Vox User Guide
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PRODUCT CATALOG WINTER 2014 the Original Red Keyboards the Nord Factory Is Located in the Creative Area of Stockholm Also Known As Sofo, in the District of Södermalm
Nord Keyboards Product Catalog Winter Catalog Product Keyboards Nord SYNTHESIZERS • STAGE PIANOS • COMBO ORGAN Handmade in Sweden by Clavia DMI AB 2014 PRODUCT CATALOG WINTER 2014 The Original Red Keyboards The Nord factory is located in the creative area of Stockholm also known as SoFo, in the district of Södermalm. With everything located in the same building, communication between development and production is only a matter of walking a few meters. We are proud to say all our Nord products are assembled by hand and they all go through a series of tough tests to ensure they’ll be ready for a long and happy life ‘on the road’. CONTENTS SYNTHESIZERS NORD LEAD A1 6 NEW NORD LEAD 4 14 NORD DRUM 2 22 STAGE PIANOS NORD ELECTRO 4 26 NORD PIANO 2 34 NORD STAGE 2 40 COMBO ORGAN NORD C2D 48 SOUND LIBRARIES 56 Manufacturer: Clavia DMI AB, Box 4214, SE-102 65 Stockholm, Sweden Phone: +46 8 442 73 60 | Fax: +46 8 644 26 50 | Email: [email protected] | www.nordkeyboards.com 3 IT ALL STARTED BACK IN 1983... In 1983 founder Hans Nordelius created the Digital In 2001 the first Nord Electro was released, In 2008 we released the Nord Electro 3 and the Percussion Plate 1 – the first drum pad allowing for introducing stunning emulations of classic vintage exclusively licensed sounds from the Mellotron and dynamic playing using sampled sounds. The DPP1 electro-mechanical instruments with a level of Chamberlin. The Electro 3 became one of the most was an instant success and soon thereafter the portability generally not associated with the original successful products we’ve ever made. -
The Vox Continental
Review: The Vox Continental ANDY BURTON · FEB 12, 2018 Reimagining a Sixties Icon The original Vox Continental, rst introduced by British manufacturer Jennings Musical Industries in 1962, is a classic “combo organ”. This sleek, transistor-based portable electric organ is deeply rooted in pop-music history, used by many of the biggest rock bands of the ’60’s and beyond. Two of the most prominent artists of the era to use a Continental as a main feature of their sound were the Doors (for example, on their classic 1967 breakthrough hit “Light My Fire”) and the Animals (“House Of The Rising Sun”). John Lennon famously played one live with the Beatles at the biggest-ever rock show to date, at New York’s Shea Stadium in 1965. The Continental was bright orange-red with reverse-color keys, which made it stand out visually, especially on television (which had recently transitioned from black-and-white to color). The sleek design, as much as the sound, made it the most popular combo organ of its time, rivaled only by the Farsa Compact series. The sound, generated by 12 transistor-based oscillators with octave-divider circuits, was thin and bright - piercing even. And decidedly low-delity and egalitarian. The classier, more lush-sounding and expensive Hammond B-3 / Leslie speaker combination eectively required a road crew to move around, ensuring that only acts with a big touring budget could aord to carry one. By contrast, the Continental and its combo- organ rivals were something any keyboard player in any band, famous or not, could use onstage. -
Arturia Farfisa V User Manual
USER MANUAL ARTURIA – Farfisa V – USER MANUAL 1 Direction Frédéric Brun Kevin Molcard Development Samuel Limier (project manager) Pierre-Lin Laneyrie Theo Niessink (lead) Valentin Lepetit Stefano D'Angelo Germain Marzin Baptiste Aubry Mathieu Nocenti Corentin Comte Pierre Pfister Baptiste Le Goff Benjamin Renard Design Glen Darcey Gregory Vezon Shaun Ellwood Morgan Perrier Sebastien Rochard Sound Design Jean-Baptiste Arthus Jean-Michel Blanchet Boele Gerkes Stephane Schott Theo Niessink Manual Hollin Jones Special Thanks Alejandro Cajica Joop van der Linden Chuck Capsis Sergio Martinez Denis Efendic Shaba Martinez Ben Eggehorn Miguel Moreno David Farmer Ken Flux Pierce Ruary Galbraith Daniel Saban Jeff Haler Carlos Tejeda Dennis Hurwitz Scot Todd-Coates Clif Johnston Chad Wagner Koshdukai © ARTURIA S.A. – 1999-2016 – All rights reserved. 11, Chemin de la Dhuy 38240 Meylan FRANCE http://www.arturia.com ARTURIA – Farfisa V – USER MANUAL 2 Table of contents 1 INTRODUCTION .................................................................... 5 1.1 What is Farfisa V? ................................................................................................. 5 1.2 History of the original instrument ........................................................................ 5 1.3 Appearances in popular music ......................................................................... 6 1.3.1 Famous Farfisa users and songs:..................................................................... 7 1.4 What does Farfisa V add to the original? ......................................................... -
Product Catalog 2017
Nord Keyboards Product Catalog 2017 Catalog Product Keyboards Nord STAGE PIANOS • SYNTHESIZERS • COMBO ORGAN Handmade in Sweden by Clavia DMI AB PRODUCT CATALOG 2017 The Original Red Keyboards The Nord factory is located in the creative area of Stockholm also known as SoFo, in the district of Södermalm. With everything located in the same building, communication between development and production is only a matter of walk- ing a few meters. We are proud to say all our Nord products are assembled by hand and they all go through a series of tough tests to ensure they’ll be ready for a long and happy life ‘on the road’. CONTENTS STAGE PIANOS NORD STAGE 3 6 NEW NORD PIANO 3 16 NORD ELECTRO 5 22 SYNTHESIZERS NORD LEAD A1 30 NORD LEAD 4 38 NORD DRUM 3P 46 COMBO ORGAN NORD C2D 50 SOUND LIBRARIES 58 Manufacturer: Clavia DMI AB, Box 4214, SE-102 65 Stockholm, Sweden Phone: +46 8 442 73 60 | Fax: +46 8 644 26 50 | Email: [email protected] | www.nordkeyboards.com 3 COMPANY HISTORY COMPANY IT ALL STARTED BACK IN 1983... In 1983 founder Hans Nordelius created the Digital introducing stunning emulations of classic vintage Chamberlin. The Electro 3 became one of the most In 2013 we celebrated our 30th anniversary as a musical Percussion Plate 1 – the first drum pad allowing for electro-mechanical instruments with a level of successful products we’ve ever made. instrument company by releasing the Nord Lead 4, Nord dynamic playing using sampled sounds. The DPP1 portability generally not associated with the original In 2010 the streamlined Nord Piano was introduced, Drum 2, Nord Pad and the Nord Piano 2 HP! At NAMM was an instant success and soon thereafter the instruments… a lightweight stage piano that featured advanced 2014 we announced the Nord Lead A1 – our award- brand name ddrum was introduced. -
Historia De La Tecnología Musical - Sintetizadores
Historia de la tecnología musical - Sintetizadores Se presentan en este artículo breves reseñas de los instrumentos musicales electrónicos previos al desarrollo de los instrumentos digitales (que alcanzaron su plenitud a partir de 1980 con los sintetizadores digitales, el sampler y las computadoras). También se hace referencia a algunas de las tendencias estéticas y corrientes musicales (hasta 1950) más ligadas al desarrollo tecnológico o más influidas por este. -1891 Dynamophon o Telharmonium de Taddeus Cahill: Considerado el primer instrumento musical electrónico plenamente desarrollado, era una especie de órgano eléctrico con generadores por ruedas dentadas (dinamos que movilizaban engranajes) que producían tensiones sinusoidales a distintas frecuencias cuyas amplitudes (volumen) podían ser atenuadas mediante resistencias determinando las características de cada registro. Pesaba cerca de 200 toneladas y, ante la inexistencia de los altavoces o parlantes, el instrumento solo podía escucharse por medio de una red telefónica. En 1906 se lo consideraba un "invento eléctrico para producir música científicamente perfecta”. -1919 Eterófono, Termenvox o Theremin de León Theremin (Lev Termen): Instrumento que utiliza generadores de ondas heterodinas y dos antenas: interfiriendo con la mano las antenas el ejecutante puede controlar la altura del sonido y su amplitud, sin tener contacto físico con el instrumento. Dado el timbre casi puro producido por el theremin, el rango musicalmente aprovechable no superaba las 4 octavas. El instrumento fue muy bien recibido en la primera época de la Revolución Rusa y Theremin realizo giras por Alemania, Francia y EE.UU. antes del ascenso definitivo de Josef Stalin en la U.R.S.S. Para la presentación en Francia fue la primera vez que se vendieron entradas de pie en la Opera de París. -
THE COMPLETE SYNTHESIZER: a Comprehensive Guide by David Crombie (1984)
THE COMPLETE SYNTHESIZER: A Comprehensive Guide By David Crombie (1984) Digitized by Neuronick (2001) TABLE OF CONTENTS TABLE OF CONTENTS...........................................................................................................................................2 PREFACE.................................................................................................................................................................5 INTRODUCTION ......................................................................................................................................................5 "WHAT IS A SYNTHESIZER?".............................................................................................................................5 CHAPTER 1: UNDERSTANDING SOUND .............................................................................................................6 WHAT IS SOUND? ...............................................................................................................................................7 THE THREE ELEMENTS OF SOUND .................................................................................................................7 PITCH ...................................................................................................................................................................8 STANDARD TUNING............................................................................................................................................8 THE RESPONSE OF THE HUMAN -
Vox Continental Voice Name List
Voice Name List Table of Contents VARIATION. 2 ORGAN . 2 CX-3......................................................................................................................................................................2 VOX.......................................................................................................................................................................2 COMPACT...........................................................................................................................................................2 E.PIANO. 2 TINE ......................................................................................................................................................................2 REED.....................................................................................................................................................................2 FM .........................................................................................................................................................................2 PIANO . 2 GRAND ................................................................................................................................................................2 UPRIGHT .............................................................................................................................................................2 E. GRAND............................................................................................................................................................2 -
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University of Huddersfield Repository Quinn, Martin The Development of the Role of the Keyboard in Progressive Rock from 1968 to 1980 Original Citation Quinn, Martin (2019) The Development of the Role of the Keyboard in Progressive Rock from 1968 to 1980. Masters thesis, University of Huddersfield. This version is available at http://eprints.hud.ac.uk/id/eprint/34986/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ 0. A Musicological Exploration of the Musicians and Their Use of Technology. 1 The Development of the Role of the Keyboard in Progressive Rock from 1968 to 1980. A Musicological Exploration of the Musicians and Their Use of Technology. MARTIN JAMES QUINN A thesis submitted to the University of Huddersfield in partial fulfilment of the requirements for the degree of Master of Arts. -
The Black Angels Death Song Mp3, Flac, Wma
The Black Angels Death Song mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Death Song Country: USA & Europe Released: 2017 Style: Psychedelic Rock, Garage Rock MP3 version RAR size: 1999 mb FLAC version RAR size: 1592 mb WMA version RAR size: 1699 mb Rating: 4.6 Votes: 964 Other Formats: MP4 DMF APE RA WMA AHX VQF Tracklist A1 Currency A2 I'd Kill For Her A3 Half Believing B4 Comanche Moon B5 Hunt Me Down B6 Grab As Much (As You Can) C7 Estimate C8 I Dreamt C9 Medicine D10 Death March D11 Life Song Companies, etc. Record Company – Big Deal Music, LLC Phonographic Copyright (p) – Partisan Records LLC Phonographic Copyright (p) – Knitting Factory Records Inc. Phonographic Copyright (p) – The Black Angels Copyright (c) – Partisan Records LLC Copyright (c) – Knitting Factory Records Inc. Copyright (c) – The Black Angels Pressed By – Rainbo Records – S-99477 Pressed By – Rainbo Records – S-99478 Pressed By – Rainbo Records – S-99479 Pressed By – Rainbo Records – S-99480 Published By – Big Deal Notes Published By – Death Songs Publishing Co. Published By – Words & Music Recorded At – Arlyn Studios Recorded At – Avast! Recording Co. Mixed At – Avast! Recording Co. Mixed At – Electrokitty Mastered At – Sterling Sound Lacquer Cut At – Sterling Sound Credits Artwork – Pierre Schmidt Band [The Black Angels Are], Bass, Guitar, Organ, Synthesizer [Moog], Organ [Rheem MK VII] – Kyle Hunt Band [The Black Angels Are], Drums, Percussion, Organ [Philicorda] – Stephanie Bailey Band [The Black Angels Are], Guitar, Bass, Vocals – Jake Garcia Band [The Black Angels Are], Guitar, Mellotron, Bass, Vocals, Organ [Vox Continental] – Christian Bland Band [The Black Angels Are], Lead Vocals, Bass, Harmonium – Alex Maas Design [Graphic Design] – Christian Bland Engineer [Assistant Engineering] – Cameron Nicklaus, Jacob Sciba, Joe Hogyn Lacquer Cut By – RJ* Mastered By – Greg Calbi Producer [Produced By], Engineer [Engineered By], Mixed By – Phil Ek Notes On back: ©℗ 2017 Partisan Records LLC · Knitting Factory Records Inc. -
VOX Continental Ver.2.0 Upgrade Guide
• Ensemble sounds: brass ensemble, tape strings, synth pad, etc. • Bass sounds: acoustic bass, electric bass, synth bass English For details on how to select sounds, see page 8 of the “Owner’s Manual.” * Download the PDF from www.voxamps.com. Split function This function lets you divide the keyboard into high and low Ver.2.0 regions, and play two of the four sound parts (ORGAN, E.PIANO, PIANO, and KEY/LAYER) in these two regions. For Upgrade Guide example, you could play organ with the right hand and bass with the left hand. E 1 Setting the split function Français The VOX Continental Ver.2.0 has evolved into an even more complete stage keyboard by adding carefully selected new 1 Press a part select button (ORGAN, E.PIANO, PIANO, sounds and convenient performance functions. The following KEY/LAYER) to select the sound part that you’ll play in the upgrades have been added. upper region of the keyboard (the button is lit). ( See • 58 versatile sounds have been added illustration below) • A split function has been added 2 Hold down the SPLIT button of the ORGAN part and • The damper effect can be enabled or disabled for each press one of the part select buttons (ORGAN, E.PIANO, sound part PIANO, KEY/LAYER) to select the sound part that you’ll • A scene set function has been added, and the number of play in the lower region of the keyboard (the SPLIT button scenes has increased from 16 to 64 blinks, and the part select button is lit). -
Physical Modeling Organ and Electric Piano
PHYSICAL MODELING ORGAN AND ELECTRIC PIANO USER'S MANUAL Firmware version 1.41 - Hardware rev. C www.Crumar.it CRUMAR MOJO 61 USER'S MANUAL - Page 1/32 Congratulations! You are now the lucky owner of a Crumar Mojo !1" one of the finest digital key#oards of the modern era. $he Mojo !1 is a high %uality instrument that was entirely conceived" develo&ed and #uilt in 'taly with &remium %uality &arts. $his instrument is the the result of years of research in sound design" %uality electronics and has #een assem#led with first class craftsmanshi&. (e wish you many years of enjoyment and good music with your new Mo o !1" and" if we may give you a small &iece of advice... you guessed it... please read this manual in its entirety and kee& it in a safe place for future reference! Have fun! $he Crumar Gang. SAFETY INFORMATION – Do not open the instr!ment. $he instr!ment %an &e opene' an' epai e' on() &y *!alifie' pe sonne(# Una!tho ize' opening -oids the wa ant)# – Do not e/pose the instr!ment to ain o "oistu e# – Do not e/pose the instr!ment to 'i e%t s!nlight# – 0e %a e+!( not to infiltrate po.'e s an' liq!ids inside the instr!ment. No on the o!tside# – 1+ liq!ids get inside the !nit, emo-e the po.e imme'iate() to p e-ent the is3 of ele%t ic sho%k an' %onta%t a se -ice %ente as soon as possible# – Do not %lean !sing a& asive %leane s as they may 'amage the s! fa%e# – Please 3eep a(( pa%3aging in %ase )o! nee' to t anspo t the instr!ment to a se -ice %ente # – $he instr!"ent %an &e !se' in an) Co!nt ) that has a mains -oltage &et.een 100 5a% an' -
Farfisa and Vox Library Barry’S Notes
Farfisa and Vox Library Barry’s Notes VOX The Vox Continental was certainly the most recognizable 1960’s combo organ. Its unusual reverse colored keyboard, curving chrome stand, and striking orange and gray finish were seen on televisions everywhere and looked especially good on those new-fangled color ones. Its sounds poured out of juke boxes, hi-fi’s, and transistor radios all over the world as it was the organ of choice for most studios and most of the bands making the big hits. There were two versions of the Vox, the original four octave Continental and the top of the line, two-manual Super Continental. Both of these can be played on the Nord Vox model, and this is important because most of the Vox Continental’s ‘greatest hits’ were performed on the original single manual version. You can get these sounds because the Super Continen- tal’s lower manual actually has the drawbars and sound of the original single manual Conti- nental (albeit shifted up one octave) while the upper manual has an extra drawbar and has a slightly different sound. On the Nord Vox model, the 16', 8', 4', II, and III drawbars create the sounds of the upper manual of the Super Continental. The II stands for the two pitches this drawbar controls: 5 1/3' and 1 3/5'. The III drawbar controls the 2 2/3', 2', and 1' pitches. The 8', 4', 2', and IV drawbars create the sounds of the Super Continental's lower manual and, when shifted down an octave, the sound of the original Continental.