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Hoosier Hard Times - Life Was a Strange, Colorful Kaleidoscopic Welter Then
one Hoosier Hard Times - Life was a strange, colorful kaleidoscopic welter then. It has remained so ever since. A HOOSIER HOLIDAY since her marriage in 1851, Sarah Schänäb Dreiser had given birth al- most every seventeen or eighteen months. Twelve years younger than her husband, this woman of Moravian-German stock had eloped with John Paul Dreiser at the age of seventeen. If the primordial urge to reproduce weren’t enough to keep her regularly enceinte, religious forces were. For Theodore Dreiser’s father, a German immigrant from a walled city near the French border more than ninety percent Catholic, was committed to prop- agating a faith his famous son would grow up to despise. Sarah’s parents were Mennonite farmers near Dayton, Ohio, their Czechoslovakian ances- tors having migrated west through the Dunkard communities of German- town, Bethlehem, and Beaver Falls, Pennsylvania. Sarah’s father disowned his daughter for marrying a Catholic and converting to his faith. At 8:30 in the morning of August 27, 1871, Hermann Theodor Dreiser became her twelfth child. He began in a haze of superstition and summer fog in Terre Haute, Indiana, a soot-darkened industrial town on the banks of the Wabash about seventy-five miles southwest of Indianapolis. His mother, however, seems to have been a somewhat ambivalent par- ent even from the start. After bearing her first three children in as many years, Sarah apparently began to shrink from her maternal responsibilities, as such quick and repeated motherhood sapped her youth. Her restlessness drove her to wish herself single again. -
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� --1·1 r� · --·t· r-1 � -r� --·rl �l_, r�·r p· ,("' __, .:..../ --rl 0 F 521 148 VOL 16 N01 - - - - INDIANA HISTORICAL SOCIETY BOARD OF TRUSTEES SARAH Evru'\'S BARKER, indianapolis MICH.\ELA. SIKK.\IAN, Indianapolis, Second Vice Chair �� \RY A.J-..:-...: BRADLEY, Indianapolis £0\\.\.RI) E. BREEN, �[arion, First Vice Chair 01.\.\!,E j. C\RT�tEL, Brownstown P•TRICL\ D. CeRRA!<, Indianapolis EOCAR G1 EXN 0.-\\15, Indianapolis DA.." l:. I �1. E�'T. Indianapolis RIC! lARD F'ELDMA-'-.;,Indianapolis RICHARD E. FoRD, Wabash R. RAY HAWKINS. Carmel TI!O\!A-<.; G. HOR\CK, Indianapolis MARTIN L<\KE, 1'1arion L\RRY S. L\NDIS, Indianapolis P01.1 'Jo�TI LEi'\NON,Indianapolis jAMES H. MADISON, Bloomington M \RY jA...'\'E �IEEJ.�ER. Carmel AMlRF\\ '"'· NiCKLE, South Bend GJ::.ORGJ::. F. RAPP,Indianapolis BO'<'IIE A. REILLY, Indianapolis E\'AIIt'\FII. RIIOOI:.II.AME.L,Indianapolis, Secretary LA:-.J M. Rou.�\!'-10, Fon \-\'ayne, Chair jMIES SHOOK JR., Indianapolis P. R. SwEENEY, Vincennes, Treasurer R BERT B. TOOTHAKER, South Bend WILLIAM H. WIGGINS JR., Bloomington ADMINISTRATION SALVATORE G. CILELLAjR., President RA�IOND L. SIIOI:.MAKER, Executive Vice President ANMBELLF J.JACKSON, Comroller St!SAN P. BROWN, enior Director, Human Resources STEPIIl:-.. L. Cox, Vice President, Collections, Conserv-ation, and Public Programs TIIO\IAS A. �lAsoN, Vice President, n-JS Press Ll:'\DA L. PRArr, Vice President, Development and Membership BRE:"DA MYER.<;, Vice President, Marketing and Public Relation� DARA BROOKS, Director, Membership \ROLYI\ S. SMITH, Membership Coordinator TRACES OF INDIANA AND MIDWESTERN HISTORY RAY E. BOOMHOWER, Managing Editor GEORGF R. -
Paint and Canvas a Life of T
TEACHER RESOURCE by Elaine G. Rosa for the Indiana Historical Society Press publication Paint and Canvas A Life of T. C. Steele by Rachel Berenson Perry This is a publication of the Indiana Historical Society Eugene and Marilyn Glick Indiana History Center 450 West Ohio Street Indianapolis, IN 46202-3269 USA Teacher Resource available online: http://www.indianahistory.org Book orders (telephone): (800) 447-1830 Book orders (fax): (317) 234-0562 Copyright 2012 Indiana Historical Society All rights reserved Except for copying portions of the teacher resources by educators for classroom use, or for quoting of brief passages for reviews, no part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording, or otherwise), without written permission of the copyright owner. All inquiries should be addressed to the Indiana Historical Society Press. Overview/Description ° High School, English Language Arts–– Theodore Clement Steele was an American 9–10.W.2 Write informational and explana- Impressionist painter known for his Indiana tory texts to examine and convey complex landscapes. He is considered an innovator and ideas, concepts, and information clearly and leader in American Midwest painting and one of accurately through the effective selection, the Hoosier Group of Indiana artists. organization, and analysis of content. This teacher resource provides suggested learning ° High School, English Language Arts–– activities that relate to the Indiana Historical Society 9–10.W.3 Write narratives to develop real Press youth biography Paint and Canvas: A Life of or imagined experiences or events using T. -
Academicism to Modernism.Pdf
Academicism to Modernism Fresh Perspectives on Historic Indiana Art Academicism to Modernism Fresh Perspectives on Historic Indiana Art October 28, 2005 – May 21, 2006 William Weston Clarke Emison Museum of Art DePauw University Foreword Kaytie Johnson Essay and acknowledgements Laurette E. McCarthy Editor Vanessa Mallory FOREWORD DePauw University is pleased to present from their collections for the show: Dr. Stephen Academicism to Modernism: Fresh Perspectives Butler and Dr. Linda Ronald; the Jack D. Finley on Historic Indiana Art, an exhibition that focuses Collection; Indiana State Museum and Historic on the lesser-known and understudied aspects of Sites; Indianapolis Public Schools; the Richmond Indiana art from the late nineteenth through early Art Museum; the Sheldon Swope Art Museum; Judy twentieth centuries. A majority of exhibitions and Waugh; and Wishard Health Services. publications that focus upon this period tend to The contributions of several individuals have concentrate primarily on what is referred to as enabled DePauw to present this exhibition. My “Hoosier Impressionism,” – most notably paintings thanks go out to my dedicated staff – Christie by artists such as T.C. Steele, John Ottis Adams Anderson and Christopher Lynn – for their tireless and William Forsyth – which has perpetuated an energy and enthusiasm in bringing this show to incomplete, and exclusive, history of the artistic fruition. My appreciation is also extended to Kelly legacy of Indiana. By introducing our audience to Graves for her design expertise and assistance with works by unfamiliar – and familiar – artists, in a wide producing this publication, and to Vanessa Mallory, range of artistic styles, we hope to emphasize, and whose editing skills are unrivaled. -
A Regional Study of Secular and Sectarian Orphanages and Their Response to Progressive Era Child-Saving Reforms, 1880-1930
Closer Connections: A Regional Study of Secular and Sectarian Orphanages and Their Response to Progressive Era Child-Saving Reforms, 1880-1930 A dissertation submitted to the Graduate School of the University of Cincinnati in partial fulfillment of the requirements for the degree of Doctor of Philosophy In the Department of History of the College of Arts and Sciences by Debra K. Burgess B.A. University of Cincinnati June 2012 M.A. University of Cincinnati April 2014 Committee Chair: Mark A. Raider, Ph.D. 24:11 Abstract Closer Connections: A Regional Study of Secular and Sectarian Orphanages and Their Response to Progressive Era Child-Saving Reforms, 1880-1930 by Debra K. Burgess Child welfare programs in the United States have their foundation in the religious traditions brought to the country up through the late nineteenth century by immigrants from many European nations. These programs were sometimes managed within the auspices of organized religious institutions but were also found among the ad hoc efforts of religiously- motivated individuals. This study analyzes how the religious traditions of Catholicism, Judaism, and Protestantism established and maintained institutions of all sizes along the lines of faith- based dogma and their relationship to American cultural influences in the Midwest cities of Cincinnati, Cleveland, and Pittsburgh during the period of 1880-1930. These influences included: the close ties between (or constructive indifference exhibited by) the secular and sectarian stakeholders involved in child-welfare efforts, the daily needs of children of immigrants orphaned by parental disease, death, or desertion, and the rising influence of social welfare professionals and proponents of the foster care system. -
Of Indiana and Midwestern History
of Indiana and Midwestern History Summer 1991 Viol. 3, No. 3 A Publication pf the Indiana Historical Society $5.00 Painters of the Indiana Landscape Abraham Lincoln’s Hoosier Home Indiana’s 1916 Centennial The Legacy of the WPA F 521 148 VOL3 NQ3 Indiana Historical Society Board of Trustees INDIANA HISTORICAL SOCIETY James J. Barnes, Crawfordsville Dianne J. Cartmel, Seymour William E. Ervin, Hartford City Bert R. Fenn, Tell City Ralph D. Gray, Indianapolis Ronald Morris, Greenwood Mission Statement Mary M. Mullin, Brookville Kathleen Stiso Mullins, South Bend Alan T. Nolan, Indianapolis, Chairman Larry K. Pitts, Indianapolis, Treasurer William G. Prime, Madison Evaline H. Rhodehamel, Indianapolis, ^ A SATURDAY NIGHT IN DECEMBER 1830 A GROUP OF THE MOST Vice President Richard O. Ristine, Crawfordsville DISTINGUISHED FIGURES IN INDIANA’S EARLY HISTORY—INCLUDING Richard S. Simons, Marion, President John Martin Smith, Auburn JOHN FARNHAM, CALVIN FLETCHER, WILLIAM CONNER, JOHN TIPTON, AND Theodore L. Steele, Indianapolis Stanley Warren, Greencastle Herman B Wells, Bloomington MORE THAN HALF OF THE INDIANA GENERAL ASSEMBLY—MET AT THE Administration MARION COUNTY COURTHOUSE IN INDIANAPOLIS TO FORM WHAT BECAME Peter T. Harstad, Executive Director Raymond L. Shoemaker, Assistant Executive THE INDIANA HISTORICAL SOCIETY THAT GROUP COMPOSED THE Director and Business Manager Annabelle J. Jackson, Exec. Assist. Financial ORGANIZATION’S CONSTITUTION AND DECLARED: Administration Susan P. Brown, Exec. Assist. Personnel/Policy Carolyn S. Smith, Membership Secretary Division Directors The objects of the Society shall be the collection of all Bruce L. Johnson, Library materials calculated to shed light on the natural, civil and Thomas K. Krasean, Field Services Thomas A. -
84.1966.1 Birthplace of Paul Dresser (1859-1906) 84.1966.3 Birthplace of Paul Dresser (1859) Vigo County Marker Text Review Report 3/21/2013
84.1966.1 Birthplace of Paul Dresser (1859-1906) 84.1966.3 Birthplace of Paul Dresser (1859) Vigo County Marker Text Review Report 3/21/2013 Marker Texts Composer of Indiana State Song, “On the Banks of the Wabash,” and other songs popular in the Gay Nineties. His famous brother, Theodore Dreiser, wrote An American Tragedy and other novels. Composer of Indiana State Song, “On the Banks of the Wabash,” “My Gal Sal,” and many more, popular in the gay 90’s era. His famous brother, author Theodore Dreiser, wrote An American Tragedy and other novels. Report The markers commemorating Paul Dresser (born Dreiser) have been reviewed because their files contained inadequate primary sources to verify the marker texts. This report also provides additional information about Dresser and the significance of his song “On the Banks of the Wabash.” Both markers report Dresser’s birth date in 1859, but sources disagree and claim that he was born in 1857, 1858, or 1859.1 The U.S. Federal Census for the years 1860, 1870, and 1880 all list his birth year as “about 1858.” Both the 1860 and 1880 census records place him in Terre Haute, Indiana, but newspapers disagree on the exact location of his birth.2 A pamphlet issued by the Vigo County Historical Society states that the house he reportedly grew up in was moved to Fairbanks Park on Dresser Dr. in Terre Haute in the 1960s, where it still stands today.3 The rest of the text is accurate for both markers, but each omits quite a bit of detail regarding Dresser’s life. -
TRI-KAPPA COLLECTION of ARTWORKS at ROSE-HULMAN
TRI-KAPPA COLLECTION OF ARTWORKS at ROSE-HULMAN The Tri-Kappa Art Collecion of Indiana artists is valuable and unique. Started in 1932, the collection contains over 100 artworks by almost as many artists. The value of the collection has increased manyfold since then. After years of traveling all over the state, it was found necessary to permanently house the collection. As a result of an all-chapter poll in 1973, the chapters voted to loan nearly every painting to Rose-Hulman Institute of Technology. The works would be reframed and restored if necessary, insured, and hung permanently in the John Logan Library, which is hailed as a fire-proof building. A few paintings have been added to the collection in the library since 1973. The Tri-Kappa chapters are encouraged to plan outings to view the collection. 1 PATRIARCH MAPLE 69th Hoosier Salon 1993 Ken Bucklew (b. 1957) No. 1 Oil 15.5 X 11.5 Ken was born in Greencastle, Indiana on March 8, 1957. He grew up on the edge of Spencer in Owen County, Indiana about 13 miles northeast of Bloomington. The Bucklew Gallery is currently located in Spencer near the entrance to Indiana’s oldest “ McCormick’s Creek” State Park. Ken’s natural talent for drawing and painting was recognized by his elementary school art teacher, Ms. Ina Hight, who gave him an awareness of his potential. Ken’s work began earning him recognition, awards and a limited income during his high school years. Ken was accepted by a technical school and planned on earning his degree in commercial art. -
EMAIL Community Welcome Packet
k at T oo er L r a Chicago e 3.5 hours g H n a i INDIANA OHIO u Indianapolis k 1 hour t a ILLINOIS Cincinnati e 3 hours T Terre Haute Louisville St. Louis 3 hours MISSOURI 2.5 hours KENTUCKY We invite you to take a closer look at Terre Haute. You’ll nd there’s a lot more than meets the eye and even more reasons to stay. Welcome Dear Friend, On behalf of the over 790 members of the Terre Haute Chamber of Commerce, we are pleased to provide you with information about Terre Haute. As the heart of the Wabash Valley, Terre Haute serves over a quarter-of-a-million residents throughout 16 counties as a major regional shopping, healthcare, manufacturing, and service hub in West Central Indiana. Terre Haute is a modern Midwest city with a proud heritage. Located along the beautiful Wabash River in Vigo County, Indiana, we are a progressive and vibrant community with a bright vision for the future. We are also home to a wide array of small, medium and Fortune 500 industries, four colleges, a state university, state-of-the-art public schools, wonderful parks, great shopping, a variety of restaurants and an experienced and educated workforce. Throughout this booklet, you will nd a variety of information, providing valuable details on many aspects of our community, including education, industry and recreation. If you feel this information does not adequately answer your questions about our ne city, please feel free to contact us and we will be happy to provide additional details. -
Reifel, J. Ottis Adams Research Collection, 1872-1972 | Indianapolis Museum of Art Archives
M010 Reifel, J. Ottis Adams Research Collection, 1872-1972 | Indianapolis Museum of Art Archives By Rebecca Denne Collection Overview Title: Reifel, J. Ottis Adams Research Collection, 1872-1972 Primary Creator: Adams, J. Ottis (John Ottis) (1851-1927) Extent: 1.71 linear feet Arrangement: The collection is arranged in two series: Series I: Primary Source Material Series II: Research Files Languages: English, French, German Scope and Contents of the Materials The Reifel, J. Ottis Adams Research Collection contains primary source documents and research files about the life and times of Indiana artist J. Ottis Adams, collected by Dorothy Reifel. The archival collection came to the Indianapolis Museum of Art from the Dorothy Reifel estate. The collection has been divided into two series which are described below. Series I: Primary Source Material, 1972-1944, n.d. contains photographs of Brookville, The Hermitage, and J. Ottis Adams' family. Also included are letters addressed to J. Ottis Adams and his wife Winifred Ottis Adams. Amongst these are messages of sympathy and condolence following the artist's death in 1927, a letter from Mrs. T.C. Steele, and letters from architect Edwin Fulwider. The series also includes a detailed family tree of J. Ottis Adams created in 1937. Passports in addition to a consignment note, a souvenir, and a hand-drawn map of Munich document the time Adams spent studying in Germany in the late nineteenth century. The series is arranged primarily by date. Series 2: Research Files, 1898-1972, n.d. contains the research files of Dorothy Reifel. Her research is comprised of newspaper clippings about J. -
Chapter Outline
CHAPTER TWO: “AFTER THE BALL”: POPULAR MUSIC OF THE NINETEENTH AND EARLY TWENTIETH CENTURIES Chapter Outline I. Minstrelsy A. The minstrel show 1. The first form of musical and theatrical entertainment to be regarded by European audiences as distinctively American in character 2. Featured mainly white performers who artificially blackened their skin and carried out parodies of African American music, dance, dress, and dialect 3. Emerged from rough-and-tumble, predominantly working-class neighborhoods such as New York City’s Seventh Ward, commercial urban zones where interracial interaction was common 4. Early blackface performers were the first expression of a distinctively American popular culture. B. George Washington Dixon 1. The first white performer to establish a wide reputation as a “blackface” entertainer 2. Made his New York debut in 1828 3. His act featured two of the earliest “Ethiopian” songs, “Long Tail Blue” and “Coal Black Rose.” CHAPTER TWO: “AFTER THE BALL”: POPULAR MUSIC OF THE NINETEENTH AND EARLY TWENTIETH CENTURIES a) Simple melodies from European tradition C. Thomas Dartmouth Rice (1808–60) 1. White actor born into a poor family in New York’s Seventh Ward 2. Demonstrated the potential popularity and profitability of minstrelsy with the song “Jim Crow” (1829), which became the first international American song hit 3. Sang this song in blackface while imitating a dance step called the “cakewalk,” an Africanized version of the European quadrille (a kind of square dance) 4. The cakewalk was developed by slaves as a parody of the “refined” dance movements of the white slave owners. a) The rhythms of the music used to accompany the cakewalk exemplify the principle of syncopation. -
Pioneer Founders of Indiana 2014
The Society of Indiana Pioneers "To Honor the Memory and the Work of the Pioneers of Indiana" Pioneer Founders of Indiana 2014 The Society of Indiana Pioneers is seeking to identify Indiana Pioneers to recognize and honor their efforts in building early Indiana foundations. Each year, 15-20 counties are to be selected for honoring pioneers at each annual meeting. The task of covering all 92 counties will be completed by 2016, the year we celebrate the centennial of the founding of the Society of Indiana Pioneers. For 2014, the Indiana counties include the following: Adams, Decatur, Fountain, Grant, Jasper, Jay, Jennings, LaGrange, Marion Martin, Owen, Pulaski, Ripley, Spencer, Steuben, Vermillion, Wabash, Warrick Office: 140 North Senate Avenue, Indianapolis, Indiana 46204-2207 (317) 233-6588 www.indianapioneers.org [email protected] The Pioneer Founders of Indiana Program 2014 “To honor the memory and the work of the pioneers of Indiana” has been the purpose and motto of The Society of Indiana Pioneers from the very beginning. In fact, these words compose the second article of our Articles of Association. We carry out this mission of the Society in three distinct ways: 1.) we maintain a rich Pioneer Ancestor Database of proven ancestors of members across one hundred years; 2.) Spring and Fall Hoosier Heritage Pilgrimages to significant historic and cultural sites across Indiana; and 3.) educational initiatives, led by graduate fellowships in pioneer Indiana history at the master’s thesis and doctoral dissertation levels. To commemorate the Society’s centennial and the state’s bicentennial in 2016, the Society is doing something new and dipping its toes in the world of publishing.