5. and Dance music. Due to the popularity of their unique sound and timbre, there exist various hardware and software emulations which are either based on a physical model or consist of a sample 2. RELATED WORK based method for sound generation. In this paper, a real-time phys- ical model implementation of both instruments using field pro- Scientific research regarding acoustic and electro-mechanic prop- grammable gate array (FPGA) hardware is presented. The work erties of both instruments is comparably sparse. Freely available presented herein is an extension of simplified models published user manuals as well as patents surrounding the tone production before. Both implementations consist of a physical model of the of the instruments give an overview of basic physical properties of main acoustic sound production parts as well as a model for the both instrument [5]; [7]; [8]; [13]; [4]. -
Playlist - WNCU ( 90.7 FM ) North Carolina Central University Generated : 12/07/2011 02:48 Pm
Playlist - WNCU ( 90.7 FM ) North Carolina Central University Generated : 12/07/2011 02:48 pm WNCU 90.7 FM Format: Jazz North Carolina Central University (Raleigh - Durham, NC) This Period (TP) = 11/30/2011 to 12/06/2011 Last Period (TP) = 11/23/2011 to 11/29/2011 TP LP Artist Album Label Album TP LP +/- Rank Rank Year Plays Plays 1 2 Freddy Cole Talk To Me HighNote 2011 12 9 3 2 20 Bill O'Connell Triple Play Plus Three Zoho 2011 11 4 7 3 41 Rene Marie Black Lace Freudian Slip Motema 2011 10 2 8 3 78 Mary Louise Knutson In The Bubble Meridian Jazz 2011 10 1 9 5 11 Joey DeFrancesco 40 HighNote 2011 9 5 4 5 284 Takuya Kuroda Edge Self-Released 2011 9 0 9 7 28 Vanguard Jazz Orchestra Forever Lasting - Live in Planet Arts 2011 8 3 5 Tokyo 7 284 Sophie Milman In The Moonlight eOne 2011 8 0 8 9 5 Dr. Michael White Adventures In New Basin Street 2011 7 7 0 Orleans Jazz Pt. 1 9 7 Jeff McLaughlin Quartet Blocks Owl Studios 2011 7 6 1 9 284 Ken Fowser & Behn DuoTone Posi-Tone 2011 7 0 7 Gillece 9 284 Jay Ashby & Steve Davis Mistaken Identity MCG Jazz 2011 7 0 7 13 1 Pat Martino Undeniable: Live At Blues HighNote 2011 6 10 -4 Alley 13 5 Alan Leatherman Detour Ahead AJL 2011 6 7 -1 13 11 Ron Carter Ron Carter's Great Big Sunnyside 2011 6 5 1 Band 13 11 Stefon Harris, David Ninety Miles Concord Picante 2011 6 5 1 Sanchez, Christian Scott 13 28 Cedar Walton The Bouncer High Note 2011 6 3 3 13 41 John Stein Hi Fly Whaling City Sound 2011 6 2 4 13 78 Lenora Zenzalai Helm I Love Myself When I'm Zenzalai 2011 6 1 5 Laughing 13 284 Ernest Stuart Solitary -
The World Under My Fingers (PDF)
THE WORLD UNDER MY FINGERS PERSONAL REFLECTIONS ON BRAILLE Second Edition Edited by Barbara Pierce and Barbara Cheadle ii Copyright © 2005 by the National Federation of the Blind First edition 1995, second edition 2005 ISBN 1-885218-31-1 All Rights Reserved Printed in the United States of America iii TABLE OF CONTENTS Braille Won’t Bite........................................1 Keeping Within the Lines ..........................2 The Chance to Read ................................11 Success Through Reading: Heather’s Story ........................................16 Reflections of a Lifelong Reader ..............20 That the Sighted May See ........................34 Braille: What Is It?....................................41 Your Child’s Right to Read ......................46 Study Confirms That Early Braille Education Is Vital ....................................53 Literacy Begins At Home..........................60 My Shameful Secret..................................65 iv Print or Braille? I Use Both!......................74 Can Braille Change the Future?................82 The Blessing of Braille..............................85 How to Increase Your Braille-Reading Speed ..............................90 Practice Makes Perfect ............................101 A Montana Yankee in Louis Braille’s Court ..............................107 What I Prefer: Courtesy Tips from a Blind Youth..........114 v INTRODUCTION All parents yearn for their children to be happy and healthy and to grow up to live sat- isfying and productive lives. If it were possi- ble to do so, we would arrange for them to be attractive, intelligent, ambitious, sensible, and funny—all the traits, in short, we wish we could boast and never have enough of, no matter how talented we are. Obviously our children do not grow up to exhibit all these traits, but most of them do well enough with the skills and attributes we do manage to impart to them. -
Hammond Jazz Empfehlungen
Hammond Jazz Empfehlungen Vorname Name Album Label B-3in' Organ Jazz 32Jazz George Benson It's Uptown Columbia George Benson The George Benson Cookbook Columbia George/"Brother" Jack Benson/McDuff George Benson & Jack McDuff Prestige Pat Bianchi East Coast Roots Jazzed Media Earl Bostic Complete Quintet Recordings Lonehilljazz Terence Brewer Groovin' Wes StrongBrewMusic Gloria Coleman Sweet Missy Doodlin' Records Linda Dachtyl For Hep Cats Chicken Coup Wild Bill Davis The Zurich Concert Jazz Connaisseur Deep Blue Organ Trio Wonderful Origin Records Moe Denham The Soul Jazz Sessions Thortch Recordings Joey DeFrancesco All About My Girl Muse Records Joey DeFrancesco All or Nothing at All Big Mo Joey DeFrancesco Ballads and Blues Concord Papa John DeFrancesco Desert Heat High Note Joey DeFrancesco Goodfellas Concord Joey DeFrancesco Joey DeFrancesco plays Sinatra his way High Note Joey DeFrancesco Legacy Concord Joey DeFrancesco One For Rudy High Note Joey DeFrancesco Plays Sinatra His Way High Note Joey DeFrancesco Singin' and Swingin' Concord Joey DeFrancesco The Champ Round 2 High Note Joey DeFrancesco The Philadelphia Connection High Note Bob De Vos Breaking the ice Savant Barbara Dennerlein Junkanoo Verve www.b-tonic.ch Seite 1 von 7 Hammond Jazz Empfehlungen Barbara Dennerlein Love Letters Bebab Lou Donaldson Everything I Play Is Funky Blue Note Lou Donaldson Good Gracious! Blue Note Lou Donaldson Here 'Tis Blue Note Lou Donaldson Midnight Creeper Blue Note Lou Donaldson The Natural Soul Blue Note Charles Earland Cookin' With the Mighty -
ARTIST SONG AC/DC Back in Black Adele Rolling in the Deep Al Green
ARTIST SONG AC/DC Back In Black Adele Rolling In The Deep Al Green Let’s Stay Together Alanis Morrisette Ironic Alien Ant Farm Smooth Criminal Amy Winehouse Valerie Aretha Franklin Respect Bill Withers Ain’t No Sunshine Bob Dylan Knocking on Heaven's door Bob Marley I Shot The Sherriff Bon Jovi You Give Love A Bad Name Britney Spears Toxic Bruno Mars Runaway Baby Bruno Mars Treasure Carly Rae Jepsen Call Me Maybe Cee Lo Green Forget You Chic Everybody Dance Chic Le Freak Chic Good Times Deep Purple Black Night Diana Ross Ain't No Mountain High Enough Electric Six Gay Bar Eric Clapton Cocaine Etta James I’d Rather Go Blind Etta James I Just Wanna Make Love to You Foo Fighters Times Like These Fountains Of Wayne Stacy's Mom Gloria Gaynor I Will Survive Gnarls Barkley Crazy Greenday American Idiot Jaco Pastorius The Chicken John Cage's 4'33 Justin Timberlake Sexy Back Led Zeppelin Good Times Bad Times Lee Ritenour Fly By Night Linkin Park Numb Luther Vandross Never Too Much Lynyrd Skynyrd Sweet Home Alabama Maroon 5 Harder To Breathe Maroon 5 This Love Marvin Gaye Through The Grape Vine Metallica Enter Sandman Michael Jackson Beat It Michael Jackson PYT Motorhead Ace of Spades Muse Starlight Muse Time is Running Out No Doubt Don’t Speak Olly Murs Troublemaker Otis Redding Sitting on the dock of the bay Paramore Misery business Paul Simon Diamonds on the Soles of Her Shoes Pixie Lott Cry Me Out Prince Kiss Rage Against The Machine Killing In The Name Red Hot Chili Peppers Aeroplane Red Hot Chili Peppers Californication Rose Royce Car Wash -
37 Key Digital Keyboard INSTRUCTION MANUAL
ages: 3+ BATTERY COMPARTMENT Battery Compartment Door 37 Key Digital Keyboard INSTRUCTION MANUAL Phillips head screw Insert 4X AA Size Batteries 5 6 7 10 14 13 1 2 4 8 9 11 12 100 SOUNDS 100 RHYTHMS T00 Acoustic Grand Piano T50 Synth Strings 2 R00 Fusion R50 Disco T01 Bright Acoustic Piano T51 Choir Aahs R01 Clup Pop R51 Electro Pop T02 Electric Grand Piano T52 Voice Oohs R02 16 Beat Pop R52 Hip Hop T03 Honky-Tonk Piano T53 Synth Voice R03 8 Beat Pop R53 Rap Pop T04 Rhodes Piano T54 Orchestra Hit R04 8 Beat Soul R54 Techno T05 Chorused Piano T55 Trumpet R05 Pop Rock R55 Trance T06 Harpsichord T56 Trombone R06 60's Soul R56 Funky Disco T07 Clavi T57 Tuba R07 8 Beat Rock R57 Disco Party T08 Celesta T58 Muted Trumpet R08 Funk R58 Disco Samba T09 Glockenspiel T59 French Horn R09 Twist R59 Club Latin T10 Music Box T60 Brass Section R10 British Pop R60 Club Dance T11 Vibraphone T61 Synth Brass 1 R11 Rock Ballad R61 Disco Funk T12 Marimba T62 Synth Brass 2 R12 Limbo Rock R62 Disco Hands T13 Xylophone T63 Soprano Sax R13 Hard Rock R63 Disco Alt T14 Tubular Bells T64 Alto Sax R14 Rock & Roll R64 Saturday Night T15 Dulcimer T65 Tenor Sax R15 Straight Rock R65 Hip Shuffle T16 Drawbar Organ T66 Baritone Sax R16 Jazz Rock R66 Garage T17 Percussive Organ T67 Oboe R17 Schlager Rock R67 UK Pop T18 Rock Organ T68 English Horn R18 Waltz R68 Slow & Easy T19 Church Organ T69 Bassoon R19 Samba R69 Modern Country Pop T20 Reed Organ T70 Clarinet R20 Tango R70 Country Ballad T21 Accordion T71 Piccolo R21 Cha Cha R71 Schlager T22 Harmonica T72 Flute R22 Paso -
The Singing Guitar
August 2011 | No. 112 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Mike Stern The Singing Guitar Billy Martin • JD Allen • SoLyd Records • Event Calendar Part of what has kept jazz vital over the past several decades despite its commercial decline is the constant influx of new talent and ideas. Jazz is one of the last renewable resources the country and the world has left. Each graduating class of New York@Night musicians, each child who attends an outdoor festival (what’s cuter than a toddler 4 gyrating to “Giant Steps”?), each parent who plays an album for their progeny is Interview: Billy Martin another bulwark against the prematurely-declared demise of jazz. And each generation molds the music to their own image, making it far more than just a 6 by Anders Griffen dusty museum piece. Artist Feature: JD Allen Our features this month are just three examples of dozens, if not hundreds, of individuals who have contributed a swatch to the ever-expanding quilt of jazz. by Martin Longley 7 Guitarist Mike Stern (On The Cover) has fused the innovations of his heroes Miles On The Cover: Mike Stern Davis and Jimi Hendrix. He plays at his home away from home 55Bar several by Laurel Gross times this month. Drummer Billy Martin (Interview) is best known as one-third of 9 Medeski Martin and Wood, themselves a fusion of many styles, but has also Encore: Lest We Forget: worked with many different artists and advanced the language of modern 10 percussion. He will be at the Whitney Museum four times this month as part of Dickie Landry Ray Bryant different groups, including MMW.