Maintenance Methods for Digital Computers 1959 • VOL

Total Page:16

File Type:pdf, Size:1020Kb

Maintenance Methods for Digital Computers 1959 • VOL 1959 PICTORIAL REPORT ON THE COMPUTER FIELD DECEMBER Maintenance Methods for Digital Computers 1959 • VOL. • 8 - NO. 12 ~~"""""""""""""""""""""""""'"""""""""""""""""""""" - ~ ~ ~ ~ ~ ~ ~ ~ COMPUTER PROGRAMMERS ~ ~ ~ ~ ~ I Contribute to the f" ormulation ~ ~ ~ ~ of Ootally New Oechniques :J{pplicable I ~ to ..carge-Scale Systems at ~ ~ ~ ~ THE ~ ~ MITRE ~ ~ ~ ~ ~ ~ ~ ~ MIT~E, formed under the sponsorship of the Massachusetts Institute of Technology, ~ ~ has as a primary responsibility the design and development of computer-based air defense ~ ~ systems. An important part 01 this effort is the lonnulation 01 totally new programming ~ ~ techniques. ~ ~ Supported by such computer equipment as an IBM 704 and an experimental SAGE ~ i AN/FSQ-7 (soon to be augmented by an IBM 7090 and a solid state SAGE computer) ~ ~ MITRE engineers and scientists are involved in broad applied and creative programming ~ ~ areas. A significant part of this effort involves the development of computer programs to: ~ ~ ~ ~ • Provide simulation vehicles for testing missiles, ~ ~ interceptors, guidance systems .and tracking procedures ~ ~ • Carry out data reduction and analyses ~ ~ • Assist in the study of man-machine relations ~ ~ • Assist in the design and evaluatiou of new systems ~ ~ • Check out equipment and subsystems ~ ~ ~ ~ Additionally, MITRE has undertaken a number of challenging projects in the study of ~ ~ machine design and programming research; programming systems are being developed ~ ~ to provide more efficient techniques that will facilitate the writing, testing, operation and ~ ~ modification of large programming systems such as SAGE. ~ ~ There are career openings for systems-oriented programmers at MITRE's modern facilities ~ ~ in suburban Boston, Massachusetts; Fort Walton Beach, Florida & Montgomery, Alabama. ~ ~ ~ ~ ~ ~ To arrange an immediate and confidential interview please forward your ~ ~ inquiries to Dana N. Burdette, Personnel Director ~ ~ ~ THE MIT R E COR P O· RAT I O·N ~ ~ ~ 244 WOOD STREET -LEXINGTON 73, MASSACHUSETTS ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ - , -~ "~ a,\""""""""""""""""""""""""""""""""""""""""""""""" 2 COMPUTERS and AUTOMATION for December, 1959 COMPUTERS and AUTOMATION DATA PROCESSING • CYBERNETICS • ROBOTS Volume 8 Established Number 12 DECEMBER, 1959 September 1951 1959 PICTORIAL REPORT ON THE COMPUTER FIELD 8 FRONT COVER Seeking Utmost Reliability Under Extreme Conditions - Sylvania's Mobidic 1, 17 ARTICLE Maintenance Methods for Digital Computers, FRED LIGUORI , 20 READERS' AND EDITOR'S FORUM Greetings to Computers 6 Controversy and "Computers and Automation" 6 Mathematics Laboratories . 6 Calendar of Coming Events 24 Computer Accessory 24 REFERENCE INFORMATION Survey of Recent Articles, M. M. BERLIN 26 Who's Who in the Computer Field (Supplement) 31 New Patents, R. R. SKOLNICK. 32 INDEX OF NOTICES Advertising Index 34 Back Copies . see Oct., page 39 Bulk Subscriptions see Oct., page 39 Computer Directory and Buyers' Guide, 1959 see Nov., page 31 Manuscripts see August, page 28 Reference and Survey Information . see August, page 29 Who's Who Entry Form . see August, page 32 COMPUTERS and AUTOMATION is f>ublished monthly at 160 Warren St., Roxbury 19, Mass., by Berkeley Enterprises, Inc. Printed in U.S.A. SUBSCRIPTION RATES: (United States) $5.50 for 1 year, $10.50 for 2 years; (Canada) $6.00 for 1 year, $11.50 for 2 years; (Foreign) $6.50 for 1 year, $12.50 for 2 years. Address all Editorial and Subscription Mail to Berkeley Enterprises, Inc., 815 Washington St., Newtonville 60, Mass. ENTERED AS SECOND CLASS MATTER at the Post Office at Boston 19, Mass. POSTMASTER: Please send all Forms 3579 to Berkeley Enterprises, Inc., 160 Warren St., Roxbury 19, Mass. Copyright, 1959, by Berkeley Enterprises, Inc. CHANGE OF ADDRESS: If your address changes, please send us both your new address and your old address (as it appears on the magazine address imprint), and allow three weeks for the change to be made. 4 COMPUTERS and AUTOMATION for December, 1959 AMPEX PRECISION NOW 'LOCKED 'IN" Lose the precise alignment of tape guiding and driving 'limits, reducing flutter and eliminating mechanical feed~ components in an instrumentation recorder al1d you lose back of speed variations. 2. Modular plug-in amplifiers the fine edge of designed·in performance. As alignment is and power supplies give quick versatility for direct. FM fast. flutter and skew set in. carrier, PDM, and NRZ digital recording. 3. Front,,'panel. In the new Ampex FR-IOOB analog recorder, the pos· four-speed switching over a six-speed range from 1 'l's to sibility of misalignment-even under conditions of shock 60 ips allows flexibility in selecting upper frequency limit and 'vibration incidental to shipment or installation - is for maximum tape economy. now eliminated by a framework of three precision castings These and other features of the new Ampex FR·IOOB with machined 'V' mating surfaces that lock all critical add up to unmatched performance and refiabiJity. The fun parts into a single rigid unit. The result: an instrumenta­ story is available in the new Ampex FR·I00 brochure. tion recorder with buUt- in performance and reliability that stays built in. Other advanced features= 1. A unique electrical hold­ ,AMPEX INSTRUMENTATION. back system keeps tape tension constant within narrow 934 Charter Street. Redwood City. Calif. Readers' and Editor's Forum GREETINGS TO COMPUTERS In the pages of this magazine we shall do our best FOR CHRISTMAS, WE wish our subscribers, our to promote controversy, honorable controversy, which readers, and all computer people: truthfully and honestly expfores ideas, ao.d which tries MERRY to make sure that each side of a questioh is expressed X MAS and a fairly - without calling names, attacking reputations, or hugging orthodoxy. ATAWWY EYBSST IV. From the Editor: S N E'S A S This is still exactly what· we believe' in - and the subject of the social responsibility of computer scientists = NY B MM B W Y, is worth quantities of discussion and argument. +SASNARTEYSB =SANENEWYEAR, 24619 59956 65743 85219 60145 65743 2453000. (Solve MATHEMATICS LABORATORIES for the digits; each letter stands for just one digit 0 to 9, I. From: J. F. Clark although one digit may be represented by more than 21054 Clark Ave., RR3 one letter.) Langley, British Columbia This is a Numble, a number puzzle for nimble minds. Canada For hints for solution if needed, write us. The solution I am teaching mathematics in one of two Junior­ will appear in January. Senior High Schools in this district. Our total enrol­ We repeat our annual challenge to automatic com­ ment in Grades 7 - 13 is approximately 1600. Our puters - to solve this kind of problem by an automatic School Board is at present planning to spend about program. The challenge, offered now for the sixth $30,000 on a music-band room in one school to satisfy December, remains unanswered so far as we know. the demands of a Music Specialist .. Full band equip­ ment, music scores, piano, record-player, etc., are already CONTROVERSY AND "COMPUTERS AND provided. AUTOMATION" As a mathematics specialist I am gre~n with envy. I. From: E. J. Teagle The total appropriation for mathematics equipment in Maracaibo, Venezuela the last 10 years would scarcely buy the piano. In order to rectify this sitaution I am contacting the major This is my last subscription unless you cut out that American suppliers of mathematics laboratory equip­ c - - p about social responsibility and devote more ment. Your address has been obtained from a publica­ space to, applications. tion of the National Council of Teachers of Mathe­ matics. II. From: George A. Hall, Jr. I therefore request your serious consideration in sup­ Asst. Editor, ISA Journal plying me with catalogues, descriptive literature, and Pittsburgh, Pa. material which can be of use in approaching the School We here are particularly interested in your continued Board and selling them on the necessity of mathematics support and promotion of the social responsibility of laboratories. computer scientists - and by impli~ation automatic con­ Our local Board is one of the best an~ I can assure trol engineers - in the columns of your magazine. This you they will respond to reasonable demands. is fine work: please keep it up. II. From the Editor to Mr. Clark: III. From the Editor's Notes, Computers and Thank you for your recent letter. We are happy to Automation, April 1954 (Vol. 3, No.4), p. 4 ff: enclose our announcements of the things we publish We believe in the value of controversy, in the field and our Brainiac kit. Good luck to you in what you of computers and automation as well as in all other are trying to do, and if we can be of any further help fields. A controversial subject is an interesting sub­ to you, write us again. ject, an important one to argue about and seek the truth about, through discussion, investigation, and the III. From the Editor to the readers of Computers clash of different views. It is not necessary to lose one's and Automation: temper in discussion, but it is necessary that each party If you have any information or announcements which in the discussion have his fair chance to express his relate to school mathematics laboratories which might views, without being called names or having his in­ be of interest to Mr. Clark, will you please send them tegrity or loyalty to anyoody or anything attacked. to him? 6 COMPUTERS and AUTOMATION for December, 1959 Dramatic improvement over present standard cores offers greater design flexibility, top performance in high-speed coincident current memory applications New l-fL sec memory cores 226Ml (XF-4028) Call your local RCA Field Representative and and 228Ml (XF-4257) developed at RCA's Ma­ learn how the new 226Ml and 228Ml can fit into terials Lab in Needham Heights, Mass., repre­ your new computer designs. He can also give sent an important step forward in ferrite core you information on the entire line of RCA Fer­ design for military and commercial computers. rite Memory Cores, Planes and Stacks available See chart for the significant improvements in to meet your specific design requirements.
Recommended publications
  • Electric Piano Adam Estes and Yukimi Morimoto
    Electric Piano Adam Estes and Yukimi Morimoto May 16, 2018 6.101 Final Project Report Table of Contents I. Introduction II. Abstract III. Block Diagram IV. Synthesizer A. Touch Sensor B. MOSFET Switch C. Adder and Inverting Amplifier D. Voltage Controlled Oscillator E. Push-pull Amplifier V. Audio Effects A. Timbre Changer B. Octave Switch C. Soft Pedal D. Damper Pedal (Attempt) VI. Design Analysis VII. Conclusion VIII. References IX. Appendix 2 I. Introduction Musical instruments have amused people around the world throughout the history. One of the most common instruments that is enjoyed by people today is the piano. Playing the piano is very intuitive; players can make notes simply by pressing keys, and the notes ascend from left to right. In our project, we decided to build an electric piano with analog circuits. The user interface was inspired by a circuit that we built in 6.101 which lights up an LED for 30 seconds after the user touches two electrodes. We thought that the idea behind this circuit was a clever one, but we wanted to do something more interesting than just turning on a light. Turning on the circuit by touching electrodes resembles playing notes by pressing keys on the piano. The electric piano, therefore, enables players to play music in a similar way to a real piano. The features of the electric piano were inspired by those of a real piano. The electric piano can play three octaves in total, and has a soft pedal to decrease the volume. The waveshapes can be changed to several different shapes to better mimic the sounds of the piano, if not quite perfectly.
    [Show full text]
  • Two Andover Girls Killed on Highway
    7 *, -N Armcii Ikllf frtm Ron r«r «w WMk >ii«M 'ni itM ' . fNweeest •! IT. i t WmMtiit ' Otauf Mril «M»I toklKkC 13,705 to ML Slinajr, piMjMUrt; BlMObOT ' t t tiM AodNk n i^ to antor 7tA V , f'' BltfWIB •( CIlMlftttM Menehegttr^A City o / ViUagt Chirm VOL. LXXCTL NO. 284 (StXTEBN PAGES) MANCHESTER, CONN., TUESDAY, SEPTEMBER, 1, 1984 (OtoWfM AdVMiMar m P a f« M) PRICE SEVEN CEK fr Titan Up, Blac^Out ans CAPE KENNEDY,CENN Fla. (AP) — The Air Force launched a Titan SA mili­ tary space rocket on 'its maiden test flisrht . today, but lost track of it l3.min \ utes after lift-off. The 124-foot tall rocket biast' 8 ed away from Cape Kennedy'i^- Poverty Billi ;yV * Democrat 11 a.m. It* groal wa* to launch J It* third staae Into orbit a* a U i l l f l H C C S V f OOCI flying launch* platform. The y Backr Move platform, in turn, wa* to kick f loo*e a dummy -satellite into J O l l l l S O I l X O l v l separate orbit. In Caucus Within minutes, the second and third stages fired on sched­ WASHINGTON (API — Dem­ By GEORGE BAZAN ule. But, as' the rocket zipped ocratic congressional' .leaders 100 miles over a tracking sta- gave President Johnson an optl- HARTFORD" (AP) — A Uon in the West Indies Island ‘ mlsUc report today on prospects Republican leader said to­ of Antigua, radio contact was for enactment of his blllion-d<Jl-_ day that Republicans h»y« lost with the vehicle.
    [Show full text]
  • Piano Manufacturing an Art and a Craft
    Nikolaus W. Schimmel Piano Manufacturing An Art and a Craft Gesa Lücker (Concert pianist and professor of piano, University for Music and Drama, Hannover) Nikolaus W. Schimmel Piano Manufacturing An Art and a Craft Since time immemorial, music has accompanied mankind. The earliest instrumentological finds date back 50,000 years. The first known musical instrument with fibers under ten sion serving as strings and a resonator is the stick zither. From this small beginning, a vast array of plucked and struck stringed instruments evolved, eventually resulting in the first stringed keyboard instruments. With the invention of the hammer harpsichord (gravi cembalo col piano e forte, “harpsichord with piano and forte”, i.e. with the capability of dynamic modulation) in Italy by Bartolomeo Cristofori toward the beginning of the eighteenth century, the pianoforte was born, which over the following centuries evolved into the most versitile and widely disseminated musical instrument of all time. This was possible only in the context of the high level of devel- opment of artistry and craftsmanship worldwide, particu- larly in the German-speaking part of Europe. Since 1885, the Schimmel family has belonged to a circle of German manufacturers preserving the traditional art and craft of piano building, advancing it to ever greater perfection. Today Schimmel ranks first among the resident German piano manufacturers still owned and operated by Contents the original founding family, now in its fourth generation. Schimmel pianos enjoy an excellent reputation worldwide. 09 The Fascination of the Piano This booklet, now in its completely revised and 15 The Evolution of the Piano up dated eighth edition, was first published in 1985 on The Origin of Music and Stringed Instruments the occa sion of the centennial of Wilhelm Schimmel, 18 Early Stringed Instruments – Plucked Wood Pianofortefa brik GmbH.
    [Show full text]
  • Frequently Asked Questions
    www.M-Audio.com Frequently Asked Questions Do I need a computer to use the Hammer 88? The Hammer 88 will require either a computer with accompanying software* or a sound module (such as the M-Audio Accent Module) in order to generate any sound. The keyboard will send MIDI messages over USB and the 5-pin MIDI Out port which will trigger sound in the connected software or sound module. *The Hammer 88 includes the Ableton Live Lite software and several plugins to help you get started. Does the Hammer 88 require any drivers? No. The Hammer 88 is class-compliant and does not require any drivers for use with Mac and Windows operating systems. What are the computer requirements for the Hammer 88? The Hammer 88 is compatible with Windows 7 and up, and Mac OS X 10.10 and up. Do I need a power supply for the Hammer 88? No, a power supply is not necessary. The Hammer 88 is powered through the USB connection with your computer. inMusic Brands Europe – Unit 3, Nexus Park – Lysons Avenue – Ash Vale – Hampshire – GU12 5QE www.M-Audio.com An optional 9V DC, 800mA, center positive power supply can be used to power the keyboard when using without a computer. Does the Hammer 88 come with any software? Yes, the Hammer 88 comes with the following software. • Ableton Live Lite • SONiVOX Eighty-Eight Ensemble • AIR Mini Grand • AIR DB-33 • AIR Velvet • Skoove 3-month premium subscription • Hammer 88 software editor All software (with the exception of Skoove, and Ableton Live Lite) will be available from the user account page once the Hammer 88 has been registered.
    [Show full text]
  • Installation Guide for Grand Pianos (Standard System)
    PIANODISCHeading SYSTEMS Installation Guide for Grand Pianos (Standard System) Jan. 2019 Place you r m essag e h ere. Fo r m axim um i mpact , use two or t hre e se ntenc es. Installation Guide PianoDisc Installation Guide for Grand Pianos Jan. 2019 4111 North Freeway Blvd. Sacramento, CA 95834 Phone 916 -567 -9999 Fax 916 -567 -1941 WWW.PianoDisc.Com PianoDisc ® is protected by copyright law and international treaties. Reproduction or distribution of this guide may result in civil and criminal penalties plus prosecution to the maximum extent possible under the law. PianoDisc and Burgett, Inc. reserve the right to change product design and specifications at any time without prior notice. Introduction This installation manual will guide you through the process of fitting the PianoDisc High Definition SilentDrive reproducing piano system to virtually any grand piano. Along with the knowledge and experience gained from a PianoDisc Installation Seminar, this guide should be an invaluable resource. This document is considered confidential by PianoDisc, and is for the sole use of PianoDisc Certified Technicians. It may not be reproduced, distributed or quoted in whole or in part without the express written permission of PianoDisc. This guide is only to be used in the installation of the PianoDisc SilentDrive Reproducing System. PianoDisc systems may ONLY be installed by technicians who have been certified by PianoDisc to perform such installations. If you have come into possession of this manual and/or a Retrofit Kit and you are NOT a PianoDisc Certified Technician, DO NOT ATTEMPT TO PERFORM THE INSTALLATION. Installations not performed by a certified PianoDisc technician WILL NOT meet the requirements for warranty protection, and such an installation will likely void the piano manufacturer’s warranty for the instrument and the player system, and may also be a violation of FCC rules.
    [Show full text]
  • Product Catalog 2017
    Nord Keyboards Product Catalog 2017 Catalog Product Keyboards Nord STAGE PIANOS • SYNTHESIZERS • COMBO ORGAN Handmade in Sweden by Clavia DMI AB PRODUCT CATALOG 2017 The Original Red Keyboards The Nord factory is located in the creative area of Stockholm also known as SoFo, in the district of Södermalm. With everything located in the same building, communication between development and production is only a matter of walk- ing a few meters. We are proud to say all our Nord products are assembled by hand and they all go through a series of tough tests to ensure they’ll be ready for a long and happy life ‘on the road’. CONTENTS STAGE PIANOS NORD STAGE 3 6 NEW NORD PIANO 3 16 NORD ELECTRO 5 22 SYNTHESIZERS NORD LEAD A1 30 NORD LEAD 4 38 NORD DRUM 3P 46 COMBO ORGAN NORD C2D 50 SOUND LIBRARIES 58 Manufacturer: Clavia DMI AB, Box 4214, SE-102 65 Stockholm, Sweden Phone: +46 8 442 73 60 | Fax: +46 8 644 26 50 | Email: [email protected] | www.nordkeyboards.com 3 COMPANY HISTORY COMPANY IT ALL STARTED BACK IN 1983... In 1983 founder Hans Nordelius created the Digital introducing stunning emulations of classic vintage Chamberlin. The Electro 3 became one of the most In 2013 we celebrated our 30th anniversary as a musical Percussion Plate 1 – the first drum pad allowing for electro-mechanical instruments with a level of successful products we’ve ever made. instrument company by releasing the Nord Lead 4, Nord dynamic playing using sampled sounds. The DPP1 portability generally not associated with the original In 2010 the streamlined Nord Piano was introduced, Drum 2, Nord Pad and the Nord Piano 2 HP! At NAMM was an instant success and soon thereafter the instruments… a lightweight stage piano that featured advanced 2014 we announced the Nord Lead A1 – our award- brand name ddrum was introduced.
    [Show full text]
  • MP7SE Owner's Manual
    Introduction Main Operation EDIT Menu STORE Button & SETUPs Owner’s Manual Recorder USB Menu SYSTEM Menu Appendix Thank you for purchasing this Kawai MP7SE stage piano. This owner’s manual contains important information regarding the instrument’s usage and operation. Please read all chapters carefully, keeping this manual handy for future reference. About this Owner’s Manual Before attempting to play this instrument, please read the Introduction chapter from page 10 of this owner’s manual. This chapter provides a brief explanation of each section of the MP7SE’s control panel, an overview of its various jacks and connectors, and details how the components of the instrument’s sound are structured. The Main Operation chapter (page 20) provides an overview of the instrument’s most commonly used functions, beginning with turning zones on and off, adjusting their volume, and selecting sounds. Later on, this chapter introduces basic sound adjustment using the four control knobs, before examining how reverb, EFX, and amp simulation can all be applied to dramatically change the character of the selected sound. Next, the MP7SE’s authentic Tonewheel Organ mode is outlined, explaining how to adjust drawbar positions using zone faders and control knobs, and change the organ’s percussion characteristics. The chapter closes with an explanation of the instrument’s global EQ and transpose functions. The EDIT Menu chapter (page 38) lists all available INT mode and EXT mode parameters by category for convenient reference. The STORE Button & SETUP Menus chapter (page 64) outlines storing customised sounds, capturing the entire panel configuration as a SETUP, then recalling different SETUPs from the MP7SE’s internal memory.
    [Show full text]
  • Owner's Manual
    FP-2_e.book 1 ページ 2006年5月12日 金曜日 午後2時41分 ® Owner’s Manual Thank you, and congratulations on your choice of the Roland Digital Piano FP-2. Main Features Stylish, Light, Compact Design The refined design fits in anywhere; and since it is so lightweight and compact, it’s easy to take the instrument with you wherever you go. Authentic Piano Performances Features high-quality concert grand piano sounds and a Hammer Action keyboard that gives a more realistic piano touch by providing a heavier feel in the low end and a lighter feel in the upper notes. In addition, the FP-2 is equipped with three pedal jacks and comes with a half-damper pedal capable of adjusting the depth of the resonance, combining to allow you to enjoy truly authentic piano performances. Wide Variety of Tones For Use in Many Musical Genres and High-quality Effects The FP-2 offers not just piano sounds, but over 50 different onboard sounds that can be used in a wide variety of musical styles. You can also play Drum Sets with the instrument. Additionally, the high-quality effects allow you to add more richness and expression to the sound. “Session Partner” Lets You Enjoy Playing with a Session-Like Feel Enjoy true session-like feel while performing along with a “rhythm” section built upon realistic-sounding “rhythms.” 201a Before using this unit, You can specify the “rhythm” chord progression with your left hand, and create original carefully read the sections chord progressions as well. entitled: “USING THE UNIT SAFELY” and Experience a Variety of Performances with Dual and Split Functions “IMPORTANT NOTES” (p.
    [Show full text]
  • Download 1 File
    CORNELL UNIVERSITY LIBRARY BOUGHT WITH THE INCOME OF THE SAGE ENDOWMENT FUND GIVEN IN 1891 BY henry williams sage Music library Cornell University Library ML 700.B58 1899 3 1924 021 741 891 Cornell University Library The original of tiiis bool< is in tine Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924021741891 A HISTORY OF THE PIANOFORTE AND PIANOFORTE PLAYERS A ISTORY OF THE PIANOFORTE AND PIANOFORTE PLAYERS TRANSLATED AND REVISED FROM THE GERMAN OF OSCAR BIE BY E. E. KELLETT, M.A. AND E. W. NAYLOR, M.A., Mus.D. WITH NaMEROUS PORTRAITS, ILLUSTRATIONS, AND FACSIMILES LONDON J. M. DENT & COMPANY NEW YORK E. P. BUTTON & COMPANY MDCCGXCIX S All rights reserved De^>tcate^ TO EUGENE D'ALBERT Editors' Preface This work does not profess to be so much a literal translation as a somewhat free version of Dr Bie's " Das Klavier." The author, writing as he does for a German public, naturally uses a more philosophic style than would be generally intelligible in England. Availing themselves, therefore, of Dr Bie's kind permission, the Editors, with a view to making the book more acceptable to English readers, have allowed themselves consider- able liberty both in omission and in addition. For all portions of the text which are enclosed in square brackets they hold themselves responsible. The footnotes, except a few which are specially marked, have been added by Dr Naylor. E. W. N. E. E. K. Contents Page I. Old England—A Prelude ....
    [Show full text]
  • A Brief History of Piano Action Mechanisms*
    Advances in Historical Studies, 2020, 9, 312-329 https://www.scirp.org/journal/ahs ISSN Online: 2327-0446 ISSN Print: 2327-0438 A Brief History of Piano Action Mechanisms* Matteo Russo, Jose A. Robles-Linares Faculty of Engineering, University of Nottingham, Nottingham, UK How to cite this paper: Russo, M., & Ro- Abstract bles-Linares, J. A. (2020). A Brief History of Piano Action Mechanisms. Advances in His- The action mechanism of keyboard musical instruments with strings, such as torical Studies, 9, 312-329. pianos, transforms the motion of a depressed key into hammer swing or jack https://doi.org/10.4236/ahs.2020.95024 lift, which generates sound by striking the string of the instrument. The me- Received: October 30, 2020 chanical design of the key action influences many characteristics of the musi- Accepted: December 5, 2020 cal instrument, such as keyboard responsiveness, heaviness, or lightness, which Published: December 8, 2020 are critical playability parameters that can “make or break” an instrument for a pianist. Furthermore, the color of the sound, as well as its volume, given by Copyright © 2020 by author(s) and Scientific Research Publishing Inc. the shape and amplitude of the sound wave respectively, are both influenced This work is licensed under the Creative by the key action. The importance of these mechanisms is highlighted by Commons Attribution International centuries of studies and efforts to improve them, from the simple rigid lever License (CC BY 4.0). mechanism of 14th-century clavichords to the modern key action that can be http://creativecommons.org/licenses/by/4.0/ found in concert grand pianos, with dozens of bodies and compliant elements.
    [Show full text]
  • EW Pianos Silver User Manual
    USER MANUAL SILVER EDITION 1.0.2 EASTWEST | PIANOS IMPORTANT COMPATIBILITY NOTE! Our Revolutionary New Opus Software Engine Our brand new Opus software engine has been years in development, and replaces the Play engine. All EastWest Libraries (with the exception of the original Hollywood Orchestra, the original Hollywood Solo Instruments, and the MIDI Guitar Series) are supported in Opus, allowing them to take advantage of a faster, more powerful, more flexible, and better looking software engine. Opus comes with some incredible new features such as individual instrument down- loads, customized key-switches, new effects for the mixer page, scalable retina user interface upgrades for legacy products, a powerful new script language, and many more features that allow you to completely customize the sound of each instrument. It’s one of the most exciting developments in the history of our company and will be the launching pad for many exciting new products in the future. Using Opus and Play Together Opus and Play are two separate software products, anything you have saved in your projects will still load up inside the saved Play version of the plugins. You can update your current/existing projects to Opus if you so choose, or leave them saved within Play. After purchasing or upgrading to Opus you do not need to use Play, but it may be more convenient to make small adjustments to an older composition in your DAW loading the instruments saved in Play instead of replacing them with Opus. For any new composi- tion, just use Opus. A Note About User Manuals All EastWest Libraries have their own user manuals (like this one) that refer to instru- ments and controls that are specific to their respective libraries, as well as referencing the Play User Manual for controls that are common to all EastWest Libraries.
    [Show full text]
  • The Origins of Phantom Partials in the Piano
    Rollins College Rollins Scholarship Online Honors Program Theses Spring 2020 The Origins of Phantom Partials in the Piano Lauren M. Neldner Rollins College, [email protected] Follow this and additional works at: https://scholarship.rollins.edu/honors Part of the Other Physics Commons, and the Statistical, Nonlinear, and Soft Matter Physics Commons Recommended Citation Neldner, Lauren M., "The Origins of Phantom Partials in the Piano" (2020). Honors Program Theses. 105. https://scholarship.rollins.edu/honors/105 This Open Access is brought to you for free and open access by Rollins Scholarship Online. It has been accepted for inclusion in Honors Program Theses by an authorized administrator of Rollins Scholarship Online. For more information, please contact [email protected]. THE ORIGINS OF PHANTOM PARTIALS IN THE PIANO Lauren M. Neldner A Senior Honors Project Submitted in Partial Fulfillment of the Requirements of the Honors Degree Program March 2020 Faculty Sponsor: Thomas R. Moore Rollins College Winter Park, FL Contents Acknowledgments 6 1 Introduction 7 1.1 History of the Piano . 7 1.2 The Modern Piano . 9 1.2.1 Frame and Case . 11 1.2.2 Soundboard . 11 1.2.3 Bridges . 13 1.2.4 Strings . 14 1.2.5 Hammers and Action . 16 1.2.6 Pedals and Dampers . 17 2 Phantom Partials 19 2.1 Historical Context . 20 2.2 Historic Theory of Phantom Partials . 21 2.3 Production in Non-string Components . 25 3 Two Plausible Theories 30 3.1 Pressure Induced Nonlinearity . 30 3.2 Contact Nonlinearity . 33 1 4 Experiments and Results 37 4.1 Pressure experiments .
    [Show full text]