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RACE, SPACE, and PLACE: the RELATION BETWEEN ARCHITECTURAL MODERNISM, POST-MODERNISM, URBAN PLANNING, and GENTRIFICATION Keith A
RACE, SPACE, AND PLACE: THE RELATION BETWEEN ARCHITECTURAL MODERNISM, POST-MODERNISM, URBAN PLANNING, AND GENTRIFICATION Keith Aoki * [Cite as: 20 Fordham Urb. L.J. 699 (1993)] Introduction Gentrification in United States urban housing markets of the 1970s, 1980s, and 1990s continues to be a controversial and complex phenomenon. [FN1] During the past twenty years, gentrification's effects on the core cities of the U.S. have been analyzed and evaluated many times over. [FN2] Descriptions of gentrification have spanned the ideological *700 spectrum, from laudatory embraces of gentrification as the solution to urban decline to denunciatory critiques of gentrification as another symptom of the widening gulf between the haves and the have- nots in America. [FN3] This Article critiques gentrification, adding an additional explanatory element to the ongoing account of the dynamics of American cities in the 1990s. The additional element is the relevance of a major aesthetic realignment in architecture and urban planning from a modernist to a post-modernist ideology in the 1970s and 1980s. This shift involved an aesthetic and economic revaluation of historical elements in older central city buildings, which accelerated the rate of gentrification, displacement, and abandonment. This Article describes how certain shifts in the aesthetic ideology [FN4] of urban planners and architects affected suburban and urban spatial distribution in the United States during the nineteenth and twentieth centuries. These ideological shifts arose from deeply embedded American attitudes toward city and rural life that had emerged in American town planning and architectural theory and practice by the mid-nineteenth century. Part I of this Article examines the emergence of an anti-urban Arcadian strand in nineteenth century American town planning rhetoric. -
The Challenges of Parametric Design in Architecture Today: Mapping the Design Practice
The Challenges of Parametric Design in Architecture Today: Mapping the Design Practice A thesis submitted to The University of Manchester for the degree of Master of Philosophy (MPhil) in the Faculty of Humanities 2012 Yasser Zarei School of Environment and Development Table ooofof Contents CHAPTER 1: INTRODUCTION Introduction to the Research ....................................................................................................................... 8 CHAPTER 2: THE POSITION OF PARAMETRICS 2.1. The State of Knowledge on Parametrics ............................................................................................. 12 2.2. The Ambivalent Nature of Parametric Design ..................................................................................... 17 2.3. Parametric Design and the Ambiguity of Taxonomy ........................................................................... 24 CHAPTER 3: THE RESEARCH METHODOLOGY 3.1. The Research Methodology ................................................................................................................ 29 3.2. The Strategies of Data Analysis ........................................................................................................... 35 CHAPTER 4: PARAMETRIC DESIGN AND THE STATUS OF PRIMARY DRIVERS The Question of Drivers (Outside to Inside) ............................................................................................... 39 CHAPTER 5: MAPPING THE ROLES IN THE PROCESS OF PARAMETRIC DESIGN 5.1. The Question Of Roles (Inside to Outside) -
Mid-Twentieth Century Architecture in Alaska Historic Context (1945-1968)
Mid-Twentieth Century Architecture in Alaska Historic Context (1945-1968) Prepared by Amy Ramirez . Jeanne Lambin . Robert L. Meinhardt . and Casey Woster 2016 The Cultural Resource Programs of the National Park Service have responsibilities that include stewardship of historic buildings, museum collections, archeological sites, cultural landscapes, oral and written histories, and ethnographic resources. The material is based upon work assisted by funding from the National Park Service. Any opinions, findings, and conclusions or recommendations expressed in this material are those of the author and do not necessarily reflect the views of the Department of the Interior. Printed 2018 Cover: Atwood Center, Alaska Pacific University, Anchorage, 2017, NPS photograph MID-TWENTIETH CENTURY ARCHITECTURE IN ALASKA HISTORIC CONTEXT (1945 – 1968) Prepared for National Park Service, Alaska Regional Office Prepared by Amy Ramirez, B.A. Jeanne Lambin, M.S. Robert L. Meinhardt, M.A. and Casey Woster, M.A. July 2016 Table of Contents LIST OF ACRONYMS/ABBREVIATIONS ............................................................................................... 5 EXECUTIVE SUMMARY ........................................................................................................................... 8 1.0 PROJECT DESCRIPTION ..................................................................................................................... 9 1.1 Historic Context as a Planning & Evaluation Tool ............................................................................ -
Architectural Styles/Types
Architectural Findings Summary of Architectural Trends 1940‐70 National architectural trends are evident within the survey area. The breakdown of mid‐20th‐ century styles and building types in the Architectural Findings section gives more detail about the Dayton metropolitan area’s built environment and its place within national architectural developments. In American Architecture: An Illustrated Encyclopedia, Cyril Harris defines Modern architecture as “A loosely applied term, used since the late 19th century, for buildings, in any of number of styles, in which emphasis in design is placed on functionalism, rationalism, and up‐to‐date methods of construction; in contrast with architectural styles based on historical precedents and traditional ways of building. Often includes Art Deco, Art Moderne, Bauhaus, Contemporary style, International Style, Organic architecture, and Streamline Moderne.” (Harris 217) The debate over traditional styles versus those without historic precedent had been occurring within the architectural community since the late 19th century when Louis Sullivan declared that form should follow function and Frank Lloyd Wright argued for a purely American expression of design that eschewed European influence. In 1940, as America was about to enter the middle decades of the 20th century, architects battled over the merits of traditional versus modern design. Both the traditional Period Revival, or conservative styles, and the early 20th‐century Modern styles lingered into the 1940s. Period revival styles, popular for decades, could still be found on commercial, governmental, institutional, and residential buildings. Among these styles were the Colonial Revival and its multiple variations, the Tudor Revival, and the Neo‐Classical Revival. As the century progressed, the Colonial Revival in particular would remain popular, used as ornament for Cape Cod and Ranch houses, apartment buildings, and commercial buildings. -
Architectural Resourcesresources
CHAPTER2 ARCHITECTURALARCHITECTURAL RESOURCESRESOURCES Key features of historic resources should be preserved. This chapter presents a historic overview and identifies the key features of architectural styles found in San Jose: • Vernacular or National p. 17 • Italianate and Italianate Cottage p. 18 • Greek Revival p. 19 • Carpenter Gothic or Folk Victorian p. 19 • Queen Anne p. 20 • Stick p. 21 • Shingle p. 22 • Neoclassical p. 23 • Colonial Revival p. 24 • Dutch Colonial Revival p. 24 • Craftsman p. 25 • Bungalow p. 26 • Prairie p. 27 • Tudor Revival p. 28 • Mission Revival p. 28 • Spanish Eclectic or Spanish Colonial Revival or Mediterranean Revival p. 29 • Italian Renaissance p. 30 • Art Deco p. 30 • Art Moderne p. 31 • International p. 31 • Mid-Century Modern p. 32 Guide for Preserving San Jose Homes Chapter 2: Architectural Resources CHAPTER 2 ARCHITECTURALARCHITECTURAL RESOURCESRESOURCES Individual building features are important to the character of San Jose. The mass and scale, form, materials and architectural details of the buildings are the elements that distinguish one architectural style from another, or even older neighborhoods from newer developments. This chapter presents an overview of those important elements of the built environment which make up San Jose. This includes a brief history of development, as well as a summary of the different types and styles of architecture found in its neighborhoods. Brief History Vendome neighborhood, just to the northwest of the The settlement of the Santa Clara Valley by Euro- present-day Hensley Historic District. This original site Americans began in 1769 with an initial exploration was subjected to severe winter flooding during the first of the valley by Spanish explorers. -
Architecture Overview and Activities
Educational Material Architecture Overview and Activities What is architecture? As defined by Merriam-Webster architecture is: 1. the art or science of building, specifically: the art or practice of designing and building structures and especially habitable ones. 2. a: formation or construction resulting from or as if from a conscious act (the architecture of the garden) b: a unifying or coherent form or structure (the novel lacks architecture) 3. architectural product or work. 4. a method or style of building. 5. the manner in which the components of a computer or computer system are organized and integrated Architectural style refers to the visual appearance of a building and not its function. Style is often influenced by values and aspirations held by a society or a community. Certain designs may serve as metaphors or symbols of what a particular group of people value, of what they consider important. For example, when the Pilgrims first settled in Massachusetts in 1620 they built structures that served their immediate needs: shelter and places of worship. Creating these particular buildings reflected their collective desire for a new home (building a house creates a feeling of permanence and stability) and freedom to worship as they liked. As more people settled in America they brought their own cultural styles and ideas which have continued to influence architectural design. Who Builds Great Buildings? Most of the world’s great buildings have been designed by architects. But there are many other buildings, including many homes, which were built by builders with no architectural training. These builders have sometimes used published plans created by architects or have created their own. -
Frank Lloyd Wright's
Usonia, N E W Y O R K PROOF 1 Usonia, N E W Y O R K Building a Community with Frank Lloyd Wright ROLAND REISLEY with John Timpane Foreword by MARTIN FILLER PRINCETON ARCHITECTURAL PRESS, NEW YORK PROOF 2 PUBLISHED BY This publication was supported in part with PRINCETON ARCHITECTURAL PRESS funds from the New York State Council on the 37 EAST SEVENTH STREET Arts, a state agency. NEW YORK, NEW YORK 10003 Special thanks to: Nettie Aljian, Ann Alter, Amanda For a free catalog of books, call 1.8... Atkins, Janet Behning, Jan Cigliano, Jane Garvie, Judith Visit our web site at www.papress.com. Koppenberg, Mark Lamster, Nancy Eklund Later, Brian McDonald, Anne Nitschke, Evan Schoninger, © Princeton Architectural Press Lottchen Shivers, and Jennifer Thompson of Princeton All rights reserved Architectural Press—Kevin C. Lippert, publisher Printed in China First edition Library of Congress Cataloging-in-Publication Data Reisley, Roland, – No part of this book may be used or reproduced in any Usonia, New York : building a community with manner without written permission from the publisher Frank Lloyd Wright / Roland Reisley with John except in the context of reviews. Timpane ; foreword by Martin Filler. p. cm. Every reasonable attempt has been made to identify isbn --- owners of copyright. Errors or omissions will be corrected . Usonian houses—New York (State)—Pleasant- in subsequent editions. ville. Utopias—New York (State)—Pleasantville— History. Architecture, Domestic—New York All photographs © Roland Reisley unless otherwise (State)—Pleasantville. Wright, Frank Lloyd, indicated. –—Criticism and interpretation. i. Title: Usonia. ii. Timpane, John Philip. iii. -
Architectural Findings
Architectural Findings Summary of Architectural Trends 1940‐70 National architectural trends are evident within the survey area. The breakdown of mid‐20th‐ century styles and building types in the Architectural Findings section gives more detail about the Dayton metropolitan area’s built environment and its place within national architectural developments. In American Architecture: An Illustrated Encyclopedia, Cyril Harris defines Modern architecture as “A loosely applied term, used since the late 19th century, for buildings, in any of number of styles, in which emphasis in design is placed on functionalism, rationalism, and up‐to‐date methods of construction; in contrast with architectural styles based on historical precedents and traditional ways of building. Often includes Art Deco, Art Moderne, Bauhaus, Contemporary style, International Style, Organic architecture, and Streamline Moderne.” (Harris 217) The debate over traditional styles versus those without historic precedent had been occurring within the architectural community since the late 19th century when Louis Sullivan declared that form should follow function and Frank Lloyd Wright argued for a purely American expression of design that eschewed European influence. In 1940, as America was about to enter the middle decades of the 20th century, architects battled over the merits of traditional versus modern design. Both the traditional Period Revival, or conservative styles, and the early 20th‐century Modern styles lingered into the 1940s. Period revival styles, popular for decades, could still be found on commercial, governmental, institutional, and residential buildings. Among these styles were the Colonial Revival and its multiple variations, the Tudor Revival, and the Neo‐Classical Revival. As the century progressed, the Colonial Revival in particular would remain popular, used as ornament for Cape Cod and Ranch houses, apartment buildings, and commercial buildings. -
Teori Arsitektur 03
•Victorian architecture 1837 and 1901 UK •Neolithic architecture 10,000 BC-3000 BC •Jacobethan 1838 •Sumerian architecture 5300 BC-2000 BC •Carpenter Gothic USA and Canada 1840s on •Soft Portuguese style 1940-1955 Portugal & colonies •Ancient Egyptian architecture 3000 BC-373 AD •Queenslander (architecture) 1840s–1960s •Ranch-style 1940s-1970s USA •Classical architecture 600 BC-323 AD Australian architectural styles •New towns 1946-1968 United Kingdom Ancient Greek architecture 776 BC-265 BC •Romanesque Revival architecture 1840–1900 USA •Mid-century modern 1950s California, etc. Roman architecture 753 BC–663 AD •Neo-Manueline 1840s-1910s Portugal & Brazil •Florida Modern 1950s or Tropical Modern •Architecture of Armenia (IVe s - XVIe s) •Neo-Grec 1848 and 1865 •Googie architecture 1950s USA •Merovingian architecture 400s-700s France and Germany •Adirondack Architecture 1850s New York, USA •Brutalist architecture 1950s–1970s •Anglo-Saxon architecture 450s-1066 England and Wales •Bristol Byzantine 1850-1880 •Structuralism 1950s-1970s •Byzantine architecture 527 (Sofia)-1520 •Second Empire 1865 and 1880 •Metabolist Movement 1959 Japan •Islamic Architecture 691-present •Queen Anne Style architecture 1870–1910s England & USA •Arcology 1970s-present •Carolingian architecture 780s-800s France and Germany Stick Style 1879-1905 New England •Repoblación architecture 880s-1000s Spain •Structural Expressionism 1980s-present Eastlake Style 1879-1905 New England •Ottonian architecture 950s-1050s Germany Shingle Style 1879-1905 New England •Postmodern architecture 1980s •Russian architecture 989-1700s •National Park Service Rustic 1872–present USA •Romanesque architecture 1050-1100 •Deconstructivism 1982–present •Chicago school (architecture) 1880s and 1890 USA •Norman architecture 1074-1250 •Memphis Group 1981-1988 •Neo-Byzantine architecture 1882–1920s American •Blobitecture 2003–present •Gothic architecture •Art Nouveau/Jugendstil c. -
Discover Historic Wichita! Booklet
KEY: WICHITA REGISTER OF WRHP - HISTORIC PLACES REGISTER OF HISTORIC RHKP - KANSAS PLACES NATIONAL REGISTER OF NRHP - HISTORIC PLACES For more information contact: Historic Preservation Office Metropolitan Area Planning Department 10th Floor-City Hall 455 N. Main Wichita, Kansas 67202 (316) 268-4421 www.wichita.gov ind out more about Wichita’s history on the Discover Historic Wichita! guided F trolley tour. 316-352-4809 INTRODUCTION Discover Historic Wichita was first published in 1997. A second edition was printed in 2002 with a few minor changes. Since that printing, Wichita property owners have expressed a growing interest in listing their properties in the Register of Historic Kansas Places (RHKP) and the National Register of Historic Places (NRHP) and many have been added. Also, a commercial area, the Warehouse and Jobbers District, was listed in 2003 and Wichita’s four historic districts were listed in the RHKP and NRHP in 2004. In this latest edition additional research was conduct- ed to ensure accuracy. The brochure is organized alphabetically by the name of the structure. The entries are also numbered to correspond with locations on the map found at the front of the brochure. An online publication of the Discover Historic Wichita brochure is updated as properties and/or his- toric districts are added to Wichita’s inventory of list- ed properties. The current version is on the Historic Preservation Office website at http://www.wichita. gov/Residents/History/. Biographical notes of relevant architects have been added to this brochure. Wichita’s periods of economic boom and bust brought these professionals to town to take advantage of building surges. -
Historic Architectural Treasures
TOUR Laramie & Albany County, Wyoming Historic architectural treasures of the gem city of the plains TOUR Laramie & Albany County, Wyoming Welcome! Once upon a time, kings and queens embarked upon royal These turbulent early years of the Gem City of the Plains (a tours to visit the distant corners of their realm. Today we invite nickname bestowed in the early 1870s by the publisher of a you to walk no more than a few short blocks to meet Laramie’s local newspaper) left a colorful legacy that continues to attract special brand of “royalty” – magnificent Victorian, Queen visitors to Laramie’s historic downtown, its museums, and those Anne, and Tudor homes, the crown jewels of our town’s rich same Victorian homes, many of which are now listed in the architectural heritage. Each of our three tours combines a National Register of Historic Places. variety of these and other architectural styles but has a unique flavor all its own. We hope you have fun while walking on these tours that take you to some of our most architecturally historic homes. Some From its beginning, Laramie was a railroad town, and, like are prominently located on busy streets where passing traffic other “Hell-on-Wheels” towns, its early history was violent and rarely slows to admire their splendor; others are wonderful spectacular. Named for a French trapper, Jacques LaRamie, it old gems on quiet neighborhood streets, their outstanding was also one of the few end-of-the-tracks encampments along architectural elements sometimes obscured by century-old trees. the route that survived. -
L'articulation De L'architecture Et Les Téchnologies Du Numériques
Le rôle de la philosophie et des mathématiques dans le design paramétrique en architecture Mohammed Akazaf, Architecte Doctorant, Centre des Etudes Doctorales, Ecole Nationale d’Architecture de Rabat [email protected] Mouna M’hammedi Professeur Habilité, Centre des Etudes Doctorales, Ecole Nationale d’Architecture de Rabat, [email protected] Résumé L'architecture a toujours été caractérisée par des relations fortes et systématiques avec les inventions technologiques. Son histoire est bien documentée sur cette oscillation entre art et technique, deux polarités ayant chacune ses préoccupations et ses fondements philosophiques et fonctionnels. Nous sommes actuellement saisis par la diversité et l’originalité de l’architecture contemporaine à travers le monde, une architecture souvent caractérisée par des formes fluides et par des processus de réalisation non-standard. Le but de cet article est de jeter un éclairage sur les relations qui relient l’architecture aux technologies du numérique ; nous allons essayer d'expliquer comment cette mutation, générée par la révolution numérique, a été « co-pilotée » à l'origine par d'autres sciences telles que les mathématiques et la philosophie. Les signes de cette mutation remontent à la fin des années 60, années de l'avènement du microprocesseur et de la découverte en mathématiques d’autres types de géométries non euclidiennes. Il a fallu une vingtaine d’années, qui étaient nécessaires au développement des machines, pour qu'une poignée d'architectes américains adoptent ce qu’ils ont convenue comme la french theory de certains philosophes français pour définir de nouvelles écritures formelles pour l'architecture. L’esthétique architecturale du numérique design est désormais soumise à l'hégémonie de l'algorithme.