First Floor July 9, 2019

Total Page:16

File Type:pdf, Size:1020Kb

First Floor July 9, 2019 Haan Museum of Indiana Art Room by Room Guide First Floor July 9, 2019 FRONT ENTRY Architecture The closets on either side of the door are glove closets. Women of that period always wore gloves when they went outside. The entire front entry was made in 1760 for the Hubbard-Slater mansion in Norwich, Connecticut, and included in the Connecticut Building at the World's Fair. Paintings The paintings on each side of the front door are by TC Steele, the most important painter who stayed in Indiana to paint. These paintings of his children show how cultured families spent their time in the 1800’s. The piano is still in Steele’s studio in Nashville, IN. The Cellist, TC Steele, 1894, is a painting of his son, Shirley. Daisy at the Piano, TC Steele, 1893. Daisy is his daughter. Furniture Pier table, New York, 1810; alabaster columns and bronze feet Grandfather Clock, 1910; sold by Badger Furniture, Indianapolis Pier Mirror, 1870; ebony with mother of pearl and bronze inlay and brass trim PARLOR History The door between the parlor and the family room was added when the house was moved to Lafayette. Architecture There were no ceiling fixtures in the two front rooms or in any second floor rooms when the Haans purchased the property. The Haans added this antique basket chandelier and a matching one in the office as well as new fixtures in all the second floor rooms. Paintings (counterclockwise from the Great Hall door) All the paintings in this room are by Hoosier Group artists. Steele, Adams and Forsythe all trained in Munich. When they came back, they painted like the piece above the fireplace in the great hall. Their work was very dark and precise, almost like a photograph. Misty Harbor, Richard Gruelle, 1898 Farm Near Vernon, William Forsyth, 1891 o Cover picture of a book about Forsyth by Rachel Perry Still Life with Oranges, TC Steele, 1887 Mysterious River, T C Steele, 1895 o Depicts the Mississinewa River The Mississinewa River, J Ottis Adams, 1895 1 o Both were painted in 1895 along the Mississinewa River on 22” x 29” canvases Suzanne in the Garden, Otto Stark, 1904 o Stark trained in Paris, and married a French girl (Marie). o Marie died after their fourth child was born, and he never remarried. o His children are in many of his paintings, and this is his daughter, Suzanne. Furniture The swivel chair and the apple table were made from clay by Marvin Bartel of Goshen. The three-piece parlor suite has in mother-of-pearl, ivory, and wood inlay, and ribbon and reed trim, and claw feet. The lamp on the corner table is made from alabaster and marble, with a carved alabaster shade. It came from a small auction in Illinois. Coffee table with bronze ormolu, purchased at a Jefferson High School antique show. The Egyptian features date it to about 1890. The small desk was used in the US House of Representatives from 1857 through 1873. o The desk number #83, identifies who used the desk and where it was placed. o Desk #83 was used by Thaddeus Stevens of Pennsylvania, a strong supporter of abolition. o Show the location of the desk on the seating chart. o It was made by Doe, Hazelton Co. of Boston. GREAT HALL History The area with the fireplace had men’s restrooms at the Fair, and the fireplace was added when the mansion was reconstructed in Lafayette. The other side of the arch had ladies’ restrooms, which were converted to closets and a small restroom. Architecture The 21’ x 40’ great hall reflects the grand scale used throughout the mansion. The center back hall has a split grand staircase with three sets of French doors on the first floor and three on the landing. Paintings German Interior, Samuel Richards, c 1893. Richards went to Munich with TC Steele, and stayed there to continue painting. He contracted tuberculosis a few years later and died in 1899. Christ Church Cathedral, Indianapolis, TC Steele 1918 The Shades, Montgomery County, TC Steele 1888, before it became Shades State Park Home in the Hills, William Forsyth 1899. (nearest drawing room) Furniture 1840 Center Table o It is 12 feet long when closed, and came with five leaves. o Bob installed slides so that it can extend to 32 feet when expanded. The Tiffany Hanging Precision Regulator Clock o It was made for the 1893 Columbian Exposition in Chicago. o As the air temperature rises, the pendulum gets longer, and it would take longer to strike a second. 2 o Tiffany put mercury in the vials to offset that effect. o The mercury expands in the opposite direction so that the center of mass doesn’t change. o That makes the clock accurate to within a few seconds per month. Lodge Chair o It was used by a lodge such as the Elks or Moose Lodge. o It features columns, dentil trim and paw feet. o There’s usually a six-foot Santa Clause in the chair around Christmas time. Orchestral Regina Music Box o This Orchestral Regina music box was made in New York around 1895. o The mechanism allowed disks to be changed easily from the cabinet below. o This model plays 27-inch discs that are stored in the lower drop-front door. o Each disk plays just one song (ask guests to guess how many songs). o It is coin operated because many of these music boxes were put in public places after Thomas Edison’s phonograph became popular. o After you put in the nickel you turn the crank on the right to wind it up. o We are not currently playing the music boxes, except for special events. Easel by Horner Brothers, who also made the table and grandfather clock in dining room, and partners desk in the family room. Works on the center table Square lidded jar – George Debikey o George made this for his wife Ilana (also an artist). o Bob and Ellie always admired it when they visited the Debikeys. o After a few years, George and Ilana brought the jar to Lafayette and offered it to the Haans. o George made a similar jar for Ilana, and put a heart on the bottom so it could never be sold. Bell-shaped vessel – Dick Hay, Brazil IN, retired from Indiana State University. o Dick is a firm believer that his work is “ceramics”, and not pottery – and that if you can eat from it, it isn’t art (“would you eat off the Mona Lisa?”). Wood fired jar – Dick Lehman, Goshen Works by the fireplace Large floor vessels in front of the fireplace – Bill Kremer, Notre Dame FORMAL OFFICE History Reception Room at World’s Fair George Potter used this room as his office. Paintings The Cloisters, T C Steele 1884 - one of the places he lived while studying in Munich Still Life with Flowers, William Merritt Chase Washday, TC Steele, 85 - painted after Steele returned from Munich. Iris and Columbine, Ada Shulz – Ada and Adolph Shulz from Wisconsin moved to Brown County to join the artist colony after T.C. Steele moved there. Untitled landscape, Adolph Shulz Women on the Porch, T C Steele, 1899 - the porch is on the Steele and Adams studio in Brookville 3 Furniture Wooton Desk o Wooton desks were made in Indianapolis between 1872 and 1882 by the William Wooton Desk Company. o Wooton made four grades of desks, and this is the Superior grade, which is the largest and fanciest. o This grade was custom made for rich and famous people around the world. o The Haans looked for a Superior Grade desk for 15 years before finding this in Atlanta, and they’ve never seen another one in person. o There’s a mailbox slot for mail or messages. Empire Side Table, c 1820 Bookcase o Notice the crest at the top of the bookcase. It appears on a cabinet in the kitchen. o The bookcase contains a collection of works by historic Indiana authors. Bronze o Dance of Awakening Day, Tuck Langland, Granger, Indiana (near South Bend) o Langland created very large bronzes for major institutions, including the Federal Reserve in Oklahoma City. o Tuck is the only Indiana artist who is a member of the National Academy of Art as well as a Fellow of the National Sculpture Society. o There are two more Langland bronzes in the Museum and two in the sculpture garden. DRAWING ROOM History The drawing room would have been the formal entertaining room in a mansion like this. At the World's Fair, it was furnished very much like it is now, but without a piano. A 1760 candlestand that was in this room at the World's Fair is now in the Museum. Architecture The crown molding is plaster, molded in about four-foot sections. Notice the ornate trim over the door leading to the side entryway. The columns on each side of the door match the columns in the Great Hall, on the other side of the arch. Chandelier is the only chandelier original to the house at the World’s Fair. Paintings The Moccasin Game, George Winter, 1837 o This documents the Potawatomie Indians who lived near Logansport. o It was painted from life in 1837, before the Indians were forced to move west. o The moccasin game is similar to the shell game, in which a small item is hidden under one of several shells, and players try to figure out which shell. Boys on the Dock, Adam Emory Albright Frosty Morn, J Ottis Adams, 1894 o It was painted during his Prairie Dell (near Muncie) period.
Recommended publications
  • R1 · R ·Rl Lr
    � --1·1 r� · --·t· r-1 � -r� --·rl �l_, r�·r p· ,("' __, .:..../ --rl 0 F 521 148 VOL 16 N01 - - - - INDIANA HISTORICAL SOCIETY BOARD OF TRUSTEES SARAH Evru'\'S BARKER, indianapolis MICH.\ELA. SIKK.\IAN, Indianapolis, Second Vice Chair �� \RY A.J-..:-...: BRADLEY, Indianapolis £0\\.\.RI) E. BREEN, �[arion, First Vice Chair 01.\.\!,E j. C\RT�tEL, Brownstown P•TRICL\ D. CeRRA!<, Indianapolis EOCAR G1 EXN 0.-\\15, Indianapolis DA.." l:. I �1. E�'T. Indianapolis RIC! lARD F'ELDMA-'-.;,Indianapolis RICHARD E. FoRD, Wabash R. RAY HAWKINS. Carmel TI!O\!A-<.; G. HOR\CK, Indianapolis MARTIN L<\KE, 1'1arion L\RRY S. L\NDIS, Indianapolis P01.1 'Jo�TI LEi'\NON,Indianapolis jAMES H. MADISON, Bloomington M \RY jA...'\'E �IEEJ.�ER. Carmel AMlRF\\ '"'· NiCKLE, South Bend GJ::.ORGJ::. F. RAPP,Indianapolis BO'<'IIE A. REILLY, Indianapolis E\'AIIt'\FII. RIIOOI:.II.AME.L,Indianapolis, Secretary LA:-.J M. Rou.�\!'-10, Fon \-\'ayne, Chair jMIES SHOOK JR., Indianapolis P. R. SwEENEY, Vincennes, Treasurer R BERT B. TOOTHAKER, South Bend WILLIAM H. WIGGINS JR., Bloomington ADMINISTRATION SALVATORE G. CILELLAjR., President RA�IOND L. SIIOI:.MAKER, Executive Vice President ANMBELLF J.JACKSON, Comroller St!SAN P. BROWN, enior Director, Human Resources STEPIIl:-.. L. Cox, Vice President, Collections, Conserv-ation, and Public Programs TIIO\IAS A. �lAsoN, Vice President, n-JS Press Ll:'\DA L. PRArr, Vice President, Development and Membership BRE:"DA MYER.<;, Vice President, Marketing and Public Relation� DARA BROOKS, Director, Membership \ROLYI\ S. SMITH, Membership Coordinator TRACES OF INDIANA AND MIDWESTERN HISTORY RAY E. BOOMHOWER, Managing Editor GEORGF R.
    [Show full text]
  • Paint and Canvas a Life of T
    TEACHER RESOURCE by Elaine G. Rosa for the Indiana Historical Society Press publication Paint and Canvas A Life of T. C. Steele by Rachel Berenson Perry This is a publication of the Indiana Historical Society Eugene and Marilyn Glick Indiana History Center 450 West Ohio Street Indianapolis, IN 46202-3269 USA Teacher Resource available online: http://www.indianahistory.org Book orders (telephone): (800) 447-1830 Book orders (fax): (317) 234-0562 Copyright 2012 Indiana Historical Society All rights reserved Except for copying portions of the teacher resources by educators for classroom use, or for quoting of brief passages for reviews, no part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording, or otherwise), without written permission of the copyright owner. All inquiries should be addressed to the Indiana Historical Society Press. Overview/Description ° High School, English Language Arts–– Theodore Clement Steele was an American 9–10.W.2 Write informational and explana- Impressionist painter known for his Indiana tory texts to examine and convey complex landscapes. He is considered an innovator and ideas, concepts, and information clearly and leader in American Midwest painting and one of accurately through the effective selection, the Hoosier Group of Indiana artists. organization, and analysis of content. This teacher resource provides suggested learning ° High School, English Language Arts–– activities that relate to the Indiana Historical Society 9–10.W.3 Write narratives to develop real Press youth biography Paint and Canvas: A Life of or imagined experiences or events using T.
    [Show full text]
  • A SHARED HERITAGE African American Culture Flourished Through His Painting to Inspire the Received Early Instruction from Promi­ in the Mid- to Late-1920S
    . A SHARED HERITAGE African American culture flourished through his painting to inspire the received early instruction from promi­ in the mid- to late-1920s. Countee Cullen artistic talents of Indianapolis's black nent members of the Hoosier Group, published his first volume of poems, community. John We sley Hardrick primarily William Forsyth (1854-.-1935) Color(19 25); the \#a ry Blues (1926) by (1891-1968), fo r a brochure accom­ and Otto Stark (1859-1926). Hardrick, Langston Hughes appeared on popular panying an exhibition of his paintings, Scott, and Wo odruff were among a reading lists; satirist George S. Schuyler wrote that his goal was "to stimulate growing number of aspiring black artists wrote fo r The American Mercury; and an interest among the colored citizens who were participating in the devel­ Claude McKay's novel Home to Ha rlem of Indianapolis to encourage art; to in­ opment of American art on a regional (1928) became a best-seller. These spire, if possible, some young talented and national basis during the early RAINY NIGHT, ETAPLES. 1912. WILLIAM E. SCOT T. INDIANAPOLIS MUSEUM OF ART, GIFT OF A GROUP OF AFRICAN AMERICAN CITIZENS OF INDIANAPOLIS. African Americans were among the boy or girl to realize that 'Life without 1900s. They also seized a "chance fo r many who contributed to a literary and labor is a crime, and labor without art group expression and self determina­ artistic movement known as the Harlem is brutality."' tion" by turning to black subject mat­ Renaissance. Through art, leader and Hardrick and his contemporaries ter in their work.
    [Show full text]
  • January, 2021 Gov
    January, 2021 Gov. Holcomb unveils 2021 Next In this issue Level agenda Canstruction returns to help re- 2 stock food pantries New year, new opportunities to 3 be well! Indiana Grown launches online 8 marketplace 10 Wild, wild life Governor Eric J. Holcomb • Cultivate a strong and The Torch is published monthly announced his 2021 Next Level diverse economy by the Indiana State Personnel Agenda in December, which is • Maintain and build the Department and is available focused on safely navigating out of online at https://www.in.gov/ the pandemic and emerging as a state’s infrastructure spd/employee-resources/the- stronger Indiana. • Education, training and torch/ “The 2021 Next Level Agenda is workforce development focused on making sure Indiana • Public health remains a state of opportunity Got a story? for all,” Gov. Holcomb said. “To • Deliver great government Submit your story ideas to: do that, we must manage our service [email protected] way through the world’s worst pandemic in over a century.” To watch Gov. Holcomb’s agenda speech at Dentons Legislative Social media The 2021 Next Level Agenda Conference and learn more about includes five pillars detailing the 2021 Next Level Agenda, Follow legislative and administrative visit http://www.in.gov/gov. @SOIEmployees priorities for the year ahead.To watch Gov. Holcomb’s agenda Like speech at Dentons Legislative @SOIEmployees Conference and learn more about the 2021 Next Level Agenda, visit http://www.in.gov/gov. Follow State of Indiana Employees Canstruction returns to help re-stock food pantries Registration opens Jan. 6 Your chance to do your part to help food pantries throughout the Hoosier State is almost here! Registration opens for the third annual State of Indiana employ- ees’ “Canstruction Competition” Wednesday, Jan.
    [Show full text]
  • Interactivity in Louisville Museums
    University of Louisville ThinkIR: The University of Louisville's Institutional Repository Electronic Theses and Dissertations 5-2013 Interactivity in Louisville museums. Robert Stephen Goforth 1983- University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/etd Recommended Citation Goforth, Robert Stephen 1983-, "Interactivity in Louisville museums." (2013). Electronic Theses and Dissertations. Paper 509. https://doi.org/10.18297/etd/509 This Master's Thesis is brought to you for free and open access by ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. INTERACTIVITY IN LOUISVILLE MUSEUMS By Robert Stephen Goforth A Thesis Submitted to the Faculty of the College of Arts and Sciences of the University of Louisville in Partial Fulfillment of the Requirements for the Degree of Master of Arts Department of History University of Louisville Louisville, Kentucky May 2013 INTERACTIVITY IN LOUISVILLE MUSEUMS By Robert Stephen Goforth A Thesis Approved on April 22, 2013 by the following Thesis Committee: ______________________________________ Daniel Vivian (Thesis Director) ______________________________________ A. Glenn Crothers ______________________________________ John P. Begley ii DEDICATION This thesis is dedicated to my grandparents Mr. Clyde Goforth and Mrs. Bobbie Joyce Goforth without whom this would not exist. iii ACKNOWLEDGMENTS I would like to thank my thesis adviser, Dr. Daniel Vivian, for his help with my thesis over the past year.
    [Show full text]
  • Board Minutes, the Abuse Prevention Policy and the Revised Fiscal Policy
    Indiana State Museum and Historic Sites Regular meeting of the Board of Directors via Zoom March 3, 2021 Board members present: William Browne Jr., board chair; Andrew Dahlem, vice chair; Andrew Briggs, treasurer; Liz Witte, secretary; Steve Anderson; Melissa Caito; Fred Cate; Nancy Jordan; Thao Nguyen; Kathy Roudebush; Alice Schloss; Judy Singleton; Mary Walker; John Wechsler; and Robin Winston. Board members absent: Gary Anderson and Linda Conti. Staff present: Cathy Ferree, president and CEO; Susannah Koerber, chief curator and research officer; Amy Ahlersmeyer, chief marketing officer; Brian Mancuso, chief officer of engagement; Nora Woodman, chief development officer; David Daum, vice president of finance and IT; Katherine Gould, curator of cultural history, Charlie Shock, concierge and volunteer manager; and Renee Bruck, manager of communication. State-appointed representatives: Indiana District 82 Rep. Dave Abbott Partners: Dan Bortner, director of the Indiana Department of Natural Resources; and Carolene Mays- Medley, executive director of the White River State Park Development Commission. Guests: Emily Shoemaker, legislative intern to Reps. Baird, Eberhart and May; and William Smeltzer, legislative assistant to Reps. Heaton, Morrison and Payne. The regular meeting of the Board of Directors was called to order at 12:03 p.m. Consent agenda A motion to approve the consent agenda was made by Mary Walker with the motion seconded by Liz Witte. The motion was unanimously approved. The consent agenda included the December 2, 2020 board minutes, the Abuse Prevention Policy and the revised Fiscal Policy. Investment Committee Report Steve Anderson presented the investment committee report for Gary Anderson, who was unable to attend the meeting.
    [Show full text]
  • Annual Meeting of the National Council on Public History
    THE MIDDLE: WHERE DID WE COME FROM? WHERE ARE WE GOING? April 19-22, 2017 // Indianapolis, Indiana Annual Meeting of the National Council on Public History Aerial View of a Parade on Monument Circle, Bretzman Collection, Indiana Historical Society, P0338. IUPUI Graduate Program in Public History Established in 1984, the Graduate Program in Public History at Indiana University – Purdue University Indianapolis (IUPUI) trains historians in the research, analytical, and communications skills needed to apply their work in the public arena. Students benefit from a combination of classroom instruction and practical experiences that prepare them for a wide range of public history occupations. Campus adjacent to downtown Indianapolis, which serves as a learning laboratory for public history students. Program highlights include: • A nationally-recognized public history degree program, with opportunities for students to pursue additional qualifications and certifications in Library Science, Museum Studies, and Documentary Editing • Two academic years of half-time paid internships in local institutions provide significant practical training (interns also receive a substantial tuition remission and health insurance) • Situated near several long-time partner institutions and research repositories (including the Indiana Historical Society, Indiana State Library and Historical Bureau, and Eiteljorg Museum of American Indians and Western Art) Graduate public history courses include: Digital Humanities, Historical Administration, Historic Preservation,
    [Show full text]
  • 2020 Efroymson Family Fund Grant Award List (As of September 30, 2020)
    2020 Efroymson Family Fund Grant Award List (as of September 30, 2020) ORGANIZATION GRANT PURPOSE Above and Beyond Children’s Museum General operating support American Writers Museum General operating support in honor of Julie and Roger Baskes Amos Butler Audubon Society General operating support Arts Council of Indianapolis COVID-19 Artists Relief Fund & Match Challenge Auditorium Theatre of Roosevelt University 2020 Hearts to Art summer camp Aurora PhotoCenter Program operating support Big Car General operating & Social Alchemy support Black Swamp Bird Observatory General operating support Brandywine Creek Farms Healthy Harvest Market support and Female empowerment program Center for Independent Documentary Inc. Walkable USA documentary film Chicago High School for the Arts General operating support and capacity building Columbia College Chicago Museum of Contemporary Photography exhibition & program support Columbus Arts Council General operating support over two years DePauw University Bridge Year and Summer Fellowships Edna Martin Christian Center Virtual Town Hall sponsorship Evansville Museum of Arts, Science & History Life in Isolation exhibition support Evansville Museum of Arts, Science & History 60th Mid-States exhibition support Greene County Community Foundation Indianapolis Black Documentary Film Festival Fountain County Art Council Truss repair and reconstruction of the 1854 Cades Mill Covered Bridge near Veedersburg Hancock County Historical Society Rehabilitation of the former Philadelphia United Methodist Church now a local museum in Riley Park in Greenfield Harmonie Associates Landscaping and beautification for downtown New Harmony Health Foundation of Greater Indianapolis Sponsorship support of Spotlight 2020 Heartland Film Sponsorship support of the 2020 Heartland Film Festival Helene G. Simon Hillel Center at IU Sponsorship support of the Campus Superstar event Hoosier Environmental Council End of year match challenge support Huntington Alert, Inc.
    [Show full text]
  • Indiana State Museum and Historic Sites Corporation
    30472 Federal Register / Vol. 86, No. 108 / Tuesday, June 8, 2021 / Notices New Mexico and Nebraska and Indian Tribe or Native Hawaiian Michigan; Hannahville Indian described above have ongoing historical, organization not identified in this notice Community, Michigan; Keweenaw Bay traditional, or cultural importance that wish to request transfer of control Indian Community, Michigan; Kickapoo central to the Native American group or of these human remains should submit Traditional Tribe of Texas; Kickapoo culture itself, rather than property a written request to the ISMHS. If no Tribe of Indians of the Kickapoo owned by an individual. additional requestors come forward, Reservation in Kansas; Kickapoo Tribe • Pursuant to 25 U.S.C. 3001(2), there transfer of control of the human remains of Oklahoma; Lac Courte Oreilles Band is a relationship of shared group to the Indian Tribes or Native Hawaiian of Lake Superior Chippewa Indians of identity that can be reasonably traced organizations stated in this notice may Wisconsin; Lac du Flambeau Band of between the unassociated funerary proceed. Lake Superior Chippewa Indians of the objects and objects of cultural DATES: Representatives of any Indian Lac du Flambeau Reservation of patrimony and the Delaware Nation, Tribe or Native Hawaiian organization Wisconsin; Lac Vieux Desert Band of Oklahoma; Delaware Tribe of Indians; not identified in this notice that wish to Lake Superior Chippewa Indians of and the Stockbridge Munsee request transfer of control of these Michigan; Match-e-be-nash-she-wish Community, Wisconsin (hereafter human remains should submit a written Band of Pottawatomi Indians of referred to as ‘‘The Tribes’’).
    [Show full text]
  • Indiana Artists Annual Juried Exhibition 2016
    88th Annual Juried Exhibition This year we had a wide-range of fine artwork; 150 entries by 80 artist members were submitted. Enclosed are the 45 artists 2020 and their artworks that were accepted into the exhibition. A special thanks to our juror Brian Sindler for stepping-in on a short notice. Awards will be determined eventually, depending on the future status of the exhibition. Due to the closure of the museum because of Covid-19, our exhibition has been put on hold until further notice. Another very special thanks to Pam Newell and Laurie Wright, exhibition co-chairs, and the Indianapolis Museum of Art at Newfields staff for all their time and effort to organize this exhibition under these unique situations. More to come . About the Indiana Artists Club, Inc. A Celebrated Past — An Alive Future L.S. Ayres department store in 1913 where it was held for many years. In January 1917, professional artists Carl Graf, Otto Stark, T.C. Steele, Wayman Adams, Simon Baus, The Indiana Artists Club continues the primary goals Paul Hadley, Randolph Coats, Frederick Polley, of representing artists and educating the community. It is a vibrant group of over 150 Indiana artists Clifton Wheeler, and William Forsyth gathered in engaged in disciplines of art. Indianapolis to form the Indiana Artists Club. Since 1992, the Annual Juried Exhibition is held each The Club’s primary goal was to promote the artistic interests of its membership and the community. The Annual Members Exhibition is held in various locationsspring at throughoutthe Indianapolis Indiana. Museum A board of ofArt directors at Newfields.
    [Show full text]
  • Academicism to Modernism.Pdf
    Academicism to Modernism Fresh Perspectives on Historic Indiana Art Academicism to Modernism Fresh Perspectives on Historic Indiana Art October 28, 2005 – May 21, 2006 William Weston Clarke Emison Museum of Art DePauw University Foreword Kaytie Johnson Essay and acknowledgements Laurette E. McCarthy Editor Vanessa Mallory FOREWORD DePauw University is pleased to present from their collections for the show: Dr. Stephen Academicism to Modernism: Fresh Perspectives Butler and Dr. Linda Ronald; the Jack D. Finley on Historic Indiana Art, an exhibition that focuses Collection; Indiana State Museum and Historic on the lesser-known and understudied aspects of Sites; Indianapolis Public Schools; the Richmond Indiana art from the late nineteenth through early Art Museum; the Sheldon Swope Art Museum; Judy twentieth centuries. A majority of exhibitions and Waugh; and Wishard Health Services. publications that focus upon this period tend to The contributions of several individuals have concentrate primarily on what is referred to as enabled DePauw to present this exhibition. My “Hoosier Impressionism,” – most notably paintings thanks go out to my dedicated staff – Christie by artists such as T.C. Steele, John Ottis Adams Anderson and Christopher Lynn – for their tireless and William Forsyth – which has perpetuated an energy and enthusiasm in bringing this show to incomplete, and exclusive, history of the artistic fruition. My appreciation is also extended to Kelly legacy of Indiana. By introducing our audience to Graves for her design expertise and assistance with works by unfamiliar – and familiar – artists, in a wide producing this publication, and to Vanessa Mallory, range of artistic styles, we hope to emphasize, and whose editing skills are unrivaled.
    [Show full text]
  • Of Indiana and Midwestern History
    of Indiana and Midwestern History Summer 1991 Viol. 3, No. 3 A Publication pf the Indiana Historical Society $5.00 Painters of the Indiana Landscape Abraham Lincoln’s Hoosier Home Indiana’s 1916 Centennial The Legacy of the WPA F 521 148 VOL3 NQ3 Indiana Historical Society Board of Trustees INDIANA HISTORICAL SOCIETY James J. Barnes, Crawfordsville Dianne J. Cartmel, Seymour William E. Ervin, Hartford City Bert R. Fenn, Tell City Ralph D. Gray, Indianapolis Ronald Morris, Greenwood Mission Statement Mary M. Mullin, Brookville Kathleen Stiso Mullins, South Bend Alan T. Nolan, Indianapolis, Chairman Larry K. Pitts, Indianapolis, Treasurer William G. Prime, Madison Evaline H. Rhodehamel, Indianapolis, ^ A SATURDAY NIGHT IN DECEMBER 1830 A GROUP OF THE MOST Vice President Richard O. Ristine, Crawfordsville DISTINGUISHED FIGURES IN INDIANA’S EARLY HISTORY—INCLUDING Richard S. Simons, Marion, President John Martin Smith, Auburn JOHN FARNHAM, CALVIN FLETCHER, WILLIAM CONNER, JOHN TIPTON, AND Theodore L. Steele, Indianapolis Stanley Warren, Greencastle Herman B Wells, Bloomington MORE THAN HALF OF THE INDIANA GENERAL ASSEMBLY—MET AT THE Administration MARION COUNTY COURTHOUSE IN INDIANAPOLIS TO FORM WHAT BECAME Peter T. Harstad, Executive Director Raymond L. Shoemaker, Assistant Executive THE INDIANA HISTORICAL SOCIETY THAT GROUP COMPOSED THE Director and Business Manager Annabelle J. Jackson, Exec. Assist. Financial ORGANIZATION’S CONSTITUTION AND DECLARED: Administration Susan P. Brown, Exec. Assist. Personnel/Policy Carolyn S. Smith, Membership Secretary Division Directors The objects of the Society shall be the collection of all Bruce L. Johnson, Library materials calculated to shed light on the natural, civil and Thomas K. Krasean, Field Services Thomas A.
    [Show full text]