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Physical Modeling Organ and Electric Piano

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Physical Modeling Organ and Electric Piano PHYSICAL MODELING ORGAN AND ELECTRIC PIANO USER'S MANUAL Firmware version 1.41 - Hardware rev. C www.Crumar.it CRUMAR MOJO 61 USER'S MANUAL - Page 1/32 Congratulations! You are now the lucky owner of a Crumar Mojo !1" one of the finest digital key#oards of the modern era. $he Mojo !1 is a high %uality instrument that was entirely conceived" develo&ed and #uilt in 'taly with &remium %uality &arts. $his instrument is the the result of years of research in sound design" %uality electronics and has #een assem#led with first class craftsmanshi&. (e wish you many years of enjoyment and good music with your new Mo o !1" and" if we may give you a small &iece of advice... you guessed it... please read this manual in its entirety and kee& it in a safe place for future reference! Have fun! $he Crumar Gang. SAFETY INFORMATION – Do not open the instr!ment. $he instr!ment %an &e opene' an' epai e' on() &y *!alifie' pe sonne(# Una!tho ize' opening -oids the wa ant)# – Do not e/pose the instr!ment to ain o "oistu e# – Do not e/pose the instr!ment to 'i e%t s!nlight# – 0e %a e+!( not to infiltrate po.'e s an' liq!ids inside the instr!ment. No on the o!tside# – 1+ liq!ids get inside the !nit, emo-e the po.e imme'iate() to p e-ent the is3 of ele%t ic sho%k an' %onta%t a se -ice %ente as soon as possible# – Do not %lean !sing a& asive %leane s as they may 'amage the s! fa%e# – Please 3eep a(( pa%3aging in %ase )o! nee' to t anspo t the instr!ment to a se -ice %ente # – $he instr!"ent %an &e !se' in an) Co!nt ) that has a mains -oltage &et.een 100 5a% an' 240 5a%# – Do not to!%h the AC a'apte with .et han's# WARRANTY – C !ma Mo7o 61 is s!&7e%t to 12 "onths man!fa%tu e 's wa ant)# – 8a anty e/tensions a e at the 'is% etion of the etaile # – Damages %a!se' &) mis!se2 imp ope "aintenan%e o transpo tation a e not %o-e e' &y this wa ant)# – D! ing the wa ant) pe io'2 the %!stome is entitle' to epair o epla%e"ent of any pa ts %onside e' 'e+e%tive at no %ha ge# – $he possible epla%e"ent o+ the entire p o'!%t is at the man!fa%t! e 's 'is% etion# CRUMAR MOJO 61 USER'S MANUAL - Page 2/32 CHAPTER SUMMARY9 1# $he so!n's of Mo7o 61 p# 6 2# $he e++e%ts p# : 3# $he %omman' panel pa t 1 p# ; 6# $he %omman' panel pa t 2 p# < =# $he %omman' panel pa t 3 p# 10 6# $he ea pane( p# 11 :# Conne%ting %ontrol a%%esso ies p# 12 ;# >ow to tu n the Mo7o 61 on p# 12 <# All a&o!t 5B3 p# 13 14# Playing the Pipe O gan p# 16 11. Co"&o O gans p# 17 12. Ele%tric Piano p# 18 13. App(ying e++e%ts to Co"&o O gans an' Ele%tric Pianos p# 19 16# $he S>1?$ &!tton an' the alte nate +!n%tions p# 19 1=# Conne%ting to the 8i-?i E'ito p# 20 16. Using the E'ito 8e&-App p# 21 1:# 0 ief e/planation of all o gan pa a"ete s p# 23 1;# Sho t%!ts p# 27 1<# $he USB po ts p# 28 24# M1D1 ?!n%tions an' imple"entation %ha t p# 29 21. M1D1 Map p# 30 22. Spe%ifications p# 31 CONVENTIONS USED IN THIS MANUAL E-e ) time a &!tton2 an LED o an) othe %ont o( is e+e en%e'2 it is 'one &) the n!"&e that has &een asso%iate' to it in the ' awings +o!n' in %hapte s 3 to ;# 8hen )o!' e in-ite' to @p ess & ho('B a &!tton2 it is inten'e' that the &!tton sho!(' &e 3ept 'ep esse' +o at (east 2 se%on's# Co! will fin' that some %on%epts might &e epeate' "o e than on%e2 this happens &e%a!se the e %o!(' &e a "ention in a %hapte 2 an' a 'etaile' e/plication in a late %hapte # 8e e%o""en' )o! to ea' this man!a( with the instr!ment in + ont o+ )o!2 so )o! %an p!t into p a%tice what )o! a e ea'ing an' )o! %an ha-e an instant +ee'&a%3 o+ the notions he e e/plaine'# CRUMAR MOJO 61 USER'S MANUAL - Page 3/32 1. THE SOUNDS OF MOJO !1 V"#-II %irtua& t'()wheel 'r+an $his is the e/a%t same so+twa e that po.e s the C !ma Mo7o an' p esents the same pa amete set# 5B3-11 is the es!lt o+ 12 )ea s o+ stu')2 esea %h2 e/pe imentation an' 'e-elopment o+ the simulation o+ a -intage >a""on' B3 o gan# 1t is the e-o(!tion o+ the DSi 5B3 1.6 .hich is still a-aila&le as a p(!gin +o 'igital a!'io .o kstations# 1n the last = o 6 )ea s it has &een %onside e' the &est simulation o+ a tonewhee( o gan &) some o+ the most a%%laime' 7a,, an' o%3 o ganists an' o gan te%hs# $he C !ma Mo7o has &een a &est-selle in the EClone O ganE ma 3et '! ing 2013 an' 2014 an' no. the ne. Mo7o 61 o++e s )o! the possibilit) to ta3e a'-antage o+ one o+ the &est %lone o gans e-e witho!t %omp omises# Pi,e Or+an A pipe o gan is not something )o! see e-e ) 'a)2 the e a e tho!san's o+ 'iffe ent pipe o gans that 'iffe &) the n!"&e o+ stops2 the n!"&e o+ man!als2 the n!"&e an' the type o+ pipes2 thei si,e2 their position2 et%# &!t .e wante' to keep it simple an' o++e a pipe o gan that .o!(' &e eas) to !n'e stan' an' inspiring to pla)2 so .e %hose to o++e a Ba o*!e-style o gan &ase' on a single man!a( an' < stops p(!s 3 %o!ple s an' the %lassi% Et e"!lant" e++e%t# $his synth engine .o ks as an h)& id synthesize 2 !ses a''itive synthesis an' ph)sica( "o'eling2 the e a e no samples in-o(-e'# $he e/p ession pe'a( espon's natu a(() an' -a ies the a"o!nt o+ air that passes th o!gh the pipes# $he e is a tota( of :76 -irtual pipes# C'm-' Or+ans $he Mo7o 61 +eatu es t.o simu(ations o+ -e ) fa"o!s 1talian transisto o gans o+ the se-enties2 the 5OF Continenta( an' the ?a fisa Compa%t DeL!/e# Ea%h o+ these o gans is simulate' in e-e ) 'etai(2 ep o'!%ing the essen%e an' the e/a%t %o(o o+ that g itt) o gan so!n' that was the %o ne stone o+ o%3 &an's like the Doo s2 the Pin3 ?(o)' an' simila # $he po(yphon) is +!(( Ga(( 61 notes at the same timeH an' a(( %ont ols &eha-e e/a%tly like in the o igina( instr!ment# One note9 sin%e &oth these o gans .e e o igina(() &ase' on 69-note ke)&oa 's2 .e %hose to & ing the pe'a(&oa ' tones to the first o%ta-e# $he pe'a(&oa ' tone has no settings# CRUMAR MOJO 61 USER'S MANUAL - Page 6/32 Tines E&)/tric Piano $he e's no ke)&oa 'ist witho!t a goo' Rho'es e(e%tric piano so!n'# An' the Mo7o 61 o++e s .hat %an &e %onside e' the &est +!sion &etween so!n' fi'elit) an' playa&ilit)# $his synth engine is &ase' on mo e than 14 )ea s o+ e/pe ien%e on the ,*0sical m'1)&i(+ simu&ati'( '2 a R*'1). )&)/tri/ ,iano2 e-e ything in the E&o')E o+ ea%h single note + o" the atta%3 transient to the -e ) last 'e%a) is p! e() simulate'# Some mino e(ements a e a''e' + o" se(e%te' samp(e' so! %es2 &!t the most impo tant pa t o+ the so!n' is p! e synthesis# E-e ) ele"ent o+ the me%hanica( piano is -irtua(() e%onstr!%te' in the Mo7o 612 + o" the hamme 2 the hamme -tips2 the tines2 the tone&a s2 the pic3-!ps2 the 'a"pe s2 the o!tp!t filte straight to the o!tp!t 7a%32 an' the) a(( &eha-e e/a%tly like in the ea( thing# Ea%h o+ the ;; notes is sim!late' in'ivi'!a(()2 an' ea%h note is a gene ato on its own2 th!s o++e ing the +!(( po()phon)2 no note stealing an' a -e ) natu a( an' tr!e to the o igina( &eha-io # P(!s2 this ne.
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