ANNUAL Report2019 2019 BOARD of TRUSTEES
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Paint and Canvas a Life of T
TEACHER RESOURCE by Elaine G. Rosa for the Indiana Historical Society Press publication Paint and Canvas A Life of T. C. Steele by Rachel Berenson Perry This is a publication of the Indiana Historical Society Eugene and Marilyn Glick Indiana History Center 450 West Ohio Street Indianapolis, IN 46202-3269 USA Teacher Resource available online: http://www.indianahistory.org Book orders (telephone): (800) 447-1830 Book orders (fax): (317) 234-0562 Copyright 2012 Indiana Historical Society All rights reserved Except for copying portions of the teacher resources by educators for classroom use, or for quoting of brief passages for reviews, no part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording, or otherwise), without written permission of the copyright owner. All inquiries should be addressed to the Indiana Historical Society Press. Overview/Description ° High School, English Language Arts–– Theodore Clement Steele was an American 9–10.W.2 Write informational and explana- Impressionist painter known for his Indiana tory texts to examine and convey complex landscapes. He is considered an innovator and ideas, concepts, and information clearly and leader in American Midwest painting and one of accurately through the effective selection, the Hoosier Group of Indiana artists. organization, and analysis of content. This teacher resource provides suggested learning ° High School, English Language Arts–– activities that relate to the Indiana Historical Society 9–10.W.3 Write narratives to develop real Press youth biography Paint and Canvas: A Life of or imagined experiences or events using T. -
Learning from Wabash
MARCH/APRIL 2017 Down the Line Historic factories retooled and repurposed Saints Alive! Catholics save places of worship Learning fromWabash State Preservation Conference turns spotlight on award-winning town FROM THE PRESIDENT STARTERS BOARD OF DIRECTORS Eli Lilly (1885-1977), Founder OFFICERS Cheri Dick Zionsville LANDMARK LEXICON Hon. Randall T. Shepard Honorary Chairman Julie Donnell Fort Wayne James P. Fadely Chairman Jeremy D. Efroymson Inglenook Policy Priority No. 1 Indianapolis Carl A. Cook ust when you think Past Chairman Gregory S. Fehribach AS WE MOVE DEEP INTO A PERIOD of uncertainty in public poli- Indianapolis Parker Beauchamp spring has sprung in cy, preservationists across the land are rallying to protect the federal Vice Chairman Sanford E. Garner Indiana, a March snow Indianapolis Historic Tax Credit (HTC) from potential elimination. Why is this tax Marsh Davis Jand ice storm forces you President Judith A. Kanne Rensselaer credit so important that retaining it is the number one preservation Sara Edgerton back indoors. On such days, Secretary/Assistant Treasurer Christine H. Keck issue at the national level? Evansville we recommend grabbing Thomas H. Engle The HTC places historic preservation squarely in the realm of Assistant Secretary Matthew R. Mayol, AIA a good book and curling Indianapolis economic revitalization. Let’s look at the numbers: since the HTC was Brett D. McKamey up in an inglenook. The Treasurer Sharon Negele Attica name comes from “ingle”— enacted in 1981, it has incentivized the rehabilitation of over 41,000 H. Roll McLaughlin, FAIA Chairman Emeritus Cheryl Griffith Nichols Old English for fireplace. historic places, created nearly 2.3 million jobs, and leveraged more Little Rock, AR Judy A. -
Indiana Artists Annual Juried Exhibition 2016
88th Annual Juried Exhibition This year we had a wide-range of fine artwork; 150 entries by 80 artist members were submitted. Enclosed are the 45 artists 2020 and their artworks that were accepted into the exhibition. A special thanks to our juror Brian Sindler for stepping-in on a short notice. Awards will be determined eventually, depending on the future status of the exhibition. Due to the closure of the museum because of Covid-19, our exhibition has been put on hold until further notice. Another very special thanks to Pam Newell and Laurie Wright, exhibition co-chairs, and the Indianapolis Museum of Art at Newfields staff for all their time and effort to organize this exhibition under these unique situations. More to come . About the Indiana Artists Club, Inc. A Celebrated Past — An Alive Future L.S. Ayres department store in 1913 where it was held for many years. In January 1917, professional artists Carl Graf, Otto Stark, T.C. Steele, Wayman Adams, Simon Baus, The Indiana Artists Club continues the primary goals Paul Hadley, Randolph Coats, Frederick Polley, of representing artists and educating the community. It is a vibrant group of over 150 Indiana artists Clifton Wheeler, and William Forsyth gathered in engaged in disciplines of art. Indianapolis to form the Indiana Artists Club. Since 1992, the Annual Juried Exhibition is held each The Club’s primary goal was to promote the artistic interests of its membership and the community. The Annual Members Exhibition is held in various locationsspring at throughoutthe Indianapolis Indiana. Museum A board of ofArt directors at Newfields. -
Will Carpenter
WILL CARPENTER 4201 S Washington St Marion, IN 46953 Office #: 765-677-1758 E-mail: [email protected] Website: WillCarpenterArt.com EDUCATION 2003 - 2006 M.F.A Painting University of Miami FL 1998 - 2002 B.A. Studio Art Wheaton College IL PROFESSIONAL EXPERIENCE 2016 – Current - Professor Indiana Wesleyan University 2011 – 2016 10 semesters - Associate Professor Indiana Wesleyan University 2006 – 2011 10 semesters - Assistant Professor, Indiana Wesleyan University 2004 – 2006 3 semesters - Adjunct Instructor, University of Miami 2006 1 summer - Painter, Miami Ink, The Learning Channel 2003 – 2006 6 semesters - Teaching Assistant, University of Miami 2 semesters - Instructor of Record - Drawing 101, University of Miami 2 semesters - Sculpture, Lab Monitor / Safety Management, University of Miami 2005 1 summer - Studio Assistant to Sculptor Bill Carlson, Miami, FL COURSES IN: Art Appreciation, Color Theory, Design, Drawing, Painting SERVED AS JUROR 2019 • Symphony in Color, Annual Art Show, Grant County. 2018 • Symphony in Color, Annual Art Show, Grant County. 2016 • October Open Exhibit, Grant County Art Association 2014 • Indiana State Fair Judge, Drawing, Painting, Pastel, Prints, Watercolor, & Best of Show Fellow Jurors: Valparaiso Assistant Professor, Sarah Jantzi, MFA American University Indiana State University Adjunct Professor, Jason Kreuger, MFA Indiana State University. 2013 • Greentown Community Art Show, Greentown, Indiana • Charlie Creek Arts Festival, Wabash, Indiana 2011 • 37th Annual Juried Student Art Exhibit, -
Through the Years with Tri Kappa Fine Arts Since Its Beginning in 1901, Tri Kappa Has Been a Supporter of the Arts
Through the years with Tri Kappa Fine Arts Since its beginning in 1901, Tri Kappa has been a supporter of the arts. At early meetings, the members studied authors and their works. They held musicales, book reviews and appreciation programs. Each chapter was required to “publish a fraternity paper, purely literary, (to be) read before chapters four times a year (and) shall be called “Skull”. This was in addition to submitting articles to the quarterly State magazine, Cross Keys. 1926 In 1926 the Hoosier Salon was founded and Tri Kappa presented a prize at the first meeting in Chicago. Tri Kappa continues to sponsor the Beryl Showers Holland Award in honor of our founder. Beryl also served as President of the Hoosier Salon for 22 years and was instrumental in moving the salon to Indianapolis. 1929 The first State Art Chairman was appointed. This year $600 was pledged for prize money for the Hoosier Salon. 1932 Tri Kappa started the purchase prize system. The first was Edward K. William’s canvas “The Hoosier Cabin.” 1936 Marie Goth’s painting of Beryl Showers Holland was added to our Art Collection. 1941 Hoosier Salon held its exhibit in Indianapolis instead of Chicago. Convention decision to give the painting “Red Maple” by Varaldo J. Cariani to Hanover College. 1947 Tri Kappa purchased shipping cases for the Art Collection which traveled at that time. 1955 Until 1955, the Tri Kappa Art Collection was a traveling exhibit, but because of the wear and tear on the canvases, Tri Kappa decided to house the art collection at the Brown County Art Guild in Nashville, Indiana. -
Indiana Artists' Club, Inc., 1922-1992
Indiana Historical Society - Manuscripts and Archives Department INDIANA ARTISTS' CLUB, INC., 1922-1992 Collection #'s M 0330 OM 0124 BV 1888 Table of Contents Collection Information Historical Sketch Scope and Content Note Box and Folder Listing Cataloging Information Processed by: Constance McBirney February, 1980 Karen Larson August, 1994 COLLECTION INFORMATION VOLUME OF 10 manuscript boxes; 1 oversize folder; 1 bound volume COLLECTION: COLLECTION DATES: 1922-1992 PROVENANCE: Gift of Indiana Artists' Club, Inc., Indianapolis, In, August 1979; 1983 and 1993. RESTRICTIONS: none REPRODUCTION Permission to reproduce or publish material in this collection RIGHTS: must be obtained in writing from the Indiana Historical Society. ALTERNATE FORMATS: none OTHER FINDING AIDS: none RELATED HOLDINGS: ACCESSION NUMBERS: 1979.0819; 1983.0716; 1993.0370 NOTES: The Indiana Artists' Club is a different organization from The Indiana Federation of Art Clubs. HISTORICAL SKETCH The Indiana Artists' Club was organized on January 23, 1917 in Indianapolis by a group of professional artists. Included in this group were Carl Graf, Otto Stark, T. C. Steele, Waymen Adams, Simon Baus, Paul Hadley, Randolph Coats, Frederick Polley, Clifton Wheeler and William Forsyth. Membership was limited to professional artists (painters, sculptors, etc.). Non-artists who were interested in the promotion of art were invited to join as associate members. The club was incorporated as a non-profit organization on September 24, 1947. The purpose of the club was to promote the artistic interests of its members and the community. To fulfill this goal, the club has assisted in the creation of the Indiana Federation of Art Clubs and the Hoosier Salon Patrons Association. -
Academicism to Modernism.Pdf
Academicism to Modernism Fresh Perspectives on Historic Indiana Art Academicism to Modernism Fresh Perspectives on Historic Indiana Art October 28, 2005 – May 21, 2006 William Weston Clarke Emison Museum of Art DePauw University Foreword Kaytie Johnson Essay and acknowledgements Laurette E. McCarthy Editor Vanessa Mallory FOREWORD DePauw University is pleased to present from their collections for the show: Dr. Stephen Academicism to Modernism: Fresh Perspectives Butler and Dr. Linda Ronald; the Jack D. Finley on Historic Indiana Art, an exhibition that focuses Collection; Indiana State Museum and Historic on the lesser-known and understudied aspects of Sites; Indianapolis Public Schools; the Richmond Indiana art from the late nineteenth through early Art Museum; the Sheldon Swope Art Museum; Judy twentieth centuries. A majority of exhibitions and Waugh; and Wishard Health Services. publications that focus upon this period tend to The contributions of several individuals have concentrate primarily on what is referred to as enabled DePauw to present this exhibition. My “Hoosier Impressionism,” – most notably paintings thanks go out to my dedicated staff – Christie by artists such as T.C. Steele, John Ottis Adams Anderson and Christopher Lynn – for their tireless and William Forsyth – which has perpetuated an energy and enthusiasm in bringing this show to incomplete, and exclusive, history of the artistic fruition. My appreciation is also extended to Kelly legacy of Indiana. By introducing our audience to Graves for her design expertise and assistance with works by unfamiliar – and familiar – artists, in a wide producing this publication, and to Vanessa Mallory, range of artistic styles, we hope to emphasize, and whose editing skills are unrivaled. -
TRI-KAPPA COLLECTION of ARTWORKS at ROSE-HULMAN
TRI-KAPPA COLLECTION OF ARTWORKS at ROSE-HULMAN The Tri-Kappa Art Collecion of Indiana artists is valuable and unique. Started in 1932, the collection contains over 100 artworks by almost as many artists. The value of the collection has increased manyfold since then. After years of traveling all over the state, it was found necessary to permanently house the collection. As a result of an all-chapter poll in 1973, the chapters voted to loan nearly every painting to Rose-Hulman Institute of Technology. The works would be reframed and restored if necessary, insured, and hung permanently in the John Logan Library, which is hailed as a fire-proof building. A few paintings have been added to the collection in the library since 1973. The Tri-Kappa chapters are encouraged to plan outings to view the collection. 1 PATRIARCH MAPLE 69th Hoosier Salon 1993 Ken Bucklew (b. 1957) No. 1 Oil 15.5 X 11.5 Ken was born in Greencastle, Indiana on March 8, 1957. He grew up on the edge of Spencer in Owen County, Indiana about 13 miles northeast of Bloomington. The Bucklew Gallery is currently located in Spencer near the entrance to Indiana’s oldest “ McCormick’s Creek” State Park. Ken’s natural talent for drawing and painting was recognized by his elementary school art teacher, Ms. Ina Hight, who gave him an awareness of his potential. Ken’s work began earning him recognition, awards and a limited income during his high school years. Ken was accepted by a technical school and planned on earning his degree in commercial art. -
“One Important Purpose Served by Last Year's Salon
HOOSIER SALON Field and Com pany department store, “ONE IMPORTANT PURPOSE SERVED BY LAST 28 East Washington Street, in Chicago. The exhibition displayed 253 pieces by YEAR’S SALON WAS THE DISCLOSURE OF SO 132 artists. Portrait artist Wayman Adams MUCH MORE ARTISTIC TALENT AMONG THE shipped four canvases from his New York SONS AND DAUGHTERS OF INDIANA THAN City studio. All four o f the living Hoosier Group members had works displayed ANY ONE HAD DREAMED OF.” along with pieces from noted artists Charles W. Dahlgreen, Frank V. Dudley, Frederick M . Polley, J. W ill Vawter, and The top prize, $500, went to Eugene Sav Hoosier Salon exhibition left no doubt Clifton Wheeler. Nearly 30 percent o f the age, originally from Covington, Indiana, that it would become an annual event. accepted entries were from female artists for “outstanding picture of the exhibition.” Hoosier novelist Meredith Nichol and more than two hundred submissions Three cartoons from Little Orphan Annie, son wrote the foreword to the following were rejected. Hundreds of people from a newspaper com ic strip that debuted in year’s annual exhibition catalog, saying: Indiana attended the private reception Sat 1924, were entered in the 1925 exhibition “ One important purpose served by last urday night before the exhibition opened. by cartoonist Harold Gray. In addition, year’s Salon was the disclosure o f so much Many o f the Hoosier guests arrived on the there were cartoon entries from Gaar W il more artistic talent among the sons and morning and afternoon trains. liams, Fontaine Finch, and Chic Jackson. -
Hoosier Women at Work for the Vote
http://www.in.gov/history/hoosierwomenatwork.htm Hoosier Women at Work for the Vote Coming to Indiana University, Bloomington SPRING 2020 We want to make the 2020 commemoration of women’s suffrage the most exciting conference yet. We will not host a HWW conference in . 2019 in order to prepare and to give everyone time to gather stories FRIDAY, APRIL 6, 2018 of the work Indiana women did to gain suffrage and equal rights. HARRISON CENTER FOR THE ARTS So let’s get to work! Let’s dig through newspapers, letters, INDIANAPOLIS photographs, and interviews; compare, analyze, interpret, write, post, and publish; and push back, organize, and speak up to tell the stories of Indiana women. These are the stories that in turn inform the national narrative of who we are as Americans and world citizens. Half the story is missing! See you in 2020. Hoosier Women at Work 2018 Thank you for joining us in the much needed work of including women in the story of the Hoosier state. On paper historians agree that including the histories of women and other marginalized groups provides a more complete understanding of the events that shape our communities, state, and world. However, in practice, very few historians are researching, publishing, or posting on women’s history. Having identified a dearth of resources on Indiana women’s history, organizers from various institutions, both public and private, came together to create this conference. The Harrison Center is pleased to present “Bubbling Over.” The exhibition highlights the work of women in the arts in conjunction with the third annual Hoosier Women at Work Conference. -
Michael H. Miller Collection, 1834−2000
Collection # P 0385, OM 0400, BV 3454−BV 3458 MICHAEL H. MILLER COLLECTION, 1834−2000 Collection Information Historical/Biographical Sketch Scope and Content Note Series Contents Cataloging Information Processed by Pamela Tranfield 23 January 2003 Revised by Dorothy A. Nicholson March 2011 Manuscript and Visual Collections Department William Henry Smith Memorial Library Indiana Historical Society 450 West Ohio Street Indianapolis, IN 46202-3269 www.indianahistory.org COLLECTION INFORMATION VOLUME OF Visual Materials: 5 boxes of photographs, 6 folders of color COLLECTION: photographs, 1 box of OVA size photographs, 1 OVC photograph, 5 albums, 5 nitrate negatives Manuscript Materials: 6 document cases, 5 bound volumes, 6 oversize folders Artifacts: 2 artifacts COLLECTION 1834−2000 DATES: PROVENANCE: Michael H. Miller, Indianapolis, c/o Elizabeth Baldwin Aurora, Colorado, May 2000 RESTRICTIONS: Negatives may be viewed by appointment only. Inquire at the Reference Desk. COPYRIGHT: Indiana Historical Society REPRODUCTION Permission to reproduce or publish material in this collection RIGHTS: must be obtained from the Indiana Historical Society. ALTERNATE None FORMATS: RELATED Ida Mae Good Miller Collection (P 0078); Herschel E. Miller HOLDINGS: Collection (P 0246); Miller Family (SC 1083);David Varner Miller (SC 1084); Silas F. Miller (SC 2076); Dorcas Miller (SC 1074); Bantz Family Album (P 0289) ACCESSION 2000.0709 NUMBER: NOTES: HISTORICAL/BIOGRAPHICAL SKETCH Willis Kise Miller founded the Granite Sand and Gravel Company in Indianapolis in 1916. Property owned by this company included gravel quarries in Morristown (Shelby County), Hancock County, and at Raymond and Harding streets in Indianapolis. The Granite Sand and Gravel Company merged with the American Aggregates Corporation of Greenville, Ohio, in 1928. -
Transcript of Taped Interviews with Berniece H. Glass and Marjorie
Transcript of Taped Interviews with Berniece H. Glass and Marjorie H. Montgomery Hilton U. Brown Branch of the Indianapolis-Marion County Public Library Oral History Project 1982 Marjorie Montgomery and Berniece Glass 189 4 Berniece Glass and Marjorie Montgomery 1982 o Notable Women Berniece H. Glass Marjorie H. Montgomery O Two sisters describe the culture! atmosphere of Irvington in the early 1900s where the Hall family professions included teaching, preoching and dry cleaning. C/j "We weren't prudes. There were no Joneses in Irvington. You were who you were and where you came from. Money did not decide that." — Mrs. Glass. */ 5/29/79 Baby Marjorie (left) and sister Berniece photographer. They are dressed in finery sewed all clothes for them until they married Mrs. F. Elbert Glass still stands by as big sister to Mrs. Walter Montgomery. Both ate widowed now. African violets are a hobby of Mrs. Glass. — The NEWS Photo, Gary Moore. 5'29/79 Memories Sisters Share By JEAN JENSEN refrigerator. Crocks of cream and but One Of A Series ter were set there to chill. "Even the owls in Irvington said She loved cream and was allowed to 'Who-o-o-m.' " scoop her finger in the crock for a taste. That about sums up the cultural Whenever her stomach rebelled, she'd climate of Irvington during the early take a drink of water out of the trough. 1900s when Mrs. F. Elbert Glass and When she was 6, she contracted and Mrs. Walter Montgomery were "the almost died of typho.id. Hall girls — Berniece and Marjorie." "I had a tutor because I couldn't go For them, it was an era: to school.