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� --1·1 r� · --·t· r-1 � -r� --·rl �l_, r�·r p· ,("' __, .:..../ --rl 0 F 521 148 VOL 16 N01 - - - - INDIANA HISTORICAL SOCIETY BOARD OF TRUSTEES SARAH Evru'\'S BARKER, indianapolis MICH.\ELA. SIKK.\IAN, Indianapolis, Second Vice Chair �� \RY A.J-..:-...: BRADLEY, Indianapolis £0\\.\.RI) E. BREEN, �[arion, First Vice Chair 01.\.\!,E j. C\RT�tEL, Brownstown P•TRICL\ D. CeRRA!<, Indianapolis EOCAR G1 EXN 0.-\\15, Indianapolis DA.." l:. I �1. E�'T. Indianapolis RIC! lARD F'ELDMA-'-.;,Indianapolis RICHARD E. FoRD, Wabash R. RAY HAWKINS. Carmel TI!O\!A-<.; G. HOR\CK, Indianapolis MARTIN L<\KE, 1'1arion L\RRY S. L\NDIS, Indianapolis P01.1 'Jo�TI LEi'\NON,Indianapolis jAMES H. MADISON, Bloomington M \RY jA...'\'E �IEEJ.�ER. Carmel AMlRF\\ '"'· NiCKLE, South Bend GJ::.ORGJ::. F. RAPP,Indianapolis BO'<'IIE A. REILLY, Indianapolis E\'AIIt'\FII. RIIOOI:.II.AME.L,Indianapolis, Secretary LA:-.J M. Rou.�\!'-10, Fon \-\'ayne, Chair jMIES SHOOK JR., Indianapolis P. R. SwEENEY, Vincennes, Treasurer R BERT B. TOOTHAKER, South Bend WILLIAM H. WIGGINS JR., Bloomington ADMINISTRATION SALVATORE G. CILELLAjR., President RA�IOND L. SIIOI:.MAKER, Executive Vice President ANMBELLF J.JACKSON, Comroller St!SAN P. BROWN, enior Director, Human Resources STEPIIl:-.. L. Cox, Vice President, Collections, Conserv-ation, and Public Programs TIIO\IAS A. �lAsoN, Vice President, n-JS Press Ll:'\DA L. PRArr, Vice President, Development and Membership BRE:"DA MYER.<;, Vice President, Marketing and Public Relation� DARA BROOKS, Director, Membership \ROLYI\ S. SMITH, Membership Coordinator TRACES OF INDIANA AND MIDWESTERN HISTORY RAY E. BOOMHOWER, Managing Editor GEORGF R. -
A SHARED HERITAGE African American Culture Flourished Through His Painting to Inspire the Received Early Instruction from Promi in the Mid- to Late-1920S
. A SHARED HERITAGE African American culture flourished through his painting to inspire the received early instruction from promi in the mid- to late-1920s. Countee Cullen artistic talents of Indianapolis's black nent members of the Hoosier Group, published his first volume of poems, community. John We sley Hardrick primarily William Forsyth (1854-.-1935) Color(19 25); the \#a ry Blues (1926) by (1891-1968), fo r a brochure accom and Otto Stark (1859-1926). Hardrick, Langston Hughes appeared on popular panying an exhibition of his paintings, Scott, and Wo odruff were among a reading lists; satirist George S. Schuyler wrote that his goal was "to stimulate growing number of aspiring black artists wrote fo r The American Mercury; and an interest among the colored citizens who were participating in the devel Claude McKay's novel Home to Ha rlem of Indianapolis to encourage art; to in opment of American art on a regional (1928) became a best-seller. These spire, if possible, some young talented and national basis during the early RAINY NIGHT, ETAPLES. 1912. WILLIAM E. SCOT T. INDIANAPOLIS MUSEUM OF ART, GIFT OF A GROUP OF AFRICAN AMERICAN CITIZENS OF INDIANAPOLIS. African Americans were among the boy or girl to realize that 'Life without 1900s. They also seized a "chance fo r many who contributed to a literary and labor is a crime, and labor without art group expression and self determina artistic movement known as the Harlem is brutality."' tion" by turning to black subject mat Renaissance. Through art, leader and Hardrick and his contemporaries ter in their work. -
Indiana Artists Annual Juried Exhibition 2016
88th Annual Juried Exhibition This year we had a wide-range of fine artwork; 150 entries by 80 artist members were submitted. Enclosed are the 45 artists 2020 and their artworks that were accepted into the exhibition. A special thanks to our juror Brian Sindler for stepping-in on a short notice. Awards will be determined eventually, depending on the future status of the exhibition. Due to the closure of the museum because of Covid-19, our exhibition has been put on hold until further notice. Another very special thanks to Pam Newell and Laurie Wright, exhibition co-chairs, and the Indianapolis Museum of Art at Newfields staff for all their time and effort to organize this exhibition under these unique situations. More to come . About the Indiana Artists Club, Inc. A Celebrated Past — An Alive Future L.S. Ayres department store in 1913 where it was held for many years. In January 1917, professional artists Carl Graf, Otto Stark, T.C. Steele, Wayman Adams, Simon Baus, The Indiana Artists Club continues the primary goals Paul Hadley, Randolph Coats, Frederick Polley, of representing artists and educating the community. It is a vibrant group of over 150 Indiana artists Clifton Wheeler, and William Forsyth gathered in engaged in disciplines of art. Indianapolis to form the Indiana Artists Club. Since 1992, the Annual Juried Exhibition is held each The Club’s primary goal was to promote the artistic interests of its membership and the community. The Annual Members Exhibition is held in various locationsspring at throughoutthe Indianapolis Indiana. Museum A board of ofArt directors at Newfields. -
Will Carpenter
WILL CARPENTER 4201 S Washington St Marion, IN 46953 Office #: 765-677-1758 E-mail: [email protected] Website: WillCarpenterArt.com EDUCATION 2003 - 2006 M.F.A Painting University of Miami FL 1998 - 2002 B.A. Studio Art Wheaton College IL PROFESSIONAL EXPERIENCE 2016 – Current - Professor Indiana Wesleyan University 2011 – 2016 10 semesters - Associate Professor Indiana Wesleyan University 2006 – 2011 10 semesters - Assistant Professor, Indiana Wesleyan University 2004 – 2006 3 semesters - Adjunct Instructor, University of Miami 2006 1 summer - Painter, Miami Ink, The Learning Channel 2003 – 2006 6 semesters - Teaching Assistant, University of Miami 2 semesters - Instructor of Record - Drawing 101, University of Miami 2 semesters - Sculpture, Lab Monitor / Safety Management, University of Miami 2005 1 summer - Studio Assistant to Sculptor Bill Carlson, Miami, FL COURSES IN: Art Appreciation, Color Theory, Design, Drawing, Painting SERVED AS JUROR 2019 • Symphony in Color, Annual Art Show, Grant County. 2018 • Symphony in Color, Annual Art Show, Grant County. 2016 • October Open Exhibit, Grant County Art Association 2014 • Indiana State Fair Judge, Drawing, Painting, Pastel, Prints, Watercolor, & Best of Show Fellow Jurors: Valparaiso Assistant Professor, Sarah Jantzi, MFA American University Indiana State University Adjunct Professor, Jason Kreuger, MFA Indiana State University. 2013 • Greentown Community Art Show, Greentown, Indiana • Charlie Creek Arts Festival, Wabash, Indiana 2011 • 37th Annual Juried Student Art Exhibit, -
Through the Years with Tri Kappa Fine Arts Since Its Beginning in 1901, Tri Kappa Has Been a Supporter of the Arts
Through the years with Tri Kappa Fine Arts Since its beginning in 1901, Tri Kappa has been a supporter of the arts. At early meetings, the members studied authors and their works. They held musicales, book reviews and appreciation programs. Each chapter was required to “publish a fraternity paper, purely literary, (to be) read before chapters four times a year (and) shall be called “Skull”. This was in addition to submitting articles to the quarterly State magazine, Cross Keys. 1926 In 1926 the Hoosier Salon was founded and Tri Kappa presented a prize at the first meeting in Chicago. Tri Kappa continues to sponsor the Beryl Showers Holland Award in honor of our founder. Beryl also served as President of the Hoosier Salon for 22 years and was instrumental in moving the salon to Indianapolis. 1929 The first State Art Chairman was appointed. This year $600 was pledged for prize money for the Hoosier Salon. 1932 Tri Kappa started the purchase prize system. The first was Edward K. William’s canvas “The Hoosier Cabin.” 1936 Marie Goth’s painting of Beryl Showers Holland was added to our Art Collection. 1941 Hoosier Salon held its exhibit in Indianapolis instead of Chicago. Convention decision to give the painting “Red Maple” by Varaldo J. Cariani to Hanover College. 1947 Tri Kappa purchased shipping cases for the Art Collection which traveled at that time. 1955 Until 1955, the Tri Kappa Art Collection was a traveling exhibit, but because of the wear and tear on the canvases, Tri Kappa decided to house the art collection at the Brown County Art Guild in Nashville, Indiana. -
Indiana Artists' Club, Inc., 1922-1992
Indiana Historical Society - Manuscripts and Archives Department INDIANA ARTISTS' CLUB, INC., 1922-1992 Collection #'s M 0330 OM 0124 BV 1888 Table of Contents Collection Information Historical Sketch Scope and Content Note Box and Folder Listing Cataloging Information Processed by: Constance McBirney February, 1980 Karen Larson August, 1994 COLLECTION INFORMATION VOLUME OF 10 manuscript boxes; 1 oversize folder; 1 bound volume COLLECTION: COLLECTION DATES: 1922-1992 PROVENANCE: Gift of Indiana Artists' Club, Inc., Indianapolis, In, August 1979; 1983 and 1993. RESTRICTIONS: none REPRODUCTION Permission to reproduce or publish material in this collection RIGHTS: must be obtained in writing from the Indiana Historical Society. ALTERNATE FORMATS: none OTHER FINDING AIDS: none RELATED HOLDINGS: ACCESSION NUMBERS: 1979.0819; 1983.0716; 1993.0370 NOTES: The Indiana Artists' Club is a different organization from The Indiana Federation of Art Clubs. HISTORICAL SKETCH The Indiana Artists' Club was organized on January 23, 1917 in Indianapolis by a group of professional artists. Included in this group were Carl Graf, Otto Stark, T. C. Steele, Waymen Adams, Simon Baus, Paul Hadley, Randolph Coats, Frederick Polley, Clifton Wheeler and William Forsyth. Membership was limited to professional artists (painters, sculptors, etc.). Non-artists who were interested in the promotion of art were invited to join as associate members. The club was incorporated as a non-profit organization on September 24, 1947. The purpose of the club was to promote the artistic interests of its members and the community. To fulfill this goal, the club has assisted in the creation of the Indiana Federation of Art Clubs and the Hoosier Salon Patrons Association. -
Academicism to Modernism.Pdf
Academicism to Modernism Fresh Perspectives on Historic Indiana Art Academicism to Modernism Fresh Perspectives on Historic Indiana Art October 28, 2005 – May 21, 2006 William Weston Clarke Emison Museum of Art DePauw University Foreword Kaytie Johnson Essay and acknowledgements Laurette E. McCarthy Editor Vanessa Mallory FOREWORD DePauw University is pleased to present from their collections for the show: Dr. Stephen Academicism to Modernism: Fresh Perspectives Butler and Dr. Linda Ronald; the Jack D. Finley on Historic Indiana Art, an exhibition that focuses Collection; Indiana State Museum and Historic on the lesser-known and understudied aspects of Sites; Indianapolis Public Schools; the Richmond Indiana art from the late nineteenth through early Art Museum; the Sheldon Swope Art Museum; Judy twentieth centuries. A majority of exhibitions and Waugh; and Wishard Health Services. publications that focus upon this period tend to The contributions of several individuals have concentrate primarily on what is referred to as enabled DePauw to present this exhibition. My “Hoosier Impressionism,” – most notably paintings thanks go out to my dedicated staff – Christie by artists such as T.C. Steele, John Ottis Adams Anderson and Christopher Lynn – for their tireless and William Forsyth – which has perpetuated an energy and enthusiasm in bringing this show to incomplete, and exclusive, history of the artistic fruition. My appreciation is also extended to Kelly legacy of Indiana. By introducing our audience to Graves for her design expertise and assistance with works by unfamiliar – and familiar – artists, in a wide producing this publication, and to Vanessa Mallory, range of artistic styles, we hope to emphasize, and whose editing skills are unrivaled. -
Of Indiana and Midwestern History
of Indiana and Midwestern History Summer 1991 Viol. 3, No. 3 A Publication pf the Indiana Historical Society $5.00 Painters of the Indiana Landscape Abraham Lincoln’s Hoosier Home Indiana’s 1916 Centennial The Legacy of the WPA F 521 148 VOL3 NQ3 Indiana Historical Society Board of Trustees INDIANA HISTORICAL SOCIETY James J. Barnes, Crawfordsville Dianne J. Cartmel, Seymour William E. Ervin, Hartford City Bert R. Fenn, Tell City Ralph D. Gray, Indianapolis Ronald Morris, Greenwood Mission Statement Mary M. Mullin, Brookville Kathleen Stiso Mullins, South Bend Alan T. Nolan, Indianapolis, Chairman Larry K. Pitts, Indianapolis, Treasurer William G. Prime, Madison Evaline H. Rhodehamel, Indianapolis, ^ A SATURDAY NIGHT IN DECEMBER 1830 A GROUP OF THE MOST Vice President Richard O. Ristine, Crawfordsville DISTINGUISHED FIGURES IN INDIANA’S EARLY HISTORY—INCLUDING Richard S. Simons, Marion, President John Martin Smith, Auburn JOHN FARNHAM, CALVIN FLETCHER, WILLIAM CONNER, JOHN TIPTON, AND Theodore L. Steele, Indianapolis Stanley Warren, Greencastle Herman B Wells, Bloomington MORE THAN HALF OF THE INDIANA GENERAL ASSEMBLY—MET AT THE Administration MARION COUNTY COURTHOUSE IN INDIANAPOLIS TO FORM WHAT BECAME Peter T. Harstad, Executive Director Raymond L. Shoemaker, Assistant Executive THE INDIANA HISTORICAL SOCIETY THAT GROUP COMPOSED THE Director and Business Manager Annabelle J. Jackson, Exec. Assist. Financial ORGANIZATION’S CONSTITUTION AND DECLARED: Administration Susan P. Brown, Exec. Assist. Personnel/Policy Carolyn S. Smith, Membership Secretary Division Directors The objects of the Society shall be the collection of all Bruce L. Johnson, Library materials calculated to shed light on the natural, civil and Thomas K. Krasean, Field Services Thomas A. -
TRI-KAPPA COLLECTION of ARTWORKS at ROSE-HULMAN
TRI-KAPPA COLLECTION OF ARTWORKS at ROSE-HULMAN The Tri-Kappa Art Collecion of Indiana artists is valuable and unique. Started in 1932, the collection contains over 100 artworks by almost as many artists. The value of the collection has increased manyfold since then. After years of traveling all over the state, it was found necessary to permanently house the collection. As a result of an all-chapter poll in 1973, the chapters voted to loan nearly every painting to Rose-Hulman Institute of Technology. The works would be reframed and restored if necessary, insured, and hung permanently in the John Logan Library, which is hailed as a fire-proof building. A few paintings have been added to the collection in the library since 1973. The Tri-Kappa chapters are encouraged to plan outings to view the collection. 1 PATRIARCH MAPLE 69th Hoosier Salon 1993 Ken Bucklew (b. 1957) No. 1 Oil 15.5 X 11.5 Ken was born in Greencastle, Indiana on March 8, 1957. He grew up on the edge of Spencer in Owen County, Indiana about 13 miles northeast of Bloomington. The Bucklew Gallery is currently located in Spencer near the entrance to Indiana’s oldest “ McCormick’s Creek” State Park. Ken’s natural talent for drawing and painting was recognized by his elementary school art teacher, Ms. Ina Hight, who gave him an awareness of his potential. Ken’s work began earning him recognition, awards and a limited income during his high school years. Ken was accepted by a technical school and planned on earning his degree in commercial art. -
“One Important Purpose Served by Last Year's Salon
HOOSIER SALON Field and Com pany department store, “ONE IMPORTANT PURPOSE SERVED BY LAST 28 East Washington Street, in Chicago. The exhibition displayed 253 pieces by YEAR’S SALON WAS THE DISCLOSURE OF SO 132 artists. Portrait artist Wayman Adams MUCH MORE ARTISTIC TALENT AMONG THE shipped four canvases from his New York SONS AND DAUGHTERS OF INDIANA THAN City studio. All four o f the living Hoosier Group members had works displayed ANY ONE HAD DREAMED OF.” along with pieces from noted artists Charles W. Dahlgreen, Frank V. Dudley, Frederick M . Polley, J. W ill Vawter, and The top prize, $500, went to Eugene Sav Hoosier Salon exhibition left no doubt Clifton Wheeler. Nearly 30 percent o f the age, originally from Covington, Indiana, that it would become an annual event. accepted entries were from female artists for “outstanding picture of the exhibition.” Hoosier novelist Meredith Nichol and more than two hundred submissions Three cartoons from Little Orphan Annie, son wrote the foreword to the following were rejected. Hundreds of people from a newspaper com ic strip that debuted in year’s annual exhibition catalog, saying: Indiana attended the private reception Sat 1924, were entered in the 1925 exhibition “ One important purpose served by last urday night before the exhibition opened. by cartoonist Harold Gray. In addition, year’s Salon was the disclosure o f so much Many o f the Hoosier guests arrived on the there were cartoon entries from Gaar W il more artistic talent among the sons and morning and afternoon trains. liams, Fontaine Finch, and Chic Jackson. -
Reifel, J. Ottis Adams Research Collection, 1872-1972 | Indianapolis Museum of Art Archives
M010 Reifel, J. Ottis Adams Research Collection, 1872-1972 | Indianapolis Museum of Art Archives By Rebecca Denne Collection Overview Title: Reifel, J. Ottis Adams Research Collection, 1872-1972 Primary Creator: Adams, J. Ottis (John Ottis) (1851-1927) Extent: 1.71 linear feet Arrangement: The collection is arranged in two series: Series I: Primary Source Material Series II: Research Files Languages: English, French, German Scope and Contents of the Materials The Reifel, J. Ottis Adams Research Collection contains primary source documents and research files about the life and times of Indiana artist J. Ottis Adams, collected by Dorothy Reifel. The archival collection came to the Indianapolis Museum of Art from the Dorothy Reifel estate. The collection has been divided into two series which are described below. Series I: Primary Source Material, 1972-1944, n.d. contains photographs of Brookville, The Hermitage, and J. Ottis Adams' family. Also included are letters addressed to J. Ottis Adams and his wife Winifred Ottis Adams. Amongst these are messages of sympathy and condolence following the artist's death in 1927, a letter from Mrs. T.C. Steele, and letters from architect Edwin Fulwider. The series also includes a detailed family tree of J. Ottis Adams created in 1937. Passports in addition to a consignment note, a souvenir, and a hand-drawn map of Munich document the time Adams spent studying in Germany in the late nineteenth century. The series is arranged primarily by date. Series 2: Research Files, 1898-1972, n.d. contains the research files of Dorothy Reifel. Her research is comprised of newspaper clippings about J. -
Pioneer Founders of Indiana 2014
The Society of Indiana Pioneers "To Honor the Memory and the Work of the Pioneers of Indiana" Pioneer Founders of Indiana 2014 The Society of Indiana Pioneers is seeking to identify Indiana Pioneers to recognize and honor their efforts in building early Indiana foundations. Each year, 15-20 counties are to be selected for honoring pioneers at each annual meeting. The task of covering all 92 counties will be completed by 2016, the year we celebrate the centennial of the founding of the Society of Indiana Pioneers. For 2014, the Indiana counties include the following: Adams, Decatur, Fountain, Grant, Jasper, Jay, Jennings, LaGrange, Marion Martin, Owen, Pulaski, Ripley, Spencer, Steuben, Vermillion, Wabash, Warrick Office: 140 North Senate Avenue, Indianapolis, Indiana 46204-2207 (317) 233-6588 www.indianapioneers.org [email protected] The Pioneer Founders of Indiana Program 2014 “To honor the memory and the work of the pioneers of Indiana” has been the purpose and motto of The Society of Indiana Pioneers from the very beginning. In fact, these words compose the second article of our Articles of Association. We carry out this mission of the Society in three distinct ways: 1.) we maintain a rich Pioneer Ancestor Database of proven ancestors of members across one hundred years; 2.) Spring and Fall Hoosier Heritage Pilgrimages to significant historic and cultural sites across Indiana; and 3.) educational initiatives, led by graduate fellowships in pioneer Indiana history at the master’s thesis and doctoral dissertation levels. To commemorate the Society’s centennial and the state’s bicentennial in 2016, the Society is doing something new and dipping its toes in the world of publishing.