Overture Digital Piano
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Model 6100 Assembly Instructions My First Piano Tutor
Model 6100 Assembly Instructions My First Piano Tutor Schoenhut® Piano Company, 6480B US1 North, Saint Augustine, FL USA Phone 904-810-1945 Fax 904-823-9213 Email [email protected] Website www.toypiano.com “Manufacturer of Toy Pianos since 1872” Schoenhut® Piano Company Page 1 all rights reserved © 2011 Printed in China WARNING! This product must be assembled by an adult prior to play. Unassembled parts may have sharp edges which could cause injury. The piano and bench are designed for use by a child. Inspect the hardware periodically for tightness and integrity, tightening or replacing any loose parts. Parts Piano body Bench seat Piano Crosspiece leg support 7” Bench Legs (two) Piano Legs (two) 6.25” Bench Legs (two) Music Stand Long Screws (ten) Song book and color strip Short Screws (four) Learning System book Barrel Nuts (fourteen) Microphone (one) Pedal (one) Power Adapter (one) Assembly Alert: Hardware is located inside the Styrofoam packing material Step1: Insert barrel nuts into the top portion of the (2) sets of piano legs. Use (2) long screws to attach the piano leg to the piano body. Repeat this for other side. Step 2: Insert (4) barrel nuts into the crosspiece. Use (4) long screws to attach the piece onto the piano legs. Step 3: To put the bench together, you will insert barrel nuts into the holes of each bench leg. Place (1) 7 inch bench leg and (1) 6.25 inch bench leg together so that they make “V” shape. Attach these together using (2) long screws. Do the same for the remaining (2) bench legs. -
Real-Time Physical Model of a Wurlitzer and Rhodes Electric Piano
Proceedings of the 20th International Conference on Digital Audio Effects (DAFx-17), Edinburgh, UK, September 5–9, 2017 REAL-TIME PHYSICAL MODEL OF A WURLITZER AND RHODES ELECTRIC PIANO Florian Pfeifle Systematic Musicology, University of Hamburg Hamburg, DE [email protected] ABSTRACT tation methodology as is published in [21]. This work aims at extending the existing physical models of mentioned publications Two well known examples of electro-acoustical keyboards played in two regards by (1) implementing them on a FPGA for real-time since the 60s to the present day are the Wurlitzer electric piano synthesis and (2) making the physical model more accurate when and the Rhodes piano. They are used in such diverse musical gen- compared to physical measurements as is discussed in more detail res as Jazz, Funk, Fusion or Pop as well as in modern Electronic in section 4 and 5. and Dance music. Due to the popularity of their unique sound and timbre, there exist various hardware and software emulations which are either based on a physical model or consist of a sample 2. RELATED WORK based method for sound generation. In this paper, a real-time phys- ical model implementation of both instruments using field pro- Scientific research regarding acoustic and electro-mechanic prop- grammable gate array (FPGA) hardware is presented. The work erties of both instruments is comparably sparse. Freely available presented herein is an extension of simplified models published user manuals as well as patents surrounding the tone production before. Both implementations consist of a physical model of the of the instruments give an overview of basic physical properties of main acoustic sound production parts as well as a model for the both instrument [5]; [7]; [8]; [13]; [4]. -
2018, September Newsletter
Chapter News Tucson Chapter (857) Piano Technicians Guild, Inc. Tucson, Arizona September 2018 Tucson Chapter Meeting Wednesday, September 12, 2018 Hachenberg & Sons Piano 4333 E. Broadway Blvd. Located on the north side of Broadway Blvd., west of the Broadway/Swan intersection. Refreshments & snacks will be provided. 5:30, refreshments; 6:30, meeting Meeting Topic: Tuning Pin Repinning Neal Flint, presenter Hey, what happened to "Gluing tuning pins??" Miscommunication happened. But we'll be talking about pinblocks, and loose tuning pins and addressing all of that; I'm sure "gluing" will undoubtedly come up. Come and share your thoughts. PTG Annual Convention and Institute Coming to Tucscon, Arizona!! July 10-13, 2019 Starr Pass Resort, Tucson, AZ To get an idea of what a convention is all about, check out last-year's convention website: http://my.ptg.org/2018convention/home Prerequisites before starting regulation Certain areas should be examined first such as: * On a grand the hammer shanks should not be bottomed out on the stop cushions. The shanks should be elevated slightly above the stop cushion material. (On an upright the hammers should rest completely on the rail, but check that the rail is not being held up off the action bracket artificially by a maladjusted soft pedal dowel or anything else.) * The grand keyframe should be Notes from the last chapter meeting bedded before doing letoff. May 2, 2018 * Check that the damper stop rail has not fallen low or been adjusted artificially low. If the rail is low it could ultimately stop Tech Topic: complete key/damper lever travel. -
Transfer Learning for Piano Sustain-Pedal Detection
Transfer Learning for Piano Sustain-Pedal Detection Beici Liang, Gyorgy¨ Fazekas and Mark Sandler Centre for Digital Music, Queen Mary University of London London, United Kingdom Email: fbeici.liang,g.fazekas,[email protected] Abstract—Detecting piano pedalling techniques in polyphonic music remains a challenging task in music information retrieval. While other piano-related tasks, such as pitch estimation and onset detection, have seen improvement through applying deep learning methods, little work has been done to develop deep learning models to detect playing techniques. In this paper, we propose a transfer learning approach for the detection of sustain- pedal techniques, which are commonly used by pianists to enrich the sound. In the source task, a convolutional neural network (CNN) is trained for learning spectral and temporal contexts when the sustain pedal is pressed using a large dataset generated by a physical modelling virtual instrument. The CNN is designed Melspectrogram and experimented through exploiting the knowledge of piano acoustics and physics. This can achieve an accuracy score of MIDI & sensor 0 127 0.98 in the validation results. In the target task, the knowledge learned from the synthesised data can be transferred to detect the Fig. 1. Different representations of the same note played without (first note) or sustain pedal in acoustic piano recordings. A concatenated feature with (second note) the sustain pedal, including music score, melspectrogram vector using the activations of the trained convolutional layers is and messages from MIDI or sensor data. extracted from the recordings and classified into frame-wise pedal press or release. We demonstrate the effectiveness of our method in acoustic piano recordings of Chopin’s music. -
Hammond SK1/SK2 Owner's Manual
*#1 Model: / STAGE KEYBOARD Th ank you, and congratulations on your choice of the Hammond Stage Keyboard SK1/SK2. Th e SK1 and SK2 are the fi rst ever Stage Keyboards from Hammond to feature both traditional Hammond Organ Voices and the basic keyboard sounds every performer desires. Please take the time to read this manual completely to take full advantage of the many features of your SK1/SK2; and please retain it for future refer- ence. DRAWBARS SELECT MENU/ EXIT UPPER PEDAL LOWER VA L U E ORGAN TYPE PLAY NUMBER NAME PATCH ENTER DRAWBARS SELECT MENU/ EXIT UPPER PEDAL LOWER VA L U E Bourdon OpenDiap Gedeckt VoixClst Octave Flute Dolce Flute Mixture Hautbois ORGAN TYPE 16' 8' 8' II 4' 4' 2' III 8' PLAY NUMBER NAME PATCH ENTER Owner’s Manual 2 IMPORTANT SAFETY INSTRUCTIONS Before using this unit, please read the following Safety instructions, and adhere to them. Keep this manual close by for easy reference. In this manual, the degrees of danger are classifi ed and explained as follows: Th is sign shows there is a risk of death or severe injury if this unit is not properly used WARNING as instructed. Th is sign shows there is a risk of injury or material damage if this unit is not properly CAUTION used as instructed. *Material damage here means a damage to the room, furniture or animals or pets. WARNING Do not open (or modify in any way) the unit or its AC Immediately turn the power off , remove the AC adap- adaptor. tor from the outlet, and request servicing by your re- tailer, the nearest Hammond Dealer, or an authorized Do not attempt to repair the unit, or replace parts in Hammond distributor, as listed on the “Service” page it. -
Installation Guide for Grand Pianos (Standard System)
PIANODISCHeading SYSTEMS Installation Guide for Grand Pianos (Standard System) Jan. 2019 Place you r m essag e h ere. Fo r m axim um i mpact , use two or t hre e se ntenc es. Installation Guide PianoDisc Installation Guide for Grand Pianos Jan. 2019 4111 North Freeway Blvd. Sacramento, CA 95834 Phone 916 -567 -9999 Fax 916 -567 -1941 WWW.PianoDisc.Com PianoDisc ® is protected by copyright law and international treaties. Reproduction or distribution of this guide may result in civil and criminal penalties plus prosecution to the maximum extent possible under the law. PianoDisc and Burgett, Inc. reserve the right to change product design and specifications at any time without prior notice. Introduction This installation manual will guide you through the process of fitting the PianoDisc High Definition SilentDrive reproducing piano system to virtually any grand piano. Along with the knowledge and experience gained from a PianoDisc Installation Seminar, this guide should be an invaluable resource. This document is considered confidential by PianoDisc, and is for the sole use of PianoDisc Certified Technicians. It may not be reproduced, distributed or quoted in whole or in part without the express written permission of PianoDisc. This guide is only to be used in the installation of the PianoDisc SilentDrive Reproducing System. PianoDisc systems may ONLY be installed by technicians who have been certified by PianoDisc to perform such installations. If you have come into possession of this manual and/or a Retrofit Kit and you are NOT a PianoDisc Certified Technician, DO NOT ATTEMPT TO PERFORM THE INSTALLATION. Installations not performed by a certified PianoDisc technician WILL NOT meet the requirements for warranty protection, and such an installation will likely void the piano manufacturer’s warranty for the instrument and the player system, and may also be a violation of FCC rules. -
Electric Piano Machine Information on Warranty Repairs at [email protected] Or +1-718-937-8300
- WARRANTY INFORMATION - Please register online at http://www.ehx.com/product-registration or complete and return the enclosed warranty card within 10 days of purchase. Electro-Harmonix will repair or replace, at its discretion, a product that fails to operate due to defects in materials or workmanship for a period of one year from date of purchase. This applies only to original purchasers who have bought their product from an authorized Electro- Harmonix retailer. Repaired or replaced units will then be warranted for the unexpired portion of the original warranty term. KEY9 If you should need to return your unit for service within the warranty period, please contact the appropriate office listed below. Customers outside the regions listed below, please contact EHX Customer Service for Electric Piano Machine information on warranty repairs at [email protected] or +1-718-937-8300. USA and Canadian customers: please obtain a Return Authorization Number (RA#) from EHX Customer Service before returning your product. Include with your returned unit: a written description of the problem as well as your name, address, Congratulations on purchasing the Electro-Harmonix KEY9 Electric Piano Machine. The telephone number, e-mail address, and RA#; and a copy of your receipt clearly showing the purchase date. KEY9 transforms the tone of a guitar and/or keyboard into a convincing electric piano emulation, including several variations of the classic Rhodes® and Wurlitzer® sounds. United States & Canada The KEY9 also features lively recreations of vibes, mallets, an organ, and even steel EHX CUSTOMER SERVICE drums! Based on the popular EHX B9 and C9 pedals, the KEY9 swerves into electro- ELECTRO-HARMONIX acoustic territory via knobs that control DRY and KEY volume, as well as preset-specific c/o NEW SENSOR CORP. -
Product Catalog 2017
Nord Keyboards Product Catalog 2017 Catalog Product Keyboards Nord STAGE PIANOS • SYNTHESIZERS • COMBO ORGAN Handmade in Sweden by Clavia DMI AB PRODUCT CATALOG 2017 The Original Red Keyboards The Nord factory is located in the creative area of Stockholm also known as SoFo, in the district of Södermalm. With everything located in the same building, communication between development and production is only a matter of walk- ing a few meters. We are proud to say all our Nord products are assembled by hand and they all go through a series of tough tests to ensure they’ll be ready for a long and happy life ‘on the road’. CONTENTS STAGE PIANOS NORD STAGE 3 6 NEW NORD PIANO 3 16 NORD ELECTRO 5 22 SYNTHESIZERS NORD LEAD A1 30 NORD LEAD 4 38 NORD DRUM 3P 46 COMBO ORGAN NORD C2D 50 SOUND LIBRARIES 58 Manufacturer: Clavia DMI AB, Box 4214, SE-102 65 Stockholm, Sweden Phone: +46 8 442 73 60 | Fax: +46 8 644 26 50 | Email: [email protected] | www.nordkeyboards.com 3 COMPANY HISTORY COMPANY IT ALL STARTED BACK IN 1983... In 1983 founder Hans Nordelius created the Digital introducing stunning emulations of classic vintage Chamberlin. The Electro 3 became one of the most In 2013 we celebrated our 30th anniversary as a musical Percussion Plate 1 – the first drum pad allowing for electro-mechanical instruments with a level of successful products we’ve ever made. instrument company by releasing the Nord Lead 4, Nord dynamic playing using sampled sounds. The DPP1 portability generally not associated with the original In 2010 the streamlined Nord Piano was introduced, Drum 2, Nord Pad and the Nord Piano 2 HP! At NAMM was an instant success and soon thereafter the instruments… a lightweight stage piano that featured advanced 2014 we announced the Nord Lead A1 – our award- brand name ddrum was introduced. -
Jazz Solo Instrument Classification with Convolutional Neural Networks, Source Separation, and Transfer Learning
JAZZ SOLO INSTRUMENT CLASSIFICATION WITH CONVOLUTIONAL NEURAL NETWORKS, SOURCE SEPARATION, AND TRANSFER LEARNING Juan S. Gomez´ Jakob Abeßer Estefan´ıa Cano Semantic Music Technologies Group, Fraunhofer IDMT, Ilmenau, Germany fgomejn,abr,[email protected] ABSTRACT ment classification in ensemble music recordings. In par- ticular, this paper focuses on the identification of predom- Predominant instrument recognition in ensemble record- inant solo instruments in multitimbral music recordings, ings remains a challenging task, particularly if closely- i. e., the most salient instruments in the audio mixture. This related instruments such as alto and tenor saxophone need assumes that the spectral-temporal envelopes that describe to be distinguished. In this paper, we build upon a recently- the instrument’s timbre are dominant in the polyphonic proposed instrument recognition algorithm based on a hy- mixture [11]. As a particular use-case, we focus on the brid deep neural network: a combination of convolu- classification of solo instruments in jazz ensemble record- tional and fully connected layers for learning character- ings. Here, we study the task of instrument recognition istic spectral-temporal patterns. We systematically eval- both on a class and sub-class level, e. g. between soprano, uate harmonic/percussive and solo/accompaniment source alto, and tenor saxophone. Besides the high timbral sim- separation algorithms as pre-processing steps to reduce the ilarity between different saxophone types, a second chal- overlap among multiple instruments prior to the instrument lenge lies in the large variety of recording conditions that recognition step. For the particular use-case of solo in- heavily influence the overall sound of a recording [21,25]. -
MP7SE Owner's Manual
Introduction Main Operation EDIT Menu STORE Button & SETUPs Owner’s Manual Recorder USB Menu SYSTEM Menu Appendix Thank you for purchasing this Kawai MP7SE stage piano. This owner’s manual contains important information regarding the instrument’s usage and operation. Please read all chapters carefully, keeping this manual handy for future reference. About this Owner’s Manual Before attempting to play this instrument, please read the Introduction chapter from page 10 of this owner’s manual. This chapter provides a brief explanation of each section of the MP7SE’s control panel, an overview of its various jacks and connectors, and details how the components of the instrument’s sound are structured. The Main Operation chapter (page 20) provides an overview of the instrument’s most commonly used functions, beginning with turning zones on and off, adjusting their volume, and selecting sounds. Later on, this chapter introduces basic sound adjustment using the four control knobs, before examining how reverb, EFX, and amp simulation can all be applied to dramatically change the character of the selected sound. Next, the MP7SE’s authentic Tonewheel Organ mode is outlined, explaining how to adjust drawbar positions using zone faders and control knobs, and change the organ’s percussion characteristics. The chapter closes with an explanation of the instrument’s global EQ and transpose functions. The EDIT Menu chapter (page 38) lists all available INT mode and EXT mode parameters by category for convenient reference. The STORE Button & SETUP Menus chapter (page 64) outlines storing customised sounds, capturing the entire panel configuration as a SETUP, then recalling different SETUPs from the MP7SE’s internal memory. -
PSR-E233/YPT-230 Owner's Manual
DIGITAL KEYBOARD Owner’s Manual Thank you for purchasing this Yamaha Digital Keyboard! We recommend that you read this manual carefully so that you can fully take advantage of the advanced and convenient functions of the instrument. We also recommend that you keep this manual in a safe and handy place for future reference. Before using the instrument, be sure to read “PRECAUTIONS” on pages 4–5. EN (US only) LIMITED 1-YEAR WARRANTY ON PORTABLE KEYBOARDS (NP, NPV, PSRE, YPG AND YPT SERIES) Thank you for selecting a Yamaha product. Yamaha products are designed and manufactured to provide a high level of defect-free performance. Yamaha Corporation of America (“Yamaha”) is proud of the experience and craftsmanship that goes into each and every Yamaha product. Yamaha sells its products through a network of reputable, specially authorized dealers and is pleased to offer you, the Original Owner, the following Limited Warranty, which applies only to products that have been (1) directly purchased from Yamaha’s authorized dealers in the fifty states of the USA and District of Columbia (the “Warranted Area”) and (2) used exclusively in the Warranted Area. Yamaha suggests that you read the Limited Warranty thoroughly, and invites you to contact your authorized Yamaha dealer or Yamaha Customer Service if you have any questions. Coverage: Yamaha will, at its option, repair or replace the product covered by this warranty if it becomes defective, malfunctions or otherwise fails to conform with this warranty under normal use and service during the term of this warranty, without charge for labor or materials. -
Williams Legato Digital Piano Will Supply You with Years of Musical Enjoyment If You Follow the Suggestions Listed Below
LEGATO digital piano owner's manual LEGATO DIGITAL PIANO CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER OR BACK. NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL IMPORTANT SAFETY INSTRUCTIONS Do not use near water. Clean only with a soft, dry cloth. Do not block any ventilation openings. Do not place near any heat sources such as radiators, heat registers, stoves, or any other apparatus (including amplifiers) that produces heat. Protect the power cord from being walked on or pinched. Only use the included attachments/accessories. Unplug this apparatus during lightning storms or when unused for a long period of time. Refer all servicing to qualified service personnel. Servicing is equiredr when the apparatus has been damaged in any way, such as power-supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped. FCC STATEMENTS 1) Caution: Changes or modifications to this unit not expressly approved by the party responsible for compliance could void the user’s authority to operate the equipment. 2) NOTE: This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications.