DOCSLIB.ORG

Will Carpenter

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Will Carpenter WILL CARPENTER 4201 S Washington St Marion, IN 46953 Office #: 765-677-1758 E-mail: [email protected] Website: WillCarpenterArt.com EDUCATION 2003 - 2006 M.F.A Painting University of Miami FL 1998 - 2002 B.A. Studio Art Wheaton College IL PROFESSIONAL EXPERIENCE 2016 – Current - Professor Indiana Wesleyan University 2011 – 2016 10 semesters - Associate Professor Indiana Wesleyan University 2006 – 2011 10 semesters - Assistant Professor, Indiana Wesleyan University 2004 – 2006 3 semesters - Adjunct Instructor, University of Miami 2006 1 summer - Painter, Miami Ink, The Learning Channel 2003 – 2006 6 semesters - Teaching Assistant, University of Miami 2 semesters - Instructor of Record - Drawing 101, University of Miami 2 semesters - Sculpture, Lab Monitor / Safety Management, University of Miami 2005 1 summer - Studio Assistant to Sculptor Bill Carlson, Miami, FL COURSES IN: Art Appreciation, Color Theory, Design, Drawing, Painting SERVED AS JUROR 2019 • Symphony in Color, Annual Art Show, Grant County. 2018 • Symphony in Color, Annual Art Show, Grant County. 2016 • October Open Exhibit, Grant County Art Association 2014 • Indiana State Fair Judge, Drawing, Painting, Pastel, Prints, Watercolor, & Best of Show Fellow Jurors: Valparaiso Assistant Professor, Sarah Jantzi, MFA American University Indiana State University Adjunct Professor, Jason Kreuger, MFA Indiana State University. 2013 • Greentown Community Art Show, Greentown, Indiana • Charlie Creek Arts Festival, Wabash, Indiana 2011 • 37th Annual Juried Student Art Exhibit, Grace College, Winona Lake, IN 2010 • Howard County Youth Art Festival, at Angie Meyers Design Studio, Kokomo, IN 2009 • Spring Arbor University’s Ganton Art Gallery End of Summer Show, Spring Arbor, MI 2008 • Clark Gallery’s 2008 Nine County Art Show, Honeywell Center, Wabash, IN JURIED SHOWS ENTERED AND *AWARDS WON 2020 • Hooiser Salon 96th Annual Exhibition, Indiana State History Museum, Indianapolis, IN • Clark Gallery’s 2020 Ninety-Two County Art Show, Honeywell Center, Wabash IN * Third Place Drawing Juror: Scott Anderson Juror: Donna Ballard 2019 • Hooiser Salon 95th Annual Exhibition, Indiana State History Museum, Indianapolis, IN * Executive Director’s Award for Where is God? • Themed Art Show Seasons, Clark Gallery, Honeywell Center, Wabash IN Juror: Ejenobo “Jena” Oke, Associate Professor at Manchester University Juror: Brad Condie, Assistant Professor at Ball State University * Honorable Mention for Seasons Change • Minnetrista Annual Juried Art Show and Sale Juror: Larry Rudolech 2018 • Hooiser Salon 94th Annual Exhibition, Indiana State History Museum, Indianapolis, IN Juror: Mark Boedges Juror: Mario Andres Robinson • Clark Gallery’s 2018 Ninety-Two County Art Show, Honeywell Center, Wabash IN Juror: Justin Johnson Juror: Rachel Ellington * Honorable Mention for Annals of the Oak 2017 • Hoosier Salon 93rd Annual Exhibition, Indiana State History Museum, Indianapolis IN Juror: Sherrie McGraw, Artist & Hn Doctorate, Academy of Art University, SanFran CA. Juror: Jim Wodark, Artist • Themed Art Show Water, Clark Gallery, Honeywell Center, Wabash IN Juror: Brandi Bowman, Artist. * Winner for Pastureland • The Model's Origin: Beyond The Core- 2017 FATE Biennial Juried Members Exhibition Juror: Dan Reneau, MFA Painting, California College of the Arts 2016 • Hoosier Salon 92nd Annual Exhibition, Indiana History Center, Indianapolis IN Juror: Dave A. Santillanes, Artist Juror: Andy Evansen, Artist and President, Plein Air Painters of America (PAPA) * Non-Traditional Landscape Award, Judgment: Cast, Panel, Board • Themed Art Show Indiana Clark Gallery, Honeywell Center, Wabash IN Juror: Gwen Gutwein, Artist • Clark Gallery’s 2016 Ninety-Two County Art Show, Honeywell Center, Wabash IN Juror: Kristy S Church, Black Squirrel Art Gallery. Juror: Diane Tesler – Artist. *Best of Show for The Gale’s Egress * Honorable Mention for Internal Combustion 2015 • Hoosier Salon 91st Annual Exhibition, Indiana History Center, Indianapolis IN Juror: Qiang Huang OPA PhD optical engineering, professional artist. Randall Sexton BFA Uconn. Instructor at Pixar Studios. 2014 • Hoosier Salon 90th Annual Exhibition, Indiana History Center, Indianapolis IN Jurors: Frank Lalumia, former president of Plein Air Painters of America (P.A.P.A) Kathleen Newman, professional artist * Jury’s Prize of Distinction in Etching/Drawing/Mixed Media Slave Toil and Workmanship • Clark Gallery’s 2014 Ninety-Two County Art Show, Honeywell Center, Wabash IN Juror: Hannah Burnworth M.A. Herron School of Art and Design. Juror: Mike Applegate M.A. Ball State. 2013 • 14th Annual Will's Creek Survey, The Allegany Arts Council, Cumberland, MD Juror: Lauren Schell Dickens, Assistant Curator of Contemporary Art, Corcoran Gallery of Art. • Hoosier Salon 89th Annual Exhibition, Indiana State History Museum, Indianapolis IN • Clark Gallery’s 2013 Ninety-Two County Art Show, Honeywell Center, Wabash IN Juror: Audrey Dean, Executive Director of the Creative Arts Council of Wells County Juror: Kathryn Clark, Artist: Hoosier Salon, Indiana Artist Club, Indiana Heritage Arts, and IPAPA (Indiana Plein Air Painters Association). 2012 • 13th Annual Will's Creek Survey, The Allegany Arts Council, Cumberland, MD Juror: Jay Fisher, Senior Curator Print, Drawing & Photo, Baltimore Museum of Art • Art Institute & Gallery, 21st Annual National Juried Exhibition, Salisbury MD Juror: Ethan Karpe, O.K. Harris Gallery, SoHo, NYC • Flow Art Space, For the Love of Paint, Minneapolis, MN Juror: Melissa Metzler, Director Flow Art Space Gallery. • Art Kudos, International Juried Art Competition and Exhibition, Artshow.com Awards Judge: David Cohen, editor and publisher of ArtCritical • Artists' Gallery 2012 National Juried Exhibition, Longmont, CO Juror: Nicholas Arnold MFA Syracuse, BFA Wright State University • Cape Fear Studios 2012 National 2D Exhibit Competition, Fayetteville, NC Juror: Luana Lucioni Winner, Pres. Artists' Association of Artspace, Portrait Society of America • Clark Gallery’s 2012 Nine County Art Show, Honeywell Center, Wabash IN Jurors : Justin Henry Miller, MFA Univ. of Notre Dame, Assistant Professor Univ. of St Francis Rebecca Stockert of Artlink Contemporary Gallery * Best of Show for Flat Trap * Honorable Mention Settlement 2011 • Hoosier Salon 87th Annual Exhibition, Indiana State Museum, Indianapolis IN Jurors: Tracey Frugoli, Chuck Marshall, Lori Putnam (professional artists) • 21st Minnetrista Annual Juried Art Show & Sale, Muncie, IN Juror: Susan Watt Grade, Community Learning Coordinator, Herron School of Art & Design • Clark Gallery’s 2011 Nine County Art Show, Honeywell Center, Wabash IN Jurors: Patricia Weiss, Indiana University-Purdue University Ft Wayne Dan Swartz, United Arts Guild, Ft Wayne IN. 2010 • Hoosier Salon 86th Annual Exhibition, Indiana State Museum, Indianapolis IN Jurors: Shelly Newman Stevens - Assistant Professor, Central Michigan University Dee Beard Dean - Artist, Lori Putnam - Artist, • Grant County Art Association Open Show, Marion Public Library, Marion IN *Honorable Mention for Daily Fallout 2009 • Themed show, America at the Clark Gallery, Honeywell Center, Wabash IN Jurors: Amanda Martin, Fort Wayne Museum of Art Jesse Bower, Fort Wayne Museum of Art *First Prize for A Different Kind of Fat *Honorable Mention for The America I See • Clark Gallery’s 2009 Nine County Art Show, Honeywell Center, Wabash IN Jurors: Charles A. Shepard III, Director, Fort Wayne Museum of Art Megan Mirro, Fort Wayne Museum of Art 2008 • 18th Minnetrista Annual Art Show and Sale, Muncie, IN Juror: Stephanie Lewis Robertson - Chair, Department of Fine Arts, Ivy Tech. 2007 • 17th Minnetrista Annual Art Show and Sale, Muncie, IN Juror: Kim Hoffmann - Curator of Collections, South Bend Regional Museum of Art 2006 • Juried M.F.A. Group Exhibition, Lowe Art Museum, Miami FL Brook Dorsch - Director of the Dorsch Gallery *Juror's Merit Award, Hannah Prayed 2005 • KHAA Annual Juried Art Show, Ft. Davis, TX • Juried M.F.A. Group Exhibition, Lowe Art Museum, Miami, FL Juror: Barbara Gilman - Barbara Gilman Gallery 2004 • Lowe Art Museum Annual Juried Show Juror: Ken Rollins, Executive Director - Gulf Coast Museum of Art *Best Painting • Research and Creativity Forum, University of Miami *First prize SOLO SHOWS 2018 • The Language of Neighborhoods Overheard, Historicity Show, Harrison Center, Indianapolis IN. 2017 • Through-in Through-out, Sabbatical Show, Williams Galleries, Beard Art Center, IWU, Marion IN 2015 • College Wesleyan Church, Gallery of Liturgical Art, Marion IN • Walford Galleries of Adams Hall, Wheaton College, Wheaton IL 12-13 • The Wesleyan Church World Headquarters, Fischers, IN 2011 • Mount Memorial Art Gallery, Grace College, Winona Lake, IN • The Wesleyan Church World Headquarters, Fischers, IN 2010 • Vandiver Gallery, Anderson University, Anderson, SC 2009 • The Wesleyan Church World Headquarters, Fischers, IN 2006 • The Gilded Hand, Coral Gables, FL • Southwest Alliance Church Sanctuary, Miami, FL • M.F.A Thesis Exhibition, Kresge Hall, Coral Gables, FL 2005 • Offbeat Coffeehouse, Kendall FL 2002 • Sally’s Coffee Shop, Wheaton, IL 2 – 3 PERSON SHOWS 2016 • First Fridays Black Squirrel Gallery, Wabash, IN Artists: Will Carpenter, Henrik Soderstrom 2015 • Realism and Impressionism, Hoosier Salon New Harmony Gallery, IN ARTISTS: Will Carpenter, Scott Kilmer, Pam Newell • Urban Landscapes, Hoosier Salon Carmel Gallery, Carmel IN ARTISTS: Joe Blalock, Will Carpenter, Genna Pianki 2013 • Ganton Art Gallery, Spring Arbor
Load more

Recommended publications
  • Paint and Canvas a Life of T
    TEACHER RESOURCE by Elaine G. Rosa for the Indiana Historical Society Press publication Paint and Canvas A Life of T. C. Steele by Rachel Berenson Perry This is a publication of the Indiana Historical Society Eugene and Marilyn Glick Indiana History Center 450 West Ohio Street Indianapolis, IN 46202-3269 USA Teacher Resource available online: http://www.indianahistory.org Book orders (telephone): (800) 447-1830 Book orders (fax): (317) 234-0562 Copyright 2012 Indiana Historical Society All rights reserved Except for copying portions of the teacher resources by educators for classroom use, or for quoting of brief passages for reviews, no part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording, or otherwise), without written permission of the copyright owner. All inquiries should be addressed to the Indiana Historical Society Press. Overview/Description ° High School, English Language Arts–– Theodore Clement Steele was an American 9–10.W.2 Write informational and explana- Impressionist painter known for his Indiana tory texts to examine and convey complex landscapes. He is considered an innovator and ideas, concepts, and information clearly and leader in American Midwest painting and one of accurately through the effective selection, the Hoosier Group of Indiana artists. organization, and analysis of content. This teacher resource provides suggested learning ° High School, English Language Arts–– activities that relate to the Indiana Historical Society 9–10.W.3 Write narratives to develop real Press youth biography Paint and Canvas: A Life of or imagined experiences or events using T.
    [Show full text]
  • Indiana Artists Annual Juried Exhibition 2016
    88th Annual Juried Exhibition This year we had a wide-range of fine artwork; 150 entries by 80 artist members were submitted. Enclosed are the 45 artists 2020 and their artworks that were accepted into the exhibition. A special thanks to our juror Brian Sindler for stepping-in on a short notice. Awards will be determined eventually, depending on the future status of the exhibition. Due to the closure of the museum because of Covid-19, our exhibition has been put on hold until further notice. Another very special thanks to Pam Newell and Laurie Wright, exhibition co-chairs, and the Indianapolis Museum of Art at Newfields staff for all their time and effort to organize this exhibition under these unique situations. More to come . About the Indiana Artists Club, Inc. A Celebrated Past — An Alive Future L.S. Ayres department store in 1913 where it was held for many years. In January 1917, professional artists Carl Graf, Otto Stark, T.C. Steele, Wayman Adams, Simon Baus, The Indiana Artists Club continues the primary goals Paul Hadley, Randolph Coats, Frederick Polley, of representing artists and educating the community. It is a vibrant group of over 150 Indiana artists Clifton Wheeler, and William Forsyth gathered in engaged in disciplines of art. Indianapolis to form the Indiana Artists Club. Since 1992, the Annual Juried Exhibition is held each The Club’s primary goal was to promote the artistic interests of its membership and the community. The Annual Members Exhibition is held in various locationsspring at throughoutthe Indianapolis Indiana. Museum A board of ofArt directors at Newfields.
    [Show full text]
  • Through the Years with Tri Kappa Fine Arts Since Its Beginning in 1901, Tri Kappa Has Been a Supporter of the Arts
    Through the years with Tri Kappa Fine Arts Since its beginning in 1901, Tri Kappa has been a supporter of the arts. At early meetings, the members studied authors and their works. They held musicales, book reviews and appreciation programs. Each chapter was required to “publish a fraternity paper, purely literary, (to be) read before chapters four times a year (and) shall be called “Skull”. This was in addition to submitting articles to the quarterly State magazine, Cross Keys. 1926 In 1926 the Hoosier Salon was founded and Tri Kappa presented a prize at the first meeting in Chicago. Tri Kappa continues to sponsor the Beryl Showers Holland Award in honor of our founder. Beryl also served as President of the Hoosier Salon for 22 years and was instrumental in moving the salon to Indianapolis. 1929 The first State Art Chairman was appointed. This year $600 was pledged for prize money for the Hoosier Salon. 1932 Tri Kappa started the purchase prize system. The first was Edward K. William’s canvas “The Hoosier Cabin.” 1936 Marie Goth’s painting of Beryl Showers Holland was added to our Art Collection. 1941 Hoosier Salon held its exhibit in Indianapolis instead of Chicago. Convention decision to give the painting “Red Maple” by Varaldo J. Cariani to Hanover College. 1947 Tri Kappa purchased shipping cases for the Art Collection which traveled at that time. 1955 Until 1955, the Tri Kappa Art Collection was a traveling exhibit, but because of the wear and tear on the canvases, Tri Kappa decided to house the art collection at the Brown County Art Guild in Nashville, Indiana.
    [Show full text]
  • Indiana Artists' Club, Inc., 1922-1992
    Indiana Historical Society - Manuscripts and Archives Department INDIANA ARTISTS' CLUB, INC., 1922-1992 Collection #'s M 0330 OM 0124 BV 1888 Table of Contents Collection Information Historical Sketch Scope and Content Note Box and Folder Listing Cataloging Information Processed by: Constance McBirney February, 1980 Karen Larson August, 1994 COLLECTION INFORMATION VOLUME OF 10 manuscript boxes; 1 oversize folder; 1 bound volume COLLECTION: COLLECTION DATES: 1922-1992 PROVENANCE: Gift of Indiana Artists' Club, Inc., Indianapolis, In, August 1979; 1983 and 1993. RESTRICTIONS: none REPRODUCTION Permission to reproduce or publish material in this collection RIGHTS: must be obtained in writing from the Indiana Historical Society. ALTERNATE FORMATS: none OTHER FINDING AIDS: none RELATED HOLDINGS: ACCESSION NUMBERS: 1979.0819; 1983.0716; 1993.0370 NOTES: The Indiana Artists' Club is a different organization from The Indiana Federation of Art Clubs. HISTORICAL SKETCH The Indiana Artists' Club was organized on January 23, 1917 in Indianapolis by a group of professional artists. Included in this group were Carl Graf, Otto Stark, T. C. Steele, Waymen Adams, Simon Baus, Paul Hadley, Randolph Coats, Frederick Polley, Clifton Wheeler and William Forsyth. Membership was limited to professional artists (painters, sculptors, etc.). Non-artists who were interested in the promotion of art were invited to join as associate members. The club was incorporated as a non-profit organization on September 24, 1947. The purpose of the club was to promote the artistic interests of its members and the community. To fulfill this goal, the club has assisted in the creation of the Indiana Federation of Art Clubs and the Hoosier Salon Patrons Association.
    [Show full text]
  • Academicism to Modernism.Pdf
    Academicism to Modernism Fresh Perspectives on Historic Indiana Art Academicism to Modernism Fresh Perspectives on Historic Indiana Art October 28, 2005 – May 21, 2006 William Weston Clarke Emison Museum of Art DePauw University Foreword Kaytie Johnson Essay and acknowledgements Laurette E. McCarthy Editor Vanessa Mallory FOREWORD DePauw University is pleased to present from their collections for the show: Dr. Stephen Academicism to Modernism: Fresh Perspectives Butler and Dr. Linda Ronald; the Jack D. Finley on Historic Indiana Art, an exhibition that focuses Collection; Indiana State Museum and Historic on the lesser-known and understudied aspects of Sites; Indianapolis Public Schools; the Richmond Indiana art from the late nineteenth through early Art Museum; the Sheldon Swope Art Museum; Judy twentieth centuries. A majority of exhibitions and Waugh; and Wishard Health Services. publications that focus upon this period tend to The contributions of several individuals have concentrate primarily on what is referred to as enabled DePauw to present this exhibition. My “Hoosier Impressionism,” – most notably paintings thanks go out to my dedicated staff – Christie by artists such as T.C. Steele, John Ottis Adams Anderson and Christopher Lynn – for their tireless and William Forsyth – which has perpetuated an energy and enthusiasm in bringing this show to incomplete, and exclusive, history of the artistic fruition. My appreciation is also extended to Kelly legacy of Indiana. By introducing our audience to Graves for her design expertise and assistance with works by unfamiliar – and familiar – artists, in a wide producing this publication, and to Vanessa Mallory, range of artistic styles, we hope to emphasize, and whose editing skills are unrivaled.
    [Show full text]
  • TRI-KAPPA COLLECTION of ARTWORKS at ROSE-HULMAN
    TRI-KAPPA COLLECTION OF ARTWORKS at ROSE-HULMAN The Tri-Kappa Art Collecion of Indiana artists is valuable and unique. Started in 1932, the collection contains over 100 artworks by almost as many artists. The value of the collection has increased manyfold since then. After years of traveling all over the state, it was found necessary to permanently house the collection. As a result of an all-chapter poll in 1973, the chapters voted to loan nearly every painting to Rose-Hulman Institute of Technology. The works would be reframed and restored if necessary, insured, and hung permanently in the John Logan Library, which is hailed as a fire-proof building. A few paintings have been added to the collection in the library since 1973. The Tri-Kappa chapters are encouraged to plan outings to view the collection. 1 PATRIARCH MAPLE 69th Hoosier Salon 1993 Ken Bucklew (b. 1957) No. 1 Oil 15.5 X 11.5 Ken was born in Greencastle, Indiana on March 8, 1957. He grew up on the edge of Spencer in Owen County, Indiana about 13 miles northeast of Bloomington. The Bucklew Gallery is currently located in Spencer near the entrance to Indiana’s oldest “ McCormick’s Creek” State Park. Ken’s natural talent for drawing and painting was recognized by his elementary school art teacher, Ms. Ina Hight, who gave him an awareness of his potential. Ken’s work began earning him recognition, awards and a limited income during his high school years. Ken was accepted by a technical school and planned on earning his degree in commercial art.
    [Show full text]
  • “One Important Purpose Served by Last Year's Salon
    HOOSIER SALON Field and Com pany department store, “ONE IMPORTANT PURPOSE SERVED BY LAST 28 East Washington Street, in Chicago. The exhibition displayed 253 pieces by YEAR’S SALON WAS THE DISCLOSURE OF SO 132 artists. Portrait artist Wayman Adams MUCH MORE ARTISTIC TALENT AMONG THE shipped four canvases from his New York SONS AND DAUGHTERS OF INDIANA THAN City studio. All four o f the living Hoosier Group members had works displayed ANY ONE HAD DREAMED OF.” along with pieces from noted artists Charles W. Dahlgreen, Frank V. Dudley, Frederick M . Polley, J. W ill Vawter, and The top prize, $500, went to Eugene Sav­ Hoosier Salon exhibition left no doubt Clifton Wheeler. Nearly 30 percent o f the age, originally from Covington, Indiana, that it would become an annual event. accepted entries were from female artists for “outstanding picture of the exhibition.” Hoosier novelist Meredith Nichol­ and more than two hundred submissions Three cartoons from Little Orphan Annie, son wrote the foreword to the following were rejected. Hundreds of people from a newspaper com ic strip that debuted in year’s annual exhibition catalog, saying: Indiana attended the private reception Sat­ 1924, were entered in the 1925 exhibition “ One important purpose served by last urday night before the exhibition opened. by cartoonist Harold Gray. In addition, year’s Salon was the disclosure o f so much Many o f the Hoosier guests arrived on the there were cartoon entries from Gaar W il­ more artistic talent among the sons and morning and afternoon trains. liams, Fontaine Finch, and Chic Jackson.
    [Show full text]
  • ANNUAL Report2019 2019 BOARD of TRUSTEES
    INDIANA HISTORICAL SOCIETY ANNUAL Report2019 2019 BOARD of TRUSTEES .63% | Prior Years’ Operating Surplus Susan R. Jones-Huffine, Chair Adam Arceneaux4.13% | Events Jay L. Hicks Carrie B. Ryan Jerry D. Semler, Treasurer Nancy Ayres Stan Hurt Robert E. Sexton, D.D.S. Patricia D. Curran, Secretary William W. Barrett Rebecca Espinoza Kubacki Robert E. Swinehart David S. Evans, Immediate Past Chair William E. Bartelt James H. Madison Marianne Williams Tobias Jody Blankenship, President and CEO Bonita L. Carter Craig M. McKee Julie Viellieu-Thompson70.65% Wanda Y. Fortune, Trustee Emerita Elizabeth K. Cierzniak Michael H. Miller EndowmentGary Vigran Distribution 14Murvin.73% Enders | Contributions Michael B. Murphy Josh Wakefield Mark M. Ferrara Jeannie R. Regan-Dinius Charlitta Winston Russell “Jock”3.11% Fortune | Retail SalesIII Richard A. Rooker 3.22% | Membership Dues 1.95% | Admissions .75% | Other .63% | Conferences, Meetings, Workshops 2019 FINANCIAL.20% | Microfilm and Visual SUMMARY Collection Revenue and Other Support .63% | Prior Years’ Operating Surplus 4.13% | Events 12.44% .63% | Prior Years’ Operating Surplus Marketing and Public 4.13% | Events 13.75% Relations 9.61% Exhibits Development and Membership 70.65% 16.89%Endowment 10.56% 70.65% Distribution 14.73% | ContributionsEndowment Collections and Public Programs Distribution Conservation 14.73% | Contributions 8.83% 3.11% | Retail Sales IT and 3.11% | Retail Sales 16.28% Facilities Administration | Membership Dues 3.22% | Membership Dues 3.22% and Operations 1.95% | Admissions 1.95% | Admissions .75% | Other .75% | Other 5.27% IHS Press .63% | Conferences, .63% | Conferences, 3.07% 3.30% Meetings, Workshops Meetings, Workshops Events History Market .20% | Microfilm and Visual Collection .20% | Microfilm and Visual Collection Budget Expenses Revenue and Other SupportRevenue and Other Support$7,789,342 12.44% 11.85% Marketing Marketing 13.75% and Public 12.44% and Public 10.33% Exhibits Relations 9.61% Marketing13.
    [Show full text]
  • Hoosier Women at Work for the Vote
    http://www.in.gov/history/hoosierwomenatwork.htm Hoosier Women at Work for the Vote Coming to Indiana University, Bloomington SPRING 2020 We want to make the 2020 commemoration of women’s suffrage the most exciting conference yet. We will not host a HWW conference in . 2019 in order to prepare and to give everyone time to gather stories FRIDAY, APRIL 6, 2018 of the work Indiana women did to gain suffrage and equal rights. HARRISON CENTER FOR THE ARTS So let’s get to work! Let’s dig through newspapers, letters, INDIANAPOLIS photographs, and interviews; compare, analyze, interpret, write, post, and publish; and push back, organize, and speak up to tell the stories of Indiana women. These are the stories that in turn inform the national narrative of who we are as Americans and world citizens. Half the story is missing! See you in 2020. Hoosier Women at Work 2018 Thank you for joining us in the much needed work of including women in the story of the Hoosier state. On paper historians agree that including the histories of women and other marginalized groups provides a more complete understanding of the events that shape our communities, state, and world. However, in practice, very few historians are researching, publishing, or posting on women’s history. Having identified a dearth of resources on Indiana women’s history, organizers from various institutions, both public and private, came together to create this conference. The Harrison Center is pleased to present “Bubbling Over.” The exhibition highlights the work of women in the arts in conjunction with the third annual Hoosier Women at Work Conference.
    [Show full text]
  • “That's Part of the Charm of a Hoosier Salon Annual
    HOOSIER SALON Broad Ripple gallery o f works submitted “THAT'S PART OF THE CHARM OF A HOOSIER SALON but not accepted into the annual exhibi­ ANNUAL EXHIBITION,” SAID DOLE. “YOU WILL SEE tion. The name (literally an exhibition o f rejects) dates back to Paris in 1863. “Our THE BEST WORK OF INDIANA’S MOST ESTABLISHED Salon Des Refuse promotes the main an­ ARTISTS, BUT YOU WILL ALSO DISCOVER NEW nual exhibition, because when you see the TALENT YOU DID NOT KNOW EXISTED.” quality o f works that weren’t accepted, it shows just how difficult it is to meet the judges’ standards,” said Donnae Dole, Dole. “Hoosier Salon would not be here the total prize money o f $4,375 in 1925, Hoosier Salon executive director. today if not for the supporters over the but Dole would like to see it get even Today the Hoosier Salon has three eighty-eight years. Just like the Daughters higher. permanent galleries, all in Indiana: in the o f Indiana in 1925, we promote Indiana Although longtime repeat exhibitors Broad Ripple area o f Indianapolis, in New artists and their art. W e want people to gain the most exposure, being accepted Harmony, and in the Charley Creek Inn appreciate the quality o f the work Indiana into the annual exhibition even once is in Wabash. All three galleries create new artists produce. But we also market and considered an honor and a distinction. exhibitions throughout the year, and all sell their work. W e want Indiana artists to Longtime art collector and current H oo­ works displayed are for sale.
    [Show full text]
  • Curriculum Vitae
    Joseph C. Blalock Jr EDUCATION: Pratt Institute, Brooklyn, NY Masters of Science in Urban Design Degree (June 1995) SUNY College of Environmental Science and Forestry, Syracuse, NY Bachelors of Landscape Architecture Degree (May 1992) Off Campus Semester in Genoa, Italy -Studied vehicular and pedestrian uses of different street types (August - December 1991) Onondaga Community College, Syracuse, NY Architecture Major (August 1987 - May 1989) -Coursework emphasis in design, drafting, construction drawing SPECILIZATION TRAINING: The Grove Consultants Int., San Francisco, CA Principles of Graphic Facilitation (October 2017) National Charrette Institute, Michigan State University NCI Charrette System Training Certificate (May 2019) ACADEMIC EXPERIENCE: Associate Professor of Landscape Architecture and Urban Design Ball State University, College of Architecture and Planning Muncie, IN (August 2008 - Present) Executive Director – CAP Indianapolis Center (January 2021 – Present) Graduate Program Director – Master of Urban Design (July 2019 – December 2020) Department Chair and Irving Distinguished Professor (January 2015 – June 2018) Graduate Program Director and Advisor – Master of Landscape Architecture (July 2014 – December 2014; July 2009 – May 2013) Director / Facilitator, CAP Simulation Lab A research facility including a High-end PC & Mac lab and an Immersive 3D Stereo visualization wall. (2007-2008) Internship Coordinator Act as a liaison between students and prospective employers for curricular required program. (2002-2008) Assistant Professor of Landscape Architecture (August 1999 - 2008) Courses Include: Design Studios: Comprehensive Design Studio (Graduate MLA Program) Urban Design Studio (Undergraduate and Graduate MUD Program) Community and Housing Studio Site Design Studio (Graduate MLA Program) Planting Design Studio Common First Year Studios Engineering Courses: Landscape Architectural Engineering 1 – Site grading and surface drainage.
    [Show full text]
  • J. Ottis Adams Papers, 1882-1951 | Indianapolis Museum of Art Archives
    M001 J. Ottis Adams Papers, 1882-1951 | Indianapolis Museum of Art Archives By Eliza Sparacino Collection Overview Title: J. Ottis Adams Papers, 1882-1951 Primary Creator: Adams, J. Ottis (John Ottis) (1851-1927) Extent: 2.5 Linear Feet. Arrangement: The collection is arranged in three series: Personal and Professional Materials, Exhibition Materials, and Journals Languages: English Scope and Contents of the Materials The first series, Personal and Professional Materials, includes business cards, clippings, a postcard from the artist Clifton Wheeler, small black and white reproductions of the J. Ottis Adams painting The Gleaners, 1886, and an anonymous painting of Mary Queen of Scots, as well as the Adams family's inventories of the collection. The second series, Exhibition Materials, consists of exhibition catalogues, announcements, and art association bulletins. The last series, Journals, includes journals with articles about J. Ottis Adams, Winifred Adams, and other artists of the Hoosier Group. Collection Biographical Note The landscape painter John Ottis Adams was born in 1851 in Amity, Indiana, a small town south of Indianapolis. He attended Wabash College in 1871, but left a year later for the South Kensington Art School in London to study under John Parker. Adams returned to Indiana in 1876, eventually settling in Muncie. In 1880 Adams returned to Europe, traveling to the Royal Academy in Munich to study with Gyula Benczúr. In Munich, Adams met two other painters from Indiana, Theodore Clement (T. C.) Steele and William Forsyth. After seven years in Munich, Adams returned to Muncie and opened an art school there with Forsyth. Adams also taught classes in Union City and Fort Wayne, Indiana.
    [Show full text]