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Hoosier Hard Times - Life Was a Strange, Colorful Kaleidoscopic Welter Then
one Hoosier Hard Times - Life was a strange, colorful kaleidoscopic welter then. It has remained so ever since. A HOOSIER HOLIDAY since her marriage in 1851, Sarah Schänäb Dreiser had given birth al- most every seventeen or eighteen months. Twelve years younger than her husband, this woman of Moravian-German stock had eloped with John Paul Dreiser at the age of seventeen. If the primordial urge to reproduce weren’t enough to keep her regularly enceinte, religious forces were. For Theodore Dreiser’s father, a German immigrant from a walled city near the French border more than ninety percent Catholic, was committed to prop- agating a faith his famous son would grow up to despise. Sarah’s parents were Mennonite farmers near Dayton, Ohio, their Czechoslovakian ances- tors having migrated west through the Dunkard communities of German- town, Bethlehem, and Beaver Falls, Pennsylvania. Sarah’s father disowned his daughter for marrying a Catholic and converting to his faith. At 8:30 in the morning of August 27, 1871, Hermann Theodor Dreiser became her twelfth child. He began in a haze of superstition and summer fog in Terre Haute, Indiana, a soot-darkened industrial town on the banks of the Wabash about seventy-five miles southwest of Indianapolis. His mother, however, seems to have been a somewhat ambivalent par- ent even from the start. After bearing her first three children in as many years, Sarah apparently began to shrink from her maternal responsibilities, as such quick and repeated motherhood sapped her youth. Her restlessness drove her to wish herself single again. -
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Respectable Folly Garrett, Clarke Published by Johns Hopkins University Press Garrett, Clarke. Respectable Folly: Millenarians and the French Revolution in France and England. Johns Hopkins University Press, 1975. Project MUSE. doi:10.1353/book.67841. https://muse.jhu.edu/. For additional information about this book https://muse.jhu.edu/book/67841 [ Access provided at 2 Oct 2021 03:07 GMT with no institutional affiliation ] This work is licensed under a Creative Commons Attribution 4.0 International License. HOPKINS OPEN PUBLISHING ENCORE EDITIONS Clarke Garrett Respectable Folly Millenarians and the French Revolution in France and England Open access edition supported by the National Endowment for the Humanities / Andrew W. Mellon Foundation Humanities Open Book Program. © 2019 Johns Hopkins University Press Published 2019 Johns Hopkins University Press 2715 North Charles Street Baltimore, Maryland 21218-4363 www.press.jhu.edu The text of this book is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License: https://creativecommons.org/licenses/by-nc-nd/4.0/. CC BY-NC-ND ISBN-13: 978-1-4214-3177-2 (open access) ISBN-10: 1-4214-3177-7 (open access) ISBN-13: 978-1-4214-3175-8 (pbk. : alk. paper) ISBN-10: 1-4214-3175-0 (pbk. : alk. paper) ISBN-13: 978-1-4214-3176-5 (electronic) ISBN-10: 1-4214-3176-9 (electronic) This page supersedes the copyright page included in the original publication of this work. Respectable Folly RESPECTABLE FOLLY M illenarians and the French Revolution in France and England 4- Clarke Garrett The Johns Hopkins University Press BALTIMORE & LONDON This book has been brought to publication with the generous assistance of the Andrew W. -
William Blake, Thomas Thorild and Radical Swedenborgianism
William Blake, Thomas Thorild and Radical Swedenborgianism ROBERT WILLIAM RIX I. On 14 April 1789, the English poet and painter William Blake (1757-1827) and his wife, Catherine, attended the First General Conference of the Swedenborgian New Jerusalem Church at the chapel in Great Eastcheap (now Cannon Street) in London's East End. The conference was held in response to a circular letter of 7 December 1788, which had been distributed in 500 copies to "all the readers of the Theological Writings of the Hon. Emanuel Swedenborg, who are desirous of rejecting, and separating themselves from, the Old Church, or the present Established Churches." The letter drew up forty-two propositions outlining the terms for a separation and was signed by the Blakes as a prerequisite for attendance. The Swedenborgian Church is the only religious institution we have any record of Blake ever having attended. However, his affiliation was not lasting. His scathing satire on Swedenborg, The Marriage of Heaven and Hell (produced in 1790, if we are to trust the date Blake scribbled in blue ink on copy K of this work), stands 1 It is important to note that the Blakes signed as sympathisers, not as Church members. Among the seventy-seven signers, fifty-six were actual members, while the eighteen other names (among which we find William and Catherine) did not commit themselves to membership. The document and other papers related to the New Jerusalem Church have been reprinted in "New Jerusalem" 121-32. 97 William Blake, Thomas Thorild and Radical Swedenborgianism as a testimony to the break.2 Blake had an interest in Swedenborg since the late 1780s when he annotated several of the prophet's books. -
A Regional Study of Secular and Sectarian Orphanages and Their Response to Progressive Era Child-Saving Reforms, 1880-1930
Closer Connections: A Regional Study of Secular and Sectarian Orphanages and Their Response to Progressive Era Child-Saving Reforms, 1880-1930 A dissertation submitted to the Graduate School of the University of Cincinnati in partial fulfillment of the requirements for the degree of Doctor of Philosophy In the Department of History of the College of Arts and Sciences by Debra K. Burgess B.A. University of Cincinnati June 2012 M.A. University of Cincinnati April 2014 Committee Chair: Mark A. Raider, Ph.D. 24:11 Abstract Closer Connections: A Regional Study of Secular and Sectarian Orphanages and Their Response to Progressive Era Child-Saving Reforms, 1880-1930 by Debra K. Burgess Child welfare programs in the United States have their foundation in the religious traditions brought to the country up through the late nineteenth century by immigrants from many European nations. These programs were sometimes managed within the auspices of organized religious institutions but were also found among the ad hoc efforts of religiously- motivated individuals. This study analyzes how the religious traditions of Catholicism, Judaism, and Protestantism established and maintained institutions of all sizes along the lines of faith- based dogma and their relationship to American cultural influences in the Midwest cities of Cincinnati, Cleveland, and Pittsburgh during the period of 1880-1930. These influences included: the close ties between (or constructive indifference exhibited by) the secular and sectarian stakeholders involved in child-welfare efforts, the daily needs of children of immigrants orphaned by parental disease, death, or desertion, and the rising influence of social welfare professionals and proponents of the foster care system. -
84.1966.1 Birthplace of Paul Dresser (1859-1906) 84.1966.3 Birthplace of Paul Dresser (1859) Vigo County Marker Text Review Report 3/21/2013
84.1966.1 Birthplace of Paul Dresser (1859-1906) 84.1966.3 Birthplace of Paul Dresser (1859) Vigo County Marker Text Review Report 3/21/2013 Marker Texts Composer of Indiana State Song, “On the Banks of the Wabash,” and other songs popular in the Gay Nineties. His famous brother, Theodore Dreiser, wrote An American Tragedy and other novels. Composer of Indiana State Song, “On the Banks of the Wabash,” “My Gal Sal,” and many more, popular in the gay 90’s era. His famous brother, author Theodore Dreiser, wrote An American Tragedy and other novels. Report The markers commemorating Paul Dresser (born Dreiser) have been reviewed because their files contained inadequate primary sources to verify the marker texts. This report also provides additional information about Dresser and the significance of his song “On the Banks of the Wabash.” Both markers report Dresser’s birth date in 1859, but sources disagree and claim that he was born in 1857, 1858, or 1859.1 The U.S. Federal Census for the years 1860, 1870, and 1880 all list his birth year as “about 1858.” Both the 1860 and 1880 census records place him in Terre Haute, Indiana, but newspapers disagree on the exact location of his birth.2 A pamphlet issued by the Vigo County Historical Society states that the house he reportedly grew up in was moved to Fairbanks Park on Dresser Dr. in Terre Haute in the 1960s, where it still stands today.3 The rest of the text is accurate for both markers, but each omits quite a bit of detail regarding Dresser’s life. -
Issue 140 (Oct 2007)
The Charles Lamb Bulletin The Journal of the Charles Lamb Society Oct 2007 New Series No. 140 Contents Articles DUNCAN WU: Correcting the Lambs’ Tales: A Printer’s Records 150 JAMES VIGUS: Teach yourself guides to the literary life, 1817-1825: Coleridge, DeQuincey, and Lamb 152 RICHARD LINES: Coleridge and Charles Augustus Tulk 167 EDMUND GARRATT: ‘published at the request of a poet of great and deserved celebrity’: Samuel Taylor Coleridge’s Kubla Khan and the 1816 Edinburgh Review 180 Reviews Felicity James on Mad Mary Lamb: Lunacy and Murder in Literary London By Susan Tyler Hitchcock 184 Society Notes and News from Members CHAIRMAN’S NOTES 187 150 Correcting the Lambs’ Tales: A Printer’s Records By DUNCAN WU This year marks the bicentenary of Charles and Mary Lamb’s most enduringly popular publication, Tales from Shakespear, which was published by M. J. Godwin and company,1 and has not been out of print since. At one point the Tales were to have been published anonymously but William Godwin persuaded Charles to place his name on the title-page. Mary, who wrote most of the stories, did not appear on the title-page for many years. As Charles told Wordsworth, ‘I am answerable for Lear, Macbeth, Timon, Romeo, Hamlet, Othello, for occasionally a tail piece or correction of grammar, for none of the cuts and all of the spelling. The rest is my Sister’s.’2 The Tales are evidence of their great love of children, something reflected throughout their lives. Posing for Hazlitt’s great Venetian senator portrait in John Hazlitt’s studio in 1806, Lamb became very attached to Harriet Hazlitt, John Hazlitt’s young daughter. -
Christianity and Vegetarianism 1809 – 2009
EDEN’S DIET: CHRISTIANITY AND VEGETARIANISM 1809 – 2009 by SAMANTHA JANE CALVERT A thesis submitted to the University of Birmingham for the degree of DOCTOR OF PHILOSOPHY Department of Theology and Religion School of Philosophy, Theology and Religion College of Arts and Law University of Birmingham June 2012 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT The vegetarian teachings of the Salvation Army, Quakers, the Seventh Day Adventists and other Christian groups have been largely neglected by academics. This study takes a prosopographical approach to the development of modern Christian vegetarianism across a number of Christian vegetarian sects, and some more mainstream traditions, over a period of two centuries. The method allows for important points of similarity and difference to be noted among these groups’ founders and members. This research contributes particularly to radical Christian groups’ place in the vegetarian movement’s modern history. This study demonstrates how and why Christian vegetarianism developed in the nineteenth century and to what extent it influenced the secular vegetarian movement and wider society. It contextualizes nineteenth-century Christian vegetarianism in the wider movement of temperance, and considers why vegetarianism never made inroads into mainstream churches in the way that the temperance movement did. -
EMAIL Community Welcome Packet
k at T oo er L r a Chicago e 3.5 hours g H n a i INDIANA OHIO u Indianapolis k 1 hour t a ILLINOIS Cincinnati e 3 hours T Terre Haute Louisville St. Louis 3 hours MISSOURI 2.5 hours KENTUCKY We invite you to take a closer look at Terre Haute. You’ll nd there’s a lot more than meets the eye and even more reasons to stay. Welcome Dear Friend, On behalf of the over 790 members of the Terre Haute Chamber of Commerce, we are pleased to provide you with information about Terre Haute. As the heart of the Wabash Valley, Terre Haute serves over a quarter-of-a-million residents throughout 16 counties as a major regional shopping, healthcare, manufacturing, and service hub in West Central Indiana. Terre Haute is a modern Midwest city with a proud heritage. Located along the beautiful Wabash River in Vigo County, Indiana, we are a progressive and vibrant community with a bright vision for the future. We are also home to a wide array of small, medium and Fortune 500 industries, four colleges, a state university, state-of-the-art public schools, wonderful parks, great shopping, a variety of restaurants and an experienced and educated workforce. Throughout this booklet, you will nd a variety of information, providing valuable details on many aspects of our community, including education, industry and recreation. If you feel this information does not adequately answer your questions about our ne city, please feel free to contact us and we will be happy to provide additional details. -
Summit Herald, Summit
f * COMBINING The Summit Herald, Summit . Record, Summit Press and n Summit News-Quide OFFICIAL: Official Newspaper ot City and Subscription $2.00, a Year County. Published Thursday A, M. by-The Summit Publishing Co., 357 Telephone Summit 6-6300 Springfield Avenue. Entered at the Mailed In conformity with P, 0. D. Post Office, Summit, N. J., aa 2itf Order No. 19087. Class Matter. EDWIN CARTER, 5 CENTS 55th Year. No. 9 FRED L. PALMER, Editor &; Publisher THURSDAY, AUGUST 12, 1943 J. Business Mgr. & Publisher Gas or No Gas NEW INVENTION SPEEDS MAKING OF SURGICAL DRESSINGS Sunday School Circus Selectee List ~Auto Inspection""" Imposed Here Coming To Town; Made Public Is Still Required Beginning August 23 Two Shows Saturday By Draft Board A 48-hour week was imposed Robert Ringling's "Spangles," tlie Selective Service Board No. 1, l!l In the .Inly 29th issue of The circus in tlie continental manner, Maple street, made public thin Herald it was stated that we/had Friday on Summit, New Providence Borough and Township as part of will close next Tuesday after Its* week the names of registrants ac- relayed to H. VVr MeGee, Commis- cepted for the Army, Navy, MajincH the Newark area by the War Man- New York engagement, at Madison sioner of Motar Vehicles for the and Coast Guard, following their power Commission. The order is Square Gariien. Here in Summit, .State of New Jersey, thi) feelings the Hunt Brothers' Circus, which physical examination and induc- effective August 23 and is manda- expressed hy many Summit resi- the actors and working-men in the tion in Newark, July 31. -
Chapter Outline
CHAPTER TWO: “AFTER THE BALL”: POPULAR MUSIC OF THE NINETEENTH AND EARLY TWENTIETH CENTURIES Chapter Outline I. Minstrelsy A. The minstrel show 1. The first form of musical and theatrical entertainment to be regarded by European audiences as distinctively American in character 2. Featured mainly white performers who artificially blackened their skin and carried out parodies of African American music, dance, dress, and dialect 3. Emerged from rough-and-tumble, predominantly working-class neighborhoods such as New York City’s Seventh Ward, commercial urban zones where interracial interaction was common 4. Early blackface performers were the first expression of a distinctively American popular culture. B. George Washington Dixon 1. The first white performer to establish a wide reputation as a “blackface” entertainer 2. Made his New York debut in 1828 3. His act featured two of the earliest “Ethiopian” songs, “Long Tail Blue” and “Coal Black Rose.” CHAPTER TWO: “AFTER THE BALL”: POPULAR MUSIC OF THE NINETEENTH AND EARLY TWENTIETH CENTURIES a) Simple melodies from European tradition C. Thomas Dartmouth Rice (1808–60) 1. White actor born into a poor family in New York’s Seventh Ward 2. Demonstrated the potential popularity and profitability of minstrelsy with the song “Jim Crow” (1829), which became the first international American song hit 3. Sang this song in blackface while imitating a dance step called the “cakewalk,” an Africanized version of the European quadrille (a kind of square dance) 4. The cakewalk was developed by slaves as a parody of the “refined” dance movements of the white slave owners. a) The rhythms of the music used to accompany the cakewalk exemplify the principle of syncopation. -
Wabash River Heritage Corridor Management Plan 2004
Wabash River Heritage Corridor Management Plan 2004 Wabash River Heritage Corridor Commission 102 North Third Street, Suite 302 Lafayette, IN 47901 www.in.gov/wrhcc www.in.gov/wrhcc 1 WABASH RIVER HERITAGE CORRIDOR MANAGEMENT PLAN - TABLE OF CONTENTS Page Acknowledgements …………………………………………………………… 2 Executive Summary …………………………………………………………… 3 Introduction …………………………………………………………………… 5 Wabash River Heritage Corridor Fund …………………………………… 6 Past Planning Process ………………………………………………….... 7 The Vision and Need for a Revised Corridor Management Plan …………… 8 VALUES ……………………………………………………………………. 9 Land Use and Population – Resource Description …………………………… 10 Land Use - Implementation Strategies and Responsibilities …………………… 12 Case Study – Land Use Planning Approach in Elkhart County…………………… 13 Natural Resources – Resource Description …………………………… 15 Natural Resource Implementation Strategies and Responsibilities ……………….. 19 and Best Management Practices Historical/Cultural Overview and Resources …………………………… 23 Historic Resources Implementation Strategies and Responsibilities …………… 27 Historic Preservation Successes in the Wabash River Heritage Corridor ………… 28 Recreation Overview and Resources …………………………………… 30 Recreation Implementation Strategies and Responsibilities …………………… 31 Corridor Connections and Linkages …………………………………… 33 Corridor Trail Linkages – Overview and Resources …………………… 33 Trail Implementation Strategies and Responsibilities …………………………… 33 River/Watertrail Linkages - Overview and Resources …………………… 34 Watertrail Implementation Strategies -
You Are There 1914 the Violin Maker Upstairs Popular Music of the 1900S
CURRICULUM GUIDE Popular Music of the 1900s by Bob Guernsey and Jane Hedeen for the Indiana Historical Society Indiana Experience You Are There 1914 The Violin Maker Upstairs This is a publication of the Indiana Historical Society Eugene and Marilyn Glick Indiana History Center 450 West Ohio Street Indianapolis, IN 46202-3269 USA Teacher Resource available online: http://www.indianahistory.org Cover Image: “Mr. and Mrs. Joseph Conrath in the Violin Shop ” (Indiana Historicl Society, Digital Image Collections, Item ID: P0404_FOLDER1_MR_AND_MRS_CONRATH) Copyright 2010 Indiana Historical Society All rights reserved Except for copying portions of the teacher resources by educators for classroom use, or for quoting of brief passages for re- views, no part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording, or otherwise), without written permission of the copyright owner. All inquiries should be addressed to the Public Programs Division, Indiana Historical Society. Introduction States joined the Allied powers of Serbia, Russia, This lesson coordinates with the You Are There France, and Great Britain in declaring war on the 1914: The Violin Maker Upstairs component of the Central powers of Germany and Austria-Hungary. Indiana Experience at the Eugene and Marilyn Glick Leading up to and after America’s entry into the Indiana History Center in Indianapolis. In this war, there was growing anti-German sentiment in experience, visitors are invited to step back in time the United States. to 1914 to visit the re-created workshop of stringed This curriculum is intended to provide historical instrument maker Joseph Conrath.