MP7SE Owner's Manual
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Hammond XK-1C Owner's Manual
*#1 Model: Th ank you, and congratulations on your choice of the Hammond Draw- bar Keyboard XK-1C. Please take the time to read this manual completely to take full advantage of the many features of your XK-1C; and please retain it for future refer- ence. MENU / EXIT VA L U E VOLUME AMOUNT RECORD ENTER 1 23 4 5 6 7 8 MANUAL Owner’s Manual 2 IMPORTANT SAFETY INSTRUCTIONS Before using this unit, please read the following Safety instructions, and adhere to them. Keep this manual close by for easy reference. In this manual, the degrees of danger are classifi ed and explained as follows: Th is sign shows there is a risk of death or severe injury if this unit is not properly used WARNING as instructed. Th is sign shows there is a risk of injury or material damage if this unit is not properly CAUTION used as instructed. *Material damage here means a damage to the room, furniture or animals or pets. WARNING Do not open (or modify in any way) the unit or its AC Immediately turn the power off , remove the AC adap- adaptor. tor from the outlet, and request servicing by your re- tailer, the nearest Hammond Dealer, or an authorized Do not attempt to repair the unit, or replace parts in Hammond distributor, as listed on the “Service” page it. Refer all servicing to your retailer, the nearest Ham- when: mond Dealer, or an authorized Hammond distributor, Th e AC adaptor, the power-supply cord, or the as listed on the “Service” page. -
Index (Complete)
Sample page from Pianos Inside Out. Copyright © 2013 Mario Igrec. 527 Index composite parts 375 rails, repairing 240 facing off 439 Numerics compressed 68 rebuilding, overview 325 grooved, effects on tuning 132 105 System 336 diagram 64 regulating 166 reducing height of 439 16th Tone Piano 94 Double Repetition in verticals 77 regulating on the bench 141 replacing 436 1867 Exposition in Paris 13 double-escapement 5, 12 regulation, effects on tuning 129 to rebuild or replace 326 3M 267, 338 dropped 68, 113, 140, 320 removing 136 Air microfinishing film 202 English 9 removing from keyboard 154 dehumidifying 85 409 89 escapement of jack 76 repairing 240 humidifying 86 Fandrich 68 repetition, speed of 77 Air conditioner 86, 328 frame stability in verticals, Schwander 77 Albert Steinway 13, 76 A inspecting 191 single-escapement 4 Alcohol 144, 145, 147, 155, 156, 158, Abel 66, 71, 72, 340, 383 geometry 273, 303 spread 149, 280, 282, 287, 315 161, 179, 182, 191, 213, 217, 221, hammers 72, 384 geometry troubleshooter 304 tape-check 11 237, 238, 264, 265, 337, 338, 352, Naturals 71 grand, inserting into the piano troubleshooters 304 353, 356, 437, 439, 449, 478 Abrasive cord 338 137 Tubular Metallic Frame 66, 68 as sizing agent 215, 491 Abrasives, in buffing compounds grand, rebuilding 373 vertical 68 as solvent for shellac 480 364 grand, regulating 166 vertical, development of 15 as suspension for blue chalk 449 ABS grand, removing 136 vertical, Double Repetition 77 as suspension for chalk 240, 364, Carbon 17, 66 grand, removing from keyboard vertical, -
And How to Fix It
} PAGE 36 PAGE PAGE 50 PAGE { BY GREG BILLINGS What Went And How to Fix It to Fix How And ... Piano Industry Piano Wrong With With The Wrong MUSICINCMAG.COM I JUNE 2009 BLUES BUSTERS: SUMMER PROMOTIONS TO DRIVE TRAFFIC, SALES MI0906_01_Cover.qxd 5/8/09 1:42 PM Page 1 MUSIC INC. SCOTT'S MUSIC I PIANO INDUSTRY RECOVERY PLAN I SUMMER PROMOTIONS JUNE 2009 Project5 5/4/09 4:13 PM Page 1 Project4 5/8/09 1:36 PM Page 1 MI0906_04_Masthead.qxd 5/8/09 2:47 PM Page 4 JUNE 2009 I VOL. 20, NO. 5 PUBLISHER Frank Alkyer EDITOR Zach Phillips ASSOCIATE EDITOR Jenny Domine CONTRIBUTING EDITORS Jason Koransky, Aaron Cohen WEST COAST CORRESPONDENT Sara Farr ADVERTISING SALES MANAGER John Cahill WESTERN ACCOUNT EXECUTIVE Tom Burns CLASSIFIED AD SALES Sue Mahal ART DIRECTOR Andy Williams PRODUCTION ASSOCIATE Ara Tirado CIRCULATION Kelly Grosser BOOKKEEPING Margaret Stevens INTERN Katie Kailus PRESIDENT Kevin Maher OFFICES Ph (630) 941-2030 • Fax (630) 941-3210 e-mail: [email protected] CUSTOMER SERVICE (800) 554-7470 Jack Maher, President 1970-2003 SUBSCRIPTION RATES: $50 one year (11 issues). $90 two years (22 issues) to U.S.A. addresses. $75 one year (11 is- sues), $140 two years (22 issues) to Canada and other for- eign countries. Air mail delivery at cost. SINGLE COPY (and back issues, limited supply): $9.95 to any address, surface mail. Air mail delivery at cost. We cannot be responsible for unsolicited manuscripts and photos. Nothing may be reprinted in whole or in part without written permission from Maher Publications Inc. -
Overture Digital Piano
Important Safety Instructions 1. Do not use near water. 2. Clean only with dry cloth. 3. Do not block any ventilation openings. 4. Do not place near any heat sources such as radiators, heat registers, stoves, or any other apparatus (including amplifiers) that produce heat. 5. Do not remove the polarized or grounding-type plug. 6. Protect the power cord from being walked on or pinched. 7. Only use the included attachments/accessories. 8. Unplug this apparatus during lightning storms or when unused for a long period of time. 9. Refer all servicing to qualified service personnel. Servicing is required when the apparatus has been damaged in any way, such as when the power-supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped. FCC Statements FCC Statements 1. Caution: Changes or modifications to this unit not expressly approved by the party responsible for compliance could void the user’s authority to operate the equipment. 2. Note: This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. -
PRODUCT CATALOG WINTER 2014 the Original Red Keyboards the Nord Factory Is Located in the Creative Area of Stockholm Also Known As Sofo, in the District of Södermalm
Nord Keyboards Product Catalog Winter Catalog Product Keyboards Nord SYNTHESIZERS • STAGE PIANOS • COMBO ORGAN Handmade in Sweden by Clavia DMI AB 2014 PRODUCT CATALOG WINTER 2014 The Original Red Keyboards The Nord factory is located in the creative area of Stockholm also known as SoFo, in the district of Södermalm. With everything located in the same building, communication between development and production is only a matter of walking a few meters. We are proud to say all our Nord products are assembled by hand and they all go through a series of tough tests to ensure they’ll be ready for a long and happy life ‘on the road’. CONTENTS SYNTHESIZERS NORD LEAD A1 6 NEW NORD LEAD 4 14 NORD DRUM 2 22 STAGE PIANOS NORD ELECTRO 4 26 NORD PIANO 2 34 NORD STAGE 2 40 COMBO ORGAN NORD C2D 48 SOUND LIBRARIES 56 Manufacturer: Clavia DMI AB, Box 4214, SE-102 65 Stockholm, Sweden Phone: +46 8 442 73 60 | Fax: +46 8 644 26 50 | Email: [email protected] | www.nordkeyboards.com 3 IT ALL STARTED BACK IN 1983... In 1983 founder Hans Nordelius created the Digital In 2001 the first Nord Electro was released, In 2008 we released the Nord Electro 3 and the Percussion Plate 1 – the first drum pad allowing for introducing stunning emulations of classic vintage exclusively licensed sounds from the Mellotron and dynamic playing using sampled sounds. The DPP1 electro-mechanical instruments with a level of Chamberlin. The Electro 3 became one of the most was an instant success and soon thereafter the portability generally not associated with the original successful products we’ve ever made. -
Hammond Sk1-73
Originally printed in the October 2013 issue of Keyboard Magazine. Reprinted with the permission of the Publishers of Keyboard Maga- zine. Copyright 2008 NewBay Media, LLC. All rights reserved. Keyboard Magazine is a Music Player Network publication, 1111 Bayhill Dr., St. 125, San Bruno, CA 94066. T. 650.238.0300. Subscribe at www.musicplayer.com REVIEW SYNTH » CLONEWHEEL » VIRTUAL PIANO » STANDS » MASTERING » APP HAMMOND SK1-73 BY BRIAN HO HAMMOND’S SK SERIES HAS SET A NEW PORTABILITY STANDARD FOR DRAWBAR that you’re using for pianos, EPs, Clavs, strings, organs that also function as versatile stage keyboards in virtue of having a comple- and other sounds. ment of non-organ sounds that can be split and layered with the drawbar section. Even though there isn’t a button that causes Where the original SK1 had 61 keys and the SK2 added a second manual, the new the entire keyboard to play only the lower organ SK1-73 and SK1-88 aim for musicians looking for the same sonic capabilities in a part—useful if you want to switch between solo single-slab form factor that’s more akin to a stage piano. I got to use the 73-key and comping sounds without disturbing the sin- model on several gigs and was very pleased with its sound and performance. gle set of drawbars—I found a cool workaround. Simply create a “Favorite” (Hammond’s term for Keyboard Feel they’ll stand next to anything out there and not presets that save the entire state of the instru- I find that a 61-note keyboard is often too small leave you or the audience wanting for realism. -
Electric Piano Adam Estes and Yukimi Morimoto
Electric Piano Adam Estes and Yukimi Morimoto May 16, 2018 6.101 Final Project Report Table of Contents I. Introduction II. Abstract III. Block Diagram IV. Synthesizer A. Touch Sensor B. MOSFET Switch C. Adder and Inverting Amplifier D. Voltage Controlled Oscillator E. Push-pull Amplifier V. Audio Effects A. Timbre Changer B. Octave Switch C. Soft Pedal D. Damper Pedal (Attempt) VI. Design Analysis VII. Conclusion VIII. References IX. Appendix 2 I. Introduction Musical instruments have amused people around the world throughout the history. One of the most common instruments that is enjoyed by people today is the piano. Playing the piano is very intuitive; players can make notes simply by pressing keys, and the notes ascend from left to right. In our project, we decided to build an electric piano with analog circuits. The user interface was inspired by a circuit that we built in 6.101 which lights up an LED for 30 seconds after the user touches two electrodes. We thought that the idea behind this circuit was a clever one, but we wanted to do something more interesting than just turning on a light. Turning on the circuit by touching electrodes resembles playing notes by pressing keys on the piano. The electric piano, therefore, enables players to play music in a similar way to a real piano. The features of the electric piano were inspired by those of a real piano. The electric piano can play three octaves in total, and has a soft pedal to decrease the volume. The waveshapes can be changed to several different shapes to better mimic the sounds of the piano, if not quite perfectly. -
DECEMBER 2019 — 110Th Anniversary Issue
THE DIAPASON DECEMBER 2019 — 110th Anniversary Issue Dunwoody United Methodist Church Dunwoody, Georgia Cover feature on pages 22–24 PHILLIP TRUCKENBROD CONCERT ARTISTS ANTHONY & BEARD ADAM J. BRAKEL THE CHENAULT DUO PETER RICHARD CONTE CONTE & ENNIS DUO LYNNE DAVIS ISABELLE DEMERS CLIVE DRISKILL-SMITH DUO MUSART BARCELONA JEREMY FILSELL MICHAEL HEY HEY & LIBERIS DUO CHRISTOPHER HOULIHAN DAVID HURD MARTIN JEAN HUW LEWIS RENÉE ANNE LOUPRETTE ROBERT MCCORMICK BRUCE NESWICK ORGANIZED RHYTHM RAéL PRIETO RAM°REZ JEAN-BAPTISTE ROBIN BENJAMIN SHEEN HERNDON SPILLMAN ^^d/E,/E> 2019 W®ÙÙ^͘çWÊÄã &®ÙÝãWÙ®þt®ÄÄÙ >ÊĦóÊÊ'ÙÄÝ /ÄãÙÄã®ÊĽKÙ¦Ä ÊÃÖã®ã®ÊÄ ò®½½®Äã«h͘^͘ ¦®ÄĮĦ®ÄÝçÃÃÙ JOSHUA STAFFORD CAROLE TERRY JOHANN VEXO BRADLEY HUNTER WELCH IT’S ALL ABOUT THE ART ǁǁǁ͘ĐŽŶĐĞƌƚĂƌƟƐƚƐ͘ĐŽŵ 860-560-7800 ŚĂƌůĞƐDŝůůĞƌ͕WƌĞƐŝĚĞŶƚͬWŚŝůůŝƉdƌƵĐŬĞŶďƌŽĚ͕&ŽƵŶĚĞƌ THE DIAPASON Editor’s Notebook Scranton Gillette Communications One Hundred Tenth Year: No. 12, A milestone, indeed! Whole No. 1321 In December 1909, Siegfried E. Gruenstein published in DECEMBER 2019 Chicago and distributed far afi eld the fi rst issue of The Diapa- Established in 1909 son. The current issue, our 1,321st, marks 110 years of qual- Stephen Schnurr ISSN 0012-2378 ity publishing of news of all matters related to the organ and 847/954-7989; [email protected] church music worlds. Can you bring to mind another journal www.TheDiapason.com An International Monthly Devoted to the Organ, that has been doing this monthly for over a century? the Harpsichord, Carillon, and Church Music We could not put this issue together without you—your Speaking of subscriptions subscription, your advertisement, your articles and news items, There will be slight adjustments to subscription rates on CONTENTS your support. -
General MIDI 2 February 6, 2007
General MIDI 2 February 6, 2007 Version 1.2a Including PAN Formula, MIDI Tuning Changes and Mod Depth Range Recommendation Published By: The MIDI Manufacturers Association Los Angeles, CA PREFACE Abstract: General MIDI 2 is a group of extensions made to General MIDI (Level 1) allowing for expanded standardized control of MIDI devices. This increased functionality includes extended sounds sets and additional performance and control parameters. New MIDI Messages: Numerous new MIDI messages were defined specifically to support the desired performance features of General MIDI 2. The message syntax and details are published in the Complete MIDI 1.0 Detailed Specification version 1999 (and later): MIDI Tuning Bank/Dump Extensions (C/A-020) Scale/Octave Tuning (C/A-021) Controller Destination Setting (C/A-022) Key-Based Instrument Controll SysEx Messages (C/A-023) Global Parameter Control SysEx Message (C/A-024) Master Fine/Course Tuning SysEx Messages (C/A-025) Modulation Depth Range RPN (C/A-026) General MIDI 2 Message: Universal Non-Realtime System Exclusive sub-ID #2 under General MIDI sub-ID #1 is reserved for General MIDI 2 system messages (see page 21 herein). Changes from version 1.0 to version 1.1: o Section 3.3.5: changed PAN formula per RP-036 o Section 4.7: Added new recommendations per RP-037 Changes from version 1.1 to version 1.2: o Section 3.4.4: added recommendation for Mod Depth Range Response per RP-045 o V 1.2a is reformatted for PDF distribution General MIDI 2 Specification (Recommended Practice) RP-024 (incorporating changes per RP-036, RP-037, and RP-045) Copyright ©1999, 2003, and 2007 MIDI Manufacturers Association Incorporated ALL RIGHTS RESERVED. -
Two Andover Girls Killed on Highway
7 *, -N Armcii Ikllf frtm Ron r«r «w WMk >ii«M 'ni itM ' . fNweeest •! IT. i t WmMtiit ' Otauf Mril «M»I toklKkC 13,705 to ML Slinajr, piMjMUrt; BlMObOT ' t t tiM AodNk n i^ to antor 7tA V , f'' BltfWIB •( CIlMlftttM Menehegttr^A City o / ViUagt Chirm VOL. LXXCTL NO. 284 (StXTEBN PAGES) MANCHESTER, CONN., TUESDAY, SEPTEMBER, 1, 1984 (OtoWfM AdVMiMar m P a f« M) PRICE SEVEN CEK fr Titan Up, Blac^Out ans CAPE KENNEDY,CENN Fla. (AP) — The Air Force launched a Titan SA mili tary space rocket on 'its maiden test flisrht . today, but lost track of it l3.min \ utes after lift-off. The 124-foot tall rocket biast' 8 ed away from Cape Kennedy'i^- Poverty Billi ;yV * Democrat 11 a.m. It* groal wa* to launch J It* third staae Into orbit a* a U i l l f l H C C S V f OOCI flying launch* platform. The y Backr Move platform, in turn, wa* to kick f loo*e a dummy -satellite into J O l l l l S O I l X O l v l separate orbit. In Caucus Within minutes, the second and third stages fired on sched WASHINGTON (API — Dem By GEORGE BAZAN ule. But, as' the rocket zipped ocratic congressional' .leaders 100 miles over a tracking sta- gave President Johnson an optl- HARTFORD" (AP) — A Uon in the West Indies Island ‘ mlsUc report today on prospects Republican leader said to of Antigua, radio contact was for enactment of his blllion-d<Jl-_ day that Republicans h»y« lost with the vehicle. -
Piano Manufacturing an Art and a Craft
Nikolaus W. Schimmel Piano Manufacturing An Art and a Craft Gesa Lücker (Concert pianist and professor of piano, University for Music and Drama, Hannover) Nikolaus W. Schimmel Piano Manufacturing An Art and a Craft Since time immemorial, music has accompanied mankind. The earliest instrumentological finds date back 50,000 years. The first known musical instrument with fibers under ten sion serving as strings and a resonator is the stick zither. From this small beginning, a vast array of plucked and struck stringed instruments evolved, eventually resulting in the first stringed keyboard instruments. With the invention of the hammer harpsichord (gravi cembalo col piano e forte, “harpsichord with piano and forte”, i.e. with the capability of dynamic modulation) in Italy by Bartolomeo Cristofori toward the beginning of the eighteenth century, the pianoforte was born, which over the following centuries evolved into the most versitile and widely disseminated musical instrument of all time. This was possible only in the context of the high level of devel- opment of artistry and craftsmanship worldwide, particu- larly in the German-speaking part of Europe. Since 1885, the Schimmel family has belonged to a circle of German manufacturers preserving the traditional art and craft of piano building, advancing it to ever greater perfection. Today Schimmel ranks first among the resident German piano manufacturers still owned and operated by Contents the original founding family, now in its fourth generation. Schimmel pianos enjoy an excellent reputation worldwide. 09 The Fascination of the Piano This booklet, now in its completely revised and 15 The Evolution of the Piano up dated eighth edition, was first published in 1985 on The Origin of Music and Stringed Instruments the occa sion of the centennial of Wilhelm Schimmel, 18 Early Stringed Instruments – Plucked Wood Pianofortefa brik GmbH. -
No Matter Where You'll Be Today, the Compact and Lightweight ESX Digital
No matter where you’ll be today, the compact and lightweight ESX digital piano will be right there with you. There will be no compro mise in tone and touch when you play the portable ESX. Using Kawai’s acclaimed Harmonic Imaging sound technology you’ll carry the bold and beautiful tone of our nine-foot EX Concert Piano with you. And the feel of the new Advanced Hammer Action II will satis fy even the most demanding player. TONE The ESX uses our critically acclaimed Harmonic Imaging sound technology… the same technology used in our award-winning MP9000 Professional Stage Piano. Harmonic Imaging creates an acoustic piano sound of remarkable depth, expression and realism. You’ll also be impressed with the other sounds of the ESX… Strings, Electric Pianos, Organs – 16 sounds in all. And any two sounds can be layered together in a DUAL mode. TOUCH Advanced Hammer Action II Kawai’s new Advanced Hammer Action II brings the feel of a real grand piano to the ESX. Its weighted hammer action design offers superb response and a smooth feel that will satis fy the needs of piano players and music educators alike. Digital SOUND SYSTEM The sound system of the ESX uses an innovative design in which the stereo speakers face out from the rear panel toward the audience or classroom. A port system releases sound from the top panel toward the player. This unique system delivers a surprising amount of sound volume while creating a natural sound for the player. The EQ feature allows you to adjust the sound quality to match the room that you are playing in.