Hammond Jazz Empfehlungen
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Seeing (For) Miles: Jazz, Race, and Objects of Performance
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 2014 Seeing (for) Miles: Jazz, Race, and Objects of Performance Benjamin Park anderson College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the African American Studies Commons, and the American Studies Commons Recommended Citation anderson, Benjamin Park, "Seeing (for) Miles: Jazz, Race, and Objects of Performance" (2014). Dissertations, Theses, and Masters Projects. Paper 1539623644. https://dx.doi.org/doi:10.21220/s2-t267-zy28 This Dissertation is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. Seeing (for) Miles: Jazz, Race, and Objects of Performance Benjamin Park Anderson Richmond, Virginia Master of Arts, College of William and Mary, 2005 Bachelor of Arts, Virginia Commonwealth University, 2001 A Dissertation presented to the Graduate Faculty of the College of William and Mary in Candidacy for the Degree of Doctor of Philosophy American Studies Program College of William and Mary May 2014 APPROVAL PAGE This Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Benjamin Park Anderson Approved by T7 Associate Professor ur Knight, American Studies Program The College -
Tenor Saxophone Mouthpiece When
MAY 2014 U.K. £3.50 DOWNBEAT.COM MAY 2014 VOLUME 81 / NUMBER 5 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editors Ed Enright Kathleen Costanza Art Director LoriAnne Nelson Contributing Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, -
Downbeat-2-19-Soul-Fingers-Pages
Jazz / BY DENISE SULLIVAN MAGNUS CONTZEN Draksler/Eldh/Lillinger Punkt.Vrt.Plastik INTAKT 318 ++++ Bobby Broom The lineup of any ensemble has an alchemical quality to it. The right combination of personal- A Personalized Perspective ities and styles can yield nothing less than gold. Three trios and a quartet—led by a drummer, guitarist John Chiodini (Natalie Cole, Tony But throw in one bad element and it quickly can a guitarist, a keyboardist and a bassist, re- Bennet) and organist Joe Bagg (Madeleine turn leaden. spectively—demonstrate an ability to cast a Peyroux, Larry Coryell) through two pieces That was the risk drummer Christian wide net and still remain within the jazz tradi- by Brazilian musician César Camargo Maria- Lillinger and bassist Petter Eldh took when they tion. From originals to classic rock standards, no, plus a samba, “Cascades Of The 7 Water- started working with pianist Kaja Draksler in a soul, blues and a touch of Brazil, these play- falls” by Alex Malheiros, as well as the Chiod- new trio. The pair already were familiar with ers rely on their deep love and knowledge of ini-penned “Cheetahs And Gazelles,” with its one another, having provided the backbone for modes and material, and a commitment to own Brazilian changes. Seiwell was a found- the marvelous free-jazz quartet Amok Amor. laying it down. ing member of Paul McCartney’s Wings and Draksler was the X-factor they brought into their Known for his work on the Hammond there’s a dramatic version of “Live & Let Die” creative partnership, a new source of heat that B-3 organ, Raphael Wressnig lets loose included here, plus a guest appearance by on Chicken Burrito (Pepper Cake 2110; rocker Edgar Winter, who hits the saxophone could bend their playing into new shapes. -
Vindicating Karma: Jazz and the Black Arts Movement
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-2007 Vindicating karma: jazz and the Black Arts movement/ W. S. Tkweme University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Tkweme, W. S., "Vindicating karma: jazz and the Black Arts movement/" (2007). Doctoral Dissertations 1896 - February 2014. 924. https://scholarworks.umass.edu/dissertations_1/924 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. University of Massachusetts Amherst Library Digitized by the Internet Archive in 2014 https://archive.org/details/vindicatingkarmaOOtkwe This is an authorized facsimile, made from the microfilm master copy of the original dissertation or master thesis published by UMI. The bibliographic information for this thesis is contained in UMTs Dissertation Abstracts database, the only central source for accessing almost every doctoral dissertation accepted in North America since 1861. Dissertation UMI Services From:Pro£vuest COMPANY 300 North Zeeb Road P.O. Box 1346 Ann Arbor, Michigan 48106-1346 USA 800.521.0600 734.761.4700 web www.il.proquest.com Printed in 2007 by digital xerographic process on acid-free paper V INDICATING KARMA: JAZZ AND THE BLACK ARTS MOVEMENT A Dissertation Presented by W.S. TKWEME Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 W.E.B. -
Vanguard Jazz Orchestra Plans May Tribute to Thad Jones and Mel Lewis
JazzWeek with airplay data powered by jazzweek.com • March 30, 2005 Volume 1, Number 19 • $7.95 In This Issue: Mack Avenue to Sponsor Detroit Jazz Fest. 4 WGBH Ups Rivero to Radio/ TV GM . 5 Camilo Embarks . 6 441 Launches Test of Time . 9 Reviews and Picks. 15 Jazz Radio . 18 Smooth Jazz Radio. 23 RADIO Q&A: Radio WEMU’S Panels. 27 LINDA YOHN News. 4 page 12 Charts: #1 Jazz Album – Joey DeFrancesco #1 Smooth Album – Dave Koz #1 Smooth Single – Dave Koz JazzWeek This Week EDITOR Ed Trefzger ’m thrilled that we get to feature another of our favorite people CONTRIBUTING EDITORS in jazz radio this week, WEMU music director Linda Yohn. Keith Zimmerman Kent Zimmerman ILinda is a nominee for the Jazz Journalists Association Excel- Tad Hendrickson lence in Jazz Broadcasting/Willis Conover-Marian McPartland CONTRIBUTING WRITER Award. She has been there encouraging and supporting our ef- Tom Mallison forts even before there was a JazzWeek, as one of the first par- PHOTOGRAPHY ticipants on the Jazz Programmers Mailing List. Linda has been Barry Solof a key figure at each of JazzWeek’s Summits and an active part of PUBLISHER the industry tracks at IAJE for years. As host of the 9 a.m. to noon Tony Gasparre shift on WEMU, Linda shows everyone how jazz radio should be ADVERTISING: Contact Tony Gasparre done, and thanks to the ’net, those of us outside of Ypsilanti/Ann (585) 235-4685 x3 or Arbor/Detroit get to eavesdrop. email: [email protected] While we’re talking about the Motor City, hats off to Mack SUBSCRIPTIONS: Prices in US Dollars: Avenue Records for picking up the sponsorship of the Detroit In- Charter Rate: $199.00 per year, ternational Jazz Festival. -
Grant Green Grantstand Mp3, Flac, Wma
Grant Green Grantstand mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Grantstand Country: US Released: 1961 Style: Soul-Jazz, Hard Bop MP3 version RAR size: 1122 mb FLAC version RAR size: 1402 mb WMA version RAR size: 1247 mb Rating: 4.2 Votes: 707 Other Formats: WAV MP3 MP1 MIDI AIFF VQF DTS Tracklist Hide Credits Grantstand A1 Written-By – Green* My Funny Valentine A2 Written-By – Rodgers-Hart* Blues In Maude's Flat B1 Written-By – Green* Old Folks B2 Written-By – Hill*, Robison* Companies, etc. Published By – Groove Music Recorded At – Van Gelder Studio, Englewood Cliffs, New Jersey Credits Drums – Al Harewood Guitar – Grant Green Liner Notes – Nat Hentoff Organ – Jack McDuff* Photography By [Cover Photo] – Francis Wolff Producer – Alfred Lion Recorded By [Recording By] – Rudy Van Gelder Tenor Saxophone, Flute – Yusef Lateef Notes Recorded on August 1, 1961, Van Gelder Studio, Englewood Cliffs, New Jersey Blue Note Records Inc., 43 W 61st St., New York 23 (Adress on Back Cover) Barcode and Other Identifiers Matrix / Runout (Side A Label): BN 4086-A Matrix / Runout (Side B Label): BN 4086-B Matrix / Runout (Side A Runout etched): BN-LP-4086-A Matrix / Runout (Side B Runout etched): BN-LP-4086-B Rights Society: BMI Other versions Category Artist Title (Format) Label Category Country Year Blue Grant Grantstand (LP, BN 84086, BN 4086 Note, BN 84086, BN 4086 Japan 1992 Green Album, Ltd, RE) Blue Note Grant Grantstand (CD, 7243 5 80913 2 8 Blue Note 7243 5 80913 2 8 US 2003 Green Album, RE, RM) Grantstand (CD, Blue TOCJ-9244, -
Thad Jones Discography Copy
Thad Jones Discography Compiled by David Demsey 2012-15 Recordings released during Thad Jones’ lifetime, as performer, bandleader, composer/arranger; subsequent CD releases are listed where applicable. Each entry lists Thad Jones compositions/arrangements contained on that recording. Album titles preceded by (•) are contained in the Thad Jones Archive collection. I. As a Leader or Co-Leader Big Band Leader or Co-Leader (chronological): • Thad Jones/Mel Lewis Orchestra, Live at the Vanguard (rec. 1/7 [sic], 3/21/66) [live recording donated by George Klabin] Contains: All My Yesterdays (2 versions), Backbone, Big Dipper (2 versions), Mean What You Say, Morning Reverend, Little Pixie, Willow Weep for Me (Brookmeyer), Once Around, Polka Dots and Moonbeams (small group), Low Down, Lover Man, Don’t Ever Leave Me, A-That’s Freedom • Thad Jones/Mel Lewis Orchestra, On Tour (rec. varsious dates and locations in Europe) Discs 1-7, 10-11 [see Special Recordings section below] On iTunes. • Thad Jones/Mel Lewis Orchestra, In the Netherlands (rec. 1974) [unreleased live recording donated by John Mosca] • Thad Jones/Mel Lewis Orchestra, Presenting the Thad Jones-Mel Lewis Orchestra (rec. 5/4-5-6/66) Solid State UAL18003 Contains: Balanced Scales = Justice, Don’t Ever Leave Me, Mean What You Say, Once Around, Three and One • Thad Jones/Mel Lewis Orchestra, Opening Night (rec. 1[sic]/7/66, incorrect date; released 1990s) Alan Grant / BMG Ct. # 74321519392 Contains: Big Dipper, Polka Dots and Moonbeams (small group), Once Around, All My Yesterdays, Morning Reverend, Low Down, Lover Man, Mean What You Say, Don’t Ever Leave Me, Willow Weep for Me (arr. -
Hammond Sk1-73
Originally printed in the October 2013 issue of Keyboard Magazine. Reprinted with the permission of the Publishers of Keyboard Maga- zine. Copyright 2008 NewBay Media, LLC. All rights reserved. Keyboard Magazine is a Music Player Network publication, 1111 Bayhill Dr., St. 125, San Bruno, CA 94066. T. 650.238.0300. Subscribe at www.musicplayer.com REVIEW SYNTH » CLONEWHEEL » VIRTUAL PIANO » STANDS » MASTERING » APP HAMMOND SK1-73 BY BRIAN HO HAMMOND’S SK SERIES HAS SET A NEW PORTABILITY STANDARD FOR DRAWBAR that you’re using for pianos, EPs, Clavs, strings, organs that also function as versatile stage keyboards in virtue of having a comple- and other sounds. ment of non-organ sounds that can be split and layered with the drawbar section. Even though there isn’t a button that causes Where the original SK1 had 61 keys and the SK2 added a second manual, the new the entire keyboard to play only the lower organ SK1-73 and SK1-88 aim for musicians looking for the same sonic capabilities in a part—useful if you want to switch between solo single-slab form factor that’s more akin to a stage piano. I got to use the 73-key and comping sounds without disturbing the sin- model on several gigs and was very pleased with its sound and performance. gle set of drawbars—I found a cool workaround. Simply create a “Favorite” (Hammond’s term for Keyboard Feel they’ll stand next to anything out there and not presets that save the entire state of the instru- I find that a 61-note keyboard is often too small leave you or the audience wanting for realism. -
May-June 293-WEB
May-June 2007 Issue 293 jazz Free &blues report www.jazz-blues.com now in our 33rd year KOKO TAYLOR KOKO TAYLOR Old School Published by Martin Wahl A New CD... Communications On Tour... Editor & Founder Bill Wahl & Appearing at the Chicago Blues Festival Layout & Design Bill Wahl The last time I saw Koko Taylor Operations Jim Martin she was a member of the audience at Pilar Martin Buddy Guy’s Legends in Chicago. It’s Contributors been about 15 years now, and while I Michael Braxton, Mark Cole, no longer remember who was on Kelly Ferjutz, Dewey Forward, stage that night – I will never forget Chris Hovan, Nancy Ann Lee, Koko sitting at a table surrounded by Peanuts, Wanda Simpson, Mark fans standing about hoping to get an Smith, Dave Sunde, Duane Verh, autograph...or at least say hello. The Emily Wahl and Ron Weinstock. Queen of the Blues was in the house that night...and there was absolutely Check out our costantly updated no question as to who it was, or where website. Now you can search for CD Reviews by artists, titles, record she was sitting. Having seen her elec- labels, keyword or JBR Writers. 15 trifying live performances several years of reviews are up and we’ll be times, combined with her many fine going all the way back to 1974. Alligator releases, it was easy to un- derstand why she was engulfed by so Koko at the 2006 Pocono Blues Festival. Address all Correspondence to.... many devotees. Still trying, but I still Jazz & Blues Report Photo by Ron Weinstock. -
The 2018 NEA Jazz Masters Tribute Concert Honoring the 2018 National Endowment for the Arts Jazz Masters
4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 10:33 AM Page 1 The John F. Kennedy Center for the Performing Arts DAVID M. RUBENSTEIN , Chairman DEBoRAh F. RUTTER, President CONCERT HALL Monday Evening, April 16, 2018, at 8:00 The Kennedy Center and the National Endowment for the Arts present The 2018 NEA Jazz Masters Tribute Concert Honoring the 2018 National Endowment for the Arts Jazz Masters TODD BARKAN JOANNE BRACKEEN PAT METHENY DIANNE REEVES Jason Moran is the Kennedy Center Artistic Director for Jazz. This performance will be livestreamed online, and will be broadcast on Sirius XM Satellite Radio and WPFW 89.3 FM. Patrons are requested to turn off cell phones and other electronic devices during performances. The taking of photographs and the use of recording equipment are not allowed in this auditorium. 4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 10:33 AM Page 2 THE 2018 NEA JAZZ MASTERS TRIBUTE CONCERT Hosted by JASON MORAN, Kennedy Center Artistic Director for Jazz With remarks from JANE CHU, Chairman of the National Endowment for the Arts DEBORAH F. RUTTER, President of the John F. Kennedy Center for the Performing Arts The 2018 NEA JAzz MASTERS Performances by NEA Jazz Master Eddie Palmieri and the Eddie Palmieri Sextet John Benitez Camilo Molina-Gaetán Jonathan Powell Ivan Renta Vicente “Little Johnny” Rivero Terri Lyne Carrington Nir Felder Sullivan Fortner James Francies Pasquale Grasso Gilad Hekselman Angélique Kidjo Christian McBride Camila Meza Cécile McLorin Salvant Antonio Sanchez Helen Sung Dan Wilson 4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 -
Organ1st: Issue Fourteen May to July 2002 1 Welcome to Issue Fourteen Containing in Colour
The Magazine for Organists This Issue: “At Home with Penny Weedon” by Tony Kerr Profile of Nicholas Martin Profile of Ryan Edwards Glyn Madden interviewed by Robert Mottram Carol Williams “Behind the Scenes at Blenheim Palace” “The Lady Is A Tramp” Organ Arrangement by Glyn Madden “The B3 March” Topline Music Alan Ashton’s “Organised Keyboards” PDF “Time Was” by Ivor Manual (Part Six) ORGAN1st: Issue Fourteen May to July 2002 1 Welcome to issue fourteen containing in colour. We have thought about some letters! If you have any questions profiles of Nicholas Martin, Penny changing the printed magazine to colour, or comments about organists, organs, our Weedon, Ryan Edwards, plus much more. but the web versions are the best option magazine, concerts or recordings etc., for us at the moment. please send them to us. You can post, We have a great arrangement of “The fax (or preferably email) them. We will Lady Is A Tramp” by Glyn Madden. Our New issues are available to subscribers send a £5.00 credit note for any we print thanks go to him for a super arrangement only for the first few months. As we do and £10.00 for the best one. which is exclusive to us. We also have an not have to wait for the web version to be interviewFourteen with him by Robert Mottram. printed, they are available on our website Organ Festivals by Tim Flint: in early January, April, July and October I have also included a topline version of Tim Flint has started his own Organ (a month before the printed ones are sent one of my own compositions called “The Festivals called “Superior Hotel Breaks out). -
Downbeat.Com March 2014 U.K. £3.50
£3.50 £3.50 U.K. DOWNBEAT.COM MARCH 2014 D O W N B E AT DIANNE REEVES /// LOU DONALDSON /// GEORGE COLLIGAN /// CRAIG HANDY /// JAZZ CAMP GUIDE MARCH 2014 March 2014 VOLUME 81 / NUMBER 3 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editor Ed Enright Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes Editorial Intern Kathleen Costanza Design Intern LoriAnne Nelson ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene