The Making of Memory in the Middle Ages

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The Making of Memory in the Middle Ages The Making of Memory in the Middle Ages Edited by Lucie Dolezalova '685' BRILL LEIDEN . BOSTON 2010 CONTENTS List of Figures ix Preface xi Patrick J. Geary Acknowledgements xiii Contributors xv Revisiting Memory in the Middle Ages (Introduction) 1 Lucie Dolezalova and Tamds Visi Communal Memory of the Distributed Author: Applicability of the Connectionist Model of Memory to the Study of Traditional Narratives 9 Slavica Rankovic PART I STORING AND RECUPERATING KNOWLEDGE A. The Art of Memory in Practice Writing the Memory of the Virtues and Vices in Johannes Sintram's (d. 1450) Preaching Aids 31 Kimberly -Rivers Memory, Meditation and Preaching: A Fifteenth-Century Memory Machine in Central Europe (The Text Nota hanc figuram composuerunt doctores... I Pro aliquali intelligentia...) 49 Farkas Gdbor Kiss The Staging of Memory: Ars memorativa and the Spectacle of Imagination in Late Medieval Preaching in Poland 79 Rafal Wojcik Vi CONTENTS On Mistake and Meaning: Scinderationes Fonorum in Medieval Artes Memoriae, Mnemonic Verses, and Manuscripts 95 Lucie Dolezalova B. Mnemonic Aids The Verse Bible as Aide-memoire 115 Greti Dinkova-Bruun Exhibete membra vestra: Verbal and Visual Enthymeme as Late Medieval Mnemotechnics 133 Laura Iseppi De Filippis The Late Medieval Summa Iovis as a Case Study for the Use of Poems as Mnemonic Aids 149 Riidiger Lorenz Pseudo-Apocryphal Dialogue as a Tool for the Memorization of Scholastic Wisdom: The Farewell of Christ to Mary and the Liber de vita Christi by Jacobus 161 Peter Toth The Old Norse Kenning as a Mnemonic Figure 199 Bergsveinn Birgisson PART II REMEMBERING AND FORGETTING THE PAST A. Literary Strategies The Landscape as a Memory Construction in the Latin Petrarch 219 Francesco Stella Posthumous Messages: Memory, Romance, and the Morte Darthur 241 Jon Whitman CONTKNTS Vii "And nothing will be wasted": Actualization of the Past in Caesarius of Heisterbach's Dialogus Miraculorum 253 Victoria Smirnova B. Social Contexts The Latin Vocabulary of Memory in Medieval Hungary 269 Elod Nemerkenyi The Construction of Memory and the Display of Social Bonds in the Life of Corpus Christi Fraternity from Sibiu (Hermannstadt, Nagyszeben) 283 Carmen Florea Props of Memory, Triggers of Narration: Time and Space in Medieval Jewish Hagiography 309 Lucia Raspe C. Individual Versus Collective Memories Anselm of Laon in the Twelfth-Century Schools: Between jama and memoria 331 Cedric Giraud Memory and Hagiography: The Formation of the Memory of Three Thirteenth-Century Female Saints 347 David Falvay Dixit quod non recordatur. Memory as Proof in Inquisitorial Trials (Early Fourteenth-Century France) 365 Irene Bueno D. Forgetting Peasants' Revolts Memories: Damnatio memoriae or Hidden Memories? 397 Vincent Challet Vlll CONTENTS Remembering and Forgetting the Sabians: Moses Maimonides, Moses Narboni, and Eleazar Eilenburg 415 Tamds Visi E. Constructing the Past The Past as a Precedent: Crusade, Reconquest and Twelfth-Century Memories of a Christian Iberia 441 William J. Purkis Memory of the Past and Old Norse Identity 463 Else Mundal In memoriam defunctorum: Visual Arts as Devices of Memory 473 Milena Bartlovd Index 487 LIST OF FIGURES Figure 1: Tree of Vice. The Pierpont Morgan Library, New York, MS M.298, fol. 159v. Photography: Joseph Zehavi, 2008 35 Figure 2: Tree of Virtues. The Pierpont Morgan Library, New York, MS M.298, fol. 160r. Photography: Joseph Zehavi, 2008 36 Figure 3: A German translation of the original Latin verse from the Fasciculus morum. The Pierpont Morgan Library, New York, MS M.298, fol. 40v. Photography: Joseph Zehavi, 2008 44 Figure 4: Prague, National Library, MS I. G. lla, fol. 17v-18r 50 Figure 5a-d: Arbor vitae contemplativae, Niirnberg, Creussner, 1473, fols. 2-5 (GW 2672) 54 Figure 6: The memory table following the ars memorativa contained in the Ars vitae contemplativae, with contemporary notes in Hungarian (Budapest, Hungarian National Library, Inc. 1243, fol. 13v). Each animal (simeus, thaurus, lupus, asinus, etc.) is surrounded by four "craftsmen" (tailor, painter, waitress, idiot; blacksmith, cook, baker, stakeholder) in a room {camera). The animals were to be placed on the doors of the rooms 67 Figure 7: "Warning to Swearers," Broughton, Buckinghamshire, early 15th century; photo: Trevor and Anne Marshall 141 Figure 8: Structure of the Summa Iovis 157 Figure 9: Corresponding text passages in Summa Iovis and Summa dictaminis 158 Figure 10: The herring tern (drawing by Kjartan Hallur Gretarsson) 207 Figure 11: The fire wolf (drawing by Kjartan Hallur Gretarsson) 208 X LIST OF FIGURES Figure 12: Woman with beard. Blending image on a Nordic gold bracteate from the Merovingian age (560-800 AD). The runes attach the figure to magical powers. Reprinted from Anne Bugge Amundsen, ed., Norges religionshistorie (Norwegian History of Religion) (Oslo: Universitetsforlaget, 2005), 57 209 Figure 13: The "horse-tree." Drawn after the Oseberg carpet by Sofie Krafft (from Kulturhistorisk Museum, University of Oslo) 210 Figure 14: Mayse bukh ("Book of Stories"), Basel 1602 312 Figure 15: Worms synagogue, before 1938 (Bildarchiv Foto Marburg) 318 Figure 16: Aqdamut millin in the Worms Mahzor (MS Jerusalem, JNUL Heb. 4° 781/1, fol. 146r, Stadtarchiv Worms, Fotoabteilung) 323 Figure 17: Worms ca. 1630, with the Jewish cemetery at the upper center (Stadtarchiv Worms, Fotoabteilung) 325 Figure 18: Worms, "Rashi Chair," early twentieth-century postcard (Stadtarchiv Worms, Fotoabteilung) 326 Figure 19: Tombstone of Archbishop Henry Chichelle (d. 1443), Canterbury Cathedral, ca. 1426, stone and polychrome (photo by Milena Bartlova) 479 Figure 20: Epitaph of Heinrich Cholenperger (d. 1447), Kereszteny Miizeum Esztergom, tempera and oil on wooden panel; reproduced from Dusan Buran, ed., Dejiny slovenskeho vytvarneho umenia. Gotika (Bratislava: Slovenskd narodna galeria, 2003) 482 Figure 21: Seven Deadly Sins and Seven Deeds of Mercy, the parish church of St. Jacob in Levoca/ Leutschau/ Locse (Slovakia), 1380's, wall painting (photo by Dusan Buran) .... 485.
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