Product Catalog 2017
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Minimoog Model D Manual
3 IMPORTANT SAFETY INSTRUCTIONS WARNING - WHEN USING ELECTRIC PRODUCTS, THESE BASIC PRECAUTIONS SHOULD ALWAYS BE FOLLOWED. 1. Read all the instructions before using the product. 2. Do not use this product near water - for example, near a bathtub, washbowl, kitchen sink, in a wet basement, or near a swimming pool or the like. 3. This product, in combination with an amplifier and headphones or speakers, may be capable of producing sound levels that could cause permanent hearing loss. Do not operate for a long period of time at a high volume level or at a level that is uncomfortable. 4. The product should be located so that its location does not interfere with its proper ventilation. 5. The product should be located away from heat sources such as radiators, heat registers, or other products that produce heat. No naked flame sources (such as candles, lighters, etc.) should be placed near this product. Do not operate in direct sunlight. 6. The product should be connected to a power supply only of the type described in the operating instructions or as marked on the product. 7. The power supply cord of the product should be unplugged from the outlet when left unused for a long period of time or during lightning storms. 8. Care should be taken so that objects do not fall and liquids are not spilled into the enclosure through openings. There are no user serviceable parts inside. Refer all servicing to qualified personnel only. NOTE: This equipment has been tested and found to comply with the limits for a class B digital device, pursuant to part 15 of the FCC rules. -
Modular Synthesizers
Modular Synthesizers A Brief History and Functional Description of the Modular Music Synthesizer • James Husted Synthwerks, LLC Sunday, March 24, 13 Mod•u•lar - adjective French modulaire or directly from Modern Latin modularis, from Latin modulus "a small measure" 1 : of, relating to, or based on a module or a modulus 2 : constructed with standardized units or dimensions for flexibility and variety in use, as in modular furniture 3 : composed of interchangeable units (!rst recorded 1936) Sunday, March 24, 13 Syn•the•sis - noun Etymology: Greek, from syntithenai to put together 1 : the composition or combination of parts or elements so as to form a whole 2 : the combining of often diverse conceptions into a coherent whole; also : the complex so formed Sunday, March 24, 13 Who’s on first? • 1837 - C.G. Page (Salem. Mass) - !rst to produce electronically generated sound (not necessarily associated with a musical instrument). • 1885 - Person and Ernst Lorenz -'Elektrisches Musikinstrument' - the !rst musical instrument designed to produce electrically generated sound. • 1897 - Taddaeus Cahills - Telharmonium - electromechanical instrument. • 1936 - Oskar Sala - Mixturtrautonium - !rst synth using Subharmonic synthesis • 1939 - Homer Dudley invents the Parallel Bandpass Vocoder (VODER) - A key operated speech synthesizer • 1940 - Homer Dudley invents the The Voder speech synthesizer as a way to transmit speech over telephone lines • 1948 - Hugh LeCaine - Electronic Sackbut - First voltage-controlled synthesizer • 1948 - Dr. Raymond Scott - Wall of Sound - First polyphonic Sequencing Workstation (electromechanical) and the Electronum - !rst sequencer. • 1950 - CSIR - Mk 1 - The !rst known use of a digital computer for the purpose playing music • 1956 - Louie and Bebe Barron - Produced the !rst all-electronic musical score for a major motion picture - MGM's 'Forbidden Planet' • 1957 - Max V. -
Overture Digital Piano
Important Safety Instructions 1. Do not use near water. 2. Clean only with dry cloth. 3. Do not block any ventilation openings. 4. Do not place near any heat sources such as radiators, heat registers, stoves, or any other apparatus (including amplifiers) that produce heat. 5. Do not remove the polarized or grounding-type plug. 6. Protect the power cord from being walked on or pinched. 7. Only use the included attachments/accessories. 8. Unplug this apparatus during lightning storms or when unused for a long period of time. 9. Refer all servicing to qualified service personnel. Servicing is required when the apparatus has been damaged in any way, such as when the power-supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped. FCC Statements FCC Statements 1. Caution: Changes or modifications to this unit not expressly approved by the party responsible for compliance could void the user’s authority to operate the equipment. 2. Note: This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. -
PRODUCT CATALOG WINTER 2014 the Original Red Keyboards the Nord Factory Is Located in the Creative Area of Stockholm Also Known As Sofo, in the District of Södermalm
Nord Keyboards Product Catalog Winter Catalog Product Keyboards Nord SYNTHESIZERS • STAGE PIANOS • COMBO ORGAN Handmade in Sweden by Clavia DMI AB 2014 PRODUCT CATALOG WINTER 2014 The Original Red Keyboards The Nord factory is located in the creative area of Stockholm also known as SoFo, in the district of Södermalm. With everything located in the same building, communication between development and production is only a matter of walking a few meters. We are proud to say all our Nord products are assembled by hand and they all go through a series of tough tests to ensure they’ll be ready for a long and happy life ‘on the road’. CONTENTS SYNTHESIZERS NORD LEAD A1 6 NEW NORD LEAD 4 14 NORD DRUM 2 22 STAGE PIANOS NORD ELECTRO 4 26 NORD PIANO 2 34 NORD STAGE 2 40 COMBO ORGAN NORD C2D 48 SOUND LIBRARIES 56 Manufacturer: Clavia DMI AB, Box 4214, SE-102 65 Stockholm, Sweden Phone: +46 8 442 73 60 | Fax: +46 8 644 26 50 | Email: [email protected] | www.nordkeyboards.com 3 IT ALL STARTED BACK IN 1983... In 1983 founder Hans Nordelius created the Digital In 2001 the first Nord Electro was released, In 2008 we released the Nord Electro 3 and the Percussion Plate 1 – the first drum pad allowing for introducing stunning emulations of classic vintage exclusively licensed sounds from the Mellotron and dynamic playing using sampled sounds. The DPP1 electro-mechanical instruments with a level of Chamberlin. The Electro 3 became one of the most was an instant success and soon thereafter the portability generally not associated with the original successful products we’ve ever made. -
Nord Stage 2 EX English User Manual V2.X Edition B.Pdf
User Manual Nord Stage 2 EX 88 Nord Stage 2 EX HP76 Nord Stage 2 EX Compact OS Version 2.x Part No. 50444 Copyright Clavia DMI AB Print Edition: B The lightning flash with the arrowhead symbol within CAUTION - ATTENTION an equilateral triangle is intended to alert the user to the RISK OF ELECTRIC SHOCK presence of uninsulated voltage within the products en- DO NOT OPEN closure that may be of sufficient magnitude to constitute RISQUE DE SHOCK ELECTRIQUE a risk of electric shock to persons. NE PAS OUVRIR Le symbole éclair avec le point de flèche à l´intérieur d´un triangle équilatéral est utilisé pour alerter l´utilisateur de la presence à l´intérieur du coffret de ”voltage dangereux” non isolé d´ampleur CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK suffisante pour constituer un risque d`éléctrocution. DO NOT REMOVE COVER (OR BACK). NO USER SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL. The exclamation mark within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the ATTENTION:POUR EVITER LES RISQUES DE CHOC ELECTRIQUE, NE literature accompanying the product. PAS ENLEVER LE COUVERCLE. AUCUN ENTRETIEN DE PIECES INTERIEURES PAR L´USAGER. Le point d´exclamation à l´intérieur d´un triangle équilatéral est CONFIER L´ENTRETIEN AU PERSONNEL QUALIFE. employé pour alerter l´utilisateur de la présence d´instructions AVIS: POUR EVITER LES RISQUES D´INCIDENTE OU D´ELECTROCUTION, importantes pour le fonctionnement et l´entretien (service) dans le N´EXPOSEZ PAS CET ARTICLE A LA PLUIE OU L´HUMIDITET. -
Electric Piano Adam Estes and Yukimi Morimoto
Electric Piano Adam Estes and Yukimi Morimoto May 16, 2018 6.101 Final Project Report Table of Contents I. Introduction II. Abstract III. Block Diagram IV. Synthesizer A. Touch Sensor B. MOSFET Switch C. Adder and Inverting Amplifier D. Voltage Controlled Oscillator E. Push-pull Amplifier V. Audio Effects A. Timbre Changer B. Octave Switch C. Soft Pedal D. Damper Pedal (Attempt) VI. Design Analysis VII. Conclusion VIII. References IX. Appendix 2 I. Introduction Musical instruments have amused people around the world throughout the history. One of the most common instruments that is enjoyed by people today is the piano. Playing the piano is very intuitive; players can make notes simply by pressing keys, and the notes ascend from left to right. In our project, we decided to build an electric piano with analog circuits. The user interface was inspired by a circuit that we built in 6.101 which lights up an LED for 30 seconds after the user touches two electrodes. We thought that the idea behind this circuit was a clever one, but we wanted to do something more interesting than just turning on a light. Turning on the circuit by touching electrodes resembles playing notes by pressing keys on the piano. The electric piano, therefore, enables players to play music in a similar way to a real piano. The features of the electric piano were inspired by those of a real piano. The electric piano can play three octaves in total, and has a soft pedal to decrease the volume. The waveshapes can be changed to several different shapes to better mimic the sounds of the piano, if not quite perfectly. -
The Vox Continental
Review: The Vox Continental ANDY BURTON · FEB 12, 2018 Reimagining a Sixties Icon The original Vox Continental, rst introduced by British manufacturer Jennings Musical Industries in 1962, is a classic “combo organ”. This sleek, transistor-based portable electric organ is deeply rooted in pop-music history, used by many of the biggest rock bands of the ’60’s and beyond. Two of the most prominent artists of the era to use a Continental as a main feature of their sound were the Doors (for example, on their classic 1967 breakthrough hit “Light My Fire”) and the Animals (“House Of The Rising Sun”). John Lennon famously played one live with the Beatles at the biggest-ever rock show to date, at New York’s Shea Stadium in 1965. The Continental was bright orange-red with reverse-color keys, which made it stand out visually, especially on television (which had recently transitioned from black-and-white to color). The sleek design, as much as the sound, made it the most popular combo organ of its time, rivaled only by the Farsa Compact series. The sound, generated by 12 transistor-based oscillators with octave-divider circuits, was thin and bright - piercing even. And decidedly low-delity and egalitarian. The classier, more lush-sounding and expensive Hammond B-3 / Leslie speaker combination eectively required a road crew to move around, ensuring that only acts with a big touring budget could aord to carry one. By contrast, the Continental and its combo- organ rivals were something any keyboard player in any band, famous or not, could use onstage. -
Two Andover Girls Killed on Highway
7 *, -N Armcii Ikllf frtm Ron r«r «w WMk >ii«M 'ni itM ' . fNweeest •! IT. i t WmMtiit ' Otauf Mril «M»I toklKkC 13,705 to ML Slinajr, piMjMUrt; BlMObOT ' t t tiM AodNk n i^ to antor 7tA V , f'' BltfWIB •( CIlMlftttM Menehegttr^A City o / ViUagt Chirm VOL. LXXCTL NO. 284 (StXTEBN PAGES) MANCHESTER, CONN., TUESDAY, SEPTEMBER, 1, 1984 (OtoWfM AdVMiMar m P a f« M) PRICE SEVEN CEK fr Titan Up, Blac^Out ans CAPE KENNEDY,CENN Fla. (AP) — The Air Force launched a Titan SA mili tary space rocket on 'its maiden test flisrht . today, but lost track of it l3.min \ utes after lift-off. The 124-foot tall rocket biast' 8 ed away from Cape Kennedy'i^- Poverty Billi ;yV * Democrat 11 a.m. It* groal wa* to launch J It* third staae Into orbit a* a U i l l f l H C C S V f OOCI flying launch* platform. The y Backr Move platform, in turn, wa* to kick f loo*e a dummy -satellite into J O l l l l S O I l X O l v l separate orbit. In Caucus Within minutes, the second and third stages fired on sched WASHINGTON (API — Dem By GEORGE BAZAN ule. But, as' the rocket zipped ocratic congressional' .leaders 100 miles over a tracking sta- gave President Johnson an optl- HARTFORD" (AP) — A Uon in the West Indies Island ‘ mlsUc report today on prospects Republican leader said to of Antigua, radio contact was for enactment of his blllion-d<Jl-_ day that Republicans h»y« lost with the vehicle. -
Piano Manufacturing an Art and a Craft
Nikolaus W. Schimmel Piano Manufacturing An Art and a Craft Gesa Lücker (Concert pianist and professor of piano, University for Music and Drama, Hannover) Nikolaus W. Schimmel Piano Manufacturing An Art and a Craft Since time immemorial, music has accompanied mankind. The earliest instrumentological finds date back 50,000 years. The first known musical instrument with fibers under ten sion serving as strings and a resonator is the stick zither. From this small beginning, a vast array of plucked and struck stringed instruments evolved, eventually resulting in the first stringed keyboard instruments. With the invention of the hammer harpsichord (gravi cembalo col piano e forte, “harpsichord with piano and forte”, i.e. with the capability of dynamic modulation) in Italy by Bartolomeo Cristofori toward the beginning of the eighteenth century, the pianoforte was born, which over the following centuries evolved into the most versitile and widely disseminated musical instrument of all time. This was possible only in the context of the high level of devel- opment of artistry and craftsmanship worldwide, particu- larly in the German-speaking part of Europe. Since 1885, the Schimmel family has belonged to a circle of German manufacturers preserving the traditional art and craft of piano building, advancing it to ever greater perfection. Today Schimmel ranks first among the resident German piano manufacturers still owned and operated by Contents the original founding family, now in its fourth generation. Schimmel pianos enjoy an excellent reputation worldwide. 09 The Fascination of the Piano This booklet, now in its completely revised and 15 The Evolution of the Piano up dated eighth edition, was first published in 1985 on The Origin of Music and Stringed Instruments the occa sion of the centennial of Wilhelm Schimmel, 18 Early Stringed Instruments – Plucked Wood Pianofortefa brik GmbH. -
Model 6100 Assembly Instructions My First Piano Tutor
Model 6100 Assembly Instructions My First Piano Tutor Schoenhut® Piano Company, 6480B US1 North, Saint Augustine, FL USA Phone 904-810-1945 Fax 904-823-9213 Email [email protected] Website www.toypiano.com “Manufacturer of Toy Pianos since 1872” Schoenhut® Piano Company Page 1 all rights reserved © 2011 Printed in China WARNING! This product must be assembled by an adult prior to play. Unassembled parts may have sharp edges which could cause injury. The piano and bench are designed for use by a child. Inspect the hardware periodically for tightness and integrity, tightening or replacing any loose parts. Parts Piano body Bench seat Piano Crosspiece leg support 7” Bench Legs (two) Piano Legs (two) 6.25” Bench Legs (two) Music Stand Long Screws (ten) Song book and color strip Short Screws (four) Learning System book Barrel Nuts (fourteen) Microphone (one) Pedal (one) Power Adapter (one) Assembly Alert: Hardware is located inside the Styrofoam packing material Step1: Insert barrel nuts into the top portion of the (2) sets of piano legs. Use (2) long screws to attach the piano leg to the piano body. Repeat this for other side. Step 2: Insert (4) barrel nuts into the crosspiece. Use (4) long screws to attach the piece onto the piano legs. Step 3: To put the bench together, you will insert barrel nuts into the holes of each bench leg. Place (1) 7 inch bench leg and (1) 6.25 inch bench leg together so that they make “V” shape. Attach these together using (2) long screws. Do the same for the remaining (2) bench legs. -
Real-Time Physical Model of a Wurlitzer and Rhodes Electric Piano
Proceedings of the 20th International Conference on Digital Audio Effects (DAFx-17), Edinburgh, UK, September 5–9, 2017 REAL-TIME PHYSICAL MODEL OF A WURLITZER AND RHODES ELECTRIC PIANO Florian Pfeifle Systematic Musicology, University of Hamburg Hamburg, DE [email protected] ABSTRACT tation methodology as is published in [21]. This work aims at extending the existing physical models of mentioned publications Two well known examples of electro-acoustical keyboards played in two regards by (1) implementing them on a FPGA for real-time since the 60s to the present day are the Wurlitzer electric piano synthesis and (2) making the physical model more accurate when and the Rhodes piano. They are used in such diverse musical gen- compared to physical measurements as is discussed in more detail res as Jazz, Funk, Fusion or Pop as well as in modern Electronic in section 4 and 5. and Dance music. Due to the popularity of their unique sound and timbre, there exist various hardware and software emulations which are either based on a physical model or consist of a sample 2. RELATED WORK based method for sound generation. In this paper, a real-time phys- ical model implementation of both instruments using field pro- Scientific research regarding acoustic and electro-mechanic prop- grammable gate array (FPGA) hardware is presented. The work erties of both instruments is comparably sparse. Freely available presented herein is an extension of simplified models published user manuals as well as patents surrounding the tone production before. Both implementations consist of a physical model of the of the instruments give an overview of basic physical properties of main acoustic sound production parts as well as a model for the both instrument [5]; [7]; [8]; [13]; [4]. -
Arturia Farfisa V User Manual
USER MANUAL ARTURIA – Farfisa V – USER MANUAL 1 Direction Frédéric Brun Kevin Molcard Development Samuel Limier (project manager) Pierre-Lin Laneyrie Theo Niessink (lead) Valentin Lepetit Stefano D'Angelo Germain Marzin Baptiste Aubry Mathieu Nocenti Corentin Comte Pierre Pfister Baptiste Le Goff Benjamin Renard Design Glen Darcey Gregory Vezon Shaun Ellwood Morgan Perrier Sebastien Rochard Sound Design Jean-Baptiste Arthus Jean-Michel Blanchet Boele Gerkes Stephane Schott Theo Niessink Manual Hollin Jones Special Thanks Alejandro Cajica Joop van der Linden Chuck Capsis Sergio Martinez Denis Efendic Shaba Martinez Ben Eggehorn Miguel Moreno David Farmer Ken Flux Pierce Ruary Galbraith Daniel Saban Jeff Haler Carlos Tejeda Dennis Hurwitz Scot Todd-Coates Clif Johnston Chad Wagner Koshdukai © ARTURIA S.A. – 1999-2016 – All rights reserved. 11, Chemin de la Dhuy 38240 Meylan FRANCE http://www.arturia.com ARTURIA – Farfisa V – USER MANUAL 2 Table of contents 1 INTRODUCTION .................................................................... 5 1.1 What is Farfisa V? ................................................................................................. 5 1.2 History of the original instrument ........................................................................ 5 1.3 Appearances in popular music ......................................................................... 6 1.3.1 Famous Farfisa users and songs:..................................................................... 7 1.4 What does Farfisa V add to the original? .........................................................