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PRODUCT CATALOG WINTER 2014 the Original Red Keyboards the Nord Factory Is Located in the Creative Area of Stockholm Also Known As Sofo, in the District of Södermalm
Nord Keyboards Product Catalog Winter Catalog Product Keyboards Nord SYNTHESIZERS • STAGE PIANOS • COMBO ORGAN Handmade in Sweden by Clavia DMI AB 2014 PRODUCT CATALOG WINTER 2014 The Original Red Keyboards The Nord factory is located in the creative area of Stockholm also known as SoFo, in the district of Södermalm. With everything located in the same building, communication between development and production is only a matter of walking a few meters. We are proud to say all our Nord products are assembled by hand and they all go through a series of tough tests to ensure they’ll be ready for a long and happy life ‘on the road’. CONTENTS SYNTHESIZERS NORD LEAD A1 6 NEW NORD LEAD 4 14 NORD DRUM 2 22 STAGE PIANOS NORD ELECTRO 4 26 NORD PIANO 2 34 NORD STAGE 2 40 COMBO ORGAN NORD C2D 48 SOUND LIBRARIES 56 Manufacturer: Clavia DMI AB, Box 4214, SE-102 65 Stockholm, Sweden Phone: +46 8 442 73 60 | Fax: +46 8 644 26 50 | Email: [email protected] | www.nordkeyboards.com 3 IT ALL STARTED BACK IN 1983... In 1983 founder Hans Nordelius created the Digital In 2001 the first Nord Electro was released, In 2008 we released the Nord Electro 3 and the Percussion Plate 1 – the first drum pad allowing for introducing stunning emulations of classic vintage exclusively licensed sounds from the Mellotron and dynamic playing using sampled sounds. The DPP1 electro-mechanical instruments with a level of Chamberlin. The Electro 3 became one of the most was an instant success and soon thereafter the portability generally not associated with the original successful products we’ve ever made. -
Page 14 Street, Hudson, 715-386-8409 (3/16W)
JOURNAL OF THE AMERICAN THEATRE ORGAN SOCIETY NOVEMBER | DECEMBER 2010 ATOS NovDec 52-6 H.indd 1 10/14/10 7:08 PM ANNOUNCING A NEW DVD TEACHING TOOL Do you sit at a theatre organ confused by the stoprail? Do you know it’s better to leave the 8' Tibia OUT of the left hand? Stumped by how to add more to your intros and endings? John Ferguson and Friends The Art of Playing Theatre Organ Learn about arranging, registration, intros and endings. From the simple basics all the way to the Circle of 5ths. Artist instructors — Allen Organ artists Jonas Nordwall, Lyn Order now and recieve Larsen, Jelani Eddington and special guest Simon Gledhill. a special bonus DVD! Allen artist Walt Strony will produce a special DVD lesson based on YOUR questions and topics! (Strony DVD ships separately in 2011.) Jonas Nordwall Lyn Larsen Jelani Eddington Simon Gledhill Recorded at Octave Hall at the Allen Organ headquarters in Macungie, Pennsylvania on the 4-manual STR-4 theatre organ and the 3-manual LL324Q theatre organ. More than 5-1/2 hours of valuable information — a value of over $300. These are lessons you can play over and over again to enhance your ability to play the theatre organ. It’s just like having these five great artists teaching right in your living room! Four-DVD package plus a bonus DVD from five of the world’s greatest players! Yours for just $149 plus $7 shipping. Order now using the insert or Marketplace order form in this issue. Order by December 7th to receive in time for Christmas! ATOS NovDec 52-6 H.indd 2 10/14/10 7:08 PM THEATRE ORGAN NOVEMBER | DECEMBER 2010 Volume 52 | Number 6 Macy’s Grand Court organ FEATURES DEPARTMENTS My First Convention: 4 Vox Humana Trevor Dodd 12 4 Ciphers Amateur Theatre 13 Organist Winner 5 President’s Message ATOS Summer 6 Directors’ Corner Youth Camp 14 7 Vox Pops London’s Musical 8 News & Notes Museum On the Cover: The former Lowell 20 Ayars Wurlitzer, now in Greek Hall, 10 Professional Perspectives Macy’s Center City, Philadelphia. -
No Matter Where You'll Be Today, the Compact and Lightweight ESX Digital
No matter where you’ll be today, the compact and lightweight ESX digital piano will be right there with you. There will be no compro mise in tone and touch when you play the portable ESX. Using Kawai’s acclaimed Harmonic Imaging sound technology you’ll carry the bold and beautiful tone of our nine-foot EX Concert Piano with you. And the feel of the new Advanced Hammer Action II will satis fy even the most demanding player. TONE The ESX uses our critically acclaimed Harmonic Imaging sound technology… the same technology used in our award-winning MP9000 Professional Stage Piano. Harmonic Imaging creates an acoustic piano sound of remarkable depth, expression and realism. You’ll also be impressed with the other sounds of the ESX… Strings, Electric Pianos, Organs – 16 sounds in all. And any two sounds can be layered together in a DUAL mode. TOUCH Advanced Hammer Action II Kawai’s new Advanced Hammer Action II brings the feel of a real grand piano to the ESX. Its weighted hammer action design offers superb response and a smooth feel that will satis fy the needs of piano players and music educators alike. Digital SOUND SYSTEM The sound system of the ESX uses an innovative design in which the stereo speakers face out from the rear panel toward the audience or classroom. A port system releases sound from the top panel toward the player. This unique system delivers a surprising amount of sound volume while creating a natural sound for the player. The EQ feature allows you to adjust the sound quality to match the room that you are playing in. -
MOX6/MOX8 Data List 2 Voice List
Data List Table of Contents Voice List .................................................2 Drum Voice List .....................................11 Drum Voice Name List ............................ 11 Drum Kit Assign List ............................... 12 Waveform List .......................................29 Performance List ...................................34 Master Assign List .................................36 Arpeggio Type List ................................37 Effect Type List ......................................78 Effect Parameter List .............................79 Effect Preset List ...................................87 Effect Data Assign Table .......................89 Mixing Template List .............................97 Remote Control Assignments ................98 Control List ............................................99 MIDI Data Format ................................100 MIDI Data Table ..................................104 MIDI Implementation Chart ..................127 EN Voice List PRE1 (MSB=63, LSB=0) Category Category Number Voice Name Element Number Voice Name Element Main Sub Main Sub 1 A01 Full Concert Grand Piano APno 2 65 E01 Dyno Wurli Keys EP 2 2 A02 Rock Grand Piano Piano Modrn 2 66 E02 Analog Piano Keys Synth 2 3 A03 Mellow Grand Piano Piano APno 2 67 E03 AhrAmI Keys Synth 2 4 A04 Glasgow Piano APno 4 68 E04 Electro Piano Keys EP 2 5 A05 Romantic Piano Piano APno 2 69 E05 Transistor Piano Keys Synth 2 6 A06 Aggressive Grand Piano Modrn 3 70 E06 EP Pad Keys EP 3 7 A07 Tacky Piano Modrn 2 71 E07 DX Pad -
Kawai CN23/CN33/CN43 Brochure 2010
CN Series cn • cn • cn “On Sunday afternoons I make a big cup of coffee and sit playing my favourite pieces – I can easily lose a couple of hours doing that.” – James, ondon CN23 remium osewood Learning to play a musical instrument can have a life-changing eff ect on Investing in an acoustic piano is often considered the next step, however The entry-level CN23 shown above features built-in lesson books and simulate the atmosphere of a live stage or concert hall with Reverb eff ects. an individual. From students performing better in school, to adults relaxing owning and maintaining such an instrument can be costly, and impractical playing modes that encourage absolute beginners to enjoy music. The Measuring just over 40 cm in depth, the modest functionality of the CN23 after work, studies suggest that music has a tremendously positive infl uence when neighbours live too close-by. A digital piano can overcome such inclusion of such materials within Kawai digital pianos often receives praise is ideally suited to ambitious students wishing to practise in their bedroom, on everyone within the home. The resurgence of musical education in complexities, while still off ering the many benefi ts of a fi ne acoustic piano. from school teachers, with double headphone sockets and ‘Four Hands’ or young professionals that desire a compact instrument without sacrifi cing recent years has seen many parents opting for their off spring to learn the Kawai’s CN Series models feature a realistic, 88-note keyboard, beautiful playing modes allowing paired students to practise together sharing a authentic key weight or tonal character. -
Hammond Jazz Empfehlungen
Hammond Jazz Empfehlungen Vorname Name Album Label B-3in' Organ Jazz 32Jazz George Benson It's Uptown Columbia George Benson The George Benson Cookbook Columbia George/"Brother" Jack Benson/McDuff George Benson & Jack McDuff Prestige Pat Bianchi East Coast Roots Jazzed Media Earl Bostic Complete Quintet Recordings Lonehilljazz Terence Brewer Groovin' Wes StrongBrewMusic Gloria Coleman Sweet Missy Doodlin' Records Linda Dachtyl For Hep Cats Chicken Coup Wild Bill Davis The Zurich Concert Jazz Connaisseur Deep Blue Organ Trio Wonderful Origin Records Moe Denham The Soul Jazz Sessions Thortch Recordings Joey DeFrancesco All About My Girl Muse Records Joey DeFrancesco All or Nothing at All Big Mo Joey DeFrancesco Ballads and Blues Concord Papa John DeFrancesco Desert Heat High Note Joey DeFrancesco Goodfellas Concord Joey DeFrancesco Joey DeFrancesco plays Sinatra his way High Note Joey DeFrancesco Legacy Concord Joey DeFrancesco One For Rudy High Note Joey DeFrancesco Plays Sinatra His Way High Note Joey DeFrancesco Singin' and Swingin' Concord Joey DeFrancesco The Champ Round 2 High Note Joey DeFrancesco The Philadelphia Connection High Note Bob De Vos Breaking the ice Savant Barbara Dennerlein Junkanoo Verve www.b-tonic.ch Seite 1 von 7 Hammond Jazz Empfehlungen Barbara Dennerlein Love Letters Bebab Lou Donaldson Everything I Play Is Funky Blue Note Lou Donaldson Good Gracious! Blue Note Lou Donaldson Here 'Tis Blue Note Lou Donaldson Midnight Creeper Blue Note Lou Donaldson The Natural Soul Blue Note Charles Earland Cookin' With the Mighty -
Hammond SK1/SK2 Owner's Manual
*#1 Model: / STAGE KEYBOARD Th ank you, and congratulations on your choice of the Hammond Stage Keyboard SK1/SK2. Th e SK1 and SK2 are the fi rst ever Stage Keyboards from Hammond to feature both traditional Hammond Organ Voices and the basic keyboard sounds every performer desires. Please take the time to read this manual completely to take full advantage of the many features of your SK1/SK2; and please retain it for future refer- ence. DRAWBARS SELECT MENU/ EXIT UPPER PEDAL LOWER VA L U E ORGAN TYPE PLAY NUMBER NAME PATCH ENTER DRAWBARS SELECT MENU/ EXIT UPPER PEDAL LOWER VA L U E Bourdon OpenDiap Gedeckt VoixClst Octave Flute Dolce Flute Mixture Hautbois ORGAN TYPE 16' 8' 8' II 4' 4' 2' III 8' PLAY NUMBER NAME PATCH ENTER Owner’s Manual 2 IMPORTANT SAFETY INSTRUCTIONS Before using this unit, please read the following Safety instructions, and adhere to them. Keep this manual close by for easy reference. In this manual, the degrees of danger are classifi ed and explained as follows: Th is sign shows there is a risk of death or severe injury if this unit is not properly used WARNING as instructed. Th is sign shows there is a risk of injury or material damage if this unit is not properly CAUTION used as instructed. *Material damage here means a damage to the room, furniture or animals or pets. WARNING Do not open (or modify in any way) the unit or its AC Immediately turn the power off , remove the AC adap- adaptor. tor from the outlet, and request servicing by your re- tailer, the nearest Hammond Dealer, or an authorized Do not attempt to repair the unit, or replace parts in Hammond distributor, as listed on the “Service” page it. -
Early Reception Histories of the Telharmonium, the Theremin, And
Electronic Musical Sounds and Material Culture: Early Reception Histories of the Telharmonium, the Theremin, and the Hammond Organ By Kelly Hiser A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Music) at the UNIVERSITY OF WISCONSIN-MADISON 2015 Date of final oral examination: 4/21/2015 The dissertation is approved by the following members of the Final Oral Committee ` Susan C. Cook, Professor, Professor, Musicology Pamela M. Potter, Professor, Professor, Musicology David Crook, Professor, Professor, Musicology Charles Dill, Professor, Professor, Musicology Ann Smart Martin, Professor, Professor, Art History i Table of Contents Acknowledgements ii List of Figures iv Chapter 1 1 Introduction, Context, and Methods Chapter 2 29 29 The Telharmonium: Sonic Purity and Social Control Chapter 3 118 Early Theremin Practices: Performance, Marketing, and Reception History from the 1920s to the 1940s Chapter 4 198 “Real Organ Music”: The Federal Trade Commission and the Hammond Organ Chapter 5 275 Conclusion Bibliography 291 ii Acknowledgements My experience at the University of Wisconsin-Madison has been a rich and rewarding one, and I’m grateful for the institutional and personal support I received there. I was able to pursue and complete a PhD thanks to the financial support of numerous teaching and research assistant positions and a Mellon-Wisconsin Summer Fellowship. A Public Humanities Fellowship through the Center for the Humanities allowed me to actively participate in the Wisconsin Idea, bringing skills nurtured within the university walls to new and challenging work beyond them. As a result, I leave the university eager to explore how I might share this dissertation with both academic and public audiences. -
Big Organ Trio Has Emerged As a Band with a Truly Unique Voice
Band Contact: Booking Contact: [email protected] Jim Wadsworth Productions 330-405-9075 [email protected] Bio "This isn 't your standard jazz trio", remarked Jambands.com. Since its inception in 2004, Big Organ Trio has emerged as a band with a truly unique voice. Their acclaimed debut CD was released in 2006 and has led to thousands of music and merchandise sales in addition to concerts across the U.S. and internationally. B.O.T. 's groundbreaking approach to the organ trio format has drawn the attention of Keyboard Magazine, who featured the band in 2006, and many of the world 's greatest Hammond players. The combo has played with Keith Emerson (Emerson, Lake, & Palmer) and shared the stage with Melvin Seals (Jerry Garcia Band). Gregg Rolie (vocalist/organist from Santana) and Tony Monaco (world renowned jazz organist) have also commented on the trio 's fresh and inventive sound. High profile performances at major music festivals such as 10,000 Lakes Festival (MN) and Fillmore Jazz Festival (SF) as well as shows with the likes of Robby Krieger (The Doors), Umphrey 's McGee, Leo Nocentelli (The Meters), and Stanton Moore (Galactic) have helped fuel the buzz. With an exploding fan-base worldwide and gigantic internet presence the band has won fan voting polls on websites such as Jambands.com and seen their debut album become the top selling Hammond Organ album on CDbaby.com. B.O.T. music can also be heard on networks such as E! Channel and radio programs around the globe. Mike Mangan (Hammond B3 Organ), Bernie Bauer (Electric Bass), and Brett McConnell (Drums) all share a great love and respect for the old school spirit of blues and jazz improvisation. -
MOXF6/MOXF8 Data List 2 Voice List
Data List Table of Contents Voice List..................................................2 Drum Voice List ......................................12 Drum Voice Name List............................. 12 Drum Kit Assign List ................................ 13 Waveform List ........................................32 Performance List ....................................45 Master Assign List ..................................47 Arpeggio Type List .................................48 Effect Type List.......................................97 Effect Parameter List..............................98 Effect Preset List ..................................106 Effect Data Assign Table......................108 Mixing Template List ............................116 Remote Control Assignments...............117 Control List ...........................................118 MIDI Data Format.................................119 MIDI Data Table ...................................123 MIDI Implementation Chart...................146 EN Voice List PRE1 (MSB=63, LSB=0) Category Category Number Voice Name Element Number Voice Name Element Main Sub Main Sub 1 A01 Full Concert Grand Piano APno 2 65 E01 Dyno Wurli Keys EP 2 2 A02 Rock Grand Piano Piano Modrn 2 66 E02 Analog Piano Keys Synth 2 3 A03 Mellow Grand Piano Piano APno 2 67 E03 AhrAmI Keys Synth 2 4 A04 Glasgow Piano APno 4 68 E04 Electro Piano Keys EP 2 5 A05 Romantic Piano Piano APno 2 69 E05 Transistor Piano Keys Synth 2 6 A06 Aggressive Grand Piano Modrn 3 70 E06 EP Pad Keys EP 3 7 A07 Tacky Piano Modrn 2 71 E07 -
MP7SE Owner's Manual
Introduction Main Operation EDIT Menu STORE Button & SETUPs Owner’s Manual Recorder USB Menu SYSTEM Menu Appendix Thank you for purchasing this Kawai MP7SE stage piano. This owner’s manual contains important information regarding the instrument’s usage and operation. Please read all chapters carefully, keeping this manual handy for future reference. About this Owner’s Manual Before attempting to play this instrument, please read the Introduction chapter from page 10 of this owner’s manual. This chapter provides a brief explanation of each section of the MP7SE’s control panel, an overview of its various jacks and connectors, and details how the components of the instrument’s sound are structured. The Main Operation chapter (page 20) provides an overview of the instrument’s most commonly used functions, beginning with turning zones on and off, adjusting their volume, and selecting sounds. Later on, this chapter introduces basic sound adjustment using the four control knobs, before examining how reverb, EFX, and amp simulation can all be applied to dramatically change the character of the selected sound. Next, the MP7SE’s authentic Tonewheel Organ mode is outlined, explaining how to adjust drawbar positions using zone faders and control knobs, and change the organ’s percussion characteristics. The chapter closes with an explanation of the instrument’s global EQ and transpose functions. The EDIT Menu chapter (page 38) lists all available INT mode and EXT mode parameters by category for convenient reference. The STORE Button & SETUP Menus chapter (page 64) outlines storing customised sounds, capturing the entire panel configuration as a SETUP, then recalling different SETUPs from the MP7SE’s internal memory. -
The Essential Keyboards You Need PLUS a Genuine HAMMOND Organ the Essential Keyboards You Need PLUS a Genuine HAMMOND Organ
The Essential Keyboards You Need PLUS A Genuine HAMMOND Organ The Essential Keyboards You Need PLUS A Genuine HAMMOND Organ Sk Series Overview The Sk Series Stage Keyboards are the most revolutionary HAMMONDS yet, from the company that invented and perfected the Drawbar/Tonewheel concept in 1934. These ultralight instruments provide the essential keyboard sounds required to play ANY show in ANY style, including a genuine and vintage-perfect HAMMOND Organ in compact packages with all the features expected in a vintage B-3, plus our most advanced Digital Leslie yet. In addition to the authentic HAMMOND Tonewheel voices, the Sk’s Extravoice Division provides Hi-Def Acoustic Grands, Electric Pianos, Harpsichord, Accordion, Wind, Brass, Synth and Tuned Percussion voices complete the spec. You may play any of the Extravoices “solo” or add them to the Organ voices. The Organ Generator may be switched to provide authentic models of British Vx Organ, Vx Jag.Organ and Italian Farf Combo Organs, all of which can be registered in the original fashion. The fourth Organ mode calls 32 ranks of Genuine Classical (“Church”) Pipe Organ voices derived from our Flagship Model 935 Church Organ. Like all modern Hammonds, the Sks have deep editing capabilities, allowing voicing (volume/timbre/leakage/motor noise) for each of the 96 Digital Tonewheels, faithfully delivering any Hammond Organ’s individual personality, with the ability to save these profiles for instant recall. 12 Factory Digital Tonewheel profiles ranging from “showroom clean” to “road worn” are available for instant personalization. Every Facet of the Hammonds sound like Chorus/ Vibrato, Percussion, Key Click and Overdrive are widely adjustable with all settings saved with every preset.